following two sought after, sold out 45s on the label, kevin hendrick’s m i d d e x project releases it’s debut lp for mid-february and right from the off this is no everyday minimal synth project. 10 brutally sharp, icily industrial, analogue synth blasts which tip their hat to those hugely influential days in the late 70s where across the uk, tiny pockets of forward thinking, electronic experimentalists were creating groundbreaking, analogue electronic music, under the radar from almost all, unknowing at the time of course about their impact even to this day. limited edition of 300 numbered copies.

the italian artist has been a fixture of the underground since her precocious teens, clocking up many miles in control unit with ninni morgia (“it’s like catherine deneuve dumped two cases of post-repulsion psychiatric notes over pere ubu’s dub housing, lit the fuse and, ahem, stood well back” – julian cope), including collaborations with the likes of smegma, factrix, gary smith, aki onda and gate (michael morley of the dead c). through her own label, ultramarine, she has released music by the likes of raymond dijkstra, blood stereo and bene gesserit.

motion sequence is back with the fourth chapter, ms0.4 brnwshr ep by lowris — an experimental three-track ep concluded by a sequencing from medicis aka 6-idem. vinyl only

helms world in action ep for the trilogy tapes gets reworked by the likes of laurel halo, parris, beneath, low jack and sky h1

the 4th black eyed peas album from 2005 now back on double vinyl.

elsewhere mcmxiii is a compilation full of electronic textures with a unique character to it, analog, lo-fi, slow dancing vibes. compiled by dj sofa for débruit s ici label, the record is a 12-track journey through future retro oddities, that navigate in disco, coldwave, kraut territories, with a taste for experimentation, while being great to dance to. it showcases a scene well represented at clubs like -salon des amateurs- or close to labels like antidote, music from memory, macadam mambo and dark entries.

after ennio and the sluwe vos, it s time for patron record s third release. the gru ep is coming from the hands of lewski, a young dutch producer/dj who clearly got his inspiration from the darker detroit techno sounds. lewski definitely shows his originality and craft with his debut ep. the four-tracker is full of vintage sounding techno tracks, blasting you into another dimension. laurent garnier, leftfield, carl craig (ernie guerra is his manager), a?me, barely legal, maceo plex, bleaching agent, diz washington/iz & diz, minor science, simeon mobile disco, freund der familie, or:la, marco bernardi, horse meat disco, benjamin damage, danny tenaglia, truncate, kid enigma, iron curtis, randomer, altern-8 + more to follow

detroit minimal techno innovator terrence dixon delivers five tracks of mind bending tones, alienated pads and sci-fi bleeps in a unique dystopian soundscape.

high focus records regular and member of uk rap super group the four owls, verb t has joined forces with production wizard pitch 92 for the new album ‘good evening’.
pitch, who has spent the past few years as the musical mastermind behind the award winning mouse outfit collective has excelled himself on this release bringing to the table a delectable selection of funk & soul infused bangers serving as the perfect backdrop for verb t to unleash his smooth brand of thoughtful lyrics and hooks.
having spent 3 years writing for ‘good evening’ verb t has put forward some of his most personal rhymes to date, delivered with a new found passion that sees the veteran build on a body of work that stretches back to the days of low life records and now sees him as a major part of the ever expanding high focus records movement. the album features guest vocals from uk giants ocean wisdom, jehst, drs, fliptrix, bva, king kashmere of strange u, sparkz, black josh, rye shabby, confucious mc and moreone.
‘good evening’ on limited edition vinyl will be officially released with a digital dropcard containing a digital copy of the album plus bonus instrumentals!

benny l is the latest name we’re delighted to welcome to the metalheadz family, as the young producer delivers a ferocious 4 track ep entitled route zero, where the crunchiest of basslines meets the heftiest of drums, with old skool flavours, atmospherics and effects thrown in on top too.
low blow, the lead track, has featured in the sets of goldie, noisia, randall, doc scott and many more for a while now, and has already achieved the status of dancefloor killer well ahead of its release. benny l continues on this path throughout the ep, showcasing a colossal sound that we’re very happy to have on the label.

