mysterious jdeep and dicky moe come up with another installment of their extra deep edit trickery with three soul boogie and disco cuts. cracking take on harlem on the flipside!

second release on the excellent new label affiliated to the acclaimed website and blog cosmic boogie for the second in the cosmic boogie series we welcome on board legendary dj and producer ashley beedle, and once again its time to fasten the seatbelts and continue the journey into the funk stratosphere. the mission begins with a fully spiritual re-working of bill withers classic railroad man, extended, tripped out, and guaranteed to transport you to another sonic dimension. meanwhile on the flip side, the joyful boogie of al greens everything is ok is masterfully edited by beedle into a slice of end-of-the-night euphoria which calls time on another successful journey for this exciting new imprint. re-mastered and cut loud for vinyl lovers cosmic boogie is all about exploring a different meaning of cosmic. long live the boogie

2017 repress! essential summer bombs! sex, sun, and stds strictly limited!

the second release from the snips of eddie scissors give you two absolute iconic re edits. marvin gaye whats going on and marvin gaye & tammi terrell aint no mountain high enough. once again these are strictly dj only very limited editions.

the wurst edits gang with another ny disco styled disco bangers, perfect dj food

the third 12 inch in this essential edit series sees greg wilson reference his past as a disco dj in the late 70s and, subsequently, electro-funk pioneer of the early 80s. going way back to his golden guinea days, ruff wrap revitalizes a hidden gem from 1977 by lady love. this version of casey & finchs infectious miami groover, wrap your arms around me, was a record that, although never issued in the uk, was a particular club favourite on merseyside - its local popularity very much down to one of wilsons influences, terry lennaine, who championed the track on his weekly specialist soul show, keep on truckin. moving on 6 years to 1983, ruff rapp re-arranges the seminal west coast rap cut bad times (i cant stand it) by captain rapp, which was a monster tune on the black scene during the electro-funk era, having initially featured at wilsons club nights back then, legend and the hacienda in manchester, plus wigan pier. focusing on the social problems of the time, the subject matter of the lyric certainly translates to the current credit crunch climate. the crew behind >bad times< included jam & lewis and rich cason, whilst kimberly balls excellent vocal sets the whole thing off

weve been pestering the dd boys for some time to release this awesome duo of reworks, and finally its here ! for number 9 in the disco deviance series, dicky trisco dips into the vaults and selects two of his all time favourite cuts and reworks them into fresh new versions dripping in disco boogie and electrofunkin vibes. first up is >come to me< which cuts up kanos >cant hold back (your loving)< and reworks it into an extended summer disco delight that is sure to work the dance floor. while on the flip >rip it dub<, the long awaited dub version of orange juices pop classic, finally sees the light of day and extracts every ounce of the track s original electrofunk flavour and pushes it to the max. more quality vinyl only gems for djs who love the disco sound

our elusive producer delivers 4 tracks of slow jams, heated up to house tempos. this is a big step up: harold melvin & the blue notes be for real, one way something in the past, phillip bailey children of the ghetto, isaac hayes chef sings.

nice price deal !!! released in 1992, its most popular versions were the ones by l.t.j. luca trevisi ( ltj xperience) and dj art. the tune has been a floorfiller all over the world, despite its downtempo rhythm. tamekas voice was in its early days, she then became famous thanks to living joy, reaching no.1 in the uk charts. this new treatment (the first one since 1992) is care of the mysterious super value team. check this out...

the messengers (kev beadle & darren moss) get busy re arranging and re jigging two classic tracks from back in the day. side 1 kicks off with creative love - a straight forward extended re arrangement of the excellent creative source version of ew&fs classic cant hide the love which really emphasises the brilliant chorus hook and creates a brilliant end of the night, hands in the air, sing a long vibe. on side 2 the boys get into jazz funk disco mode with an excellent re arranged and beefed up drum version of the 1978 classic six million steps by rahni harris re titled too many steps. both tracks have already been getting props and plays from the likes of gilles peterson, rainer truby, michael rutten, souled and nik weston.

