a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

jeroens commemorating his roots by re-releasing a selection of search records from days gone by. each has been remastered in such a way that it retains its authentic and timeless energy. pressed onto fresh vinyl, this limited series contains some of the finest search tracks ever to be put out, handpicked by jeroen himself. in light of that it might be easily forgotten that jeroen search has been creating techno since the early nineties. and that he ran one of the most influential labels around back then: >search<. between 1996 and 2001 it was home to a host of releases, many from jeroen himself. released on vinyl and without any reprints, they ve since hidden in the record collections of a select few.

(180 gr heavy weight gatefold 2lp with liner notes) funky chicken brings together some of the best belgian dance tracks from the early seventies.

following and expanding upon the line of thought put forward in her 2013 album syzygy, lucrecia dalt ends in a place familiar, yet noticeably different on her new ep. its two tracks, esotro and veta, continually defy expectation, haunting vocal ballads that trickle into clouds of white noise, but for an acquainted listener that wont surprise.

originally released in 2002 this track was put out as a white label w/ a hand stamp.

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

fracture is a new label which aims to release quality music on a medium we care about. this is why we chose to work with matt colton from alchemy mastering, and also why we decided to put only one track per side of a 180 gram vinyl. after a first ep earlier this year by berlin s i/y, this second release features signalweiss, one of the alias of prolific and talented italian artist dario tronchin (also known as chevel), here supported by a remix of milton bradley.the past years have seen dario exploring many directions, from intelligent dancefloor tracks to surprising housy & technoesque pieces. artificial is another occurrence of him blurring the lines between different genres, dreamy and abstract, it successfully creates a refreshing and unique atmosphere. milton bradley skillfully brings artificial completely into the realms of techno, keeping the original s track attention to space and melody, the track in his hands turns into a mental and punishing dancefloor bomb.

der sechste teil der fantastic voyage-serie soul city, die sich mit der musik in verschiedenen schlüsselstädten beschäftigt, als r&b zu soul wurde, befasst sich mit new orleans. die sammlung von 60 songs auf 2 cds und 28 songs auf 2lps wurde von der soul-autorität clive richardson zusammengestellt und annotiert.

owdy, sexy, voyeuristic: this is harry bennetts world of sizzling neo-chicago house music. sounds that set bodies in motion, sounds that put parties in heat.

limited to 300 copies only - triple vinyl plus cd!
*treat me right*, the third album from trus me, featured plenty of modern club anthems and was lauded by a gamut of the most respected djs around, including ben klock, guy gerber, tini and maya jane coles. reflecting the trus me musical palette and chosen by him for this very reason, prime numbers has now put together an undoubtedly excellent collection of seven remixes by a stellar cast of friends and collaborators. this limited triple vinyl release comes in a bespoke wide spine sleeve and includes a bonus cd featuring a selection of the remixes plus a few handpicked tracks from recent prime numbers vinyl releases including fred p, mosca, xdb & adesse.

2014 repress with new mastering !! supported by: raresh, laurent garnier, kiki, dj sneak, karotte, lee curtiss, alex kid, jimpster, brothers vibe, etc.. i guess we dont have many words to describe this new esperanza in which we are proud to present on this vibe from the one and only fred p (black jazz consortium) and a delightful remix by sistrums favourite patrice scott. the original track is an amazing late night detroit ride which evolves slowly until it makes you feel floating on clouds. it may last 10 minutes but it s absolutely the kind of track you would want to be endless. on the flipside, patrice makes some twists and turns to the original track to put his own trademark signatures delivering another breath-taking emotional space walk. we are proud to release this record and hope you enjoy it as much as we do!

skylax welcomes f.t.g., known to house music scholars as freddy the groove, and his many friends for our next release in 2014. last year, f.t.g. and his italian partner in crime, marco riff (who also appears on this very record), pressed a very limited run of a single-sided, special throwback tribute to late 80s chicago house music. the track was aptly named ‘tribute ’89’, and it put a more dancefloor oriented twist on a track by a certain originator with the initials r.h. needless to say, it became highly sought-after incredibly quickly and fuel was further added to the fire by the repeated club play by none other than the dj idol ricardo villalobos. luckily for our followers, that original mix appears on this ep with another unreleased mix of the track and 2 originals featuring belfie and alex tea alongside f.t.g.with enough said about ‘tribute ‘89’ itself, the unreleased mix maintains the warehouse vibe with a heavy kick and bouncing bass pattern but takes it to another level with the introduction of rolling vocal cuts and a rather ravey synth line. flipping over the to b-side, we are treated with two tracks by f.t.g. and alex tea, named ‘public enemy’ and ‘bango’, with the former also seeing belfie lend a helping hand in the production. both of these originals round out the record nicely and cement it as another skylax release that is definitely not to be missed

