180gr vinyl 2lp & download code) for the first time on vinyl, includes cover art, excl. chris isaak cover version, download code for original latenightales mix as well as unmixed track version in both wav & mp3 formats

fresh new dinky, with hot mixes from hreno and the mole , prins thomas

first remix package with mixes by barnt, the mole and philipp gorbachev

karat welcomes a new band for the release n°47. we are happy to host some canadians again on the label. the mole, guillaume & the coutu-dumont, egg and eddie c have already represented this country for karat ! these guys from vancouver know how to make it right ! 3 massive tracks, « boomer » in a rough and fat pumpin style, with nice breakdowns and atmospheric landscapes, perfect for the club, nice for home, « full moon cycle », the depest piece of the record, doesnt need much precise words. its simply beautiful moody and elegant music, « house of business » is a nice groovin track with deliciously arranged with typical jazz elements, brass & keyboards, in a pure canadian cut-up house vein

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

fresh out of melbournes reputed house scene, the tortoise is one of the hottest talents to emerge from the current wave of house breaking down under. a side the puffing tortoise captures the 21-year-olds precocious talent and aims it squarely at the peak time. working his trademark airy vocals around a familiar disco refrain and bubbling bass, he works the track into a sweaty climax and skilfully keeps it there throughout the midsection. turning in a late night chugger on their remix, berlin based canadians the mole and hreno ride an insistent pulse and insect like percussion. twisting the samples, they guide the track into a dark jungle of chattering sounds to temper the tortoise youthful exuberance. the analogue melancholy of keep on keepin on is all in the sweeping synths and twinkling effects. recoiling the tension, the chicago influenced track seeps through the speakers and will sound as good at home as it will during specially chosen dancefloor moments. rondenion approaches the title track with fearless disregard for the original, combining the swelling tortoise sound with something entirely his own. his addition of a funk fuelled midsection, really breaks the track down and adds another slice of character to an ep already brimming with it.

dan ghenacia & shonky for new ep ! the mole remix

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

australian newcomer delivers a bumper ep for londons 3rd strike. the lead track is a driving deep looped disco house in the vein of soundstream or the mole. gaining support from mark e and the revenge to name a few. lovin you keeps the pace high, again utilizing subtle disco samples with a rigid house backbone and hand in the air keys. hunee is on remix duties and keeps the quality as high as his acclaimed releases. merging a moody bass synth with jittering drums and stuttering keys.

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

for its ten tracks the album will readopt two original tracks and two alternative versions from the ep while additionally introducing six completely new songs. as a very special feature >katze< and >mimikry< will feature vocals/words by the model veruschka (known from the movie >blow up< by m. antonioni). the album will be released with a special 16 page booklet that will present original text/drawings of blixa bargeld that developed during the recordings.

being friends and admirers of each others work for a long time, electronic music composer / visual artist alva noto (carsten nicolai) and composer / voice- artist blixa bargeld (also known as singer of einstu&#776,,,rzende neubauten and guitarist of nick cave and the bad seeds) decided to join forces to initiate a collaborative project in 2007.

two and a half years after their debut lp, 23 seconds, dazzled critics and lit up dance floors worldwide, cobblestone jazz are back with a powerhouse new album that captures their live-in-the-studio energy like never before. a mixture of heady, jazz-inspired house grooves and below-the-belt analog funk, it raises the bar for electronic dance music in 2010.titled the modern deep left quartet, the record marks an important addition to the cobblestone jazz lineup, as the trio of mathew jonson, danuel tate and tyger dhula brings aboard colin de la plante (aka the mole). de la plante is no newcomer to the cobblestone crew: the four musicians have been playing together for nearly 15 years, since their first performances in small-town victoria, british columbia, and theyve all shared the stage as the modern deep left quartet

heres a mighty steamroller of a track by funky californian cole medina, co-founder of the house arrest label, that aims to put the ghetto back in house music, and esteemed producer with a jazz background championed by the haute-volee of current disco and house djs. while his slo-mo bee-gees cut-up is still the center-piece of numerous latenight/ early morning sleaze hours worldwide, >red hot< is quite another beast: footstomping peak-time action with dangling funk guitar and dubby brass stabs. finally dropping after todd terje already included it in his resident advisor almost two years back with an additional stellar the mole ( wagon repair, philpot ) on the support. canadas funkdoobiest reconstructs it in a jacking, midtempo wild pitch manner around a dirty fuzzy bassline plus cut-up beat and wah-wah guitar that will slap you silly. this hurts so good!

