after four very successfull collaborations between jason little and dj rush / felix krocher / pet duo & kaoz that shook the hard techno scene to the fullest its now time for jason to go solo. and with great succes too! he shows his special hard techno sound with a wink back to the classic hardcore style, but still sounding fresh and new!! adrian valera remixed the title song to top it all off.

a frog on the beach jumping between the electric strength of detroit sounds and the splendor of cinematic atmospheres, a frog on the beach is 100% pure techno refinement and thus as irresistible on dancefloors as for homelistening. marco passarani invites the listeners to a long and delightful odyssey, gradually traveling from electro sounds harshness to classy house enjoyments.

new and exciting collaboration between alden tyrell and david vunk. this 12inch 2 tracker contains dark electronic disco sounds combined with heavy percussion and analogue spacebleeps that remind you of the famous sauna spartacus and its warlords. electronic moustache music anno 2008. only 500 copies available

john thomas label ethique music pursues its fascinating exploration of funky house and minimal grooves with the first outing of the clover, a collaboration between three promising young artists from florence, italy (tony pecori, stefano meucci and g.key.

new and promissing venture from the pink town... a concept label based on back to back fight between two artists... much influenced by the french electro scene from the likes of justice or sebastian.

ricardo villalobos, magda, karotte, loco dice, monika kruse, martinez, 2000andone, tiefschwarz, matthias tanzmann, ben klock, lauhaus, raresh...we proudly present our first release on cécille numbers the new sublabel from cécille records. the first release comes from the greek producer lemos and is splitted in two parts. on two tracks he worked together with his friend ilan manouach and conjured two amazing vibe and atmosphere live recorded saxophone tracks that will catch your ear for sure. the other tracks use the perfect balance between rhythmic and vocal sounds. all four tracks are sure shots for every music lover. hope you enjoy…

female disco rap crew from nyc 1982. the instrumental b is a big one for disco heads. originally released on the universal label. although jeremiah yisraels tap label only issued a handful of 12inches between 1981-83, the tape deck never stopped rolling, producing dozens of lavish songs in discos last days. from the string heavy sugar boogie of jackie stoudemire and arnie love to pioneering raps by missy dee & the melody crew and the fabulous 3 mcs.

war is a hypnotising roller characterised by its deep synth, subtle percussion and deep bass. the track sets a perfect dubby and melodic atmosphere. the flipside hosts gaijin, a high voltage track with a perfect harmony between the smooth progressive bassline and aggressive stabs. watch out! these tracks will rock the dancefloors over the world.

incl argy remix !! tokyo s rising star ryo murakami has already put his diverse, electronic sound on the map with the >rise< ep on dessous last year, and received great praise for his track >my soul<, snapped up by steve bug for the fabric mix series, which was piled high with atmosphere and dark, club energy. his next 12 includes two new tracks, the title cut being >down the sky<, cooly influenced by old school house, but also more recent european forays into night music. ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. the b side, ‚coke‘ (no questions asked) welcomes another one of ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. ryo then leads us head-first into a series of spac d out, jacked-up movements, characterised by risque, feminine vocal snippets. poker flat‘s young greek maestro, argy, creates a stunning hi-tech remix of ‚down the sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. once again carrying on the vibe of the original, but twisting it into an altogether different beast, argy takes ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool.

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

penny and ashtray from osaka, whose idols are both john travolta and linus torvalds and who already released the maxi 12inch floppy disco on saasfee connecting japan and frankfurt as progressive bleepfloor rockers deliver 10 hot new tracks for their first album release and avoid to be specified for one typical genre. the secrets of galaxy z include a mixture between future disco, experimental and psychedelic tracks on a weird trip through the universe of bleepy space a delic sounds.

nice price deal !!! babylon, a collaboration with between black canvas & the breakfastaz is the first single taken from the album rise and is undoubtedly the stand out track in terms of dance floor sensibilities. the breakfastaz lay down their trademark funky beats, driving basslines and faultless production whilst black canvas layer poetic words and soulful harmonies on top.

after two 12s on fine last year the glass are back again to surprise audiences with varied dancefloor indie rock - this ep features four cuts between punk & electro ballads !