tidy line-up including randomer, gilbr, voiski and tolouse low trax. tip! in terms of experimental, techno, very few come close to the impact that this uk producer has had on the scene. with a sound that is rarely classifiable, randomer’s dekmantel contribution is a staggered, minimally-twisted, dark, kind-of-two step, awesome thing. versatile records’ gilb’r has found himself an integral part of the dutch scene since moving to amsterdam, and brings forth his organic, percussive grooves that have helped define his music, and label to date. salon des amateurs’ tolouse low trax provides a seasoned session of amniotic, grizzled, hypnotic post-everything music, that is eerily discomforting and wonderfully pleasurable at the same time. and on the ep’s fourth track, parisian techno wizard, voiski adds layered organic, futuristic loops that work to stale the progress of time, and space.

lowwaxx open doors for a very special welcome to the well established uk scene producer tommy vicary jnr, signing label s 3rd release with 2 originals bangers as well as a remix by fuse london regular rich nxt. opening up matters is the sounds of the title track. a moody effort that s notable for its many haunting tones and a reluctance to follow a straight path, it s the sort of intricate bomb that gets under the listener s skin from the get go. difficult to pigeonhole but still full of dancefloor panache. an auspicious start to the release with a track that s sure to get you talking. the b-side then gets underway courtesy of -best way-. this time, the emphasis is more firmly placed on tidy rhythms and straight up baselines, though this one also demonstrates the producer s knack for the unexpected. a whole peaceful landscape trip decorated with overwhelming chords placed on tidy rhythms and straight up baselines. culminating the release is the sounds of rich nxt, who delivers a stunning remix of -best way-. indebted to deep tropes and imbued with a catchy-as-hell baseline.

ch seinem hochgelobten album -undertow-, auf ihrem eigenen imprint lower floor music, veröffentlicht das detroiter post-industrial/noise-trio wolf eyes nun eine limitierte 12inch mit zwei neuen instrumentaltracks. diese sind in ihrer art epischer, dubbiger und reduzierter als die albumtracks, getragen von einer signifikanten elektronischen unterströmung unter der tropischen ambience, die auch die jüngsten liveshows von wolf eyes - im gegensatz zu der dichten intensität des letzten albums - kennzeichnen.

extended hypnotic explorations from brooklyn’s experimentalist robert aiki aubrey lowe (lichens, om). two long-side pieces of futuristic afro-dub, slowly evolving arrangements of voice and modular synthesizer soundscapes.

lowmoneymusiclove eleven with our dear friend and seekers sensei alex picone. four elegantly crafted cuts for all times & feelings. …cause the grass is always greener.

lowercase life returns with more melancholia out of machines made in the past. detroit and 90s uk vibes brought to present time in three originals and a killer electro remix by orson wells (777 recordings). limited vinyl with hand made iris printed silkscreen covers.

first ep of the label lowlife cartel. dissociative tones, texture of the sound and atmosphere sought here, more than melody. no boundary in genre but same sonic ethos. the two sides of the ep includes two tracks ambient/downtempo fitting with patient listening. three other, lofi tracks, and more efficient to play into clubs. face a starts with -nerve splicing- by telekommunist, also known as wpx7, face covered and steps muffled through a deadening blizzard of tape saturation and white noisey envelops that find a balance between deepening the sense of immersion and a retained groove. -kairu- by a. latif, affiliated to the experimental and elusive russian label john s kingdom. an arsenal of textures are employed, surrounded all the time by different kind of breeths carving out a growingly satisfying contrast between the shivery charm of its melodic line and the roughness of its elements. a rough diamond. face b, -kfs-, by vslds (present on the next cousin carl release, after kinway and voyd) is a delusional and abstract piece of lofi hip hop. setting skittish drums and heavily altered rapper vox sample, smothered against a grey-ish canvas of blurry, washed-out pads. this feels both playful and unhealthy. -gotta go fast-, by paul santangelo (venetian causeway), is marked with the very personal style of this artist who does his way across the ever effervescent lofi techno scene. the round, drag-shed bass, fits with an introspective melody and atmosphere. -every man has a woman who loves him-, by loophie (raw russians), surprises the listener at the end of the disc with a lofi house track sampled from john lennon, very effective in club. the czech lofi house videomaker moskalus edited a video of it on his youtube channel. 5 artists to follow.