big with: catz n dogs, margaret dygas, the mole, serge (clone), daniel bell, mark e, ian pooley, andrew grant ..

today, one of the labels most successful releases, the >on the bus ep< gets the most complete of reworkings. the eps original tracks, lawlers own >hocus pocus<, audioflys>shazam and tiefschwarzs >voodoo< were all conceived whilst traveling across the united states as part of a vivatour. born in studio that was housed in their tour bus, each track was then completed by each artist on theirreturn home. after the huge response to the original release, lawler now delivers 3 brand new remix eps. dueto be released separately, today we bring you all 3! first up, and on the remix of steves own >hocus pocus< are ... radio slave!

realize is the first 12inch from the from p60 album featuring hungarian singer virag keszthelyi on vocal, popular thanks to her work with lushlife project (mole listening pearls) and gero. remixes in a variety of stlyes by: quiroga (italian tech house maestro walter del vecchio from naples), supabeatz ( sicilian born electro funk new star) and forteba (talented hungarian dj producer on pastic city label).

already supported by loco dice,anthony collins, ralf and others...
luca agnelli the ecclettic dj/producer from mbf, laterra records and marco faraone, the new italian talent from tenax rec, waldliebe musik & safseries exceptionally teamed up for manocalda 005 >meat pack ep<. this new release is a an unique mixture of their ultimate sounds and includes remixes byhreno&the mole and andrea fiorito.

>no turning back< has been clearly declared as the choice cut by the fans and djs everywhere.
first remix comes from the wighnomy brothers, who deliver a pure sunset rubdown.
on the flip the mole delivers a remix that defines what the term deep should mean to folks out there.

dojo is about getting back to the roots of american techno and house, and getting away from the computer. we want to help bring back the spontaneity and freedom of live performance and recordings. we want to celebrate the raw physicality of the music, and the dj who still likes to mix. ross since, 1997, ross has been in the background of the westcoast canadian techno scene, particularly the victoria family that included mathew jonson, cobblestone jazz, the mole, and hrdvsion. in 1998, he released the now out-of-print compilation album ôgarden city dubs, that featured first material by mathew jonson, and cobblestone jazz. he left for california in æ98, but kept his finger on the pulse as the art director for itiswhatitis recordings. while in the bay area, he listened mostly to soul,rap and early american techno music. heavily influenced by his time spent in the u.s., he started to develop a musical aesthetic, which he is now ready to express. young florent florent moved to vancouver from switzerland to attend art school. he began to get into making techno. tapping into his french-martinique roots, florent quickly developed a unique sound, which caught rossÆs ear. a few live jams later, it was clear that they worked well together, so they got a studio space and got to work. one month later, dojo had its first release. florent has only been making music for a year, but his swiss work-ethic is dangerous

after the >jamaica< reworks by dubfire and the mole, minilogue havent splashed out for the second remix ep of last years smash hit album >animals< either. the three versions of the homonymous lp title represent, at the same time, the whole bandwidth of contemporary electronic dance music. starting with multi-national vakant artist tolga fidan and his highly percussive prime time techno approach, whose oriental imprinting is not cagey about the turkish roots of the paris-based producer and – with the spoken voice reminding discreetly of minilogues 2008 club hit >doiicie<. a completely different direction is chosen by brendan moeller aka beat pharmacy. the south african-born protégé of ny house legend françois kevorkian on his deep space media label is interpreting >animals< within a mythical hypnosis of slagged deep house and deep dub techno, somewhere in between nu groove and basic channel, being one of the most visionary tracks in the beginning of 2009.

excellent hypnotic and groovy techno

the original mix starts a complex roller, with a discreet but powerful bass line under some seriously hectic beats. the breakdown sees this track take a more musical tone and shows great depth, this one focuses on progressing themes throughout, and will appeal to those who like things a little left of centre

stunning debut-album by argy: six new, exclusive collaborations with solomun, the mole, sydenham, dj gregory, maral and bayoga. supported by loco dice, hell, m.a.n.d.y., steve bug, magda, miss kittin, agoria, gummihz, d julz, josh wink, will saul, charles webster, giles smith, jeff samuel, jamie jones, james flavour, karotte etc ...

gusto is back with a storming freemasons remix of uk top 10 hit discos revenge! established house giants freemasons are one of the most in demand remix and production duos in dance music today. their current run of chart successes with major music artists (beyonce and kelly rowland to name but a few) speaks massively about the calibre of the gusto classic discos revenge.