played by: adam beyer, magda, loco dice, tadeo, 2000 and one, miss kittin, laurent garnier, joel mull, xpansul, matt star… groovie, dancefloor friendly and fresh is how the latest martinez reference opens. it comes through cray1labworks, again breaking frontiers, the spanish label counts on the danish genius martínez, banner of re:connected, at the summit of current minimal. >you< is an orgy of sound layers, frequencies and blurred voices. >stavanger< moves faster, with a vibrant percussion, overlapping and ever-changing. dark minimal tech, remarkably complex & absolutely catchy. perfect for even the most demanding clubs. >burning the midnight oil< opens with a rebellious force. drums flying and bodies moving, the perfect mix between ritual & techno percussion. suddenly it transforms into house: thick pads moving down your spine. and you are surrounded. inside martinez latest hit

incl dj pierres wild pitch mix and nick & danny chatelains forced mix. between electro/minial & tribal. remixes are done by the don dj pierre , delivering a classic wild pitch remix and super hot duo nick & danny chatelain

supported by 2000 and one, anja schneider, jesse rose, loco dice, shlomi aber, trickski, tobi neumann, to name a few.. once again theres a real nod to the old school here in a track inspired by arthur russell. rich, warm analogue pads and subtle fx flashes from the space echo build an enchanting groove. the intensity gradually develops with sounds slowly evolving, lending a deep hypnotic feeling to proceedings, until the chord progression opens out and you cant help but smile. a genuine end of night anthem and when dixon does his own edit you know your onto something special... version: double for your money, with an extra version of the original that doesnt open out into the full stabs and maintains a deeper groove. martin landsky remix: with a tight, tribal tom pattern and straight ahead groove martin landsky achieves a darker more spaced out feeling with his remix. he pushes the pads to a dubbed out climax without fully opening out the progression and this fully hits the spot. martin landsky has been making waves as a dj and producer since the mid-nineties and is one of the key producers at steve bugs excellent poker flat recordings and running his own intim records.. hes compiled many mix cds for labels such as poker flat, systematic and the partysan compilation series. his debut album was >in between< for pokerflat and since then hes remixed the great & good as well as producing several stunning releases and jetting about with his box of records

jeff bennett (poker flat, treibstoff, morris audio), tom pooks (ovum, kling klong, kompakt), neurotron (ostwind) to name a view artist on this amazing release. 4 tunes between minimal and techhouse to aim totally on the dancefloor. huge support by world best djs. white colored vinyl. strong limited pressing

3x knackig frischer techno aus frankreich!! das jahr fängt ja gut an!

stefan mallmann (wirlpoolsex music, definition music), vodovoz (cheese records, peppermint jam), neurotron (deep records, eevonext, 2600 records) and monogen (cologne) made a fine grooving 4 track ep. bombastic rhythms and energy-loaded waves of deep chords and soft melodies. finest grooving techhouse, minimalhouse and dubhouse with detroit like feelings. already in playlists of world best djs and producers. the dancefloor always stays in the foreground because there is the point of the highest energy field which can be produced between two loudspeakers. this is what night drive music is aiming at and they fully succeed in it. already in playlists of world best djs and producers

half cousin are a new outfit from the uk that do a quite unique blend of electro and folk. or thats the best we can describe it really.occupying the space between hot chip, junior boys and fujiya & miyagi it shouldnt be too surprising theyve roped in the latter to remix them.... what is surprising though, is that theyve got zero 7 delivering a smooth nu-disco mix as well and to top things off its colognes remixer du jour, justus kohncke with a 4/4 version for the floor.

this time hertz is back with a funk fuelled energy bomb that balance in between an old school vibe ala 1998 and a fresh approach for 2008. expected support from a wide range of djs. on the filp you will find a track with a repetitive acid-sounding bassline but without the 303. this is rather a fresh synth that gets the tweeking. on the b2, you find a pierre j remix that takes care of the house-ier sounds

with tuomas salmela aka phonogenic, we welcome one of the most established finnish techno and house producers, with releases on 2020 vision, poker flat, moodmusic or f-com-munications. salmelas sound has something dark, reminding of the long finnish winters and cold nights. he does not feast in old times or posts the question of oldskool or newskool, but simply has produced something really new, without getting lost in clicks n cuts or doing too much sound research. phonogenic uses sentimental harmonies and stringent direct beats, that dont need complex building arrangements, but come to the point rather quickly and make clear where the journey will take us. similarly to guy gerber, phonogenics productions also are somewhere in between techno and houseand even use elements of trance. however, salmelas productions always make the impression of being well planned and moody

wipe the needle productions present the combined talents of london born producer lee gomez and swedens own mikael nybom. a chance meeting at a london label may have proved unsuccessful but it essentially brought them together, and would see them make quality house music. the duo is known for breaking the boundaries of house music, always flipping between soulful, deep, dark, techy to whatever goes as long as its spelt house.wipe the needle will be releasing their ep including 3 killer cuts â&#128,&#152,all i am, slaves, warehouse 88 through slip n slide, and the feedback has been amazing, with tastemaker support from every corner of the world, including: tedd patterson, tiger stripes, silicone soul, hardsoul, worldless people, charles spencer, murray richardson...

