this publication from blind allies is comprised of 6 tracks. this is the first release from series where records are made on modular synthesizers. it includes a part from live jam by philet, journey to the world of obscure feeling from igors vorobjovs & void cells and cosmic adventure by redstripedown. dancefloor killer by tunnel, a tale from hhnoi and a flashback to soviet electronic music from marta smilga. this release will take you away to a parallel universe. vinyl only.

reissue of this killer digital cut from joe morgan s fish tea label, released only on a very rare nyc-pressed 12- in the mid 80s. . the young singer reprises morgan s legendary -basement session- lyrics for the next decade, bigging up the emerging digital style. extended mix vocal and dub, a must have for fans of mid 80s digital.

killer stuf on klasse wrecks sub label zodiac! frozen russian plains rich with moondust and cybo-fog lie still, a faint rumble is heard from behind the horizon and buttechno checks his pulsemeter 5000, deciding to head on whilst he still can. sonic lighting strikes the dead earth, leaving echoes that reverberate for miles around as digital feedback waves sore through the airless landscape. buttechno steadies his exxo-bike, firing the back up atomic engine before taking a deep breath and heading into the lost and forgotten city. zcapri is the seventh of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever gone and dead.

banoffee pies drop their annual record store day release with bprsd003. the a side brings re decoration from bristol local lord leopard with an edit on kadidiatou samakes - eyaye. a head nodding afro jam as spring sets upon us. smell the flowers. the flip sees an 11 minute hansel! edit of the nuyorican soul classic its alright, i feel it! killer dance floor track with it’s well known sing along vocal. music in my life has kept me me through. all of the changes, the world has put me through. its alright i feel it. support the music, support local artists, buy from your record stores. think outside the box. try something else. check a new sound. try a new party. go a different direction. drifting into oblivion, what to believe, where to read. 2018 is moving

producer and vocalist kevin knapp delivers his killer new single blah blah blah, returning to the hot creations fold after last years vocal feature on jamie jones positive pressure. here, jamie returns the favour, partnering with another label favourite, detlef, to supply a monster of a remix. finding time in his hectic schedule of touring the world, running various record labels and his paradise parties, jamie jones teams up with one of his paradise residents detlef to deliver an audacious remix, perfect for the twilight hours. hardy percussion, acid blips and pulses meld together to form a bolshy, no-frills remix. greek artist detlef shot into the limelight in recent years with releases and remixes on labels like hot creations, relief, knee deep in sound, moon harbour, and defected. kevin knapp gained attention with a string collaborations with audiojack (gruuv, 2012), matt tolfrey (leftroom, 2012) and his debut hot creations cut with richy ahmed (2013). a prolific producer and featured vocalist since 2011, kevin has released on the likes of hottrax, crosstown rebels, dirtybird, mother recordings and more.

the raw jacking sexiness of ghetto house has always played a big role in the killekill universe. so its high time to put out our first release which goes that direction. italian andrew soul is an artist we have been watching for a while already. when he sent the demo with the extremely raw and dirty tunes that you find on the a-side of this 12inch, the decision was easy: killer stuff which makes you bounce immediately we want to put this out! the b-side comes from dirtbox, who is also one half of snuff crew and therefore has been part of the killekill family for a while already. actually almost from the start. being the musical wizard he is, he can not only make house and acid music and anything else you could think of, but also class a ghetto house. maybe even more classic than andrew souls side but ranging from the percussive style of smmfd and work that to the raw energy of fukk it is definitely in no way less original. shake dat ass!

a uk techno powerhouse returns to bass culture for their 55th release, bringing the ruckus with four deadly cuts that combine killer beats with powerful bass and a high level of production, as you might expect from d julz s respected label. ben sims appears under his ron bacardi alias with a follow up to 2015 s debut release, rock your body/first effort . much like the first ep, sims new release is fired up and ready to deliver its potent energy to the dance floors of the world.on the a side we re met with windy city , which kicks things off in frenetic style, its slamming beats colliding with the layers of analogue to produce a rather chaotic start to proceedings. this is followed by ready for action a tough, bouncing cut featuring a delectable female vocal which really sets things off nicely.the flipside continues in a similar vein as one left in the chamber brings a smooth vibe, though with the emphasis still on the percussive side of things. sims flexes his production muscles across all four tracks here, injecting the music with his years of experience on the road and in the studio. the last track is a beats mix of ready for action , highlighting the focus on beats, beats and more beats, adding an extra touch to an already powerful track. this is music par excellence from an artist who is a consummate professional, enjoy!

