white on white is an absorbingly dynamic, multi-layered album of improvisations made on the seminal ppg wave synth, inspired by the work, life and theories of the great, if forgotten, british constructivist artist marlow moss (1889-1958): a radical, gender-bending british jewish lesbian and innovator of non-figurative art who was a then-contemporary influence on piet mondrian, with whom she worked alongside from the late 1920s as part of the abstraction-creation artists association in paris, until the nazi’s forced her from mainland europe back to england, where she settled in the far west of cornwall.

figure jams enters the next round, setting up a pairing between two hardware-loving, no-frills techno-purists. both artists build on vibrant, machine-made roughness, yet each leaving their uniquely flavored footprint. kicking things off is eindhovens albert van abbe, whose wide-open soundscapes and searching synths evoke an emotional impact that goes far beyond mere tools, able to equally move and sooth even the fiercest of late-night lovers. low-key producer sp-x appears on the flipside, ready to get lost deep within layers of hypnotic loops. searing percussion, rumbling bass and dubby synths engage in complex conversation, subtly swelling and swaying but always keeping the groove ever so tight.

mood to move ep is a six-part musical retrospect into the work of veteran japanese house producer takecha, the little-known artist has been sporadically releasing analogue house on his own gwm imprint since the mid-90s, however trouble maker had only recently discovered his works and were dying to hear more. the music he sent was far too good to remain unheard, so we twisted the little-known maestro’s arm and managed to grab a selection of six unreleased and never before heard cuts for your audio pleasure. created between 1995-2000, these musical gems were left dormant on dat tapes in takechas basement - until now! with classic house being the flavour throughout, the high-quality production and deeply-resonant synth lines of each track leave an imprint that’s hard to forget. if this is your first time hearing takecha you certainly won’t be disappointed., released on 12 inch vinyl , shrinked wrapped

driven by a vicious and visceral soul, the buttshakers are known for their fierce and fiery music. yet after nearly a decade of touring and recording, it was with a different musical vision that they approached sweet rewards, their first collaboration with underdog records. accustomed to the raw, primitive sounds of 60s garage rock and the crude sexuality of premotown soul music, a sound they could have continued to dig into again and again. instead, they decided to take another route: a creative shift, a return to a style of soul music that no longer has to rely on pure energy alone. exceeding the limitations imposed by their tight yet powerful six person lineup, they opened up this studio session to fully accommodate their ideas and concretize their musical ambitions: a larger horn section creates a richer, scintillating sonority, a touch of slide-guitar opens their creative universe to the open spaces of the far west, the organ vacillates between psychedelic drapery and heartfelt gospel tones, all of this supported by the wicked groove of a percussionist driving the beat on. their sultry and soulful frontwoman, ciara thompson, is here for the first time supported by backing vocalist. an occasion for her to indulge in a few call and- response chorales, a reverence to a gospel background instilled in her from her native st louis (missouri), a still vibrant heritage from the city that cradled jazz, blues, country and folk music. ideal for a sound that never lets down yet remains intuitive to the gradual rise of emotion each song demands. with each new listening, sweet rewards reveals something new to the listener: another dimension, a hidden layer.

r&s welcomes acid mondays for a 12inch of lysergic house music that reaches far into the outer cosmos. formed -somewhere in the 5th dimension acid mondays is the cosmic coalition of fellow psychonauts negghead (dan ward) and lex wolf (alex wolfenden). repeated transformative visits to ibiza culminated in landing regular slots at circoloco where they have been testing this tune in the dance all summer long.universal rhythm, their latest interstellar dispatch and debut on r&s is their finest work to date. an anthemic paean to the cosmos that features an impassioned spoken word missive from shamanistic mc shovell, impressively recorded in a single take, making the case for the universality of experience and oneness of all beings. latin rhythms fuse with a driving fender rhodes lick (provided by jd73) and percolating cow bells to hypnotic effect. this calls to mind a combination of classic carl craig and villalobos at his most playful. r&s new signing the maghreban supplies a killer dubbed out take on the original that strips away the heavy kicks and pumps up the percussion, hurtling the synth pads to the fore that comes on like john carpenter peaking on mdma