on tross debut album 16:11 released on hoga nord rekords you hear influences from the city and the woods, the sea and space - inner and outer. tross deintellectualizes the jazz whilst taking clubmusic back to its roots. the kraut machine is motoring on some tracks, while others are more clearly driven by dreamy melodies than by a monotonous beat. feel the pleasures of participating in a playful context of mind expanding tracks put together to please the escapistic side of your soul!

label boss sasha carassi showcases his constant evolution in this three-track ep and soundsphere kicks things off with unmistakeable, mutating stabs intertwined with haunting background synths. starchild picks up from there with its rubber-band bassline and streamlined electronics, and introduces what can only be described as mutant sci-fi chords. for the closer, mr. carassi has put together the aptly-titled drop of soul in which trademarked synths pave the way for nostalgic arpeggios and dissonant electronics.

ocoeurs latest album a parallel life finds franck zaragoza showcasing his adeptness at fusing thoughtfully crafted melodies with twitchingly syncopated techno. in a recent interview berlin music portal kultmucke introduced zaragoza something of an idm prodigy and while thats a fair summation due to his preference for malleable beatwork and his use of heavily processed field recordings there is more there than simple glitchery. zaragozas melodies, while often shrouded in hazes of static, affect the cinematic minimalism of modern composition. these such comparisons put him stylistically hovering somewhere between the likes of arovane and max richter which is no meager feat. a parallel life aches, breathes, pulsates and is forever churning. it has a subliminal soul that is all too often a casualty of electronic music of this style. the vinyl lp includes a download code.

following his lotus s7ven album with hector moralez, chris carrier delivers his first full length since 2010 s gosse de paris double-pack. a staple for the french robsoul label, carrier now finds himself in holland writing lps for slapfunk records, a label launched in 2012 that s so far released music from a host of emerging house heads. carrier, now slapfunk s marquee artist, delivers a full listen of smooth and sweet deep house with a slight touch of abstract perlon-isms and creative, almost industrial, sound designs - and a release that ll put slapfunk on the map at that.

after last years second part, the third contribution of the >vinyl only edits< series is curating a wonderful showcase of the diverse artists on bpitch control. besides joy wellboy, furfriend, snuff crew and cesare vs. disorder & dave vega put hands on their own tracks again.

drew lustman is widely known for his work as faltydl but on 2000black we know him simply as drew. *put it out there* displays drews ability to take you on a musical journey within a club music track, whilst *a thorough study* takes a look at sonic emotion. the remix of *a thorough study* is by mr goodgood aka dego. strictly on wax for now.

bart skils returns to drumcode with his third solo release, shadowprint. consisting of barts famous rolling drums and bass rhythms he has crafted an ep that is exceptionally functional. with each track bart has added character by introducing vocals, interesting melodies and deep percussion to keep it interesting. the ep is made up of 3 peak time tracks that are eloquently put together. my part of town is a bit deeper from bart and contrast s well to the rest of the ep with it s melodic bass line

bart skils returns to drumcode with his third solo release, shadowprint. consisting of barts famous rolling drums and bass rhythms he has crafted an ep that is exceptionally functional. with each track bart has added character by introducing vocals, interesting melodies and deep percussion to keep it interesting. the ep is made up of 2 peak time tracks that are eloquently put together.

the 6th offering by public possession comes from our old friend anton klint. we have been playing records together for many years and he is for sure one of the best rock/disco djs we know. he has put out a few records together with his partner edvin edvinson as tiedye in the past, but this is his first ever solo production to be released. we are very happy that we could work with him on this one and are now able to present to you the spritzer ep.

