next up on gravitational waves, dj nephil brings four unrelenting bangers designed for peak hour play. a collection of tough drums and arpeggiated synths is a unifying theme and will serve those djs who want to highly energetic ebm tinged weapons

amine edge & dance have become well known for their releases on their own label cuff. by bringing new sounds to this label, they are building a reputation for some huge anthems, and it looks like their latest has arrived under bad influence‘. a hard hitting beat kicks the track off, while also flitting in with the vocals of sergy which provide a real different edge to the track. they have a soulful feeling to it, especially when the track begins to build and whenever it drops down. the vocal chops work well with the deep flowing bass line and hard hitting beat that amine edge & dance have delivered. bringing this all together with the drum samples and the various synth layers which work into the background of the track, it all seems to just provide a sense of groove, a sense of energy, a real deep underground driver. amine edge & dance deliver the goods with bad influence . dj support: felix da housecat sante lupe fuentes walker & royce severino panzetta tommy trash shiba san dj krush treasure fingers vanilla ace grant nelson

our canadian brother is popping his lph cherry with risk the rip, a four-track journey through the bouncy, beachy, wavy house boogies the guy s become notorious for. club jams at heart that have been wrapped up in gooey layers of laid-back, ethereal pads and tied off with smatterings of punchy percussion. a soundtrack for at-home relaxation masquerading as nightclub fodder or vice versa!

reissue of the classic 1973 steve miller band album on heavyweight 180 gram vinyl, housed in gatefold sleeve with download code included.

lywood has worked alongside some of the most prestigious names in art, fashion, music and film - from led zeppelin to louis vuitton, the venice biennale to the serpentine art gallery, in a career spanning over 20 years. junk sees lywood stepping into the limelight for the first time with these eight epic psychedelic dance-floor and spaced out instrumental visions. junk is inspired by vik muniz’s ground-breaking documentary waste land, which tells the story of the landfill site, jardim gramacho, on the outskirts of rio de janeiro. recycling fragments of german electronica, disco and 80’s synth from his childhood and fusing these with new, found sounds, lywood takes us on a journey through his world of junk re-imagined. five of the tracks are named after some of the largest landfill sites around the world, and trash vortex is named after the swirling mass of plastic waste the size of texas, in the north pacific. lywood stays close to muniz s mission to “change the lives of a group of people with the same material that they deal with everyday”. ** cover artwork by keith coventry, the celebrated fine artist represented by pace gallery** the debut cochabamba album comes courtesy of respected sound designer and fine artist dan lywood!

creepin in plays with the gray areas that exist between genres, contrasting with the clarity of the digital synths and over saturated analog drums. next up ineffekt is acid electro cut with thrashing percussion held together with 808 drums. red alert is the only track with a vocal. classic roland drums, deep sub and hardware synths mixed with the hypnotic vocal overlays make this one for the freaks. sky pager is slow cooked mid 90 s jacking business, the kind i m known for. 808 trash pile is an acid hammer of a cut with the drum and synth doing a maniacal game of call and response.

nice price deal !!! for this new absolut freak release, the great revelation racontage meets the californian hip-hop band the 87 stick up kids for a fantastic crossover. the french duo brings its awesome technical skills with a massive break/electro sound on the west coast flow of the kids.
supported by lady b, disco trash music, da traxer, tom deluxx, boxon records …

nice price deal !!! nice price deal !!! clear vinyl double 12 inch, including download code for the whole album.