dead man s chest aka alex eveson makes his debut appearance on myor massiv sublabel diamond life alongside head honcho coco bryce. dancehalls seem to be the common denominator on this 12”. and where mr eveson prefers to drop a tab of acid, coco opts for a helping of mandy to work his way through the night. both sides find the respective producers operating at the 160 bpm mark, wading through a hazy mist of sounds reminiscent of clandestine warehouse raves. but whereas dmc utilizes a fairly straightforward, 93 style hardcore drum loop in combination with acidic undertones and atmospherics which clearly reveal his love for the “golden era” of mo wax trip hop, señor bryce s jam is a far more hectic sounding affair, layering a chopped and re-edited apache on top of an already-frantic, percussion- laden break beat, adding even more to the rushy feeling induced by the nervous pads and rave stabs. quality, yet slightly off-kilter hardcore junglist exercises.

4 track ep with dancemusic crossing borders between techno and trance. recorded live and analogue at studio cosmos, situated far out in the woods of sweden. category: dance, inner journeys, landscapes, dream, techno, trance, soul limited printing 300 copies only.

achtung passt nur auf die neuen mk2 systeme von ortofon (ab 2018) / only for the new ortofon systems mk2 (from 2018). replacement stylus offers a tactile feedback when seating, indicating a snug and secure fit, while a cut-out area in the front allows for far more accurate needle drops.

achtung passt nur auf die neuen mk2 systeme von ortofon (ab 2018) / only for the new ortofon systems mk2 (from 2018). replacement stylus offers a tactile feedback when seating, indicating a snug and secure fit, while a cut-out area in the front allows for far more accurate needle drops.

achtung passt nur auf die neuen mk2 systeme von ortofon (ab 2018) / only for the new ortofon systems mk2 (from 2018). replacement stylus offers a tactile feedback when seating, indicating a snug and secure fit, while a cut-out area in the front allows for far more accurate needle drops.

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

mannequins newest project and 100th release overall: the waves of the future double lp compilation... more info soon!

previously spotted on labels such as john dimas elephant moon and nil, christian ab delivers his second full solo ep and sounds like a far more mature producer. warm, hardware deep house is the order of the day, and -luna de leo- makes a fine case in point with its moog-esque basslines and plush pads. -flysergic- is a playful jam with techy undertones in its sci-fi synth work, and -anxwhyitme- takes an edgier route into bugging electronic pulses and eerie harmonics. -sunshine song- completes the set with a sweet natured trip into beat-laden deep house for the good times crowd.

the second outing on his midnight themes imprint, marlon hoffstadt touches on featherlight acid, proto trance and jacking house across three tracks, also brimming with sub and dub. fresh from recent releases on hot haus, ransom note records and his own retrograde, marlon hoffstadt is reemerging as a defiant staple of dancefloors far and wide. with his newest release, the berlin producer encourages listeners to engage with the music without the parasitic interferences of 21st century life. so for the next 20 or so minutes - screens off and blinds down to enjoy some pure awareness.

after profound synthesis, fundamental sounds return to the game with another special ep, warrios of xian. the first emperor of china built the xian warriors because he thought that those warriors could re-incarnate and return to life in this world or another. this record embodies that transcendental spirit, taking the ethos of that old chicago sound and letting it live on through the new word of some of its modern natives and far flung global brothers. at its centre is the dance floor.

