we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief. all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night. over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musics lifetime.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief… all of these moments have shaped us, our music and our culture. each movement comprising artists who – like us right now – are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, music’s lifetime.

the mighty mystic bill, a true us house legend though somehow criminally underrated. those who know, know. his records have long had a mythical status among the diggers, with dj s who delve that little bit deeper weaving his sounds into their sets. having released on numerous labels including relief, trax, classic and more bill has cemented his rep as an artist that has his own vibe and sound. bill s music exists in that space where the late night meets the earliest morning, sweaty, dark dance-floors and stripped back, jacking tracks are the order of the day... proper, real deal house music. mystic files covers the period of 1989 - 1995 and showcases some of bill s various styles, originally released on trax in 1995 this timely reissue shines a light on an artists who definitely deserves more props! this release has long been a tough one to catch with second hand copies sometimes fetching healthy prices online and collectors clamouring to harness some of bill s magic... this will be right up your alley if you re a fan of ron hardy, relief / cajual, steve poindexter, armando and everything in between! sleeping not advised!

up next on good company records is tourist kid s under armour suite , a power ambient head cleaner in four parts, built for the club, and best enjoyed at high volume. originally recorded in a sweltering bedroom in hawaii, the a-side pits rolling virtual piano against heavyweight clouds of crisp dsp that jitter and jostle at 125 bpm for this, local audio/visual artist rory glacken s first vinyl release. on the flip, the suite is reworked by basic mind, one half of gcr alumni long body, who lures a blowfly house stomper from the original s minimal, digital dusk. packaged in a disarmingly plain black sleeve !

this release journeys to mid-80s argentina and the highly sought after 2nd solo album of carlos cutaia. inspired by the new electronic sounds emanating from europe, this multi instrumentalist offers more than a pastiche, embedding his own melancholy in a unique and classic nueva wave-album. classically trained, carlos cutaia started as a composer for dance and theatre, before spending much of the 1970s as a member of a number heavy rock, prog rock and rock-fusion bands of some note, before finally going solo with the city of distant tones album in 1983. however, by the time of his 2nd solo album in 1985, as his country finally left behind a long period of military control and enjoyed greater freedoms, carlos was fully immersed in the new electronic pop sounds imported with hungry ears from europe. teaming up with fellow composer, keyboardist and producer, daniel melero and alejandro oucinde, the futurism of kraftwerk and gary numan s tubeway army was embraced, but also adapted to fit their native land, just as it was understand a new modernity. starting with the swagger of visiones incomunicadas, the template is set. sharp drum machines, semi-nonchalant, half spoken vocals set the scene, while chopped guitar and smart synth lines fit the over riding feeling of an intelligent nonchalance. things however, do go beyond the straightjacket of euro-pop as heard on the anthemic programacion and avant twist of the first of two piano-ambient pieces aproximacion dos and its companion piece uno found on the b side). eric satie and minimalism are clearly not far away. however, it is side b opener sensacion melancolica that captures the sound to perfection. a balearic masterpiece, capturing in it s title the over-riding atmospheric of a unexplained sadness, a loss. operativo and the poem humanos de america bring things to an end of a feeling melancolica.

aelfric michael avery has been a self-reliant artist for a long time. the canadian producer has been exploring underground acid and rough, homemade techno since releasing his first material as avery monarch back in 1994. however it wasn’t until more than ten years later that his music would surface again on his own napalm enema label. napalm enema has also carried work by the likes of faltydl, paul blackford and mrs jynx. avery has released just as much music under his acid elf guise, most notably appearing alongside +10 acid crew (jodey kendrick) for the sought-after bruvs acid ep, and now the alias makes a welcome return to vinyl with four essential tracks from the archives. there’s a subdued, hypnotic and delirious quality to the productions on this ep for arma, ranging from the uneasy delay pulses of fetus to the metallic clamour of urban wasteland, but most importantly they’re all injected with a distinctive personality that stands apart from the 303-tweaking masses.

