science cult präsentiert die kinetic series: eine limitierte auflage von picture discs mit kinetischen artworks, die von chris dowding gestaltet wurden.
second studio album from the roots as limited deluxe 3lp edition. contains the original album on double vinyl plus a third lp of bonus material, curated by questlove.
reissue - k-hand, the undisputed -first lady- of detroit house and techno, continues her series of rereleases for some of acacia records most sought after catalog. acacia s reputation as music from a well known place to an unknown destination precedes it with a reach that is once again being expanded upon. originally making its mark in 1993, -not giving up- is a piano chord led number with eccentric disco era falsetto vocals interspersed between a house diva counterpart, all undercut by equally classic rough around the edges low end - touching on hand s influences from the new york golden days. the plastic dream mix is a more sinister springboard of sounds with an urgent energy sure to rip through speaker stacks and leave audiences in shreds. easily its dreamiest incarnation, the disco dream adaptation lends itself to bouncier, filtered grooves and vocal dubs. the ghetto growl of -beat that bitch wit a stick- was and still remains a huge track for k-hand and the label. pulling from a sound that originated in chicago, it became equally prominent in detroit through the work of hand and others. its accompanied here by an instrumental version for those that don t share in the street logic, but nonetheless love the gritty production style. finally, the legendary claude young s mix of - deep down 2- sees him implementing wavering chords and loopy vocals with a purposefully loose nyc stutter
this is a very limited run of 250 copies. mystical circles is a brand-new imprint with its eyes firmly on the dancefloor. the label s first missive comes courtesy of island times deejay, a dj/producer/re-editor previous best known for his dj mixes, which were uniformly full of obscure, hard-to-find disco gems. we have no idea what the source material is for either of the edits here, but they sound like caribbean disco records. disco smoking is unfeasibly heavy, driving and stomping, with mazy horn solos, jazzy funk guitars and hazy vocal snippets riding a booming bassline and sweaty, non-stop drums. dawson street is a more relaxed, and rubbery affair, albeit one rich in chiming melodies, spacey synth solos, winding sax lines and elastic bass guitar. as the welsh would say: tidy!
la s benedek delivers a killer old school house lp influenced by 78th street era beltram, latin freestyle dubs and wbmx drum tracks. this is street beat at it s finest and benedek executes with precision. classy and catchy, with a knack for melody yet still grimey as hell and full of beats you can mix. primetime -86 mix show material brought to life in the present tense, carrying on with tradition while flipping it upside down. artwork by maximum exposure. highly recommended!
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