for their latest effort, einzelkind aka arno völker and miguel ayala teamed up with douglas greed for ice 1656 ep. in a1 >la belle<, a rolling, woodblock rhythm sets the scene for the abstracted keyboard tones which cluster around the track’s middle, cranking up the drama and throwing the bottom-line bass throb sharp relief, ahead of the dirty, flanged synth line that’ll gleefully force any dancefloor into submission. >la belle<’s beauty lies in its simplicity - einzelkind and douglas greed use a small, well-chosen assortment of percussive and melodic elements to create a wonderfully tense, propulsive club track with not even a hint of flab about it. for b1 >ed the optician<, the trio inject a bit of funk into proceedings. it’s a slinky little number, characterised by an expanding and contracting, analogue-sounding synth-line, woodwind samples and a bouncy, morse-code bassline, together making for a warm, groving track that will work well in warm-up and peak-time sets alike, not to mention at home. b2 >squirls in a bathtub< is a similarly supple, funk-fuelled cut, driven by haunting, almost animal-like noises and which mutate into wiry acid lines while the aquatic bass drum, hissing shaker and press

in the spirit of dj only a capella mixing tools, slow to speak has assembled a collection of quotations, media clips, poems, interviews and monologues spanning a wide spectrum of social themes and critical perspectives. presented here on phonographic format for use on the dancefloor!!!

number 007 comes with a load of 4 berliners (ok, 2 of them are >new-berliners<) and testif ies f or timeless berlin clubsound. till von sein, todd bodine, tigerskin and moritz piske

the second installment from new british techno label. mutate to survive, brings us man of the minute … calvertron ! if you have missed the hype , calvertron is the man behind some of 2007s biggest remixes on the ministry of sound label, alongside other releases on reknowned electro labels such as funktion and freek recordings. dj plays have come from many big names such as bass kleph, eric prydz and pete tong.. calvertrons use of intelligent bass edits and tricks, and glitchy pumping drums has become unmistakable, and on this e.p. he goes slightly further into the land of techno, with beautifully crisp production and driving basslines. 2007 lit the fuse for calvertron, and 2008 will see him explode dancelfoors all over the world

grinding acid house from the scum for the larger soundsystem. if the word hadnt been hijacked by the 2 bob electro house fraternity then filthy would be the adjective in use here.

cut the crap, straight to the essence. lizm04 is among us, essential dancing and listening courtesy of ahmet sisman, our own private istanbul/brussels/essen connection. some pure dancefloor pleasure hidden in a-side track hiyan, multilayered, quirky luvly trippiness: one surely aiming for the boxes of djs digging the onur ozer vibe of late. the other side (why call it a b-side anyway ?) goes for a slightly deeper approach, guzzling in the vibe of a few hours later down the line in your favourite afterparty .... but hey why not just use the authors own words to sum it all up : this is surely: >dance for the moment<

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

bbe records have teamed up with dj/producer mr thing, to dig deep into his extensive collection to compile a series of albums of rare and sought after breaks. this series reflects brilliantly on his dedication to digging for those untouched and unrivalled samples and breaks as you hear him use in his dj sets. as a dj, mr thing never fails to engage the crowd with his winning combination of hip hop and funk breaks spiced up with his legendary mixing and scratching skills. the first installment in the five part strange breaks & things series contains superb songs, some you ve probably never heard of, some which may make you go: i recognize this sample! because it was once used as the backdrop for a classic hip hop track. if you liked the legendary strange games compilation series on bbe compiled by the likes of kenny dope & dj spinna, you ll love strange breaks & things.

once again high quality minimal techno.. played by shinedoe, xpansul, mark henning. phutura creates sophisticated drum arrangements, swingin melodies and glitchy effects with a massive, and sometimes improvised, use of the percussivo ritmico element wich can be found also in his live sets. a unique sound brought by a guy who is active on several labels like adagio, minisketch, globox and 4line

slovenias hard techno sensation lexis returns to beast music where he made his producers debut on beast 004. this time lexis hits us with four monster tracks. a1 is a dark hard techno tool with industrial influences ready to be played ant hard techno or industrial dancefloors. a2 is a perfect tool to use at any time of the night. it delivers amazing drive and heavy beats

jason little only just launched his very own label called jasons mask and already the demand is huge! to celebrate the start of a very successful enterprise he drops the bomb on us ahead of the initial planning. jason collaborates with probably the most popular techno duo of hard-techno: pet duo of kne deep fame! this is a monster - do not consume under the age of 16 and do not use when submitted to a history of heart problems! these pets are hard to handle!