armed with his unique delivery, gruff voice, and sharp wit, u.g. is well-equipped to do just as he wishes when he hits the booth. whether on his own or earning critical acclaim as one-half of the cella dwellas, the brooklyn rapper has been a giant amongst the nyc rap underground since 94. and on portals, his long anticipated solo debut, u.g. proves that his formula for crafting excellence has no expiration date.
pressing on transparent, purple splattered vinyl.

rewarding those who have been loyal to the trance genre for so long, trance 100 is back with its final installment of the year. to close off the year splendidly and simultaneously start the new one with a bang, no less than one-hundred of your favorite trance tracks have made it to the final selection, made for the sole purpose of blowing your mind. comprising 2016s most awe-inspiring contributions from scene leaders such as armin van buuren, above & beyond, cosmic gate, ferry corsten, ¯rjan nilsen, gaia, andrew rayel, super8 & tab, rank 1, arty & andrew bayer, khomha, alex m.o.r.p.h. & paul van dyk, omnia, ilan bluestone and so many other key artists, this has got to be the biggest and baddest collection of trance highlights. this is trance 100 Ð best of 2016 and its the closest thing to trance heaven there is.

a-f-r-o is a breakthrough artist born and raised in los angeles, ca, who was first discovered by legendary rapper, r.a.the rugged man. marco polo is a brooklyn based producer, raised in toronto, canada, who has produced music for artists such as talib kweli, pharoahe monch, boot camp clik, royce da 5’9 & more.
the vinyl lp comes with download code included.

as we welcome another talented artist to our family we asked viken about the first part of a two part release and he told us it s really important to understand that this ep is a series of pictures telling a story. combining the names of all the tracks one gets this interesting and dreamy sentence, on a blue road a white shadow feels the winter. to translate these pictures into music, i needed a very particular sound. since i am a huge fan of jazz music i took one of my favorite records, used a lot of samples and reworked them in my own way. from the technical aspect, i decided to reconnect with my first love: analog machines. i love working with sound textures. i stayed away from my laptop and all my vst/plugins as i felt the need to compose these tracks in an unusual way: i wanted the sound to be really pure. that s the reason why this process was so essential for me. for me, this ep is the first one to sound like this. this is the first of two releases from a deeply talented soul. a patient collage of house, jazz, acid squiggles and deep emotion. played and loved all summer long by lee burridge at all day i dream, these tracks will stay with you through winter and into next summer.

the legion of boogie down take their disco torch deeper into the depths of late night discos. restoring their energy with a muscle work out that will leave many a man and woman flexing their arms in time to the muscle groove. think supertramp meets hi nrg think jane fonda in the meat packing district with the foot patrol on each arm. the legion of boogie downs mission is to guide you out of a formulaic world of dance music and bring you well and truly back to a modern day disco dancing moment. long live the legion. flex your arms to the muscle groove.

last spotted on the exaltics’ solar one imprint and the hague’s notorious bunker label, enigmatic producer q-chip unleashes a 6-track ep on gnosis, following the labels inaugural release from myriadd (aka mantra). ‘access consciousness’ is the logical 21st century progression in an electronic music lineage that can be traced from the blueprint laid down by kraftwerk’s ‘man machine’ aesthetic through drexciya in their various incarnations. armed with his machines, q-chip harnesses the energy of pure voltage and sculpts it into sonic visions of the future, whilst acknowledging the rhythmic foundations of electro. this is music that is in essence synthetic and yet at its core human. immaculately produced and conceived, utilising precision tooled beats, deep analogue basslines, eerie glacial synth work and economical vocals deployed to maximum effect. dynamic and inventive arrangements ensure this slab of wax will be in the crates of many discerning electro djs long into the future and should appeal to any ears seeking science fiction through sound.

