4 classic pieces re edited, re structured by bottin (known for his italians do it better release). strange conenction for this italian with the us. but we are happy that the magick edits allstars took mr bottin in their crew... big tip..

mentalic s follow-up to highway man contains 4 tracks ranging from freak out slapstick techno to more melodious pieces. played & supported by stephan bodzin, paco osuna, style of eye, lexy, marc depulse, max cooper, roland m. dill and many more.

wonderful 1970s p.c.p inspired 20 track. compilation featuring a highly charged mix of psych funk, prog, afro, glam, cosmic, rock and disco. some very rare pieces on here such as the cosmic reggae inspired 360 degrees, the groovy psych prog of the creative craniums and the raw prototype psych funk of kid rock (not that one). others will be better known to lovers of a more progressive dancefloor such as soundforce and diabolic man which has long been a big spin for dj harvey and lovefingers alike.

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

yore returns with yet another deep master piece. javier alvarez, a madrid based producer and proprietor (along with his younger brother dubbyman) of the underground label deep explorer music, brings his relaxed above smoke sound to the yore imprint. in the first of four warm and atmospheric mood pieces, awfully drapes dense synthetic winds over a deliciously grooving, bass prodded deep house pulse. get down does exactly that with five funky minutes of rhodes chords, disco hi hats, and synth swirls, a percolating bass line lends the track a propulsive charge, while crowd voices give the cut a party vibe. on the b sideÆs ôthe fixö javier scatters chopped fragments of the spoken line, i ve got a lot of shit to say and i cant say it all in one day, i cant say it all on one piece of tape, over a funk house groove, after which dubbyman offers variations on the theme in his remix of the track, dubbymans version digs deeper into the cuts bass science and warms the tunes slinky pulse with hand percussion and claps. old school in its embrace of classic house sounds, above smokes ep is tailor made for those who like their material laid back, groove centered, and funky.

feedback / support from:
laurent garnier: cool house swings ... will play in the mix ... yesss thanks for this
brothers vibe: nice work! compass & zooparty are my favs. will def play ... reminds me of good ol dj tracks ... well done!
>obviously las meninas< is the name of a new series of dancefloor/dj tools dedicated tracks to be release on terpsichore. jefferson velazquez opens this series with 4 pieces of grooviness.

for the 5th installment of adultnappers illustrious ransom note, we welcome into the fray paul kominek, otherwise known as pawel (dial/orphan ear) with two sublimely beautiful compositions of modern electronic music. there is not many words to describe the feeling of these pieces. they run deep into the soul of house and techno. moving, yet intelligent, pawels plaintive take on dance music is unique in sound, but profoundly universal in feeling, connecting to emotions that seem rare these days on the dance floor. with powerful peak time remixes by new yorks alexi delano and brendon moeller, ransom note part five should make some noise in the coming months. from the desk of adultnapper, as inspired by lines and curves… as you well know, parallel paths are foreordained entities of diversity. as they travel further away from their origins, the more attraction tends to set in, not as a spiritual mechanism, but, rather, as a physical replication or limitless mimicry. one trajectory makes reference to the other, leading to a barrier, a zero crossing, some sort of cessation of thought. lines become curves and act as waking agents for the soul as it approaches its limit. sometimes this process is disrupted, as is the case this time. i have lost something on the way and i seem to be stuck in the place where i lost it. i feel anchored here and need to find a way to move again. there is not much time.

feeling lucky? stockholms high plains drifters jackpot show their cards for our 9th (and 2nd to last) installment in the rvng of the nrds 12inch series. on the a-side, the duo cuts a disco diamond to pieces with handclap slapback and string stabs a plenty. the b-side gets ahead of the beat on a sure bet of dreamy arpeggiation and rolls the bones on an early house classic. this is an ace up a (record) sleeve if we ever saw one.

incl mixes by johannes heil, alter ego and dj slip

nice price deal !!! distinction makes his debut on argon records with two incredible pieces of dubstep music. fly eyes is an absolute smasher, with abassline that will make your nose itch, and a snare that will make your eyes blink. brok owt is the the b side - the name describesexactly what you ll do when you hear the tune! an essential release!