the homewreckers sound deep funky, peerlessly adventurous, with elaborate clicking beats, beautifully organized riots of ideas crowding every track. their first album american ruhr will drop first half of 2008. the first release of the homewreckers feat. kemo its about time on unique records is a beautiful monster jam that will destroy dance floors all over the world. the homewreckers style plows right over any preconceived notion you may have about the current funky underground grind. its about time is such a lusciously deep track where tradition and innovation meet. tradition as in the soulful roots of 70s funk and house music, innovation as in the streamlined, sparse arrangements and shrewd use of technology. the homewreckers truly master rhythm and space - and hawaii born kemo fully adapts to the music and the atmosphere with his amazing spoken word poetry.

peter introduces himself like this, >ive started making music with an oric-1 home computer in the middle of the 80ties, later the commodore amiga was the flagship and then....the casio fz1 and now i use the galaxy of software and the korg mx1, roland tr727, roland jx8p, korg ms20, yamaha tg33, yamaha dx7 so i guess that it makes things clear, peter is one of these producers that uses older analogue machines along more recent software gears. and you can sure hear it in its productions, it sounds huge, powerful while style wise keeping things on to the soul filled part of the dance floor. peter delights us here with two stunning tracks that contain modern beats structures echoing rather old school house patterns and hooks. as always with peters incredible music, originality, surprises and ingeniosity are 100% at the rendezvous

circle music means continuous movement but not going round in circles, pure power yet brilliant soundscapes, various styles but one entire element - the perfect groove. circle is best suited for dance floor use as well as for driving around in the city or listening comfort somewhere on the outskirts of your hometown. the label consistently followed his vision of a musical community, a familiar environment which covers a great range of styles and approaches of producing and performing electronic music. the world of circle compilation is different to usual v.a. compilations you heard so far. its much more than a musical statement of a label giving a definition of its sound. its a personal statement of all featured artists because all tracks are presented exclusively on this compilation. incl audiofly, chaim, robert babicz, lopazz & …, v. kanzyani, alex flatner , bryan zentz , stryke & santos

delete strikes with 4 perfect tracks to get caught by his music. on a1 bobby trap is a huge piece of click techno with a dub deep bass subtle darky sounds and a heady grabble distord melody giving an incredible tension on a2 whos the big boss is a minimal darky tek track deep and groovy check out this delete crispy melody b1 is black mamba with the sublte use of flang’ fx on heady melodies in a dark atmosphere and to complete this ep a rollin funky tech house piece brilliant!

e-motionz introduces charly m. to its audience with this three-track release. the original edit is deep emotronic with sweet filtered sounds on top of a pounding sub-kick. berlin based mood music owner sasse makes extensive use of the original elements on the a-side, but not without adding a twist to it as only he can. nine minute of divine cruising beats. making things complete, novak & therm sign up for a more up-down-up rework that is more violent than you would think after a first listen. supported by sian, michel de hey, marcel janovsky

with tuomas salmela aka phonogenic, we welcome one of the most established finnish techno and house producers, with releases on 2020 vision, poker flat, moodmusic or f-com-munications. salmelas sound has something dark, reminding of the long finnish winters and cold nights. he does not feast in old times or posts the question of oldskool or newskool, but simply has produced something really new, without getting lost in clicks n cuts or doing too much sound research. phonogenic uses sentimental harmonies and stringent direct beats, that dont need complex building arrangements, but come to the point rather quickly and make clear where the journey will take us. similarly to guy gerber, phonogenics productions also are somewhere in between techno and houseand even use elements of trance. however, salmelas productions always make the impression of being well planned and moody

after several works on sound division, southern fried and remixes for some of the most popular producers worldwide such as david guetta, bob sinclair or erick morillo he presents his first ep on our own imprint with this massive 4 happy people ep. his original mix is all about bass. distorted, mean and loud and actually a pleasure to use for kicking serious ass. the tea mix is more driving and fluently building up with steady percussions and filterings on the bassline while the alex delia remix focusses on minimal aspects and fragments perfectly twisting the tune for the likes of any underground set