repress 2016 , rudolfs new nervmusic release is a bass-bin destroyer that has enough strange psychedelic details hidden in the grooves to keep things lively. recorded in london >join the army with me ep< delivers a special selection of long playing minimal jacking dance floor hymns with style that makes us happy in techno today. this is bass-heavy nasty shit, at times almost bordering on a tribal vibe, while retaining a fucked up surrealist dance music vibe. experimental grooves and patterns will portal our consciousness in to the world of psychedelic and spontaneous vibes. not surprising that daze maxim should be involved in a project this dirty-funky yet sonically wild... daze turns in a remix of the adventurous b-side >join the army with me< that irons out some of the stumbles, brings his bouncy basslines, and injects some jack into the box.
a1. chapter 5 - experimental spasm of bass and percussion simply make you to want more of this mentally penetrating weapon. yeah, play it again!
b1. join the army with me - elaborate swinging patterns with live shuffling feel and glitched out sounds. secret voices somewhere out in the darkness slowly but surely urge us to rise on to hammering action dance floor.
b2. join the army with me (daze maxim remix) - this rhythmically dynamitic and melodic remix from daze maxim will definitely convince you to join army of intelligently wiggling house groves. timeless.

few parents while away time at the school gates discussing analogue synthesizers, dusty drum machines, and obscure old records. then again, few parents are quite as musically decorated as mark evetts and stuart hobbs.

bajo armada consists of raul dahm cardo and mike burion, who met as they started sharing a room for musical purpose. since, it was clear that they both wont longer make music just by their own and they shortly started making music as a duo benefiting from experiences in producing a broad range of musical genres,djing and sound engineering. the outcome combines deep house and techno with world and melodic elements. bajo armada is part of suspected cologne extremely limited as always!

wolf welcome their latest recruit, thrilogy to the pack. the ep opens with heaven, a gospel vocal, piano laden house beauty. the eps second track, hold me in your arms, with its long breakdown has summer festivals written all over. we cant wait to play this one in croatia! on the flip, another newcomer, k98 takes heaven up a notch into serious peak time territory.

we re proud to announce our second 12- single in 2015 which features never-before-heard (on any medium) rare live performances from cv313. the first track is a rare reversion of the classic -dimensional- piece released back in 2007 (echospace 002), recorded live in tokyo at club air. for the b side we ve done our best to restore one of our favourite live moments captured at arma17 in moscow, russia, a deeply moving affair somewhere between the clouds above and the water below, spaced out sonic submersion...

limited 10 x 12 inch box set on yellow vinyl. dont call it a sequel, its just a next step! the sound of belgium digs deeper in our countrys rich soil for fierce beats, endless grooves and sonic ecstasy. the movie, the music, the book: history in the making.

introducing us to a new musical step, we welcome label boss bloody mary with her latest production *striders* ep. armed with her tr-909 and access virus synthesizer, the dame-music label owner breaks a two year long silence with a solid, punchy and attractive release. featuring marys vocals, the tunes are progressing as *striders* through their length and step after step add new elements that enhance the flow. a highly anticipated return of bloody mary as a solo artist that we are proud to present on dame-music.

chris “bam bam” westbrook is one of the unsung heroes of chicago house. his westbrook label was responsible for releasing a slew of quality records from artists like armando & mike dunn as well as his own productions. one record that mysteriously never officially came out on the label was “hot spot” from 1987, never making it past white label stage. here, for the very first time, “hot spot” finally gets a full release boasting all 4 alternate mixes of the track by the man himself. suggestive lyrics, chattering drum machine rhythms and uplifting pianos in the classic raw chicago style are what makes “hot spot” a special re-issue. harking back to a headier time, the record still slams hard today and shows contemporary producers how house music should really be done. a long lost, un-released nugget from the old school, re-mastered from the original dat and officially released for the first time with original westbrook label artwork in conjunction with bam bam / westbrook records, chicago usa.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

stingray313 makes a return to naked lunch after the labels year long hiatus. beware! dj support from martyn, boddika, steffi, mark pritchard, surgeon