presented on vinyl for the first time, heres the awesome score of one of the most ambitious spaghetti westerns ever, the forgotten pistolero a.k.a. il pistolero dell’ave maria from 1969 by the duo comprised of roberto pregadio and franco micalizzi. with a title like this, you can probably already feel the music - a dark toned take on the spaghetti western sound of the time - served up with the kind of brooding, haunting themes that provide a perfect backdrop for a man on a mission! relatively spare and moody, it offers a unique blend of jazzy rhythms, western themes, electric guitar and whistling. instrumentation is nicely compressed at points - driving passages lines that lurk around the bottom of subtle orchestrations - creating subtle-stepping drama without pushing things too far over the top. the soundtracks is released in a hand numbered 500 copies limited edition 180 gram white vinyl in gatefold sleeve including the original cinema poster of the movie.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers’ third album. “solchi” is a deep search into previous moments in lorenzo nada’s lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbc’s current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbc’s tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements. for this project, gbc invited several musicians into his home studio, both old friends and new. they helped to recreate the sounds of the original recovered recording, as well as add fresh ideas to the project.

following a red letter release in the form of joe armon-jones & maxwell owin s idiom, yam recordings return with the second installment of their you and music compilation series, this time compiled by yam fam hollick & z lovecraft. kicking things off on the a side is native cruise, a new artist hollick has been working extensively with on no bad days, bringing that signature ‘floaty yet punchy’ sound. it’s a kwaito-esque club jam with pan flutes and percussive loops bringing that energy to the start of the record. will listers sunset over st. petets spire is up next with a hypnotising yet intricate production from the hugely promising talent. will is a dude very much affiliated with yam and, of course, our pals over at balamii radio so it only seemed natural to have him on the record. that melody is a proper ear-worm too! the b side, curated by z lovecraft, is a slightly tougher affair with three tracks representing his taste in soulful sounds and expands on his a&r work for rhythm section international. first up is rouge me&#769,,chaniques prisma ltd a 7-minute psychedelic drum odyssey showcasing the multi instrumentalists many talents and influences, with guitar overdubs and flute ambience taking the dance floor far and beyond. on b2, upcoming break beat talent, lt, takes the helm with gale force. hailing from the peak district, lt makes work of deep vocal pads, 606 touches and a killer bass line. finishing off the compilation is wholemeal musics boy wonder, dear earth, who conjures a charming hip-hop ditty with his delicate assemblage style.

ima (intense molecular activity) is the duo of don hunerberg (synthesizers) and andy blinx (drums and percussion). based in new york city and active between 1979 and 1982. don, a studio sound / music engineer and musician, andy an electronic clothing designer, drummer and sound reinforcement engineer at downtown clubs like max’s kansas city, mudd club and cbgb. in between doing sessions at radio city music hall studios for groups such as ramones, richard hell, sonic youth, liquid liquid, john zorn, glenn branca and many others, ima took advantage of off hours to create their own music. as far as influences go, don’s background was in electronic music and andy’s in prog rock. to produce the songs, don used his own method of creating patterns from 2-track tape loops and then edited them together on to a 24-track recorder adding more tracks of overdubs, in a very similar way that sequencers are used today.

being closely connected to the label, it was only a matter of time before daniele cosmo was released on pinkman. at long last, he makes his debut appearance with co-conspirator cco as savage grounds. what they came up with is a tight two tracker presenting full speed, minimalistic punk electro workouts. both tracks, while boasting with furiosity and dread, as is often the case in the broken dreams releases, carry an infectious groove that is guaranteed to get bodies moving in the highest gear and right into the abyss. pressed on a single 7- this concise release is far from falling short in completeness, expertise and potential to break dreams.

the fourth release on trevor jacksons pre- label is by skull. a visceral journey into experimental noise and no wave avant grade beatscapes the last skull release snapz appeared on jacksons own output recordings label in 1999. a seminal collection of tracks that had previously featured on the first two legendary mo wax headz compilations (also featuring autechre, beastie boys, air, and dj shadow) as well as tracks that had also appeared on kevin the bug martins notorious macro dub infection albums during the mid 90s. reactionary sonic statements aimed at the coffee table world of trip hop, fuelled by his dissatisfaction and dissillustionment with hip hop of the time, trevor pushed himself into uncomfortable and far more extreme areas than he had before, areas he felt unable to explore with his underdog productions, which were mainly being utilised for major label remixes at the time. influenced as much by the industrial pioneers, post punk and new wave of the past as the burgeoning post rock scene in the mid 90s, this new set of previously unreleased recordings originally produced between 1996-2000 are equally as intense and visceral as the early releases. dusty samples, raw beats, tape loops, and primitive effects combine to sound as relevant now as when they were initially created.