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

big with: reboot, federico molinari, audiofly, alex niggemann, kabale und liebe, luca bacchetti, lauhaus, markus fix, anthony collins, andre crom, m.in italian dj-producers larsen & luca marano deliver their off debut after already releasing on no. 1 italian label tenax recordings. a1, “greek” is a full-on primetime dancefloor bomb, building the tension with a disco-ish hookline before dropping into a huge drum break which will tear the dancefloor into pieces when the kick gets back in. “bad choice” features a massive walking jazz-bassline, supplemented by wasted long breaks and tripped-out samples, perfect for the later hours ..

when klak001 was all about the locals, the klamauk now goes global with 4 great tracks by paul frick, scott, the clover and tom ellis!
500 pieces only - coverdesign is printed in black & white, then sprayed with four different colors and numbered on the back. spray cans used for coloring.

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art. this record comes as a beautifully marbled coloured vinyl, limited to 500 pieces.

demas is a producer from middle germany. he produces his own tracks since 2004 and had digital releases and remixes on klangscheiben-records and leporelo. his style is very groovy and its between minimalhouse and minimaltechno, we think. >bohnenherbert ep< as vinyl is a limited edition of 300 pieces. so be fast to get your copy! this is also the first remix-release at klangscheiben-records. we ordered some artists, who are known from previous releases. but we ordered also very well known faces to our label. these artists are milos (telegraph recordings, leporelo), phööptärt (9volt) and sebastian albrecht (klangscheiben). we are very pleased to welcome these artists on our label.

i ve been playing ortins track at big gigs for quite a while at peak times, with the advent & industrialyzer interpreting it its great to release these two fine pieces of work that have purpose and conviction says luke slater about the next release on his mote evolver label. the boundary pushing mind set slater brings to his own planetary assault systems creations is a key characteristic of the music he selects for mote evolver. this release from ortin cam is a prime example.

new single from mister david guetta!! two monster mixes only on this vinyl!! limited one side press and worldwide 300 pieces only.

for almost as long as there have been djs, there have been dj tools: bonus beats, acapellas and ambient overlays have long been the stock in trade of selectors interested in more than simple crossfades from outro to intro. but back at the beginning of 2007, luciano put a new twist on a triedand- true idea with no model no tool. the inaugural release on cadenza split composition, a sublabel of the iconic swiss imprint, no model no tool revitalized the recombinant concept, offering djs a selection of readymade miniatures that worked like sonic building blocks—oddly-shaped bits and pieces designed to be stacked and shuffled to the djs delight.

nice price deal !!! played by greg wilson, jesse rose... the house mannequin ep 1 is the first release of the brand new label >house mannequin< from berlin. the record consists of 3 very dj friendly disco styled pieces.!! >can you dig it ?< is a modern chicago >re-edit< styled track. a delightful long edited guitar and bass part is followed by a nice twirling strings section with shining chorus. >space police< is a extended >re-edit< of a spacy japanese 80s disco track with lots of additional effects, rhythms and percussion. >good caves< is a freaky, mad acid track with lots of rythmic tension. the whole record is definitely made by and for party people... a record for the hot dancefloor with a positive vibe...!

xerrox vol. 2 undertakes an intense journey and affords the luxury to take its time. &#8233,,while xerrox vol. 1 (r-n 78) referred to the old world with its tradition deeply rooted in classical music, xerrox vol. 2 tries to access a new world . it works with samples that have been gathered and developed in the usa û the so-called new world û where the album also has almost completely been recorded.&#8233,,the dramatic and dynamic approach of xerrox vol. 1 on vol. 2 has been replaced by a structural density. instead of working with individual musical entities the new album rather develops an overall, linear aesthetic that refers to musical strategies of film music. hence there are no implicitly singular pieces, but open musical structures û a journey without a predetermined target.

sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

permanent vacation are delighted to bring you the second chapter of the first space oddities saga compiled by alexis le-tan (music journalist and member of the tigersushi bass system) and jess (formerly of the famed french house duo jess & crabbe and now drummer for punk band 10lec6). the pair met in 2001 through a mutual love of no-wave and leftfield disco. in 2003 jess came upon a big collection of library music, which he bought for next to nothing. whilst he was ciphering through it and finding the most interesting extracts, alexis was digging in all things cosmic, where along the way he also started to pick up many bits and pieces of obscure mood musics. in 2007, they put together some of their best space disco treasures giving birth to the highly acclaimed space oddities project released last july. as the first episode of space oddities was reaching to an end and following the amazing feedback they received, the parisian duo started working on the next volume in the heat of 2008’s sunny days. a new direction was chosen: more organic, guitar lead and psychedelic than the previous one, still focusing on the dancefloor and their love for freaky synths and fierce beats.