to celebrate 20 years since the release of fatboy slim s seminal album you ve come a long way, baby toolroom are proud to present this truly mammoth release! number 1 selling artists of 2017, camelphat, deliver a killer remix on what is arguably fatboy slim s biggest record ever, right here, right now . black vinyl with a picture sleeve

i wonder is the first vinyl release on sean mccabes excellent good vibrations music label. originally featured on nathan adams audio therapy lp (2013) on tribe records, i wonder demonstrates nathan s ability to write real heartfelt songs spectacularly delivered & oozing soul. the original, which saw early support from louie vega, dj spinna, mood ii swing, joey negro and kevin hedge, is now released as a single for the first time on sean mccabe s good vibrations music label. complete with brand new remixes from the one & only louie vega, and a killer late night dub from sean - this is the real deal

90 process are back on pushmaster discs! pure rave and energy-nu trance infected killer tracks incl. a big detroit-breakbeat remix by kalli.

limitiertes doppel-vinyl im klappcover, album-cd inklusive.

unique soul jazz records’ record store day seven-inch box set which brings together a stunning five-single/ ten track selection of mind-blowingly groovy selection of african, latin, jazz and funk music from the congo. absolutely killer and essential tracks (mostly unknown) from the masters of the vibrant congo scene in the 1960s – featuring the groups franco & ok jazz, rock-a-mambo, african jazz, african fiesta and more. roots african meets dizzy gillespie, james brown, ray barretto & more. the bomb! this unique box-set edition is only available as a one-off pressing especially for record store day 2018.

emotional rescue and jamwax ends their capo disco series by returning to glen adams and his cover of bob marley’s classic. the early 70s lee perry produced original raw sound is taken to the disco reggae dancefloors of the early 80s with a bottom heavy jam, while his capo crew works a killer dub flipside.

89:ghost is on fire at present, having thrown down killer releases from todd sines, logic system and tomoki tamura over the past year. tommy vicari jnr is a great addition to the roster, bringing a freaky, wobbly and distinctly hi tech approach on all that matters that will have party people freaking out in a whole new way. things at night takes a completely different approach with its focus on delicately chopped up piano hooks. tlk 2 me wt yr bdy flips the script yet again with a roughneck, ardcore sound palette and some filtered house elements riding atop a booming low end. likely story finishes this varied ep off with a cheeky garage house strut that will have just as many fans as the other killer jams on this well rounded record.

vinyl only ... memento is proud to announce a brand new maxi-single of the extraordinary lithuanian producer mario basanov, better known as ten walls. with this moniker, marijus adomaitis has been releasing a bunch of deep house gems, and has remixed artists such as robert owens and hercules & love affair -swan- begins with a smoky dramatic introduction, that in a rapid glance become a obscure minimalistic dancefloor killer with a grueling bass line and unremitting hi-hats. finally taking off with a gust of monochromatic sequences and a whirl of dampings. in -lake-, after a dense windy evocative prelude, metallic percussion leave the footprint to the headway of a stomping kick drum and a mesmerizing bass line. sedately flowing synthetic notes, filtered bleeps and rapid beads lead the track to a grandiose finale in which whiffle and wafts become an ubiquitous polyphonic pad.

rico casazza is an electronic producer, dj & teacher, based in london. having produced music for over 11 years, he has established a solid musical identity with releases on labels such as soma, archipel, plastic city & wiggle. following his killer “they move fast” ep on beef last summer, we now welcome him back for his first 12” with us. the productions are unique but you can tell they are from the same magical casazza signature ... raw acidity, enslaving basslines and subtle percussion. the ep kicks off at a measured pace with “yurican”, whose self-assured acid line sits wonderfully alongside the track’s reflective atmospheres. “argue” then evolves this acidic energy, still praying to the sky but pumping its fist higher than before ... laying the patchwork for the final original on the 12”, the euphoric dance floor obliterator, “macabre”. to finish, bringing your heart rate down with caution, dirscen has provided a drugged out remix of “end 2016”.