for a brief moment hermans are cut free from their shackles and venture out from the black dungeon, dragging xylophones made from kraken bones and drums fashioned out of reptile skins the duo summon a battle chant from deep within. scores of allies join, endlessly banging the same rhythm relentlessly until the clouds draw and the red sun is no longer visible. a basic soul unit appears from the murkiness and descends upon the racket, bringing with him booming thunder and electric lightning, a dark army marching alongside him. the massive beat continues for days, shaking all those that hear it. slowy and steadily, the din subsides, the clouds part and the sun returns as hermans retreat back to the darkness to wait patiently until they are called upon again. zaires is the third of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever

last years precursors ep from eduardo de la calle provided quite a curveball release for cadenza records, the spanish dj and producer who has recorded exclusively for his analogue solutions label in the past, turned out a warm and minimal release for lucianos imprint, with all the flair and trademarks of eduardos studio prowess. really though, eduardos approach to electronic music perfectly encapsulates the sound ethics of cadenza emotive, driving, long passages of deep rhythm, often focusing on the bare essentials of a track and enunciating these for an aural joyride

hidden orchestra sind zurück mit archipelago remixes, einer limitierten doppel-10inch vinyl, hand-nummeriert und signiert, inklusive downloadcode. archipelago remixes ist ein echter leckerbissen mit vier eklektischen remixes von king britt, dc breaks, kelpe und long arm. streng limitiert auf 500 exemplare weltweit!

streaking through the ether at twice the speed of sound, mr 8040 is on a date with destiny. he is heading for mikrosector-50, his home planet, but things are not going as smoothly as planned. en route he finds himself in sticky situations, cosmic encounters that trigger flashbacks to a different time and place. will he ever make it home? and who – or what – is he running from?
this, more or less, is the narrative thrust of jack hamills debut album as space dimension controller. welcome to mickrosektor-50 is a swashbuckling sci-fi odyssey that unfolds like some long-lost star wars episode scripted by philip k dick and scored by tangerine dream. the record is fantasy in its purest form: a futuristic boys own adventure concocted in a belfast bedroom, it is the sum of jacks musical influences distilled into 68 minutes of unalloyed electronic pleasure.

august darnells swaggering alter ego kid creole dons his famed fedora and gets back in stride with his first high profile studio album in over 10 years this summer, i wake up screaming. darnell first came to prominence during the mid-70s in new york, forming dr. buzzards original savannah band with his brother stony browder before producing a slew of eccentric projects for ze records including cristina, don armandos seventh avenue rumba band and gichy dan, as well as sporting his trademark zoot suit and fedora for the first time for the debut recordings by kid creole & the coconuts.

john heckle (undisputed king of da real scouse house and fast becoming one of the most prolific young techno producers from the uk) deviates ever so slighty from his trademark sound to paddle his little raft down the mersey and run wild with the wolves. the result is epic and mystic (and 100% organic) and opens a doorway into a mythical world of wicker men, hill figures, druids, witch covens and early 90s sunrises off the m25, when ever-e-thing seemed possible. excellent new artwork as well by godspill, who is also into naked chicks that float and stuff. a deadly combination!

limited edition release on red coloured double-vinyl.
the electric dominance forms resistance! germanys gate to the stars of the international electrofunk, bass & breaks scene – dominance electricity – is back in effect with the long awaited follow up to last years interstellar >astronauten< ep by dagobert & kalson.
the new various artist compilation album electrofunk resistance transports twelve perfectly sexy shaped electrofunk & adult robotpop jams. carefully selected from three continents, the songs draw a colorful mosaic of different electrobreak-styles all sharing an extra dose of funk. for the perfect unity of sound and vision, the accompanying cover-artwork is provided by none other than japans legendary sexy robot illustrator hajime sorayama.