second release of marcello giordani on mule musiq. >respect yourself< is a classical feeling italo disco track, dramatic melody & typical italo disco synths. the reat >naughty< (moodmusic) remix is simply wonderful and more clubby than original. support comes from dave mothersole, sasse, prins thomas. philip sherburne, the mole and tom taylor

supported by mike shannon, italoboyz, the mole, laurent garnier

jersey deep dons steal vybe come again with a new one for ny powerhouse king street the original mix of esp is a classic nj vocal number with extremely deep and subtle touches that float the crowd on a cloud of house music on the flip the mole chamber mix, roughs up the tune a bit, stripping out the vocals and pushing the synths to the foreground fans of ron trents djing

i am happy to introduce the modern deep left quartet. we have danuel tate on keys, tyger dhula and the mole programming, and myself on sh-101. straight whiskey features frank on bass guitar. i hope you enjoy our first published live recording. - mathew jonson

ultraphat disco hopuse classics , incl remixes by deep dish & mole hole dirty mix

ohren anlegen und anschnallen, bitte! hier kommt die dickste speicher seit langem... stell dir einen superguten mathew jonson track vor und mach ihn etwas abgründiger. auf der anderen siete fährt ein junger mann namens axel bartsch nicht mindere geschütze auf

excellent minimal micro / clicker 3 track ep

der außerirdische !! oder einfach nur der chef in sachen minimal tech tracks !!!

die geschichte von -ton steine scherben in dub- begann vor 20 jahren. nach zwei aufsehenerregenden kompilationen des damals noch jungen labels echo beach, die ein schlaglicht auf das britische und internationale dub-schaffen der mittneunziger warfen, sollte sich -king size dub volume 3- auf deutschland konzentrieren. neben den toten hosen, fantastischen vier und nina hagen dachte man dabei auch an die scherben. so kam es zu einem ersten treffen mit r.p.s. lanrue, dem ehemaligen scherbengitarristen und musikalischen nachlassverwalter der band. dadurch landete eine version von -mole hill rockers- auf dem sampler. und dann passierte erst mal nichts mehr. bis labelchef nicolai beverungen zwei seiner dub-spezialisten, n›mlich fe wolter (dubvisionist) und alexander hornbach (aldubb), zu einer weiteren zusammenarbeit mit r.p.s. lanrue bewegen konnte. jetzt wurde es konkret. obwohl f_r die scherbenwerke keine mehrspuraufnahmen vorlagen, gelang es den dub-arch›ologen, die essenz der st_cke in exklusiven mixen zu erhalten. nur punktuell wurden durch overdubs spuren erg›nzt, verst›rkt oder tiefer gelegt. so entstand, was keiner f_r mÖglich gehalten h›tte: ein dub-kaleidoskop aus den scherben des westberliner klassenkampfes.

der kanadische produzent mathew jonson, der auch mit seinem label wagon repair musikgeschichte geschrieben hat, schneidet seine fabric-ausgabe komplett auf sich zu. er beginnt sehr technoid mit seinem bekanntesten projekt, cobblestone jazz, bringt eigene klassiker wie * decompression* in mehreren extended versions, fŠhrt fort mit den remixen fŸr subb-an und tobias. sowie mit seinem engsten kollaborateur the mole, droppt danach unveršffentlichtes material und beendet sein set stilvoll mit seinem acid-mix von inner citys * good life*.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

behind the reset robot project is dave robertson, a producer who has released standout singles on labels like dogmatik, intacto and adam beyers truesoul imprint over the past 5 years. now he steps up with his debut album, the stunning let your soul outside.

for fourteen years the island ibiza has been haunted by cocoons high-spirited tribe. in 2013, cocoon turned the beloved amnesia into a tropical jungle. the jungle seduces with lush colors and intriguing sounds. without hesitation you dive into lush greens, amazed by heat and beauty

the soul behind our new watergate-compilation belongs to a dedicated dj and house-enthusiast: mathias kaden attends to number 14 of our popular mix-series and gives proof not only of his technical finesse but also of his ability to combine contemporary releases with evergreen classics.

limited nice price action !!! brilliant mix cd by berlins dj star !!

mule electronic proudly announce the first mix cd of minilogue(sebastian mullaert)!!fantastic swedish duo >minilogue< have released from highly acclaimed label like a cocoon,wagon repair,mule electronic and they became one of the best techno artist in the world.

>the mix is rather a non-conventional mix, as there are many unreleased tracks from friends and artists that i deeply admire, like bruno pronsato, matthew styles and the mole, as well as some tracks from ladies i really love musically, like nina kraviz, laverne radix or deniz kurtel who provide an extra feminine touch to the mix-cd< dinky says.