meditative and off-kilter, dubkasm’s new 12” is, unsurprisingly, completely unlike any other tune out there, and pays tribute to a too-frequently overlooked part of reggae tradition: dub poetry. originating in a collaboration between dubkasm and their long-time friend, norway-dwelling heavyweight bass guitarist, bajan steppa, enter the gates is a discomix built on a tuff bassline, skittering drums and retro synths, and features reflective, courageous lyrics about the enduring power of black liberation movements and consciousness, from gloucester vocalist rider shafique. the b-side contains an upfront instrumental cut, followed, in true dubkasm style, by a collaboration with a musical titan. mad professor’s incredible dub flips the original into a propulsive soundsystem killer, retaining the tune’s heart and spirit, but driving and percussive where the original is deep and soulful. mastered on to 1/2” tape at stardelta studios, and pressed on 180g vinyl.

remastered from original tapes. classic rare early house jam from 1992 on trax offshoot saber records. re issued in original artwork and with killer b sides.

a total of four killer dancefloor curveballs from kampala, uganda, performed and composed by the traditional mataali drum and vocal troupe mubashira mataali group (pron: moo-ba-shee-ra). esoteric and unusual although fantastically joyous to listen and dance to, the unbelievably tight multitude of percussionists provide the perfect backdrop for musician-come-filmstar sulaiman sulait to deliver his entrancing vocal performance with a strong islamic message at the heart.

following hammer s stand out release on loft records last year, canna gets the remix treatment by four killer producers. first up, lauer adds his trademark flavour to the already outstanding title track canna , bending the mind with an acidic top line and classic korg m1 bells.the a2 sees supreems take the techno edge off man ray replacing the drums with a more electro tinged style of rhythm, whilst echoing the synths into the back of the mix to let the drums take the foreground. flip it over and you get two reworkings of manaka . firstly, domenic cappello switches the breaksy flow of the original for a more club ready kick to compliment those stabs, in turn elevating the breakdown to greater effect. in contrast, lord of the isles dives deeper into the breaks feel of hammer s original, adding glitchy samples and oddball synth lines to take this one an even more interplanetary tip.

nostromo is the new collaborative project of berlin-based producers sarin & unhuman, known for some ebm and industrial killer releases under their solo aliases on aufnahme + wiedergabe, instruments of discipline or amok tapes. on that first ep, they cooked some heavy minimal analog basslines fused with intricately woven samples, to create mutating and hypnotic dancefloor killers !

opulence founder s jonny cruz & cali lanauze are back together for the labels third release and their first joint ep since 2012. this four track ep sees the pair give us each their own personal take on the groovy, dark and trippy sound that is opulence. on the a side we see cali lanauzes come around three. simplicity is the key here, all the elements combining beautifully for a deadly hypnotic and trippy head nodder. visionquests head boss ryan crosson steps in on remix duties delivering two killer versions of the original. the first being the galactic mix (vinyl only) and the second his more simple step mix.

dax j returns in epic fashion with his 2nd album on monnom black taking you on a journey through techno, acid, ebm, idm and jungle. 14 killer cuts! legendary and absolutely essential! 2 x vinyl lp + free digital download codes + a5 art insert + sticker and plastic wrapped

mike dunn digs deeper into the vaults to deliver the fourth instalment of his * we r tuesday nights* edits, like the previous 12 inches, four killer disco tracks edited to perfection by the chicago legend....ltd 2018 repress

a glorious live disco workout harking back to the spirit of new yorks heyday when love and inclusivity ruled the dancefloor. featuring additional remix by rahaan. you need this in your life! you know that feeling when you hear a killer melody and it just sticks in your head and makes you wanna dance? call it disco, call it what you want, this song is packed with soul, emotion and a righteous hook, boasting a stunning vocal performance from us singer angela gooden and comes armed with heavy percussion, funky bass, and some serious rhodes. as part of a three track vinyl package on madrid label lovemonk, new york/madrid dj, producer and vinyl vendor oli stewart, better known as casbah 73, goes back-to-boogie-basics on the lead track, along with a b side re-fix by chicago s don of the disco edit, dj rahaan, and a full-on percussion jam instrumental cut. love saves the day is a joyous tribute to open-minded and inclusive clubs past and present with a sly nod to the seminal new york institutions like the loft and the paradise garage. but this record isn t some banal exercise in faithful reproduction, rather a exhuberant slice of soul-disco that reignites the spirit of these underground nightclubs, lofts and warehouses. casbah 73 has handpicked key musicians from around the globe and threaded all these together for a smack-you-on-the-lips belter, reverberating with positivity love really is the message. rahaan s on-the-spot offer to remix love saves the day came about after a chance meeting with casbah 73 in madrid. a couple of days were spent checking out records and drinking wine oli is one of europe s leading disco, soul and jazz vinyl dealers when he played rahaan an early demo. the rest, as they say, is history

delicate wash, a new label for edits, is run by anonymous vinyl enthusiasts craving to deliver the gems for all the discerning djs and collectors out there. these gems are cut and polished following very high quality standards! this debut release is a synth-heavy selection, with a definite cosmic vibe throughout. in short: ultimate killer edits, four diverse and at the same time perfectly matching tracks that are sure to be ace cards in your arsenal.