mobach makes a deep, soulful, warm and groovy hybrid between house, electro, dub and jazzy electronics. one of the deepest pieces of vinyl you ll hear this year. mobach already featured on the electronic generation album on sd and with this debut 12 he drops a future classic. title-track metrobots is as funky as it is soulful and warm. the beautiful sounds and voices keep building to an emotional climax on top of a deephouse groove with a slight jackin twist to it, which simply keeps you going. submersion dub is a funky combination of house, electro and breaks: deep and dubby. alternate moods is the most jazzy track that featured until now on the ever forward thriving sd records. it s loose and lovely. excellent!

repressing/ last copies! renowned electronic music producer / dj dani koenig is from zurich, switzerland. his influences range from jazz, blues, disco and all sorts of electronic music. the first big track >disco 3000< was released on zurich based label bacteria records, 1997. since then he has gone on to release many records including the stand out >break 4 love<, >whats my name< and >stairs<. now, you ve got the chance to buy his great release again! only a few pieces we have. it was a small lost backstock we found. a catchy house tune - the track was released on kosmo records too. dont wait!

the most wanted house version of the emiliana torrini - jungle drum ! the title song from germanys next topmodel on tv ! played by all famous club djs ! strictly limited one sided vinyl (500 pieces) ! save your copy now...

the infamous pro team is back for the sequel, its the pro ep 2! promo and the dj producer pronounce their refusal to recognize and deliver you 4 pieces of crossed over hardcore beats. dutch dynamics and british breaks deliver the next step in crowd movements. were talking co op refuse to recognize, an insane producer remix of centrifuge, promos uk experiment cant fake the breaks and a special producer beastly machinery retrofit of dusty old whiplash, originally by beastmachines. original funk with added chaos for premium taste!

igor from antwerp went a little crazy with one of his favorite pieces of music... but what igor did is not just another cover or re-intrepetation... he did make a highly expolsive track based on stravinsky s classic sacre du printemps. ok we agree.. that sounds kind of corny and pretentious... but somehow this bloke managed to get it all right. sounds like a forgotten techno classic from suburban knight who was recording with laurent garnier in his good old days and had henrick schwarz as studio engineer... a classic take on techno with a break that will revive more than one igor. this is a euphoric hands in the air, goose bumps al over record that works at the right moment.

it s time for the magic number 7 on microtonal! moenster and end of tape team up for maximum impact and deliver 3 stunning pieces of nowadays dancemusic. arrriba!

20 years time, when vinyl diggers are hunting the most obscure house and techno treasures from the 90s and noughties, theyll probably turn to expert patrick specke for assistance. this dj and producer from düsseldorf is dedicated to the machines that he uses to craft his metallic, shimmying tunes - but hes equally committed to collecting the best pieces of vinyl that walk the earth. you can hear it in his tracks for this desolat release: a solid understanding of the space between the beats and the subtly textured samples that help make up a fine dance-floor groove. tracks like get me out and bitchual linestepper use tight drum loops to build the kind of stealth attack that lends itself to dancefloor damage. on naggin me the building blocks that make up the classiest 4/4 recordings are reshuffled and stretched out - from here to mars and back

big with: cassy, bo irion, dan curtain, jorge savoretti, electric indigo, mateo murphy, noah pred, pheek, patrick bateman, tomboy, the youngsters, ion ludwig,.. the result is a co-production between catenaccios head-honcho benjamin fehr and falko brocksieper (sub static, tuningspork, leena). inspired to create a laid-back environment between improvisation and restriction, the two are exploring ways to join their different views on a shared passion for deep, dark, organic and abstract techno. the result is >niagara< and >give up< - the first two pieces from this ongoing production cycle. both tracks are developing a long vibrant flow of eclectic structures and agile sequencing of field recordings and analog sound aesthetics

the labelhead seuil and his parisian fellow tolga fidan (already known for his amazing work on vakant and cocoon) decided after spending months talking and sharing a common passion for hardware gear and modular sounds to step in the studio together and try to perform and record some complex orgainc grooves. the result are 2 amazing pieces of dancemusic!

vlad caia, a young romanian living in norway, with his wide range of influences are worn as true colours in his music. his demo was thrust into our hands by one of his fine colleagues, and now finally we can bring his debut platter for horizontal. as you will hear its a bright start for vlad at horizontal, he brings us two charming pieces of upfront house, chango with its cuban overtones and incessant groove calling all at the party. johnny frisco on the other hand has its own low deep funk flavor. both tracks nevertheless are proving to be a favourite of chefs such as tobi neumann, locodice, onur ozer, raresh, josh wink and of course dinky & matthew styles. we hope you enjoy as much as we do this summers release for horizontal!