andy vaz returns on chiwax with -zwei im tee- ep. it s almost the 3rd release for the yore mastermind. for us the best release from andy so far & we think not the end of the story

tmpz002 of temporize records is an ep from glasgow affiliate dam-ru, drawing on themes of gnosticism, occultism, cosmology and automatism, dam-ru displays his attempts at transcendence through sound, and delves deep into the subconscious, to a world within worlds.
he crafts complex yet warm, organic electronic music that flirts with ambient, dub and experimental sounds. with “too many voices”, his debut ep, he explores a far eastern, mystical theme in producing 4 tracks that wouldn’t feel out of place in an epic film score.

cin cin, the label from fort romeau and ali tillett present their first release of 2018 and the 10th in the catalogue so far. lauer starts the year off on the right foot with two prime time slices of that signature lauer power™? sound he’s known for from his releases on running back, permanent vacation and as one half of tuff city kids with gerd janson. on the flip the golden filter follow up an excellent long player on optimo music with 2 deep technoid excursions. “blackspray” pairs whispered vocals with warehouse shaking kicks while “aya” injects a little slinkiness into the proceedings. sure to be enjoyed by discerning disk jockeys of all stripes the world over!

hemingway s debut ep on cosmic resonance records is a musical memoir. the sounds you’ll hear are drawn from projects created as far back as 2011 and as recently as 2017. the music has evolved over the years, from yacht-funk playfulness to the exploration of cosmic jazz. one constant throughout, though, has been a reverence and love for the dance floor and dance music culture. to bring this broad spectrum of musical creativity together, hemingway enlisted the help of his longtime friend (and now label-mate), chris evans, to weave improvised guitar unicorns (guitarnicorns) throughout. the result is an album that fuses jazz, funk, disco, balearica, pysch-rock and amazonian spirituality into a cosmically resonant vibe.

repress! brazil-born, barcelona-based dj and producer anna has garnered international accolades from mixmag, bbc radio 1 and others with recent releases on the likes of diynamic and turbo recordings. but her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. beyond a whirlwind of festival appearances (including movement and awakenings), anna had the opportunity to perform at iconic clubs such as dc-10 and fabric.

karmon is presenting the second edition of diynamic musics picture:series, an eclectic mix of mystic deep house cuts. diynamic musics picture:series is a document in time, showcasing an artist s current creative output in order to allow the listener to visualise and understand the artist at a certain moment. it is not an album format, but far more than merely an ep. picture: is various dancefloor-oriented facettes of one producer, shaping the imagery that ultimately results in the listeners mind.

electronic emergencies kicks off 2018 with its 20th release. on the kosmostrator on venus ep, bosnian dj and producer borgie has rocketed himself into deep, deep space, far beyond planet italo. the sound of the four tracks on borgie s second ep for electronic emergencies is deep, has dark edges and is extremely danceable. ruud lekx did a brilliant mastering job and meinhard spoor designed the extraordinary cover.

200 copies , the label bunte kuh presents its first ep, beambender, which delights with tracks from deep house to tech house. the ep was created in collaboration with the artist debal sommer, who convinced so far with his releases on copycow and tonkind. the tracks by the zurich dj make the crowd dance and hearts beat faster. the remix on the ep is by the duo kuriose naturale, known from the label ritter butzke.

before his debut studio full-length, dubbyman racked up a remarkable discography of dance singles and remixes. he has been away for a little while, but his new 10-tracker album is the perfect tool for him to make his anticipated return. -deep is dead- is a fascinating mix of organic and synthetic, past and present, smoothness and eclectic, darkness and brightness. the spanish producer has veered away from those dub-heavy and dark atmospheric deep stylings, and instead has ventured into much classic house and musically territory. almost all songs are soaked in warm chords, dreamy leads and gripping melodies. dubbyman also offers an immense and stunning roster of credits and guest musicians such as kuniyuki takahashi, leo gunn and george btp aka allstarr motomusic, just to mention a few.