baptiste letertre is ringard and comes from rennes, britanny s biggest city with a strong electronic music culture. ringard has a label called dance around 88 because he was born in 1988. ringard released 8 vinyl records. -lacrima rossa- is his first 12- outside his own label so it s a great pleasure for us to have him on board. ringard music is deep but raw, woolly, melancholic yet emotional. think soulful techno, steamroom slo-mo, warehouse heat and euphoric minimal. morphine electronics at its best with amazing strings and killer frequencies like lobster theremin meeting boards of canada in a fantasy balearic island. in french, ringard means tacky or outdated. it has never sound so cool being ringard!

chubby has already earned its stripes as a podcast and party in australia dealing in connoisseurs deep house, and their leap to the world of vinyl is no less classy. the first release splits a 12- between four esteemed practitioners of true skool beats for switched on heads, leading in with antipodean maestro ewan jansen. after delivering the plush tones of his -plants,- moods & grooves label boss mike grant pops up to remix jansen with stunning, understated results. trinidadian deep takes over on the b side with the typically shimmering melodics and dextrous drums he s much loved for. mr yt then serves up a final remix, nudging -move me- just a little up the energy scale with the help of a killer organ line placed at the front of the mix.

in this oversharing era, uncommon is for an artist to choose to remain in total anonymity. even for the easytiiger teamwork, the real persona behind the model nice act is still a complete mistery – actually not a problem when the sound speaks for itself. the debut ep -nice to meet you- arrives with four raw dance burner gems, including a futuristic arp killer remix from the lemon-fanta guy, pépe, for the song -cravo amargo-. besides the rough-shaped aspect of the sound, this ep reveals a very sharp and sophisticated production, with complex element layer works that could perfectly fit as the soundtrack for a blade runner microcosm built inside of a night club. -nice to meet you- invites you to this journey through a particular soothing world, surrounded by a complex & confessional mood without saying... well, a single word.

joefarr and his label user experience are pleased to welcome a very talented to the roster, insolate. the artist formerly known as miss sunshine is a dj, producer, label owner and promoter who has been in the business for 20 years and considered as one of the best techno artist’s from croatia. the two original tracks ride a perfect balance between groove, power and emotion. joefarr does what he does best and turns out a killer remix.

2018 repress - the follow up to one/three. tip! james t cotton / tadd mullinx teams up with a wide range of mc s (wildchild, mf doom, kadence, vast aire, ag, beans, invincible. ta raach, big tone, phat kat..) and producers (waajeed, jay dee) to support his hi-tech productions. the result in this killer album with a wide variety of productions, from deep headnoddin cuts to crazy offbeat work and deep kraftwerk inspired instrumentals. where hiphop meets techno.

a fully legit 2018 repress of a jazz-funk & boogie classic! nard is bernard wright s bonafide funk masterclass, boasting some truly amazing and heavily sampled cuts including - spinning (used by skee-lo on i wish ) haboglabotribin (used by snoop dogg on g s & hustlers ) as well as some heavy-duty boogie workouts like just chilling out , the master rocker and many more. a truly solid record and one that features boundless flashes of genius writing and playing from bernard and his killer outfit including luminaries such as dave grusin, marcus miller, weldon irvine, patti austin, luther vandross and many more! this one s a keeper and will have you locked in from start to finish, a total groove-fest. originally released on the mighty arista sub-label grp label in 1981 nard has it all, the beats, the wigged out oberheim solos and most importantly - the funk! remastered and repressed with the full involvement of arista / sony bmg by above board distribution for all you boogie freaks. a truly essential album!

decks full cover edition! 2 killer tunes by malta native dean demanuele

heres a real gem from the vaults of don 1 and randys studio 17. the roots voicing an herb anthem on the killer rhythm used on the immortals babylon. unreleased for over 40 years and out now, the roots are one-hit wonders no longer!

hotmood’s second release on his own imprint with partner tug boatmen solidifying the chicago/mexico partnership that gave us the first 6 hotmoods. volume 6 sold out quick but luckily volume 7 picks up right where the guadalajaran god of groove left off. 4 cuts of deep loungey disco/funk.