if we ever called it a classic…this is what we meant . after releasing one of the best artist album of the last years on carl craigs planet e label, kenny larkin joins now forces with one of the most influential artists of the recent times shlomi aber, and his acclaimed label be as one imprint. shlomi aber and legendary detroit pioneer kenny larkin are two artists that needs no introduction to the techno crowds. while the first one is recognized as one of the most forward thinking artists of the recent years, the other one is responsible for releasing some of the finest pieces of electronic music ever produced. sketches ep comes with 2 different versions of the same track, both having old school vibes reminiscent of the days when house and techno went hands in hands. kennys version is a superbly produced slice of techno, with an amazing drums progression in a typical larkin style sustaining a hypnotic lead pattern, all conjuring together to take the dancefloor into a 10 minutes long, deep and mind tripping tour. label boss shlomi aber, takes a different approach by putting out a tougher version, a loopy phat bassline and a jazzy rhythm with snare hits makes this tune a funkier techno shuffle a pure classic to come, already supported by basically everyone, from the detroit old school guys to the recent house and techno leaders

this is the fourth release of the future roots series, the trials and tribulations of the first three download releases overwhelmingly convinced producer dj deep that a vinyle series was of an utmost necessity to authenticate the project..the aventure thus starts here..future roots is dedicated to new talents and is a subdivision of deeply rooted house .....future roots is very happy to welcome english artist alexander ross to the label. born in sheffield and now residing in berlin after a number of years traveling and working throughout the world, ross credits his formative years in his birth town with its rich, diverse musical history and world renowned community of passionate musicians and promoters as his greatest influence and the place where the foundations where laid for his dedicated and inevitably lifelong relationship with quality music in all of its many forms. ross first official release earlier this year on these days records saw him collaborate with greek artist argy on the hugely powerful see no evil which gained widespread praise from a broad range of djs and fans of the label alike. the apparent line...ep is made up of three spacial, driving drum tracks which draw influence in equal parts from alexander ross interest in reverb washed dub, deep techno and the cyclic, rolling grooves of percussive african music. the pieces utilise tight dynamic rhythms and expansive, echoing reverberations to create three striking and effective moments. support from carl craig, josh wink, laurent garnier, loco dice, argy, manuel tur, martin landsky, manoo & more!

sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

it may have been fate that erphun s very first gig was on halloween, because his music is brooding, pounding, moody and transformative, as if from another realm entirely. his ability to build a mood is mesmerizing and transports the listener to that alternate spiritual level that his moniker infers. having spun around california with residencies for naked, flirt and hotel california and playing at 1015 folsom (san francisco), sevilla (las vegas), broadway (san diego), voodoo lounge (las vegas), risqu (las vegas, new year s eve 2004), and the shelbourne hotel (miami, winter music conference), erphun began to make his mark. erphun s music has been spun in clubs all over the world and is succinctly summed up by steve lawler as a deep, dark and underground unique sound that trademarks his pieces. with early releases on ingrooves, and ascension records followed by releases on viva music oliver klein s mutekki and audio therapy, his name is now instantly recognizable among the tech-house, minimal, techno world of spinning producers who globe trot his compositions to be dropped on every conceivable audience. the reaction of the listener to his slow, driving builds that weave between the almost symphonic-like movements of each of his pieces is always jaw dropping and is usually followed by an exclamatory siiiiiick! . erphun is also a highly sought after re-mixer for artists who want to hear the 4am version of their pieces. the only way to really experience this immense talent is to see him in action. a night of erphun s making heightens the listener s musical aesthetic and aurally illustrates his personal musical vision

ultra ltd handnumbered copies , only 100 pieces ww, excellent detroit tech tracks ala dave clarke & ben sims!! big with dj3000, laurent garnier, orlando voorn

lovely ambient/dubby pieces on this danish label. comes on light blue and dark blue marbled vinyl and contains some foggy ambient/dubby pieces that sound very gentle and relaxed. nice one

when robots start to feel and dubby disco music is taking place, when h. r. giger meets g. moroder, it s time to present heib s attempt of >i feel love< to you. dry and smooth, passionate, warm and deep. >sound conspiracy< on the b-side starts as a simple acid track, but grows and rises to become everything else than minimal. bleeps, pads and effects pass the ether to hit your body system. forcing. 2 pieces of music without half-life. make your choice !