bliq continues its quest to mine the deepest shades of techno with this release from iakovos, who had previously appeared on the label as lowjac and in the formidable duo deemonlover. this is sharply focused mind music layered with subtle detail and rich textures perfectly honed for hazy hours at the far reaches of the party. -singers- melds hypnotic pads with gossamer-light threads of breakbeat and warm synth pulses, while -evil flower- pushes a tougher rhythmic agenda without losing the ethereal atmosphere. -adidas people- rides on a surging kick drum pattern, but leaves ample room for a distant drone, and then -hackney tower- heads into edgier territory with all manner of obtuse angles and unnerving sound effects pivoting around the insistent drum core of the track.

brand new edition of soul jazz records’ brasil album recorded in rio de janeiro in 1994 with a host of legendary brazilian musicians including sivuca, raul de souza and singer joyce moreno – which has remained one of the key defining early releases from the record label. out-of-print for over 20 years (!!!) the album has now been fully digitally re-mastered for this new 2018 edition. includes down
the album was recorded at the height of the first wave of interest in brazilian music in london in the 1990s. joyce and a group led by husband drummer tutty moreno had just been brought to the uk for the first time ever by gilles peterson and brazilian music obsessive joe davis (and future head of far out records) and performing to over 2.000 new young fans.

limited 100 vinyl pressure on this one from an undisclosed european producer who has been responsible for more than a few choice cuts over his 25 years of releasing records. burning up lights the dance floor by squeezing every last drop of energy out of just a few key elements, a modulating pulsing cross-rhythm bass snakes around driving disco beats with choice vocal samples adding the final bit of ear candy. minimal, a bit twisted, but hooky as hell. on the flip we have becoming cyclonic, a far deeper excursion where 808 toms dance around a repeating fretless bass melody. an immersive and euphoric melding of drum machines, synths and 12bit jazz-fusion samples, all being put through the sonic mincer and coming out like the proverbial gourmet sausage. yum!

* 2017 year marks ten years of integral records and looking back upon the label’s incredible back catalogue, what a decade it has been for drum & bass music that we hold so close. * initially set up as a passion project and a platform for showcasing future talent, the label has been consistently releasing cutting edge drum and bass since 2007. the ethos of the label has always been about quality control and finding those special vibes that no question capture heart and soul. honing their unique musical language, selections are carefully handpicked by head honchos artificial intelligence and more recently in collaboration with label manager emma g that fit with the forward thinking, original spirit we know as integral. * now 40-odd releases deep and renowned for breaking some of the most exciting artists on the roster today, the label also boasts signature classics from some of the scenes most prolific residents. names include the likes of lenzman, lomax (one half of loadstar), alix perez, calibre, system, zero t, technicolour & komatic (technimatic), lsb, steo, dawn wall, mohican sun, phil tangent, satl and just recently, a.i. themselves. * celebrating the seminal journey thus far, a double album will mark this very special occasion. part one will showcase a selection of the finest from over the years in a chronological journey of the label’s sound (for digitial release.) a second curation will simultaneously launch across all formats of entirely new and most exclusive material to date, from residents a.i., lenzman, mohican sun, satl, phil:osophy, scar, zero t, drs and more.

awesome cameroonian afro disco album from pasteur lappé. officially re-issued by africa seven.

taking the labels emotional sound into a deeper realm we welcome zone + to all day i dream. four tracks for more far out moments. these tracks might not rock your dance floor but they might just rock your soul. cuddle up with your lover and enjoy... bien. beautiful and gentle house music that loves you right back. baia. this is a gentle track with a subtle emotional vibe feeling like you are far away from land floating on an ocean with no land in sight. all you want to do is drift, lay back and watch the clouds roll by. sia - a subtle piano and male vocal transport you to a blissful place floating above the delicate landscape of beats. apocalypto - there s a mysterious feeling this track creates. a haunting vocal exists somewhere in the background and hypnotizes the listener.