editorial return with one of italy s finest edit maestro s who delivers a superb 4 track ep of summer vibes. riccio has appeared on labels such as super value / fly by night / extra virgin / hidden history etc

grab the new s&c 005 record, a split 12inch by ender & stiletti-ana, put it on and lay down on your sofa. hear the opening groove from enders track p.l.i.h. and find your self getting up immediately to turn the stereo a little louder. adapt your self to the super tight, locked & futuristic and very original techno groove. watch especially out for the killer stab line in it as it is just something you will most likely find your self humming while shopping or taking your dog out. after the original mix of p.l.i.h. you will hear the stiletti-ana s stripped down version. he must have cut everything else out in his mix with his switch blade besides the ruthless stab line. dig the endless and ever growing stab jacking and remember that p.l.i.h side of the record is very serious and addictive for both club & home users. turn the record around and go back to your sofa. hear the twisted detroitian afro acid disco of stiletti-ana s track i got the master unit. filled with merciless synths and forcing rhythms i got the master unit leaves no questions of the keeper of that unit. the user of the unit seems to turn all things to the max and play midi tracks with tesla coil a like instruments. after the original it is ender s time to use the master unit and turn down the lights and ask the question: do you think that there will be something nice happening soon?

sonoras 54th digital release and 6th vinyl release *the remixers* was put together with selecting the best remixes of their past catalogue. each song selected has been chosen for its unique sound and with the best quality of production.

having emerged from a crop of disco flavoured releases and vocal led remixes a couple of years ago, ashley casselle and asadinho decided to embark upon creating a series of stripped down housey techno dj tools to be used as experimental moments within their own podcasts and dj sets. this degree of honesty, and a desire to hark back to the roots of the music that drew them together in the first place, resulted in the sublime and bouncy *ceefox*. grainy 70s b-movie strings atop an addictive bassline equals a subtle yet huge club moment wherever it is played. we here at murge decided to entice these charming deejays to put out this deep and groovesome tune with us. two remixes come courtesy of new kingpin on the block jordan peak, who takes things into a more stomping club arena, and the beautifully glictchy ambience of julien miers headphone friendly interpretation.

listening to the sound of konfetti klub ensemble creates associations of those sparkling drops that run down the side of an ice cold drink on hot summer days. it’s a very refreshing and delicious listening experience, it’s both stimulating and soothing. if you think the formula brass players + club groove is somewhat worn-out, you will be pleasantly surprised. pomelo comes with bouncy offbeat rhythms, and when the trombone hits in there’s clearly an air of balkan sound. however, around the middle of the track it turns into a joyful freestyle session. mollono.bass puts a bit more emphasis on beats, bass and pressure in his version, in other words: even a bit more emphasis on the dance floor. rotwein und sommerverbot gives a groovy hint why konfetti klub ensemble describe their sound as live brass house – it’s extremely jazzy and casual, a live session rather than a programmed arrangement. even more so schwankel, as it vibrates effortlessly between intricate musical deepness and sheer to-the-floor euphoria. last but not least there is a track exclusively for the digital release: stranddub – beach dub. let’s put it like that: there’s a damn good party happing at this beach.

with his previous releases on nervous, hotfingers and frequenza, angel stoxx is on our map since a long time. he brings us two house party slammers par excelence. the perfect mood for our summer vibes. as a remixer we could win our favourite clown from brighton: enzo siffredi who brings us a deeper version of hoola high with a lovely bassline. the second remix comes from deep bros & monodeluxe. they strip down the original to the main elements, add a nice guitar and create a sexy house track. get your cocktails and put on your sunglasses.

with a decade of presenting exciting new talent behind them, crosstown rebels press on, signing up belgian duo raw district for their impressive debut on the label after a storming sophomore release on defected sub label dftd put them firmly on the radar. the ragged star ep featuring live vocalists ellipsis and giorgia angiuli is two compelling original cuts combining hypnotic, swinging grooves in the languidly deep detroit-laced ragged star and contrasting textures and tempos and ethereal voice in turn away. throw in stone cold killer tech rethink by house music demi-god josh wink and you have more than enough bangers for your buck.

totally fresh 4 track 12 by ethiopian born and based artist mikael seifu - bluntly put under the house tag here, but in fact a melting pot of styles is coming together on this beauty. limited pressing. born and raised in addis ababa, seifu attended the french school lycee guebre-mariam as a child, and went on to study music production at ramapo college of new jersey. mikael seifu is an electronic music producer & performer from ethiopia. seifus music is a fusion of ethiopian folk, uk garage & his own dream brew, which he calls ethiopian electronic. his debut ep, yarada lij, draws from a long list of musical influences including endeguena mulu, ben neill, burial, zion rebels, and r.f. 1432 r is an independent record label based in washington dc.