laconic phrases are all about less words and more sense. we use the same principles in our stripped down grooves which are released on fresh imprint - laconica. its all about minimalistic dance-floor tools which were tested in different clubs around the world, from kyiv s closer to concrete in paris.
for a debut ep, label founder alex pervukhin presents 3 different grooves. on the a-side you can find hommie groove, which is an excellent example of a broken-beat house music with good-old airy juno pads. on b side there are two 4/4 tools: bb, which could be heard in varhat’s mix for concrete which was so hyped last year. aa is a peak-time killer with analogue chords and jackin bassline. strong minimalistic grooves - exactly what laconica is all about.

the third of march’s trio of py 45s, is a revisit to the always enjoyable dark electro world of berlin’s mighty detox twins.
the new record offers up a pair of killer synthpop gems which, in the words of the bands’ mark vorderhaus “drift into the arena of the unwell with their latest outing “in the hospital garden”, and pose the curious questions: is it so unfortunate to surrender your mind to a permanent altered state? can losing oneself irreversibly to a manipulated insanity, actually prove to become a rare and wonderful freedom? attraction battles control as the transformation completes itself. the b-side, “transformation” depicts the liberated insanity without challenge, now thriving and pulsating beyond the point of any return.”
two more ace tunes which precede a full length later in the year for polytechnic youth. killer hooks from synth maestro mark, aligned with glorious effect to devi’s icy nico-esque vocals. another winner for both artist and label!
a pressing of 250 copies. hand numbered with sticker insert and destined to fly out super quick.

the second of march’s trio of killer polytechnic youth 45s is a mighty extended piece of slow building berlin school-esque electronica extended over 2 sides of a 33rpm disk, recorded by adam leonard, initially from a batch of 18 tracks recorded at varying times over the last six years.
“entkommen” is his first release for the label here, and both artist and label rather liked the idea of one extended track across two sides of a 45, whereby the listener must flip the disc at a half way point to continue the piece. it struck us as increasingly unusual and works a treat here...
adam has amassed a number of acclaimed releases in varying styles, and across a number of esteemed labels over the years. last year’s full band release “invaderband” being shortlisted for a northern ireland music prize 2017 and was 6music recommended. not to mention previous releases in collaboration with the owl service and p.g six.
his electronic home recordings are all well worth investigating and polytechnic youth proudly releases the first fruits of those sessions right here. a numbered, limited edition vinyl only 7” hand numbered to 250 copies.

it is undeniable that bjarki and his bbbbbb imprint are at the forefront of iceland’s dance music scene, playing a vital role in asserting the country as a hub for genre bending electronic music. although the label has proved to be a solid platform for bjarkis own experimental material, bbbbbb continues to host some of icelands best talents (notably last year’s lauded release from volruptus who followed up with another killer outing on &#1090,,&#1088,,&#1080,,&#1087,,). for bbbbbb’s 10th release bjarki continues to substantiate his a&r abilities, introducing the world to lord pusswhip. having enjoyed a meteoric rise as a key player in icelands hip-hop scene, the young producers sound has continued to evolve since befriending bjarki and the bbbbbb crew, and the hand of glory ep now sees him at arguably his most adventurous and experimental yet. murky atmospherics introduce xmas jam creep before a cacophony of percussion ups the energy, setting the tone for a dynamic release. crazy shit mane follows with its crunchy drums, scintillating synths and sultry bass until hop out the car blends hip-hop vocals with mesmerising chord sequences reminiscent of richard d.james early work. an undulating bassline then works alongside a chorus of angelic voices in ‘the hand of glory, making way for the syncopated and dreamlike shroomm0(u)rning. moving into ambient territories, green house living layers pads and samples together to generate an otherworldly aesthetic until choppa hard combines ominous drones with a steady beat to conclude the release.

lee scott teams up with jazz t on the production dropping two killer jazz laced boombap bangers ceiling and urn money. lee shows why he is one of the best lyricists out there killing the beats with intricate flows and raw hooks! on remix duty we have sleepwalker, aka king kashmere from strange u, flipping ceiling and pitch 92, the legendary mouse outfit producer, with his take on -urn money- the 12inch also come with instrumentals of all the versions. artwork is by stilts who completes this dope package.