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

new label by buzz goree (underground resistance). >oh oh oh< and >first mission< are deep technotracks with a strong influence by the sound of chicago and detroit, delivered by the xenogears, a duo of italian producers (marieu and lucretio) that use the soulpower and analogue fat beats to attack the dancefloor. lucretios solo track is a piece of fine funky minimalistic techno. eduardo de la calles (spain) >tribute to ramtha< is a monster electrotrack, characterized by killers 808 drums and a solo of vintage analogue synthesizers

after the amazing remix they did for igor valentes doin it (very disco # 15), produced by the man behind all erick e, this duo now presents their debut release on very disco! this project name may be a brand new one, yet the two people behind this project are full of experience and are everything but new groove n gear consists of gabriel (well known for his very disco releases dislecto and noize and the selektiv biggie monkey bizz his excellent remix for electro junkies my drug is electro) and 50% of former uk top 10 artist lock n load! and we are proud to offer this massive new very disco release by these top producers. say that you wanna is a lovely, summerish feel good production full of catchy piano lines, groovy basslines, strong vocal sample use and fantastic rhtyhm parts set to be absloutely massive on the floors when the temperatures will rise far beyond boiling point!

it was 1883 when the krakatoa vulcano erupted and generated the loudest sound historically reported. about 120 years later, in 2002, the project krakatoa was born, generated by the underground enthusiasms living in the city of turin,aiming to contemporary electronic sound esploration with a special appeal for clubbing. krakatoa was originally established as a cult underground party based at the beach club in turin, where every thursday more than a thousand youngsters use to meet at the feet of the dj booth where the two founding fathers, dj pisti and samuel, regularly perform. they are often supported by special guests such as josh wink

another dynamic instalment from the nagano kitchen duo (jerome sydenham & hideo kobayashi). these tracks continue the ibadan legacy of pushing the boundaries. >destination nagano< is a rhythmic tech house journey with classic chicago and detroit overtones in true ibadan style. >head<, on the other hand, is a stripped down beefy club track with a big techno beat and classic chicago chords. destined for term use.

audiojack/solaris heights mixes. fresh from their much lauded remix work on >idiots< for lot 49 and erotic discourse on 20:20 vision audiojack provide us with an unrelenting tech-house workout utilising much of the song in their main mix. also on remix duty are solaris heights fresh from the success of their recent >vice< single on renaissance who use the song and take us on an emotional deep electronic house trip full of melodies and tight grooves

through international coops as with the detroit based >woman on wax< (usa), german deep house minimalist viermalair have and use the opportunities to influence the music-scene not only in germany but also abroad. the smash hit >philosophy< met a vast response overseas and is supported by ralf gum (gogo music), terrence (t.p.) parker, alexi delano, alex flatner, raul blanco

the track starts off with addicted grooves & basslines building up with clever vocal use and lovely drum patterns which create this cool atmospheric & accomplished piece of work!on the a side we find the fantastic lutzenkirchen remix, of course well known for his top releases on great stuff recordings, his russian experience ep on tomcrafts label craft music and their collaboration with tech house master john aquaviva on blu fin records. on the flip the the great original mix by lush7 & bas molendijk! this excellent 12 already receives heavy support by top jocks as benny rodriques, michel de hey, phonique, warren fellow, lutzenkirchen and many more so make sure to not miss out on this essential disc, pure quality stuff!!

after the release of the second single by solee, here comes the next top tune out of the parquet recordings camp. it s dejonka, who already released on labels like klang gymnastik, hammarskjoeld, karate musik and bikini tracks with –memento-. this track is a pure high-energy dancefloor burner. the kicking beat, the funky bassline and the dirty electro sounds create a groove that nobody can resist on the floor. a true sure-shot for the peaktime! ryan davis & lanny may use the strongest elements of the original adding some minimal beats and sounds to create a new underground flavour. yassin & arne create a true minimal-techno masterpiece creating a nice bubbling synthie melody out of the original harmonies. again a great package with remixes for every flavour and occasion!