2017 repress, amazing deep house licks, for those who knows... decks top tip!

reflection series vol 3, refelected by i.b.m... limited promo copies

a welcome return for dave lees better days records who present yet another masterclass in disco roots & re edits. 4 killer cuts this time taking inspiration from daves locked in the vinyl cellar compilation. a1. a rousing string filled disco anthem that garage fans may. a2. this super dubby percussive workout is like a more calypso version of the disco favourite modern sound corperation safari.. big for the likes of dimitri from paris and idjuts boys. b1. big stringy, uptempo soulful disco with long breaks and killer vibes solo. b2. a moody electro boogie inst with loads of space fx and dubbed out breakdowns û the sort of thing that metro area would play

2 after the successful first release, raw meat is back! this time with two holy disco goodies from the amsterdam based >st. propre<! edits of two classics from larry levan and tom moultonà..a downright holy tip! side a is an ode to the one and holy larry levan and contains a sublime cut up filtered edit of celestial choirs >stand on the word< which was edited by larry himself back in the days. a true dance floor killer that keeps on building into and irresistible groove! side b is another ode, this time to the master and inventor of the disco mix tom moulton. >love me proper< (originally by karltone) has been hustled around into an extended smooth funk swinger with a massive hypnotizing bass line. works perfectly on the floor as well as in the bedroom!

3 new wave, industrial, goth re edits that harken back to the legendary all ages chicago night club, medusas. an extended re edit of siouxsies happy house, a version of psychedelic furs heartbeat, and a version of fad gadgets collapsing new people. white labels in stickered sleeves.

three more underground hits plucked from obscurity, served up all nice, fresh and plump for your continued listening pleasure.

no let up from those disco deviants ! for number seven in the series the imprint is proud to release the first set of edits by the rather excellent situation. they first came to light after passing a cd to greg wilson after a gig. he was blown away by the quality of their edits and they instantly started to feature prominently in his sets to much acclaim. then greg included one of their cuts pushin on on his recent resident advisor mix and their talents were a secret no more as the interest flooded in. that track pushin on features on this release. instantly bringing to mind classics like remember me, unfinished sympathy and back to life, it really is a wonderful piece of music which moves both the body and the soul. on the flip, they rework jazzy dees wicked electrofunk track get on up into a dj-friendly dancefloor bomb. its an amazing debut and theres much more to come on their own imprint which is launching this year. enjoy the music

their first two releases sold out instantly and are already super sought after 12inches in what has become something of a crowded market for re edits and amends. after hearing the labels next two releases we jumped on the chance to share them with you! four killer and far less obvious tracks from various scissor wielding producers, head and shoulders (ahem !) above the competition. limited quantities as always folks get your beard on...

anorak 002 from the mysterious fat camp collective heads to the deep south for feeling and rock your georgie, both of which have a gator swamp feel to them with a slight twist of jambalaya, crawfish pie and fillet gumbo. yum! they are aided in their culinary mission by penthouse disco, whose nipples are rather daringly on display in a wanton admission of fallen virtue.

limited edition, white label 12 inch with >detroit beatdown edits< stamp, holding four solid disco edits by detroits mike >agent x< clark

>you cant win< is en from the wiz soundtrack, produced by quincy jones. combines the original album mix with a rare 12 inch version. >whatcha doin tonight< is rare cut produced by legendary new orleans funk producer allen toussaint

despite being launched in the early nineties, the incredible moton records inc have only released just over 20 records. a co-operative effort between djs diesel, harvey, faiths dave jarvis and ashley beedle, this label has expertly amended and extended many an undiscovered, lost classic. as passionate afficionados and music lovers, their selections for the moton treatment are always dealt with respectfully, and released in super limited quantities, hence the crazy prices they reach in the second hand market !this superb three-tracker is another gem, featuring another trio of superb rarities. the quality is off the scale, the pressing is a one-off - you know what to do !