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

one of paper disco s biggest tunes of this year has been given the all star re-rub treatment and it s a full house of dancefloor dynamite. the original has been rocking the boxes of the great and the good since it was out last year on trash the wax 2 and luke una bomber played it last month on 6 the music mif special as manchester s hot tune of the moment as well as nemone on electric ladyland.

a n a k is the second full-length from los angeles-based underground, ambient beat producer chad valencia, aka yuk, a founding member of my hollow drum dj collective. valencia is also co-founder and head chef of rising filipino pop-up restaurant lasa. (see: new wave of gives filipino food a modern spin – la weekly.) after many years of keeping his passion for culinary arts separate from his personal musical output, a n a k represents a fusion of the two as cultural movements that share the same inspiration

from the slow tough grooves, through the rolling groove with filtered themes to the more classic dub techno

in 1996 paul birken released the classic and now rare as hens teeth surfin superior double 12inch on woody mcbrides communique label. this was to be a revered and respected record that influenced many and is still talked about and played today. now, some 19 years later he follows it up with part 2. nobody works as hard at getting human sounding chattering from their machines as birken and here he treats us to 8 massive cuts of grinding techno that are as humorous as they are danceable.

nach der überraschenderweise in und um europa hervorragend aufgenommenen pace ep von marvin horsch setzt das kölner kollektiv dorfjungs nun wieder neue akzente im Überfluss der dj-kultur. wir präsentieren voller stolz das debüt des 2014 erstmals aus dem schlafzimmer ins tageslicht tretenden motip white. motip white hat für seine 12- lywer bent vier knarzig-rohe hymnen produziert, in denen prollige house-elemente und sonnen- aufgangs-kitsch aufeinander treffen. wilde sounds und mittelfinger steuern so lange gegen die klassische technowelt, bis eine wunderbare rave-melancholie entsteht. nicht zu knapp greift moe in den pathos-topf, bedient sich an trash-samples und traut sich mutige breaks, in denen alle struktur auseinanderzufallen droht, um dann mit brachialer wucht einzuschlagen. abgerundet wird die ep durch einen warmen, schwebenden remix des osnabrücker ambient-zauberers cass.

it is done. k.o. the stickiness kreeps out of the studio window. all inspiration is bundled. what stays is the trash on the carpet, the coffee cups and a last sunbeam, which is entering the scene on that late summer day. two guys knocking with theirs feet on the floor. you see them smile. the first album of kollektiv ost is ready to enter the club.

beartone records. home of bearface. house music since 2000. sounds like: west london meets nyc artists. bearface, trash can disco, bana kuba. label owner bearface (a.k.a. panasa from afrobeat duo bana kuba) initially gained recognition via roger sanchezs stealth label. defected records and vendetta followed suit, and today he is sought after for his productions and remixes.

brandnew full-length album by austrian shooting-star niereich … a must have in every recordbag!

an artefact from a perfect studio long abandoned, bok bok drops this alternative deleted mix of his new single *melbas call*. this version will be available on limited 10&#8243,,, vinyl only, as part of the night slugs white label series. both the original mix (released digitally march 31st) and this version feature kelela, the powerful vocalist behind the smash cut 4 me mixtape, released last year on fade to mind. boks instrumental melted in the trash, mangled tape dragging his cyborg funk to an excruciating, ruined memphis-like quarter-time. meanwhile kelela remains as immediate as ever, evoking r&b greats from a cannon she is clearly set to join. to be played loud and preferably in the dark.

continuing with our successful series of collected works, offspin is proud to present another mind blowing set of dance inducing tracks, full on house beats and ready to be dropped on any discerning dancefloor around the globe.

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

berlin label bright sounds debuts with 12inch release from brighton-based dj & producer myles serge, a self-described reclusive perfectionist, whose haunting production sound reflects influences from early detroit & chicago electronic music. the inside the box ep collects three stripped down & floor-ready techno cuts:building blocks continues the detroit tradition of doing a lot with a little, piecing together a groove of subtle intensity by small increment

i do not like the day.
i dance, i drink, i kill.
i want her dead for days now.
i want her head.
i am trash.