japonaiserie was the term the dutch post-impressionist painter vincent van gogh used to express the influence of japanese art. artists including manet, degas and monet, followed by van gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints a mini lp by benoit b, the boss of banlieue records, on which he creates a futuristic environment influenced by the japanese electronics of the 80s. a musical japanaiserie that can melt your cold cold heart.

key selling points the chorus: that moment where everyone connects and participates in unity. a moment anyone whos shared a dancefloor can recognise whether its a festival arena, subterranean dark room or an illegal rave in a field, warehouse or any abandoned canvas between… like the ones colognes julian stetter has come from. inspired by subversive communities, all pulling together for a greater cause, his background in underground parties can be felt in everything hes done so far: his work with the ancient future now label, his vast imaginative techno constructions and now his work with jennifer cardinis long-standing community correspondant with the widescreen odyssey that is ‘chorus six slices of evocative narrative-rich electronic soul inspired by his on-going international experiences on the road, loaded with poignant introspection, thunderous rumbles and playful theatrics, the ep is bookended by two versions of ‘chorus, a vision of scorching hope and lift that can seize a full floors attention in seconds and full live up to the tracks title, message and meaning. by far julians most significant solo ep to date, this is a moment for us all to connect and participate. join in if you know the chorus

uk producer laurence guy delivers his debut for mule musiq: three house not house grooves en-larged with a deep musicality. so far the boy from london got one album and six eps on such labels like church, rose or cin cin under his wings. all his three tunes for mule feature a piano that spreads deeply haunting melodies. combined with house rhythms and a warm oscillating atmosphere, he managed to arrange an ep that reminds equally on the musical art of producers like andres or portable. deep house beyond the clichés, charged with bewitching melodies and a heartiness that has the power to stay for good.

pal is a series of compilations by pear, showcasing all the various iterations&#8203,, of that sound they know and love. for the first volume, they&#8203,, have&#8203,, cast their net far and&#8203,, wide &&#8203,, think you should find something&#8203,, to enjoy amidst it all.

lottus got this deep and old school flavour touch, driving and sweat at the same time, this one is for franck the highlight of his new ep,so no big words on this one. it s a lottus love affair here. air is a cosmic journey into franck s synthetic drum sounds, passing thru his famous space echo 201 made back in the days by roland..the machine got some natural errors and goes with the tape delay feelings.. it s all about movements and space rythms here.christal is using the famous 909 drum machine and 808 toms.. this one goes very deep into our mind with strange vocals wich franck got the secret to play with, it s a sentimental and emotionnal song, cute for some people but very relaxing after all to complete this ep.my name is was originaly out on franck s realtone records imprint. it came out with two different versions.the track received some good feedbacks and plays so far and our dear friend berlin based alexkid came back to us with his own edit and we definitly loved it but we were very busy with the releases.. this edit has been lost in our hard drives and now franck is more than happy to give it a new life.

the mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint musique risquée with a scorching three-track can of shake-ass. guillaume & the coutu dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-wtf? moments, sounds, and vibes abound. lead-off piece histories vraies brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for game of thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of panoramabar at peak time. a2 jam far is the field counterattacks with the next level fusion of sun ra arkestra-esque transmissions wrapped around a humpty dance-on-steroids bassline, twisting and shifting away from the hands on the clock with beautiful ease - i am music.. indeed. finally, b-side long-burner whatevers inside rocks a sultry belly dancers theme song at an fm and modular synth bazaar on uranus, with g & the cds patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the gluteus maximus.

nice price deal !!! young blood is the theme for retrofit so far in 2014.

def3 has seen his fair share of success so far in his career, including the release of 2014’s award-winning lp, wildlif3. but with his latest endeavor, small world, the stakes seem higher, and def3 is poised to reach a higher level of success.