ndv return from summer with their 2nd release which is a bloomin all star va. the idea of the va ep is to showcase the synthy housey technoey sound theyre all about, and what better way to do it than give the vinyl over to some of the most freakishly talented producers out there.

for our first release power up, weve decided not to pull any punches. it features a groovin pair of tunes from muffin man, which stand on their own...

die new yorker band midnight magic klingt wie das von donna summer und george clinton gezeugte uneheliche kind, von dem niemand wissen soll. die combo um die sängerin tiffany roth kredenzt ein orgiastisches fest aus funk, disco und soul. schon 2010 hat midnight magic auf permanent vacation mit der single beam me up fuer furore gesorgt, ein jahr spaeter folgte hold the line. mit midnight creepers erscheint nun im lp-format eine compilation ihrer besten tracks.

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

full length album by gb on his own label. we love what this guy is doing anc on his new album he finds more depth within his signature sound. recommended!

using a handful of production aliases, the spanish producer has been dishing out dark-tinted techno since the early 00s, often releasing on his own mental disorder imprint. his most prolific moniker is reeko, with which hes put out some three dozen records. his relatively more recent work as architectural, meanwhile, has been highlighted by a few appearances on semantica, including the 2012 solo release peacetime-a track from that one, looking ahead, earned a place in norman nodges berghain 06 mix for ostgut ton.

rondenion is a japanese dj and producer. his link with music started working as a recording artist in the late 90s. under the name hirofumi goto, his released his debut ep *ameria*. it drew attention for its dark atmosphere, and was played by international figures of the electronic scene such as derrick may. he changed his name to rondenion as a tribute to chicago and detroit. not so long later, he released his *love bound ep* on the respected rush hour records. it reached the top sales chart position on the rushhour store, and rondenion began to make himself known within the european scene. in 2012, he co-founded ragrange symphony, alongside no milk and kez ym. kicks kicks is a young graphist, dj and producer based in france. his passion for skateboarding lead him to discover all the 90s deep house/garage scene such as kerry chandler through skateboard videotapes. his debut set happened in bordeaux a few years ago alongside nicholas & larcier. he is an analog freak and started producing his first tracks in 2013 which will finally be out on cracki records.

so here we are, ab initio 04 is upon us, with sebastien san pushing his boundaries once again. sebastiens sounds are his very own, situated somewhere in that crucial area between the deepest of detroit and the best of deep house. an area ruled by tight drum programming, heavenly strings and deep chords to die for. melody is key, melody that makes you dance and makes you listen. the force is strong in this one, and sebastien san sets the bar high once again!

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

featuring new material and recorded in the bands isolated studio on the edge of the essex marshes, the album ebbs and flows in mood like the nearby blackwater estuary. working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances.

hirofumi goto aka rondenion made his debut releases on still music back in 2005. shortly after, he released a streak of detroit infused house 12 on rushhour, aesthetic audio and more to great critical acclaim. a dj and producer born in japan. he began working as a recording artist in the late 90s under the name hirofumi goto, and released his global debut, >ameria ep<. it drew attention for its dark beats, unusual for a japanese artist, and was played by top djs like derrik may. he changed his name to rondenion to show respect to chicago and detroit, and began working on an overseas release. ultimately, his love bound ep was released by major labels such as >rush hour< and became a big hit. it reached the top on the rushhourstore sales chart, and became popular in europe. in 2012 he formed >ragrange symphony< with his old friends no milk and kez ym, and he is currently working on a number of projects for his own record label, >ragrange records<.after being approached by roundabout sounds for a remix, discussions shortly after were directed towards a plan for releasing rondenions debut album on both vinyl (roundabout sounds) and digital (plug research). the result is the luster grand hotel debut album, ready to drop in september 2013. luster grand hotel is the most accomplished project from rondenion, an absolute blend of detroit and chicago house, reminiscent of the music from moodymann, theo parrish and rick wilhite. a must have for any real house music fans.

mole city is not in the tradition or deviating from the tradition – it is the tradition. after two decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of sleater-kinney, wild flag, elliott smith, built to spill and a long list of others), quasi are a genre of their own - they write songs in the style of quasi, and mole city is the quasi song book: parlour sing-alongs for the last century.
now in their 20th year as a band, and a two-piece once again, sam coomes and janet weis hand-deliver the double album/liberation cookbook/encyclopedia of kicking ass, mole city, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill.
pressing on double 180 gram heavyweight virgin vinyl, housed in gatefold sleeve with mp3 download code included.