the electric dominance forms resistance! germanys gate to the stars of the international electrofunk, bass & breaks scene – dominance electricity – is back in effect with the long awaited follow up to last years interstellar >astronauten< ep by dagobert & kalson.
the new various artist compilation album electrofunk resistance transports twelve perfectly sexy shaped electrofunk & adult robotpop jams. carefully selected from three continents, the songs draw a colorful mosaic of different electrobreak-styles all sharing an extra dose of funk. for the perfect unity of sound and vision, the accompanying cover-artwork is provided by none other than japans legendary sexy robot illustrator hajime sorayama.

it has been four long years since glissando released the critically acclaimed >with our arms wide open we march towards the burning sea< and the duo finally return this november with a new record >the world without us<. the new material bares glissandos trademark of ethereal voices and tip-toing piano melodies but the overall sound is richer and more expansive. epic swells of strings and guitars sore above the drones and field recordings to create an intense yet fragile noise. this lp is a highly limited deluxe package of just 300 copies, including code for free mp3 download of the full album.

a sonic journey like no other- harry axt takes you on a ride through the dimensions of sound. begining deep harry gets dirty with dimensions then delivers some top tier tech-funk with drifting. the third stop is 2 faces, perfect for the remaining open-airs of the summer with a melody that will stay with you long after the journeys over. with its unorthodox vocal loop and a jacking four-to-the floor-beat!

so what is after the void ... we bang the bomb of course with a lady in a thong surrounded by snakes and hand grenades, obvious really! having been away for some time it appears that a light sounds dark spring is in the air. en route to their next destination (rumoured to be a dark subterranean world full of nasty mutants danger electrified tracks out this summer) with arms out the window and the mothership roof down, its full steam ahead and proper european dance music time. not really train spotting as before although a couple are a bit off piste like maltas very own ian dury by the name of iain richardson rapping about sitting on a green bus! much more like it however are classic italo covers of big in japan, gloria, a wonderful new wave version of falcos euro smash der kommissar and the thoughts massive german hit wait a long time sounding like some long lost talk talk record. light sounds dark do some minor tweaking (going for that natural look) to big beast anthems axodrys you and colme 111s you take me high (early euro take on chicago) and for lovers of something a bit more funky theres some groovy goings on from kraut funksters epsilon urging people to leave the city which might not be a bad idea if the water runs out.

phillipe quenum, cadenza co-founder and long-time dj & producer emerges on serialism records armed with a soulful, four-track ep just in time for spring. widely known for co-producing the 2003 hit, orange mistake, as well as a myriad of other first-rate outputs, this gifted producer needs no introduction. quenums another day ep is right at home on serialism, a label that’s known for its consistent and classic dance-floor orientated releases from the likes of frank haag, sierra sam and jin choi. laden with emotive, ascending synths, abyssal atmospheres and dubby basslines, this record is the true mark of a seasoned producer. from the percussive and texturized arrangement of another day to the chicago inspired oscillating goodness of my furious thing, to the late night deep vibes of everyday people to the nu-jazz flecked digital only electric prayer, quenum knows how to evoke emotion on the dancefloor. each track is the perfect backdrop for the onset of the spring / summer season, all four cuts melodic and deep, infused with elements of chicago house, and touches of both soul and jazz. this timeless release further affirms quenum’s rightful place as one of the top producers in the game.

limited edition vinyl release of the long awaited remixes ii package of joe goddards >gabriel< featuring valentina. this massive package is opened by another brilliant drum n bass interpretation from calibre. rolling soulful cailbre at his best. hammered by big players such as marcus intalex, dj friction, fabio & hype. it also includes of course the much talked about soulwax remix which actually was a late xmas present from the deweale bros to joe and which has been championed by the likes of erol alkan, rob da bank & riton. finally we have a funktastic version from the aston shuffle complete with that calypso feeling.
dj support: marcus intalex, friction, fabio, hype, zane lowe, rob da bank, annie mac, kissy sellout, toddla t, mistajam, john kennedy, eddy temple morris, erol a, boys noize, riton, tayo, groove armada ...