the mysterious fat camp collective put down the hi energy, low calorie bars for a minute to take a leisurely stroll down memory lane with this trio of high quality edits for your dancefloor workout ! anorak 001 features some jam, lovingly made in the kitchen here at anorak cottages, refined from a 1970s recipe first created in philadelphia, alongside two other dishes, best served hot: dont get me started and you know you make me feel brand new, both created out of genuine traditional loom-weaving patterns in new york and first brought onto to the market in aberdare sometime in september 1979 - ridiculously limited pressings - do not miss

he superb disco deviance crew continue to impress with their amazing re-edit series !! editors for this release are well known electrofunkateers from up north, bc, who definitely know their disco boogie. having been re-edited themselves on the redux imprint by legendary electrofunk don greg wilson on a track called >hardcore boogie<, they then went on to release the highly praised >konked out< and >missy done a pil< edits on the same imprint. on this, their first release for disco deviance, they continue their habit of not only re-editing, but also mashing and over-dubbing their cuts with their own played sounds to make an amazing blend of discoid bliss thats perfect for both djs and dancefloors. the opening cut >magnificent disco< is a wonderful mix of elements (both sampled and played) taken from their beloved konk, the clash and kool and the gang which are worked into a sublime disco work out. while on the flip its aretha franklins >jump to it< which gets reworked and extended into a hip disco joint that has echoes of atlantic conveyors crossover classic >we are<. enjoy the music

the second chapter of this young and sough after label. killer!!

the mysterious re (richard e of solar apple quarktette) strikes again with this killer 4 track ep: bobby hutchersons >hello to the wind<, a vocaljazz cut, d angelos >left & right< , missy elliots >4 my people< with some dope piano bits, and dimenzionis >bamba< a space jazz fave. two big thumbs up

rinder & lewis: anger - considered one of the most abstract production teams of the disco era, this cut was taken from their >seven deadly sins< album (very rare!). never released on 12inch inch, this cut was a music box fave! not much to edit, just give it a dj friendlier drum intro. a great cut for a disco or a deep house set!mighty clouds of joy: time - one of my favorite edits! taken from their >its time< album. even thought this song was produced by dave crawford, the philly sound played a big part in it (thanks to norman harris on guitar & earl young on drums). the song was originally recorded in 2 parts, so i combined them with a little bit of dub. yes, you can give praise and boogie at the same time!

the kat crew returns with release number 6...three more red hot edits from the million dollar disco camp

sin & soul are back with a new edit series with nicely designed sleeves. volume 1 is hitting us with two tracks re edited to set any dancefloor on fire – side a goes the deep disco route while the flipside is from the golden age of italo/euro disco.

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman-in-new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peak-time territory with the sinister sounds of >john boy<, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. >innit< takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion.

db carries his own weight in this third installment of his db edits series, just dont ask him to take the load! wanna be a lawyer or just lay around all day? jealous of the fellas that want to go all the way? mr. cooper takes a stand on the flip as well, showing how much he loves you all

pilooski grants us once again with a perfectly thought choice of cuts with the likes of elvis p, and holger hiller, re-touched by himself for maximum hype and pleasure. you know you cant go wrong with the dirty series of re-edits

the second part of the medusa edits serie by chicago native jamal moss. 3 hot industrial re edits that harken back to the days of the legendary all ages chicago night club, medusas. the first is an extended nitzer ebb medley b/w re edits of spks mouth2 mouth and severed heads. industrial meets techno!

dutch edit master loud-e drops another piece of hot wax on steve koteys objects of desire label. this is one hot version of the wellknown i feel love which still sets dancefloors on fire worldwide! music that will last longer then we will be able to get our feet of the floor! b-side is a more obscure tracl called tommorows, todays cut. another disco/ house bomb that already have been played by i-f, steve kotey, faze action and several others. sweeeet!

incl john acquaviva & jonathan coe / alexi delano / artifex...

these 3 re edits harken back to the early days of the legendary chicago all ages night club, medusas. the cures the walk is remixed on the a side, while the flip contains re edits of new orders 586 and spks tribal/ industrial cut war on islam. white labels in stickered paper sleeves.