deep groovin house, very limited copies! julian perez is a spain based house/techno dj & producer, releasing music on labels such as fathers & sons prod., cadenza, viva music, leftroom, lowpitch, recycle, two.birds.

lab.our musics second release showcases more home-grown talent with 2 tracks by up and comer maxwell church. as a founding member of toronto techno night the deep north, max already has releases under his own name and as one half of the hermans, but this marks his first release on vinyl. lab.our 02 offers 2 raw techno tracks in one day and twizzled. one day is a late-night stomper, moving in and out of changing synth patterns while twizzled is an acid workout that changes up when synth stabs come in the middle of the track.

leipzigs own panik pop (grain audio) join the klang gymnastik family with a great melancholic floor burner! leben comes with two amazing remixes by nico pusch (damm records) and very yous knut s.!

another top notch exclusive eyepatch vinyl which will be a must for those deeper sets. >yellow edge< is a three track debut release on eyepatch for japanese dj and house music producer yusuke yamamoto. he runs his own label vacances records and has seen releases on many other labels including oasi lab, houseworx, city life, ibiza house hotspot and more. his tracks are supported by a lot of big djs including luciano, claude vonstroke, d julz, anthony collins and moodymanc to name a few. he brings a fresh approach to house and this is manifested within this superb pack and we love the sound so much we will also be releasing this onto good old 12inch vinyl which will be a welcome addition to any dj s box.

one is formerly the front man of a notorious glaswegian punk band, the other a meticulously precise studio guru with creative flair way beyond the majority. as solo artists they are a formidable force, as a collective they are quite simply one of the most exciting new acts in the uk right now. refusing to rush, they spend countless hours trying ideas, searching for samples, tuning percussion and tweaking sounds. for every mia dora track that sees the light of day, there are 100 that dont. this isnt throwaway club music for the internet generation, it is soulful, thoughtful and emotive music by two producers fuelled by an intrinsic need to give life to the sounds in their heads.

comes on nice chunky 180grams vinyl! september, back to school again. in one side one of our favourite house artists from paris: le loup. cant stop is a funky and solid uptempo banger and cherish pauses the bpms blowing our mind out to another world showing how versatile can le loup be doing house music. on the other side one of our favourite newcomer from holland: junktion. smooth talking and lazy grind tracks are simply straight forward house music, hedonist and actual, but with some classic tricks that reminds us, in some way, to old legends.

two absolute masters going over to the dark side with serious results. trademark elements from both artists combining into gorgeous vox laced dubbed out electronics, recorded in berlin. the force is strong in these two... on the flip ricardo villalobos and max loderbauers vilod collaboration takes the whole other side, twisting out the original parts and arriving on a planet all of his own. metroplex returns! tip!

get three stylerocket eps for one special price! contains the following releases:
- styr 018: basti grub &#8206,,– little life ep
- styr 022: holgi starr & pierre deutschmann – bottle of laid ep
- styr 026: hoscho – miss you ep

for this second edition of the vinyl only imprint, one of the label owners s.m.a.l.l (half of the deep house duo politics of dancing) take matters in his own hands and strike with 3 deep house tracks strictly for the dancefloor. including a remix from the french underground legend chris carrier!
be fast to get your hand on this one! limited copies, 300 vinyls only ...

roskas shocking ep is the latest release from the long-running rinse producer and his firstfor the label since last years rinse presents: roska2 lp. it finds the uk innovator on his usual fiery form, drawing for his characteristic deftly swung percussion and grime-infused sub-bass pressure. the explosive title track is the most overtly grimey roskas sounded for some time, slow-building intro giving way to a pulsating bassline and caustic laser blasts.

after the recent success of their expansive debut full length on idle hands and while they bask in the glory of their recently well received resident advisor podcast, jacob hodge and matt lambert push on with a new ep on bristols futureboogie. to date outboxx have fomented their own ebullient house style that is imbued with a keen sense of uplifting melody, plenty of analogue dust and some heavyweight bass, largely on bristol based labels, and this new ep sees them continue in that fine form.