dj hero, dance music trailblazer, french canadian heartbreaker… you see the hat, you know it’s a-trak! he’s been hard at work cooking up new music just for you, and fool’s gold is proud to present them as the tuna melt ep – four tracks of inescapably catchy, high-powered electronic jams, hand grilled by trizzy in the studio with his buds tommy trash, gta, galantis and oliver. just like a-trak’s dj sets around the globe, the ep masterfully flips between styles, with the title track’s enormous festival riffs breaking down perfectly into the half time slap of landline, while the rave bounce of jumbo builds up to the ecstatic, hands-in-the-air anthem disco nap. tuna melt is easily the funkiest meal since tom’s diner, bring yer appetite and come get greasy ...
prerssing on (orange)red coloured & marbled vinyl.

schmutzig-fieser rock n roll: reissue des zweiten albums der ex-band von nick cave. pressung auf 180 gramm vinyl, inklusive bonus 7 inch und cd-version des albums.

nice price deal !!! early support from florian meindl, pierre deutchmann, sasha sonido, richie hawtin, joy kitikonti, nhb, doctor trash, a++, novamas and many others. criminal r3cords proudly put the feet on decks with a cool red-colored vinyl in line with the well colored >one-side< club tune for mass floors with big air and epic footnotes. the label owner cr3s drop out with sandless an original mix over the styles discovering a new musical essence. >final master< of the track was treated with curtesy and outstanding attention by the major austrian exponent of the club music in germany >florian meindl<.

ow triple pack one contains 11 tracks from detroit influenced minimal techno to techhouse for a special price...

the kontra-musik white label series is back with more dirty techno experiments from legendary trio frak. limited supply.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

in no other year was the end of the world as fashionable as it is in 2012. but while roland emmerich has to dig knee-deep in trash and throw millions out the window for special effects gimmickry in order to bring drama to the screen, it only takes sierra sam a freshly made studio in our comforting berlin-based upon you refuge. a newcomer to our crew, this belgian producer and label owner of toys for boys has already established his own decade-plus career, and his experience shines through clearly on uy059. the title track welcome to the blackout holds up not just on great production, but also from the mystical vocals that paris the black fu offered for this release. thats why weve included the a cappella as a digital bonus, for the more adventurous djs out there. for the flip side, sierra sam picked his english cohort inxec - already known for his numerous releases on labels such as cocoon, cityfox, contexterrior and currently crosstown rebels - for a fresh remix. closing track chambers seals the deal on this singing, ringing hit plastic disc that no survival kit should be without.

es gibt bands, die schmecken nach parfümiertem vollbad und stundenlanger session vorm handspiegel. never ever!, rotzen the pet goats. noise und trash sind die einzigen geschmacksverstärker dieser band aus dem angefaulten big apple. gitarren prügeln eine handvoll akkorde zu einem hypnotischen soundteppich. der rhythmus rumpelt, als hätte der schlagzeuger den beat auf den küchengeräten von velvet undergrounds mo tucker gelernt. man muss nicht punk sein, um punkrock zu machen. denn wisse: weniger ist viel mehr, wenn du wirklich was zu sagen hast. kuscheltiere sind the pets goats keine. aber das zeug zur lieblingsband haben sie allemal.

the long 45rpm side is a solid acid 140 bpm techno killer. b side starts with a 33rpm 138 bpm (45 boostable for a olschool acidcore effect - recommended). the records ends with a 140 bpm electro acid hard techno kicker.

did you ever hear about christian strobe? no? hardly surprising, cause its a brand new solo-project by christian schnall, one half of disco trash music (maximal electro) and spruce (dreamy shoegaze). the german guy is musically rooted in the 80ies and early 90ies and as christian strobe, he combines airy new wave pop, retro-futurism with a pinch of house. the original mix of >midnight call< is full of magic, desire and an airy atmosphere, but still a simple pop song. the nightdrive version is recommended for nightly rides with your ferrari testarossa through big city lights. the italo-disco-pop-masters from codebreaker gives the original a funky french taste and reknowned keenhouse conjured a good-feeling remix with lovley summer-piano-chords. midnight call? you could name it sunshine call! in a more and more digital environment, the warmth of the analog vhs-tape version gives you the relaxing mood you need. the placid >lonesome astronaut< completed the debut-ep and takes you to a cosmic trip though time and space. stay tuned for the upcoming full-length album called >heartworks< in autumn 2011.
comes with code for free digital download of this release.