boskas british funk museum article no. 808 (barn 013) was a track that just had to be released on green vinyl, one of the finest examples of norwegian neofuturistic anglofilia ever and still very much a staple of our dj sets. were no dummies at barnhus hq, so of course we’ve been planning a full boska release on the label ever since we put out bfman808 back in 2013. almost exactly one year in the making then, santa cruz ep arrives. four slices of that fresh, clean, bass-heavy and totally melancholic scando-house we know you love.

antinote welcomes d.k. - first antinote release for the dude - first lp for antinote. it features 8 tracks of color full house & laid back boogie for your pool parties. this is the perfect record for your sexy dates &/or your long hot nights. rent a red sport car & put the music on. 100% sure your girlfriend gonna dig d.k s music. 100% summer vibez.

dj raw sugar is a native of berlin, but has done a 6 year stint in new zealand and now resides in perth. his productions are deep and raw house beats mixed with jazz, boogie, disco, funk and soul. over the years he has put out music via other peoples labels like gazeebo international, midnight riot and ism, but is now taking matters into his own hands via love sexy records - a label he has just started. the debut release kicks off with a piece from the man himself! it s a sweet and sultry slice of disco. inkswel, also australian based, takes up remix duty taking the track in a more club-ready direction. slow goodness all over!

180 gram double 12 inch in gatefold sleeve with download code and poster included.

very special release on bosconi from soulboy riccio just few months after his astonishing disco burner -put the man out- on the stallions compilation and the acclaimed releases on fly by night and slow town. this time our disco wizard delivers with the track pretty eyes, according to us, one of his best piece of music to date!

after a twisted, introduction full of warped vocals and shifting percussion, villain builds into a track designed to kill the rave. dropping into a wall of contorted, metallic bass and vicious drums, minor rain switches things up throughout, maintaining interest - as well as that infectious groove. on the flipside, main core shifts gears with a pulsing, submerged bass driving things forward. combining elements of tribal beats, programmed drums and a stuttering rhythm, main core is a great example of future funk musics ability to put out groundbreaking, forward-thinking music.

we present danilo schneider s first record - source shape- on roundqubemusik with two unique tracks. this ep is a great opener for the early summertime. the passion and the elegant arrangement is the hallmark of danilo what you can feel, and hear at any time. not enough. the two great remixer ilario liburni from invade records and roundqubemusik labelhead francesco passantino catch the original tracks and put it in the right direction. cheesy rollin cuts, deep basslines and groovy sounds are perfect for the peaktime. these magnificent reworks is combining of a whole massive ep.

catalognumber 23 – what else is to say? while we are feeling the spirit of william s. burroughs blessing this very vinyl-enigma, &me went particularly mysterious ways to transcend the category - dance track - for this one. the meditation through bass had been the major discipline of some of his latest cuts, but what you will find on this a-side, one could certainly call the perfection of somnambulistic peaktime-fever. the way he is kneading the lower frequencies, how he is channeling the expansion and decay of bass must inevitably lead to some aroused moaning. good vocal-selection, for that matter! then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season. * locust* on b comes in with some smoothly looped e-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. but then again: rolling bass barrels like a signature and a defence breaking build up thats ensued by liberating pressure compensation in mighty breaks. two demonstrations of understated and sophisticated peaktime-emphasis, so to say. or differently put: a flawless double-a-side.

the second instalment in midnight shifts remix series sees eddie niguel and juju & jordash put their magic touch on already well-received tracks by iron curtis (johannes paluka) and detroit veteran terrence parker.

vinyl only and silk-screened artwork! now that the isms ep has provided our favorite dance floors with magico moments and vivid arpeggios, nous klaer audio presents the second part of their collection of dance floor excursions. for the second release oceanic presents a ticket to another yet unexplored destination. this ep may count as his proper debut, though his kobo contribution to the rimini series of edits-to-go has already put joy to last summers festivals. on blanco bero oceanic follows on from the anthematic kobo on rimini with an ep of yet again uncanny but-powerful dance music, ready to explore.

record after record, the macadam mambo label tries to give you the best, and we are sure that new ep will not disappointed you. we are very proud to put out 3 stunning edits made by the master of european disco: albion venables from sweden. just a quick description of the tracks, ** disco mambo ** is… as you can imagine, a disco mambo track clearly dedicated to the label. ** hear the night ** comes from an obscure italian record with some french vocals part in it. and ** the mirror forrest ** is a beautiful electronic tune coming from an italian library record. record of the summer 2014, without a doubt!