the golem is off on another hot and sweat drenched musical excursion, this time with a.l-t.’s summer outtings. get ready for a hedonistic trip around the world, balearic disco galore at the eden rock in antibes, tropical afro disco at la toubana in guadeloupe and finally some pakistani infused reggae disco at islamabad serena.

ister smooth steps out with 3 new edits to expand his palette.nightlife unlimited is a classic muzic box favorite, all disco, all the time. the ron hardy version of peaches & prunes appears on muzic box classics volume one, and automan 2. theo parrish used it to create his track mustang 1 which appeared on a ltd white label in 2000. his version of bostich takes a huge swipe at this wbmx classic extending the drum intro into a crowd stoker and encorporating parts of the lp version into the original 12inch mix. guaranteed to stoke some fires in your set. the b side is a 10 minute version of the super rare le cop rock freak, a disco funker thats a deal sealer for those on the edge of snagging this ep

three hot cuts by editechnique. these guys turned some nice tracks into killer tracks and added some own flavors to it. sounds like they found some crazy wack tracks and turned them into hot peaktime material!

volume two from mcedits shows a slight expansion of his concept, but mostly hews true to the rows he hoed on volume one. his method is basically to take lovely ballads and slow jams and add a little house heat. its really remarkable how such a simple methodology can produce such effective results but the proof is in the grooves so drop the needle on these for some rich rewards.

two well known london producers provide these 3 tracks, amazing edits from kid creole and two other lesser know disco tracks. the producers have added a nice modern to 3 disco jams and kept the music heads happy with their dj friendly format. already causing a stir with toby tobias, stevie kotey, faze action, yam who. prins thomas has also been dropping the test press at berlins weekend and other recent gigs.

the third in the discolexic series with there clubnights going from strength 2 strength these boys are hott!!

following three solid eps of ron hardy edits, partehardy releases a new ep from chicagos jamie 326. he gives us two disco edits including >coming on strong<, which is also played by theo parrish in his sets

delivering top quality dancefloor reworks cut for better quality and maximum disco use, on this first 12inch of the series is a killer disco rework, an instrumental edit of don rays 1978 cut standing in the rain, plus on the flip some old school acid house, a re edit of the classic 87 adonis production jack frost and the circle jerks shout

greg wilson edits of omd >>messages<< and modern sound corporation >>safari<<

disco/soul jazz edits of the gap band/angela bofill & gary bartz

the boys from beard science are back with effect and once again they do not disappoint with a great selection of the finest re edits around! a1 is a cosmic slo motion disco vibe, very 80s with a great clavinet and drugged out synth sweeps – pass the ketamine love. a2 also on a slo motion balearic/baldelli tip. nice live bass and tribal drums. it sounds a bit like the theme tune to the kio ora advert – very catchy and extremely thirst quenching! b1 is a driving uptempo bassline driven disco track with phasing drums and italian vocal - very catchy again. b2 digital percussion, rocking 80s snares and a weaving and working bassline with an old...

at salad is the new alias of dj/producers leo elstob (a mountain of one, faith etc.) and rupert lyddon (grand national - sunday best)..... theyve spent the last few months trawling their 50.000 strong record collection and carefully re-editing, re-mastering and re-working everything that fits the rat salad musical junket.... the platform for these amazing reworks is leos new glorys label (see further info below) theyre using traditional methods, old school tape edits and tracks fed half-speed through prehistoric valve amps & compressors to give them an extra rich sound and a unique rat salad double dollop of wallop

norwegian songwriter, guitarist and vocalist ane brun is a rising star. with two norwegian grammys for best female artist and song of the year in 2005, her most recent and third studio album >changing of the seasons< entering the norwegian charts at 1 and the swedish charts at 2 the future looks very bright for her. now brun has connected with dennis ferrers - objektivity. ferrer has gathered an international cast of some of todays leading house and techno producers to take the works of brun one step further. the aptly named >ane brun objektified< full length will be released later this summer here is the first single, a taster of what is to come - bruns >headphone silence< remixed by henrik schwarz. schwarz composed his remix initially as a live lap top piece, mixing it down under the watchful eyes of close colleagues ame. on the flip you find a dixon edit