moonbeam show maybe one of their most versatile pieces of music, describing the feeling of morning glory. this is perfect for after hours and moments of collective happiness

spezial premium pack incl maxi cd... huge monster-tunes!! supported by steve lawyer, stephan hinz, dubfire, matthias schaffhäuser, stephan bodzin, f.e.x., dubnitzky, someone else, eyerer and many more. philogresz aka ilker soylu was born in istanbul, that huge metropolis of turkey in the early 80Æs. in the summer of 2002 he moved to dordrecht / the netherlands and started his education of music production at art academy of utrecht (hku) and later stage sae (school of sound engineering). soon after that he set up his own company 078 productions. with 078 productions, he set up an organization team with an aim to create a new dimension into southern hollandÆs and yet into the dutch electronic music scene. the past 2 years he has been focusing on his own productions and so far has released musical pieces on record labels such as: black hole records (as nefesz), manual, teamrecords, stolen moments and magnitude recordings.

huge monster-tunes!! supported by steve lawyer, stephan hinz, dubfire, matthias schaffhäuser, stephan bodzin, f.e.x., dubnitzky, someone else, eyerer and many more. philogresz aka ilker soylu was born in istanbul, that huge metropolis of turkey in the early 80’s. in the summer of 2002 he moved to dordrecht / the netherlands and started his education of music production at art academy of utrecht (hku) and later stage sae (school of sound engineering). soon after that he set up his own company 078 productions. with 078 productions, he set up an organization team with an aim to create a new dimension into southern holland’s and yet into the dutch electronic music scene. the past 2 years he has been focusing on his own productions and so far has released musical pieces on record labels such as: black hole records (as nefesz), manual, teamrecords, stolen moments and magnitude recordings.

played by 2000 and one, giles smith, nick curly, tobi neumann.... solomun is the owner of diynamic records in hamburg, top notch producer and a splendid dj as well, so a team up with jackmate came only natural. the first two pieces they deliver here, show their love for lush detroit-ish soundscapes, combined with demanding drums and repetitive chord progressions parexcellance! carnivale is like a growing storm on a hot summer day, building its tense with beautiful string arrangements and coming to a climax in rolling thunders of pure bliss! factory is a special little gem of its own, that could run for days, so subtle and charming is the flow of this early morning grower. highly recommended stuff

after a long break quagmire strikes back with a limited recordrelease. 300 pieces of vinyls only. this time, ion ludwig teamed up with thomas azier, a young dutch rising singersongwriter. together they blended their particular styles into four different tracks, all working soulfully and musical. all tracks where created with own recorded sounds. keys, vocals, harmonicas, djembes, bongos, shakers and so on where played by ludwig & azie,

nice price deal !!! pieces of eight - the positiva gem is back for 2009! one of those rightly labeled classics from 98 is back for the new generation to enjoy! the riffs are there in all their glory ?its a pure nostalgic trip that brings together the old skool & the new... twisted & pumped up for todays dancelfoors, the new slant on the track is provided by stalwarts stretch & vern, cassette jam & ruff loaderz.

under his raudive alias, oliver ho has created a trademark blend of future forward house and techno that has been the sound to some of the greatest moments on our favourite dancefloors over the last couple of months. recently labels like cocoon, drumcode and pokerflat were blessed to release superb pieces by raudive and he created enthusiasm all accross the board from ricardo villalobos to sven väth. for his macro debut he moved a step further: the cone ep with its 3 cuts of twisted house brings some serious madness to the club: raudive’s signature beats get a strong jazz infusion with bits of saxophone and an out-of-control piano spinning around the pumping bassline. crazy all the way while delivering a maximum of dancefloor appeal.

iron curtis pieces originate in a place simultaneously tuned to the sounds of detroit, chicago and hamburg. in his home town of nürnberg, johannes paluka is more familiarly known under his surname, which he goes by at the turntable. intertwining deep-house with soulful techno in a disturbingly enchanting manner, his sound moves in the equilibrium of reduced, but never minimal. flashes of kitsch brighten the dark universe of iron curtis, but fail to interfere with the melancholy subtext. profound music for the dance floor!

electro legend dynamix ii (just give the dj a break) produce 2 pieces of pure industrialized high-tech funk. we bow down and pledge our allegiance!

an amazing rock-electro-folk-jazz crossover album!!! incl monster smash kids !!