after two buzzing releases, senzen is quickly getting recognition it deserves. but third time is the charm, right? well, at least in this case. senzen 3 title track, >gonna b<, is based on studio sessions of label boss benno blome together with his long time friend armin engel, who has worked on projects with fela kutis band rhythm taxi & jimi tenor, and had a show on jazzradio berlin for years. the track itself has influences from both producers. tech house meets jazz, what a fascinating concept! freestyle drumming, keyboard jams and effects tied together, creating an original approach to club music. remixers of >gonna b<, marcin czubala (mobilee) and jin choi (contexterrior, private gold, archipel), are two of the hottest producers at the moment. after his excellent streak of releases on mobilee, marcin makes an outstanding debut on senzen and delivers a deeply rooted house remix concentrating on tiny tweaks and variations while carrying them solidly throughout the track. jin, on the other hand, doesn’t let functionality stand in the spotlight of his remix. his music is supposed to touch emotionally and to move the head and the body - and believe me, it does!

a long time ago in a galaxy far, far away .... subsistenz. episode 10: it is a period of civil war. current value drone spaceships, striking from a hidden base, have won their first victory against the evil minimal empire. during the battle, rebel spies managed to steal secret plans to the empires ultimate weapon, the gay star, an armoured space station with enough media power to destroy an entire planet. pursued by the empires sinister agents, dean rodell races aboard the starship subdivision, in search of the stolen plans that can save all subheads and restore freedom to the galaxies.

regular vinyl longplay !!!

following steffis debut long-player >yours & mine<, the story continues with three special remixes, each re-interpreting a key track, courtesy of staffan lindberg, lone and the analogue cops. swedish newcomer staffan lindberg, already promoter and dj on the malmö/stockholm scene, is a recent favourite of steffi for his tracky, fresh house sound. this hypnotic, rave- tinged mix of >yours< weaves an intricate tale for the dancefloor - nothing is rushed as the classic elements have so much room to shine in his fluid arrangement. recent r&s signing lone is becoming well known for his warbling strings, wandering melodies and glissening old school flavours. this remix is no exception and sees him work the chicago-vibed >arms< into a magical cosmic future-acid trip. berlin based duo the analogue cops aka marieu and lucretio have brought the house down many a time with their stomping live shows in the capitals clubs and warehouses. their pumping remix of >you own my mind< is tight, middly and uncompromising - a perfect example of the rough, tripped-out house vibe they live and breathe.

debütalbum des londoner experimentalmusikers alexander tucker auf thrill jockey. zuvor veröffentlichte er in kleinstauflagen auf atp recordings. zusammen mit dem neuseeländer daniel beban ist er auch unter dem bandnamen imbogodom aktiv. auf dieser platte betritt tucker neuland, indem er minimalistischen streicherarrangements mit elektronischen, drone-artigen sounds kombiniert, um doomige champer-pop und psychedelische music-concrete kollagen zu kreieren. die lp-version beinhaltet eine farbig bedruckte innenhülle und einen mp3-download coupon.

tiagos >disambiguation< begins like an aural sea, with a surface made of synthesized swells that rise, fall and crest again. beneath these waves are briefly clangorous metallic noises, searing electro hisses, long-armed synth stretches, and a never ending beat. there are moments of understated beauty floating through this perfect marriage of disco and house, sounds that are there and gone: a bassline that stairsteps and synthetic strings that follow suit: playful keyboard melodies, and percussion provided by tiago himself, who fell in love with music when he learned to play drums as a kid. >nada a perder< (>nothing to lose<) shies away from the extravagance suggested by its name and instead feels relaxed – at least at its outset. against shape shifting synths and the sound of piano house, percussion takes a leading role here, including finger snaps and clanging cowbells. the energy builds to a peak but, even when things are at their most frenetic, this track never loses its studied composure. tiago mirandas remixes and releases have been issued on disco devil, italians do it better, rong music, ene, hands of time, eskimo and claremont 56. he is one half of dj duos slight delay, the sea power & change, and mendes & alçada, and also handles mutiple duties in the band gala drop. tiago has been djing seven hour sets almost every weekend for more than a decade at the infamous lux in lisbon, portugal.