mario fabriani joins forces with his long lost nephew fabio bacchini for a discofied romp on fetish. fabriani kicks things off with amore a driving dancefloor jam with sassy diva vocals and tough filtered bassline. a2 good god almighty makes use of a wicked sample and catchy vocal hook for some more peaktime party action. flip for fabios caribbean soul, a latin disco number reminiscent of some late 90s defected/soulfuric output and incredibly effective. lastly is moonshine another trademark bacchini samplefest, complete with disco bubbles, classic 70s strings and an abundant use of filters in all the right places.

esperanza once again welcomes a new artist to its forever expanding team.in this release we witness some more young aand fresh talent in the form of seth troxler. already loved and supported by djs like magda and troy pierce, just to mention a few. seth effortlessly creates a sexy and irresistble ep in which he clearly shows his natural ability to create an hearthquake groove through use of skillfull arrangments.the a1 opens the ep with lee curtiss remix (dumb unit-kalimari) of the track which we will find on the a2. lee gives us his interpretation with a straight forward groove and a funkier shape. on a2 we find >crossonlikespoo< wich is characterized by a superfunky bassline and amazing percussion, its been damaging every dancefloor weve tested it on. >brabaros strides< on b side is more deep and introspective track ,perfect for the warm up, in a fresh summer style.this is a must have ep for your collection from the hottest new artist of the moment!

supported by james flavour, prins thomas and sasse !! this is the first sampler 12inch from mule musiq for more disco people. a1, ana is a japanese pop band and force of nature remix was available in only japan but their original remix was featured japanese voice from ana’s original song (i think they had to use the voice parts), then people wanted to have instrument version. it’s a first appearance and great cosmic disco sound. a2, marcello giordani is a new artist for mule,but you know he has relased from dirt crew/players paradise as well boogie farm(morris audio),you will see his progressive disco sound. his some 12inch&debut album is coming from mule in this winter. and b1, maybe you remenber this great timeless disco track from one of the most popular artist “ame” in the house, techno scene. the original release of vinyl was a sampler 12inch of dixon’s mix cd

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

7 artists, 4 tracks and one destiny:electronic music for club, fresh, carefree, amused and direct.lucio & pep from italy bring a brilliant proposal of changing, intense, funny and deep hi-fi techno. the new association between bruno.d (citizen kain) + jaumëtic sees the light with >use your brain< a serious and effective track. adaptor is the union of forces between cj jeff + handle with care, 2 values in rise from greece, with a great remix of super flu who moves the track into a great tech house song

cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. dmt is a particularly good example of this, progressing with a confidence and purposefulness that borders on sensual mastery. samples and trace sounds are revealed into the mix, weaving a hypnotic and infectious reverie that calculatingly refrains from climax. a display of power that is anything but vulgar, cobblestone arent showing us all their cards just yet. magic

the new kaoss pad that fits in your pocket --- the mini-kp, offering touch-pad effects for all types of music. main features: intuitive touch-pad interface gives you fingertip effect control in real-time., the smallest body in the kaoss pad series., battery operation and a carrying strap make it an ideal choice for any scene., one hundred effects including filter, delay, and looper meet the needs of any musical style., numerous bpm effects are provided. you can use the tap/bpm button to synchronize the mini-kp to your song s tempo, and apply a wide range of effects to your music., fx release function provides a natural decay when changing effects or removing your finger from the pad., hold function lets you memorize the position at which you touched the touch-pad when you release your finger., use the two memory keys a and b to store your favorite effect program settings, including the effect depth and the hold on/off status.