since 1999 teebees subtitles music label has been an outlet for his own creative endeavours and helped spark the careers of many forward thinking producers including noisia, spor, phace, break and ulterior motive to name a few. with his labels first ever artist compilation *sine language* delivers 26 exclusive tracks from some of d&b most talented and diverse producers.

spearltd017 sees the return of mc and vocalist ad-apt to the label. this time with his own track *need your love* getting the remix treatment for two of d&b’s most prolific producers bcee and cyantific.
support from 1xtra, nu:tone, spectrasoul, savage rehab, ray keith and a whole load more ...

what more can be said about need for mirrors? with a track record as long as my dick nfm have trail blazed through a veritable who s who of top d&b labels, including metalheadz, shogun, v recordings, dispatch, symmetry, clear skyz and their own imprint zoltar.
with *voltaire* causing upset with club sound system engineers worldwide as feral youths wile away into a sensory-overload downward spiral and *heron blue* making hints towards dillinjas take on strontium jazz this 12 inch is undoubtedly going to upset you. that is why we think you should take a punt and buy it.

half speed remastered for optimum audiophile reproduction. pressed on virgin 180 gram heavyweight vinyl includes download code. includes an exclusive four tet cover version of jimi hendrix castles made of sand plus kieran hebdens hand picked favourite late night musical gems including madvillion, tortoise, koushik, fairport convention, terry riley, manfred man and many more

nyta hails not from the big apple, but from bristol, uk. his real name is mensah anderson, who is also the seasoned producer that you probably know simply as mensah. the nyta guise focuses on being a fresh outlet for his 120 - 130bpm 80�s electro, house & techno influenced tracks & creations. the �new york transit authority� name was first adopted for a split 12�� release with conqueror (redlight) on redlight�fs lobster boy label last year. his side was a slinky, 808 house number entitled �*off the traxx�*, which deservedly found its way into fact�s 50 best tracks of the year & was caned by a wide range of top djs across the globe, including joe goddard, loefah, redlight, boddika, jackmaster, disclosure, pearson sound, benji b & giles peterson to name just a few. nyta has already proven himself as a talent on the decks with sets across the world & two exclusives mixes: one for dazed & confused & �ethe one�f for fact mag that finished in the top 20 best fact mixes of the year.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

wbeezas first release on his own label, pfly music. two cuts. a side perfect high is a deep jam that kicks. b side i like it is a hard and heavy jacking groove with a delicious vocal sample. killer cuts

liquid spirit marks gregory porters blue note records debut, which arrives on the heels of two critically acclaimed indie label albums that quickly propelled porter to the upper echelon of contemporary male jazz singers and earned him two grammy nominations. don was, president of blue note, encouraged porter to stay true to his artistic vision.
*i firmly consider myself a jazz singer but i enjoy blues, southern soul, and gospel,* porter says, *those elements make their way inside my music. and i ve always heard them in jazz.*

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

the boss , on 3 x 12inch vinyl

mr. stefanik concludes his >days of old< ep series on kann with this third and final part. as highly valued friend and artist from the labels neighborhood he locks his diverse journey to its own past with another awesome track collection. as part >one< and >two< already certified, kann15 teases out daniel stefaniks many-faced shining talents in techno and housemusic.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

somehow its been two years since tic tac toe boss patrick bateman stepped up on his own label for a full release, but thankfully he now returns with a new single club queen - complete with remixes from frank haag, billy johnston & gennaro mastrantonio - that reasserts his authority as the label s finest exponent.

this second 12 inch from glenns july 12, 1978 album has 3 mixes of the song service (a composition that could never be played enough). alongside the original you get chicagos own latin soul brotha ricardo miranda doing a dub remix and as an added bonus the drums mix from the original

laurent garnier on tribute & fantasy ep: since the very first ep arno released a few years back on his own imprint, i have been a big fan of his productions. arno has always stood apart from the so-called hype and has developed his own style of trippy-as-hell dancefloor grooves.

e.a.r always pull something perfectly summery out of the bag just as the sun pokes it head from behind the clouds and with *mercado viejo*, it is no different. this carnival style mood lifter is destined to have heads nodding and feet tapping in beach bars and around pools all over the world. news has it that it is already heralding the summer season in ibiza in a wonderfully cheerful way.