second double vinyl from the reproduction compilation with remixes by playgroup aka trevor jackson.

thinking about prspct without counterstrike is like peanutbutter without jelly, johnny without cash & kiss without the make-up ... these prspct veterans are back again with a heavyweight 12 that will leave hanging to the edge of your seat.
for the first side we got counterstrike & zardonic going at it head 2 head with >when worlds collide<. this pa stomper is a brute piece of work. destructive rolling beats hammer your face in while the bassline peals your face off bit by bit. put your screwface on and start bashing to this one.
flip it over for a proper >mindfuck<. this is how we like to see counterstrike - heavy metal riffs combined with a snare that sounds like the garbage man is battering the dumpsters on trash day. like the tune says - lets get our mindfuck auwn!

great debut for pedro goyas label troia limited recordings. no words, no press trash talk. hear music and have fun. 4 tracks, 4 different moods.

elektrodrei sind zurück! nach langer schaffenspause springen sie aus ihrem flieger und landen mit neuem freund und künstler erneut im hause ostwind. nun ist das trio perfekt und sie zeigen uns auch gleich wohin ihr weg führen wird. die parashooter ep durchfliegt eine kleine zeitreise mit vielen zwischenstops musikalischer genres, verliert dabei aber nie den blick zum boden

after the success of >mostro<, the french wonderboy play paul - mainly known for his works on kitsune, gigolo (>lalaland<) and craft music - is back on absolut freak records with >9am<. the ep starts with a massive remix by the german sensations disco trash music (freshly signed on the label) which will smash your head, until the break... everybody say yeah! back side, the most exciting turkish band gooseflesh is also back on absolut freak (after their remix of dro & lodzys >now yet now< on the af13) with a powerful version in their own style. a killer! then, the original version by play paul takes you to a lovely journey, with a warm melody for melancholic mornings. you can enjoy the artwork made by the incredible falk klemm from the german collective the zonders. get freak!

get ready to be destroyed by negative a!

limited to 500 copies! hot on the heels of this years maxi single, erol alkan and boys noize proudly present the stunning chilly gonzales piano rework of waves. the legendary entertainist has been a long time friend of alkans (he was also the only performer to play his london niteclub trash 3 times during its decade long existence) and has currently been putting the finishing touches to his boys noize produced next album, set for release next year. released november 23rd on an extremely limited edition 10 inch of 500, the piano rework comes backed with a spoken word episode from chilly explaining how one would translate a club banger into something your grandfather could get with! fresh off his guinness world record performance (27 hours, 3 minutes and 44 seconds), chilly will also be appearing at a londons la pigalle as part of a residency every wednesday throughout november for a series of piano talk shows, each featuring a cameo appearance from friends.

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

they are from new jersey. they are a trio (well, a quartet if you count parrot shithead). they were one of the lucky winners of 2008 issue of the international nuclear blast myspace contest and they will teach you how to thrash the right way! arrrrrr!

big with luciano, 2000 and one, dubfire, djulz, karotte! hot on the heels of one of 2009s hottest tracks, pittos feelin, comes the next golden nugget .. this time the first part of an exciting new series from label head voorn.

nice price deal !!! massive trash addict remixes!!

support by superman, spiderman, batman, catwoman, captain america, rambo and all the super heroes on the earth…. ali kuru (8 bit / plak records) for his debut on kailash delivers 3 tracks really complete! beats sophisticate and percussive with a deep house touch!!! delete aka sergio munoz (safari electronique) made a dancefloor remix 100% techno. just wonderfull and powerfull ep!!!