ladies and gentleman, aliens and extraterrestrials, im:ltd finally make their 2014 come back with the intergalactic perspectives. rolling at 140 beats-per-lightyear, our cadet kantyze has knocked us into hyperspeed with a dubstep album that can only be described as from the deepest, bassiest, and funkiest quadrants of outer space. going where no producer has gone before, they have put together 12 tracks which would have the whole mos eisley cantina calling for rewinds and firing their blasters at the ceiling. one things for sure, you wont be phoning home - youll be calling your local record store for this one.

fracture is a new label which aims to release quality music on a medium we care about. this is why we chose to work with choosing matt colton from alchemy mastering, and also why we decided to put only one track per side of a 180 gr. vinyl. this first release features two artists we love : i/y and tripeo. for their first real incursion on another label, i/y continues its exploration of the abyss of modern music. 0000.030 is a deep plunge into a paranoid atmosphere led by merciless beats.tripeo takes it into a jacking excursion accompanied by noisy and acidic elements. while maintaining the originals ruthless vibe, this remix offers a different aggression and gives the track a groovy psychedelic feel

big with: adam beyer, dave clarke, luke slater, surgeon, chris liebing...
after the glowing success of bouffmyhre s first album on sleaze, we decided to put together a remix ep featuring new mixes of tracks selected from the album. on the a-side, hans himself has produced a 2014 remake of fortress, while polegroups oscar mulero provides a classy remix of bring it back. flipping over we have rebekahs version of fourteen, which perfectly demonstrates her pounding, dungeon-like style. italian producer giorgio gigli delivers a dark & droning remix of dominator, to round off this excellent release

many reggae artists are lucky to make one breakthrough to the music mainstream. horace andy has managed not only to make a mark with *skylarking*, but also to deliver the definitive reggae version of soul singer-songwriter bill withers evergreen *aint no sunshine*. one of reggaes most distinctive singers, andy has managed to sound as credible delivering social commentary as he does love songs. as one critic put it, *the fragile, vulnerable qualities of his voice could invariably be relied upon to add dignity and sincerity to songs*, the proof is everywhere on this compilation.

>we have been incredibly lucky to put out laszlos first two stunning releases, and this third one is more of the thoroughbred house music we ve come to expect. i love these guys so much i even did a remix for this release. plimton is a huge slab of filter house, perfect for the high points of any set, whilst zizzou takes things in a quirkier, more introverted direction. as for my remix, you can make your own minds up.< - george fitzgerald

luckily there werent any of the anticipated refund claims for the first two chapters of >if this is house i want my money back<. so we finally dared to compile number three. the concept of the compilation is pretty simple: we ask friends, pv regulars, and other good looking producers, who are famous for dancing around the edges of the genre, for an exclusive track, all of which we put together on one neat compact disc. this time the bill reaches from hot shot producer mano le tough (who celebrated his permanent vacation debut on vol. 2 of this series), maeve label buddy the drifter, the swedish house mafia in form of house dandy axel boman and edit ramajam hnny, rising star lake people, long time vacationer bostro pesopeo (together with local munich dj san quentin) and sizzling newcomer boska to the jack of all trades willie burns, fellow nyc resident octo octa, berlin-based melody masters kim brown, the neukölln acid kingpins achterbahn d’ amour (aka iron curtis & edit piafra) as well as hotflush and we play house regular locked groove. each and everyone of the participants are more than convincing in what they are doing and although they have different perspectives on the long runner house music, the tracks come together in sweet harmony on this compilation

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

some words from the man himself on way he chose these tracks: make me feel: classic disco track from sylvester. always gets the dance floor completely pumped. love2love: i love everything that donna and giorgio have done. love to love you baby is definitely a big favourite. just wanted to put my spin on it. great vibe for the early hours of the morning.hes mine: one of my favourite rnb tracks from the 90s given some lntg muscle.

*how you say* is the new single from factory floor. this is the third of three 12 inch singles and contains part of a wide and wonderful selection of remixes. this third ep contains new versions, both from bookworms, who turned in 2 new versions that were so good, we had no choice but to put them both out. bookworms aka nik dawson, had recorded many striking singles for both l.i.e.s. & confused house, collaborating with steve summers. this is his second remix for dfa (the first was for larry gus) and we are thrilled to have him back in the mix.