the mysterious, internet-bother 70s network finally sees the light of wax. five killer raw af house cuts mixed to the nines and scorched to eleven. crunchy, swung vibes for the youtube channel rippers and underground misfits. instagram fashion & tumblr social movements all rolled into one. u kno the way.

after a quiet year, the obscure duo g&d has found the right way together for the new g&d 02. the new vinyl ep is a juice of disco, boogie and cosmic sounds. four killer tracks of different shades of genres. supported by red greg, sadar bahar, lee collins, ge-ology, volcov, twice, daniele baldelli, joe davis, mark grusanne, ltj xperience, the grasso brothers.

se62 is back, originally from my love is underground fame hes now back with 4 killer cuts on the rhythm n vibe label

official limited edition reissue of asso s italo masterpiece from 1983. featuring -do it again-, a killer balearic disco-style cover of the steely dan classic. on the flip side you get the wonderful boogie jazz-funker -don t stop-, a track which is pure blissed-out dancefloor heaven and deservedly became a loft and garage classic as well as receiving heavy rotation on both the cosmic and balearic scenes. with the coolest of laid-back jazzy piano grooves underpinned with driving funky squelching bass and superb syncopated drums.

200 copies - vinyl only - giant records sees in the new year with a killer ep from a bright new producer from poland, by the name of, mariuz kryska, mariuz offers up two peak time grooves here with remix duties falling on, sascha dive and giant head honcho grant dell. the first track up is low jam, which sees the original mix dive into a deep drum lead swing reminiscent of old todd terry beats, that have gone before, all topped off with a spoken word and tight hats and rides. next up is sascha dive - giving low jam a slowed down dubby feel with some sweet dubbed-out stabs that evolves into that deep house sound that sascha has mastered over the years. next cut is no perspective mariuzs original mix is a relentless bass heavy work out which weaves around some slick west coast gangsta rhymes and detroit style strings and pads. grant dells take on no perspective leans on the detroit style pad, from the original and adds some off kilter 808 beats that sit nicely along some smart 303 stabs and the gangsta rhyme which then merges into a slick techno jam with added breakbeats.

the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.

after dominating our piccadilly player with his recent lp -it s alright between us as it is-, norwegian disco hero hans-peter lindstrøm drops a dj friendly maxi 12- of brand new track -didn t know better-. harking back to his collaborative lp with christabelle, this party starter is packed with infectious boogie licks, propulsive grooves, soulful strings and killer vocals from ronika. a masterpiece of retro-futurist pop perfection, -didn t know better- traces a line between mirrorball masterpieces from nyc 83, ibiza 99 and ross 128b in the year 2030. alongside the sequined shimmer of the original version, we get an acapella, and a lindstrom remix which piles on the feel good with jingo style pianos, mellifluous keys and some club trop style riffage - utterly infectious and exactly what a dull february morning requires.

shrunken heads” is something we were just kicking around at the time the label was starting to take shape, we felt it to be a good narrative of our influences and visions of how we see acrylic taking shape in the future. kid drama has kindly put together a killer remix for us to celebrate the labels beginning. he has been a massive inspiration for us all musically over the years and we are very humbled to have him on board with the first output. thanks hugely damon for taking time out of your schedule to do that. “motion design” came together fairly quickly, it was made with intent to homage the sound of the old guard we admire to o er our own contribution to that sound. all vinyl are strictly limited edition, and limited to 300 pieces per run. there will never be a repressing of any series. once each release is gone, they are gone forever. mastered and cut by beau at teneightseven. artwork and design by dave knapton at multiplex

few authentic electro producers from the uk can wear the badge legend with the same level of justification as phil klein aka bass junkie. active since the late 80s, phil has been peddling his own take on electro almost constantly, either as a solo artist or as part of numerous collabs with the likes of dynamix ii, keith tenniswood (radioactiveman) and si brown (dexorcist). dj, remixer, live act, and the man behind the killer battle trax label, there is nothing this junkie hasn’t done.
with essential releases on labels such dmx krew’s breakin records, andrea parker’s touchin bass, and billy nasty’s elektrix, the bass junkie sound spans the old school beats and vibes of the electro genre’s origins, to the borderline industrial. from funky to ferocious, bass junkie’s discography is a must have for anyone claiming passion for the genre - influential, individual, and infectious with every beat.
his low frequency fugitive ep is a welcome return for his bass junkie project, after several years working primarily on collabs. the ep brings four new tracks that maintain the bass junkie sound that brought him such success and notoriety in the first place, with a healthy dose of evolution too.
this is one fugitive everyone should try and track down...