stylorecords celebrates the first issue with the sharp sound of two artists from milan, yanez and hotrebor. trailer ep encloses in only two tracks most of the productors passions. er is a trip between electro, ebm and chicago house, characterized of a black voice and a dark grooves, while we play at shows all of his vigour, draging in a overwhelming twirl of moog and basslines.

hot cakes breaks re edits of peter bjorn & john young folks and cool electrohouse mash up between clipses wamp wamp and camille jones the creeps, plus a dubby breaks version of diana ross please mr postman.

this is the second project between the two french deejays phil rodriguez and laurent chanal aka petit ange and the first release on pulp records. eskomo is a particulary strong electro progressive and new beat touch track. this track has topped sale charts for a couple of weeks on the web site 3 beat digital for the mp3 audio files. mixed & played during all week from the wmc 2007 by the biggest deejays, including sasha & john digweed and charted by hernan catteneo during the may month

supported by: chez damier, jimpster, chris duckenfield, leandro gámez… from the hands of nacho marco, who recently had a big succes with his >sweetest ep< on freerange, various forthcoming releases on pacha recordings and with a bunch of releases during the last years on labels like odori, shinichi, mutes future groove, d.press industries, exun or hypnotic, comes this new label focused on house music in its most deep, electronic, tech and groovy side. based in valencia, spain, loudeast records will be bringing the most elegant, quality, moody tracks to your favourite dancefloors. for this first release own nacho wrote >sundays in love<, counting with the special remix collaboration of partners mike shannon (cynosure records, montreal) and garcynoise (justified cause recorthings, barcelona). on the a-side you will find nachos original mix letting the melody and bass persist amongst the rest of elements. a2 is the turn for our canadian man mike shannon, who with his >tuesdays in love< mix drives you to an uncertain techy point between montreal and detroit cooked with hot spicy percussions.

forteba stands for amazing production standard, top rhythms and arrangements that combine house with dubby elements and vibes. this 12inch offers a delicate extract of his style variety. wide, deep breathtaking beautiful but still to the point and clubb. a must have

the upon you 006 is the birth hour of the berlin duo fraenzen texas and ruede hagelstein. knowing each other since early childhood they started their dj career together in berlin. by now they are resident dj’s in the watergate club and the two build their studio into the epicentre of the upon you empire, so it is not surprising that the cheapers has become the first own label-act. related to the style of their dj sets that they prefer to play in ping-pong fashion, the fog & frogs e.p. is focusing on the contrast between dark shallows, hypnotic currents and enlightening moments full of fantasies and plenty of inanities. two tracks that stand for the amplitude of their future productions

first extract from their forthcoming new album >proud sponsors of boredom< release in fall 2007. including remix from electro techno french wonder sex schon, in a very nine inch nails-ish vein.... backed with a huge remix from the english electro wizards south central, somewhere between ed banger and fat boy slim....

cool collaboration between jason herd and polands superstars wawa for this great funky house cut. feat amanda wilson on vocals.

played by sven vÄth !!! murder 2 track ep between old skool minimal tribal tech.. phreakin peak time sound as we like it!!

massive mash up tune between spiller and the legendary let the music play by shannon, includes soul avengerz remix on the flip

nice pumpin mixture between clicker minimal techno and electro house.. incl hector fonseca remix

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

finest detroit flavoured atmospheric proggy house two tracker

prime manifesto makes a mixture between electro, punk and a little bit house

a full release by san frans beat broker-known for his edits and mixes and also one half of broker/dealer who released on labels such as asphodel, spectral, traum and californias own sentrall records. >warriors (in space)< is a massive, up-tempo synth track which sounds somewhere between tantra and patrick cowley - same epic vibe, cowbell gallore, guitar licks and spaced out sytnhs. oldschool sounds with a modern arrangement, just what the discotheque needs. flip for two gliding cosmic-edged disco-house cuts. deep, warm and emotional tracks that will work both for the crowd and the listener. timeless

sd records delivers three excellent new takes on the excellent, genre-defying and astounding >beyond the stars<. speedy j takes off with a deep, dark and minimal technotrack from the industrial realms of rotterdam. this will freak the crowds. syncom data go as deep as they can with the pulsating, low-end, trippy sd mix. playing live on the melodica, syncom data float somewhere between dub, techno, dubstep and electro, while chanting to the fall of babylon. legowelt proves his love for dirty, pumping chicago jack with this constantly rising techno mix that builds to a superb climax that will lift the roof and rock the floor