robots kick ass!

debutant trujillo, previously worldwide known as mangelt lands on lowwaxx. the main (a) side of the record by trujillo, is a solid balance of organic textures embraced with synths and modular basses. elegant waveforms rolled with mystic atmospheres. the other side of the record (b) shows up a galaxy settled of raw drums scattered by glitchy percs. melted with analog basslines result from the union of two alchemists of the mental dancefloor. trujillo & lowwaxx, hatch the perfect potion ever since they team up.

last volume of this compilation series, again a great one.., holding amazing tunes from across the globe that you probably already have been looking for.... tip!! . over the last five years and as many volumes of their beach diggin’ compilations, guts and mambo have explored the reefs of five continents, dredged the sea beds of countless seas and oceans, examined every single seashell with the aim of making sure that no vinyl pearl should escape their notice.

mixing heavy industrial influences with idm and electro to create some high impact sonic weaponry, this new offering from lower parts sees glaswegian producer, galaxian, on fine form. cosmic lifeforms, restless machine lines, frazzled synths and tough hits get things going before the ep moves into more ambient and then onto full force techno territory.

tendts are two brothers that make -music that you can da nce to, or not-. it seems an odd phrase, but aptly explains the duality of the greek duo. the compositions of christos and fotis papadakis are both emotive and movement inducing, even though they are written and structured with disparate elements that refuse to fall into obvious patterns. they consist of palpitating beats, imaginative textures, seductive melodies and sporadic bursts of treated vocals. it s everywhere is a concept ep soundtracking tendts intergalatic encounter with the pleiadians (dimension traversing nordic aliens to the unenlightened ) at the far edge of the universe. upon their journey home they brought with them not only costumes, masks and relics of extraterrestrial civilizations, they brought with them the spirits of two great celestial beings, momongo and floflolo. fotis and christos were the reincarnation of these two and the main purpose of their return was to enlighten the people of earth about the beginning of the era of the cosmic swimmer.

4 years after the conception of heist recordings with the break up to make up ep by label heads dam swindle, they deliver their 4th solo record and release no.26 for the label. on the cant hold it ep, the guys showcase their love for lush disco, analogue basslines and leftfield musicians, bringing in nyc native willie burns for a remix that shows you the darkest side of heist yet.

mfms curious and utterly killer afro/belgian electronic project gets the re-whip by a bunch of current producers. the ep also includes the previously unreleased, veronika v02 (a synth bass heavy version of the compilation track, veronika 02).

das neue studioalbum des prämierten filmkomponisten timothy fife, ausgezeichnet für seine soundtracks zu den horror-movies -murder university- (2013) und -frankenstein’s wax museum of the hungry dead- (2013), enthält drei darke synth-monster mit einer laufzeit von 3 bis knapp 18 minuten länge. lp mit download-code und einem exklusiven bonustrack, limitiert in europa auf 250 stück.

limited dj friendly double vinyl edition.
harmonies is the new long player from underground super-producer lord echo. the new album solidifies his already distinctive mutations of reggae and rock steady with disco, african soul, techno and spiritual jazz. in other words, the lord has returned from the wilderness with a bounty for his followers. eat of the bread of life and enjoy access to his crazy world of sound.

ekoplekz returns with his fourth album for planet mu, in the shape of 10-tracker “bioprodukt”. the unique lo-fi, woozy sound of bristol’s nick edwards stays intact while he veers towards the nineties for inspiration: the bleep and bass sound of the north of england is one touchpoint and the acid gurgles of the 303 are another.