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

feedback: david dunne (nu cool show galaxy fm): very nice indeed / lewis dene (update/tilllate magazine): lazy rich is the man. / ant nichols (kiss fm): lazy rich remix is the most appealing from this / tom finlay (groove armada): support 8/10 kid massive (audiodamage): the lazy rich is huge !! / atfc (defected): support / joachim garraud: support 8/10 / cj makintosh: original mix for me / mark doyle (fierce angels): love it / richard dinsdale (toolroom): gary caos hot mix alllll day long.

argenis brito and los updates. two of the most left -field exponents of chilean dance music armada get together on vinyl. argenis, born in venezuela, was given a chilean club passport by luciano, pier bucci and villalobos a long time ago due to his outstanding services as a producer, singer and overall party raiser. he met los updatess boss jorge gonzalez in new york in 1994, while attending a wu tang clan show. on this brand new release they offer >valparaiso< and >don t take candy from strangers<, you can smell the delicious scent of an instant classic emanating from the deeply grooved wax

after a long year of preparation we are happy to bring you kinas first physical release knmv001 >gentle / velvet<. produced by label founders cosmic cowboys and re-up, this first vinyl is a window into the sound of kina music. displaying the two souls within the label, in a melange of atmospheres and moods.
supported by: martin eyrer, anja schneider, catz n dogz, luciano, funk dvoid, hosh, 2000 and one, nick curly, ues, nima gorji, till von sein, richie hawtin, groove armada, estroe, marco resmann, arnaud le texier, veroslav, acumen, tini, davide squillace, hector, damian lazarus, dj t, coyu, alex niggemann, lee curtiss, agoria, osunlade, shur-i-kan, slam, shlomi aber, fabio giannelli, einmusik, adultnapper, hector romero, danny tenaglia, feygin, gruber & nuernberg, hernan cattaneo, nick warren, van hai, ryan crosson, reyner trueby, luca bacchetti, afrilounge, william kouam djoko and many many more

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

big with: eric morillo, groove armada, funk dvoid, jimpster, ante perry, dj hell, gregor tresher, karotte, martin landsky, michael reinboth, phonique, thomas schumacher, anthony collins, laurent garnier, zoo brazil, mijk van dijk, brothers vibe, danny tenaglia, plump djs, ...
welcome to the space-disco-electro-tech-housesongwriting world of bodymovin aka thomilla of turntablerocker and dj friction! continuing the intergalactic electronic extravaganza that is bodymovins self titled debut album, one of the duos hottest cuts from the acclaimed longer-player is now ready to hit the shelves complete with two very special remixes. first up, as if they really needed to prove their might, label bosses moonbootica rework >everybody< into an absolute stormerfor the clubs. taking off like rocket, this stellar remix uses the the catchy vocal refrain as its central pivot, careening around it with hot basslines, intense synth trip-outs and pure, unrivaled energy. simply unstoppable! then of course the original track is included as a reminder of its greatness.

determined to write a new chapter in nycs long history of dance music, marcos cabral and jacques renault (think dfa, rekids, im a cliche, wurst edits, chinatown, editions disco, rvng, trapez, and more) have decided to launch their own record label on the prowl. with a heavy nod to american classic house, techno, and disco, otp listeners should expect a variety of sound that will propel them to dance for years to come. the first otp instalment entitled the poltergeist throws a heavy blow of dark acid bass, todd terry-esque stabs, and proper dubbed out distortion for a feeling that will leave listeners floored... leaving even the most stubborn of listeners open for more. house music, raw and unrestricted. the b-side, not to be overshadowed, brings us dont block the box. an a-side in its own right, delivering us good old fashioned house music with hypnotically filtered samples and pulsing arms in the air swells of resonance.