small pyramids is las zach hunsaker. heavily influenced by nu disco, early house music and edit culture, zach began cutting up old disco, funk and r&b tracks for his dj gigs in los angeles as small pyramids. making the move from producing edits to sampling for original tracks was a natural progression and crucial step to developing a unique style. as a result of remixing acts like nightwaves and arohan,small pyramids gained blog exposure on sites like disco workout, tracasseur, in the deep end and disco delicious. the first small pyramids ep, another way to feel was released late in 2010 to great critical acclaim and shortly thereafter zach signed to glasgow underground.

cult melbourne band primitive calculators cut a single in 1979 before splitting in the true punk fashion. a posthumous eponymous live album was released in 1981 (also reissued this spring on desire) and that was it. those two tracks are as fresh now as they were more than 30 years ago: in a style not dissimilar to the screamers or cabaret voltaire (circa nag nag nag), primitive calculators used raw monophonic synth lines with scratchy guitars and screaming vocals but the songs were standing on their own (as the unplugged version of do that dance that appears on the primitive calculators and friends 1979-82 could testify. the original 7 inch is now incredibly rare and hard to find and this reissue is its exact replica. first pressing limited to 500 copies.

second in the series of sandwell re-releases on rroses very own eaux
the very first rrose title
printed eaux sleeve
a much needed re-issue of this first ever sandwell rrose title on his own re-issue sub series of the label of the moment – eaux

the things you own end up owning you.
chicagos ike release strikes out on his own for a 5-track ep for machining dreams. hakim murphy remixes. limited hand-stamped white label. vinyl only, no digital.

dedicated to the rozelle warehouse, a decrepit building in a forgotten corner of memphis tennessee, where bassbins shook ancient dust from the walls, lives were forever altered, and one guy took way too much acid.

decoy07 takes a deeper turn with the third act ep. miss sunshine (kms, monocline, tictactoe) has been working flawlessly in the studio for the past six years and this ep is no exception. third act is a heavy workout of riding bells and an old-school synth line which grooves its way through percussion builds and changes. intimidate is deeper and darker with a chugging groove and twisting effects growing into a more graceful melody. ground loop captures miss sunshines more ambivalent mood with a haunting groove that is perfect for those basement techno moments. markus suckut (figure, sckt)supplies the remix with his interpretation of ground loop, taking it more minimal and stripped back but maintaining the groove in his own familiar style.

stephan schindler aka kryptic universe aka lockertmatik is a german electronic music producer with a preference for analogue gear. he has a distinct 90s techno and house sound signature without sounding dated or overnostalgic. after making waves on his own (vinyl only) lockertmatik imprint, he got full recognicition through his ep on shtum (uncanny valleys sublabel).
thank something for the interweb, otherwise we might have never been able to get in touch with this obscure talent. we are proud to introduce him in our roster with this fantastic ep, showcasing all of the above mentioned. midnight michigans detroit inspired machine funk, woodbridge st. tearjerking acid bassline & strings and, last but not least, the ridermans fierce analogue bassline and fearless drum programming brighten the catalogue of wolfskuil ltd in many, beautiful ways.

seventh step! octave is back on his own imprint with a big project that includes 13 original tracks, 10 straight and broken beat tracks all fitting good to dancefloors and 3 offbeat 100% analog experimental works.

everybody likes doumen, but also everybody says >oh no ... i love doumen, but its hard to play their records in my dj sets or to have a party with them...<
so this is why we founded van doumen. it is a rework sublabel, completely based on original doumen material, following the idea of tracks that work in dj sets, but still have the doumen spirit. the first record was done by scherbe (uncanny valley, big bait, ..), philipp matalla (kann records, internasjonal spesial, ..), webermichelson (holger) and potensia (modern soul, ..). the first two tracks are superb club smashers, followed by an angry caricature monster of techno and finally potensia walks you home in the most intimate and beautiful way possible. to be honest, we say this record as a first step of van doumen is a classic already.

dies ist afrobeat airways 2 – return flight to ghana 1974-1983 und die fortsetzung der anthologie ghanaischer musik und knuepft mit titeln voller individualitaet, mitreißenden drumbreaks, filigraner percussion, psychedelischen orgeln und kraftvollen blaesersaetzen nahtlos an teil 1 an. wir hoffen, dass euch die zusammenstellung genau so gut gefaellt