following celebrated compilations from motor city drum ensemble and young marco – and with the second edition of its limited-capacity festival in croatia right around the corner – dekmantels selectors series now continues with an edition curated by marcel dettmann

interstate is coming through with love infused house ep

2017 dance house summer hits ! incl. lost frequencies, starley, low steppa, edx, croatia, squad calippo, inpetto, luke ! 2 cd compilation!

big remix by andrew weatherall !

nice price deal !!! four track ep of thumping sub lo techno, inspired in part by the schlocky writings of h p lovecraft. precision styled explorations into the outer side of the dance – hyperactive percussion, jacking kick drums and some serious low end bass create a dirty machine funk to shake booties as much as tickle the cerebral heads.

limited edition of 300 copies.

the second release in the series comes from the french master lowris with a remix from sammy dee

new york native shawn o’sullivan returns to avian as 400ppm with debut lp, ‘fit for purpose’.
as an artist, o’sullivan has long since explored the juncture between hard-hitting, functional dance floor material and more lofty, conceptual work. from a purely structural standpoint, the artist’s return to avian bears all the hallmarks of previous output under the alias, utilising the same palette found on early ep’s for guy brewer’s label. stripped back and driven, the music marries caustic drum-machine polyrhythms with warping, pitch bent leads and characteristically atmospheric use of reverb. it’s a decidedly dance floor offering, but the music comes refracted through o’sullivan’s own lens, with plenty of elegant references to a career spent exploring much of the techno genre’s periphery, from noise to new wave. crushed vox bubble up from beneath wrought-iron percussion and the artist takes time to step away from high energy 4×4 workouts to explore more complex rhythmic structures and harsh, low tempo grooves.

in february of 1971, larry ray and bill szymczyk fled an earthquake and a debauched l.a. music scene to claim their own slice of utopia in denver, colorado. after meeting and bonding at abc-dunhill, where ray landed as general manager, and where szymczyk had breezed in from new york fresh off his first real hit as a burgeoning engineer/producer with bb kings. the thrill is gone theyd often daydreamed about starting their own label.

croatian producer el nino andres is steadily building up an impressive arsenal of disco and deep house heaters on his own jackie brown label, having previously been running the hija de colombia imprint. on this fourth slab he pushes his sound into even more intriguing places. opening track slow mo tuesdays lets things roll out on a decidedly dusty tip carried by off-kilter drums. riviera blues stands out thanks to its tough 80s-styled drums and warm soulful melodics. low end massacre meanwhile gets choppy in the edit and makes a devilishly good job of riding the samples.

various is a good word to describe this escales vol.2 from croisière musique crew, the second various e.p. from the label, which seems so diverse that it almost could seem inconsistent to someone not familiar with the label. at the same time this e.p. summarizes perfectly a collection of different styles and aspects of croisière musique, from some heavy dancefloor-friendly house and techno to more abstract acid grooves, going through breaky minimalism. a1 – the e.p. starts with battle of wits from sebastian eduardo which is a direct uncompromising floor-oriented piece of house, setting a filtered atmosphere, bouncy bassline and a filtered synth which reminds us of a dubby atmosphere. a thick and compact atmospheric part progressively takes on the middle of the track and suddenly fades to let the main dancing pattern return. a2 – lowlifequalitys is a spatious acid piece which contains elements that are close to the aesthetic of video games. all synths coming together give a sense of confusion yet ordered by the repetitiveness of the loop. the sensation of something nerd and muddle rise from this experience, a expression of weirdness by the member of les points.b1 – programming behavior sets a step back in the ep, evolving around an hypnothic vocal piece which is extracted from an old interview of george clinton, heavily chopped and processed. on top of the simple breaky drum pattern which recenters the experience, gets added an arpeggio and a modular synth sounding sequence which progressively dramatizes the track. rx delivers here a mysterious piece of minimalism, bitter yet swingy. b2 – the e.p. ends with catan, the first appearance from françois, who co-founded croisière musique with rx. starting with an ambiant and breaky atmosphere, catan quickly evolves to a drivy four step techno piece. on top of the leading synth comes different glitchy elements, aerial pads and a disturbing shamanistic glitch in the middle of the track that announces a break which confuses the listener. the track follows-up on this contradiction between the hypnotic grooves and the solid drivy techno.