in an age when the cultural influences between east and west are rapidly mingling, the creative amalgamation of the vibrant musical cultures of berlin and budapest has found a new platform with the project two-b-music. concentrating on a sound that can only be described as emotional minimal tech-house with an artistic disposition, two-b-music brings together 2 of the most exciting upcoming talents from their respective settings for their inaugural release - germanys evil hinko and hungarys laurine frost

set to be one of the summers biggest tunes in clubs and festival fields alike, manchesters indie-dance heroes return with the epic floor filler >divebomb< crystal castles adding their mixture of sex.murder.smoke on a speedy remix. thewhip clearly are one of the hardest working bands in pop right now with no fewer than 40 odd shows between now and mid july to find energy for – but fear not, find the energy they will. crystal castles is the most most most whatever band in the world with their way of articulating as if they devoured children while singing. they come from toronto. on their myspace, under >influences<, they answer : murder, glazed-looked girls, knives. whacky

forteba was born and raised in hungary where he chooses the occupation of an electronic music producer at the age of eighteen. his early compositions were settled near breakbeat and chill-out area but he soon found his passion in straight rhythms and arrangements inspired by german deep-house stuff. he likes to embed various elements of dub and ambient into straight clear rhythms, so his borders of style are hard to define. he produced some successful singles in his home country as >the garage< together with gábor pasztoriális and got released at hungary-based underground labels……

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

this dutch based production team comes to king st. with a solid lovely soulful yet energetic ep. the thick rhythms & twangy guitar of believe is followed by the handsome & deeply basslined cover story, a nice flowing light jazzy piano keyed & guitar riffed instrumental. switch is up next delivering more cool house lounge effect with some sexy sax thrown in for great measure. rounding out this debut ep is never let go, a moody, almost cinematic, deep lounge & house rhythmed production that will cross many genres of club. these all strike a nice balance between the club & lounge bringing a nice even flow to the dancefloor

limited nice price !!!
volume 4 of alexi s already classic sessions series is here! kick off with >wanna be bad?< , sounding like a ride on a slippery escalator alexi builds upon the rubbery groove. a slow story just as the filter tucks and the drums hit the speakers. listen. the track >im tired< resides on the flipside. syncopated dance steps beneath heavy reverbed clave releases the tone. darting between the metallic 303 appearances the tone continues the wobble. more reverb releases hit as the rolling bass alarms the floor. fresh

hell yeah is proud to welcome on board one of the label fave producers and party animal extraordinaire mister oliver koletzki, known for his outstanding releases, firing remixes for stil vor talent, cocoon, flash, great stuff, oliver is now a fully respected globetrotter dj who spread the party verb trough his sound who cover minimal-techno, neo-trance and everything rockin in between. legend says that he produced the electro-trancey monster named music from the heart and the techno fuelled in between after an impressive memorable weekend of gigs in italy, where he got in touch with the italian side of the hell yeah collective.

pulsing warm and deep house with a sparse production that allows for maximum appreciation of a beautiful flute and organthat solo through most of the record, with narration on the a-side by ill-bosstino. flip for the even better instrumental with a sound that falls somewhere between early spiritual life and ferrer & sydenham

dj venom is one the producers behind of the latest incognito albums, and the album >equilibria< on far out recordings by the new brazilian diva sabrina malheiros, (daughter of alex from azymuth). been a regular at the arision s camp from the beginning with his alias vipersquad, he finally drops a visionary album, reworking some of the greatest tracks by marco di marco (from the album >my london friends< with guest like nathan haines on sax/flute) but also some jazz dance original classic like >par avion< or >bossa with regards<. on this 12inch sampler you find a masterpiece created in collaboration with big bang >bossa of the future<. it s an authentic piece of pure techno-jazz that slides from past to future with his jazzy double bass and his carl craig s styles synthetisers. on side b side there s the massive bossa reconstruction of >up west<, lost between the sax of mr nathan haines and the percussion of the quintet from >my london friends<, mr venom introduces his distinctive sounds, echoes of new jazz revolution

it was only a matter of time before matt bandy and alexander east joined forces. between the two of them they have graced such labels as vista, aroma, freerange, nrk, doubledown and amenti. the original bumpa along with alexanders vocals leading the way over dirty, distorted funk bass and warm chords. the remixes take you into deep dub land with tuff beats, chopped vocals and tracky madness. alexanders mix takes a left turn towards a psychedelic soul vibe tailor made for the afterhours