>the dude< ep is based on the idea by holger flinsch to invite some of his friends to produce some >dude< tracks together. the hypnotic first track on the ep is an emotional, minimal shuffle stomper by two_em & el locco. the second track is produced by toby dreher and sm.art (well known for her last depeche mode >martyr< remix on mute). >zelterdude< makes great use of a funky bass and the hypnotically rolling arrangement progresses to nice french female vocals and hypnotic synth lines. and the last track is produced by holger flinsch himself with his dude holger nielson aka holgi star. its a superb smoove grooving club track which keeps a deep detroit feeling

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

aside: deep minimal dubby trip, over 9 minutes of original berlin style club techno. b side a very analog techno/ house fusion track with reference to detroit. destined for prime time use

two fantastic remixes of miles maeda s hit >lovely daye< that came out last year on dae recordings. the swirl people turn in a funky re-rub that makes great use of the vocals and is sure to wreak havoc. on the flip we have the remix by olivier desmet and oriental funk stew which sounds more like an original track than a remix. a sexy horn solo and the entirevocal sample come together perfectly

amazing, cold and mysterious science-sounds is probably the first words to come, when listening to this new piece of art from the dark caves of scandinavia. the consumer has returned with the 3rd ep which is again slightly different from past productions. your soul for access and financial advisory. drawing parallels to both the world of dopplereffekt and arpanet it still manages to be very different and the consumer has quite well establish his/her/their own sound based on different emotional feelings, techniques and creativity according to the use of analogue and digital expressions. perfect

this was on promo one of the biggest hits of the summer. up north fave thomas gold gets hold of a cheeky sample from ce ce peniston s >finally< which you will spot early on in the track, then gets special permission from roger sanchez to use his wicked acapella from the animal, which was released under his neanderthal guise. whether you like tribal, electro or funky house this hot new vinyl has some major mixes to keep you occupied...

theodor zox is no exception and after a couple 12inch on morris-audio, releases and remixes on his home labels tic tac toe and 3rd floor he is now on the ramp to be >the man with the groove<! minimal yes… but funky even more!!! rolling bass lines, driving chords and a great sense for arrangements, he is spoiling us with 3 amazing tracks! run away and system of play are 2 typical zox s cut! sharp hh and fat snare sounds with some weird abstract synth lines and vocal samples, that just gives to the whole thing coherence and personality! 2 solid dj tool to use with no moderation! question suggestion on the b-side is for us a masterpiece! all theodor s musicality and also his ability to make people dance are in this track. it s deep and it has such of a strong character that it can be dropped at any moment and it will get you anyhow and… every-time! a great bass/synth hook line with some oriental melodies… no clichés, just good shite!

early 70s signature tune from legendary soul group gladys knight & the pips gets a big house remake from timmy regisford and quentin harris

theodore girthkins,bosco jackson and terell robinson join forces for the most funked up jacked out release to date on this label. starting off is the spudda dudda doo making use of the original sample that gave birth to the 90s anthem gimme some horns with a few additional parts. brilliantly constructed and absolutely essential. flip for corruption, another rare gem being cut and polished as only these three gypsies know how

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

3 ausschliesslich unveroeffentlichte schaffhaeuser interpretationen von pan pot, dapayk & padberg sowie good groove und gibt schon mal einen mehr als reizvollen vorgeschmack auf die voraussichtlich 12 bis 13 tracks umfassende cd compilation

follow up to are you sure you want to know me> quizz and el nigno team up again on this track >the monster is in town< . besides the freaky orginal version, you ll find the 2 winners of the remix competition organised by i-dj : toby tobias (rekids, bearfunk, hi phen..) is stealing the show with his slow burning electro disco behemoth that sets an hypnotic atmosphere before kicking into a groovy rework of the main theme. philippe autuori has music to be released on the german biggie poker flat, his mix is funky electro-techno rework with plenty of mean synths stabs and a smart use of the vocals. club material

this huge release is a must for fans of their we are & syndikaat releases! zahn and eidolon manage to crush the minimal trend into a ball and throw it back at the masses

from boston in the us, the bald & the beautiful duo have been making firing, futuristic house music together for only a short time, but their productions have already been put to acclaimed use by dirty bird records (us) and utensil. the bald & the beautiful have recently remixed jt donaldson and cpen s >take u back< on utensil records earlier this year, the huge club hit by claude von stroke s >whos afraid of detroit< for dirty bird records, and swags -85- for version music. receiving heavy rotation from jesse rose and claude von stroke, this killer four tracker sits >beautifully< alongside forward thinking uk labels like dubsided and made to play. odori has an established fan-base and reputation as an outlet for quality forward thinking house music