here is the debut release from the new label losers with attitude, a four track compilation we have nothing left to lose-that demonstrates the range of sounds you can expect from us in coming releases. the label is the brain child of aleksey ageyev, a successful la based film and tv producer in who was born in moscow before moving to nyc at age of 16. he has teamed up with his old friend jason szostek of serotonin/schmer records to explore the electronic sounds that emanate from the dmz between house and techno. alexi delano needs no introduction as part of the swedish techno mafia that took over new york techno scene in the 90s delano has been pumping out tracks that have keep dancefloors moving world wide. delano brings his awesome sense of groove to the opening track a.l.n. mike bryant is a well known dj in the new york city underground since he came from the midwest in the mid 90s. he s the label head for intrinsic design. with his a new low moniker he sets out on a dark and soulful journey in sound. lwa labelhead and prototype 909 member jason bpmf szoste s starts side b with a sprawling chill soundscape sunrise on mars from his abide the glide series of digital releases. legendary russian electronic music pioneer anton kubikov is famous for his acid adventures in scsi 9, his label pro-tez records and randomart store in prague. here he has given us a moody acid groove named we have a bridge to close out the compilation.

for the 10th release of lowmoneymusiclove family member and.rea is dropping some intelligent acid house on his debut 12”. four dreamy & bleepy technoid tracks in 90’s break sound. but whatever… “less talking more walking” says it all. $ lmml10 $

the sickest night ever! incl. tom zanetti, jax jones, disclplines, duke dumont, secondcity, riton and more

slamming kon disco edits

this is land of dance, we’ve reached the tenth release and we want to celebrate it with an album, fifteen tracks and artists divided into four vinyls (two double pack) including music by: seldom seen aka santiago salazar, jared wilson, ricardo miranda, nightjars aka analogue cops, healing force project, boston 168, drvg cvltvre, xxxv gold finger, jann, passenger and dave hargadon (slowburn) plus some new names such as: andrea vietti, seven sins and müskije lycheeni. the tracklist has been thought as a dj set that evolves from ambient to jazz to house to techno. this is land of dance!

lowmoneymusiclove’s 9th release comes from “planet jm”, the amsterdam based producer drops his debut ep “cosmic fruit”. three dope old school tracks with classic lmml bleep sound. get spaced & boogie!“

homoagent is the collaborative project of basque techno and drone artist triames and british electronic composer anton maiof aka antoni maiovvi. vicious darkroom techno working as the fictional soundtrack to one cop’s journey into underground s&m dungeons to catch a killer.

sydney based imprint ken oath records lands with its official debut, a 100% australian va sampling the earthly delights of the country’s temperate south-eastern corner. ken oath hits the ground running with four slices of sun soaked house music from dj riggles, underground city loops, donald’s house and low flung. shuffling snares, lo-fi grooves, balearic rhythms and dreamy synths are all enclosed within.

palham music sagt allen beteiligten danke! ihr habt uns zum teil über jahre begleitet, geprägt, inspiriert und euphorisiert - sei es im audio- und printbereich oder einfach nur als menschen. und wo begann alles? im club - diesem dunklen soziotop, in dem vieles möglich war und ist. die viel zitierte macht der nacht. mit blaak paradize bringen wir eine hommage auf den club unserer erinnerung heraus, mit all seinen musikalischen facetten und brüchen. in blaak we trust in love we must in paradize your mind and your youth is blind. limitierte auflage von 315 schallplatten mit extra booklet!

neuauflage des zweiten jose gonzalez albums aus 2007. inklusive seines genialen covers des massive attack-hits * teardrop*.