vinyl only release
with their releases together on pleasure zone with the sishes ep and on subtill with the pandering ep they were very successful. after all this fantastic tracks and drop outs we got them together for our mupasario release on epilog! the next 2 - brothers in arms - marc mario- philipp has already released his huge number rezo/epilog002 in 2014 and now he brings his old colleague and good friend nils luigi weimann with him..... and we re very lucky to have this great tunes sounding like nintendo games in the late 80s and with the nice techno surfaces.... this brings back memories of a great times and has substantially gotten us

following recent releases from vakula, alex danilov and andrey zots, arma turns its focus towards the unique, transcendental sound of hypnobeat. the project has its roots in the diy industrial scene of frankfurt in the early ‘80s, spearheaded by perlon affiliate james dean brown (narcotic syntax) in collaboration with artists including tobias freund, victor sol and pietro insipido.

the sixth release in this series of eight opens up with alexander kowalskis remix of lydia to the edge of panic on the a-side. kowalskis version is a pounding techno monster, with a heaving baseline and delayed chords, hinting at a more sinister dimension beyond the edge of panic. trolly routes (aka. oscar mulero) remix of miscellaneous pt. 7 on a-2, lulls and hypnotizes with an acid-tinged interpretation of the original track, that nods to the plus 8 school of techno. the b-side kicks off with jeff rushins remix of little green apples, pairing the spacious and beautifully gloomy background atmosphere of the original track with a heavier version of its rhythmic framework. the final track gives us the re-mastered original version of confort corpse, which displays christian morgensterns uncanny dedication to exploration and his love for the 80s.

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they don t mess around. in fact, if these tracks were steaks - they d still be walking around eating grass.

if you love contemporary minimal music, then you are certainly familiar with the greek artist stathis leontiadis. with his bands human puppets, exetix and plexiglas this musician became one of the stars of the genre. now he is back with doric. with this solo project he already released a single and an album on fabrika and a 10- on domestica. the new release is once again a 10-, this time on peripheral minimal. doric uses a special concept. the a-side is the so-called asleep side and is about loneliness: music that sounds paranoid. sleep of reason is almost unbearable, it s madness driven by minimal electronics. everything is very danceable, but this is the dance of madness. the minimal sound comes straight from the 80s. over my dreamssounds a bit like the early parade ground. simply great! head against the wall (a title that needs little explanation) is slow and compelling.

when la label acid test decided to start the leftfield imprint, avenue 66, they looked to new jersey house mystic joey anderson for an opening salvo. he delivered the modern psych-dance masterpiece above the cherry moon. now andersons back again with more of his beguiling dreamlogic. on if one cares, they act different anderson works with a lead that could score an unsettling 80s horror flick, eventually introducing his signature quicksilver synths and abstract, jacking drum patterns. peace there starts with the square-wave basslines and raspy hats taking us to a psychedelic far away place. on the vase, anderson reins things in, but even his bittersweet, relatively straight-head deep house tracks present an odd paradox. his music so alien and human all at once.

nu-disco hero 80s child has come a long way since masterworks vol 1, the inaugural release on his masterworks label a year and a half ago. now we have the follow-up and the second part revealing how the label s sound has grown featuring tracks by 80s child, osmose, doc jam & the silver rider. early support from : joutro mundo, osmose, vinyladdicted, 80 s child

release no 31 finds kat records on a european tour with 3 reworks based on 80s belgium, italy & germany disco & new wave with man of the moment moscow producer phil gerus (futureboogie, sonar kollektiv) taking centre stage.

the chordz ep brings it with 3 hot new modern boogie tracks. label hero newman opens the release with the title track chordz, a synth-fuelled dancefloor banger, reminiscent of harvey sutherland s recent work. flip it over and ourra (aka simon tappenden aka pop out n play) brings us a truly tropical treat reminiscent of palm trees, pina coladas and 80s miami sunsets. last but not least, keyboardist for brian ellis, adam chini plays horizons of funk, a lush down tempo synth funk number bringing the ep to the perfect clo

following the avonmore remix ep, bryan ferry now collaborates with leo zero, ray mang, leftside wobble and justin robertson to release the new ‘avonmore’ (dub) ep. pressed on 180g heavyweight vinyl and housed in a screen-printed sleeve, this record is an edition of 500. the dub ep contains a broad pallete of sounds, scenes and genres which are traversed along the course of this four track vinyl. kicking off in style with a version of ‘loop di li’. leo zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. uk disco-don, ray mang then offers a more pumping, groove driven effort that wraps ferry’s unique vocals up in a neo-balearic cool. flip over to the b side two listen to two fascinating versions of ‘driving me wild’, both hosting that lush 80s nostalgia. mastered on the emi 1400 and pressed to 180g heavyweight vinyl, avonmore dubs features both a bespoke screen printed thick card outer sleeve and a bespoke inner sleeve.

mysterious brooklyn label and production crew getting in the game with some techno and ebm bangers. all are re-workings of recognizable or obscure classics. “looping blood” the clubbiest of the ep builds around a controlled bleeding loop and blossoms into a spiraling unstoppable groove accented by crashing reverbs and jackin drums. “alaaarmed” is a pounding re-edit of tommi stumpff, early german minimal punk not unlike nitzer ebb. “take two” is a great remix of front 242’s epic industrial classic “take one” dubbing out the lyrics for an instrumental approach. “open bar” puts the scissors to skinny puppy’s early 80s classic “last call” looks like the aptly named effective weapns label certainly providing some hot jams for this fall. fans of dark entires, minimal wave take notice

archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images

midnite spares, australian music devotees andrás and instant peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. through co-presenting weekly radio show strange holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. the 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3rrr and more often than not, the artists themselves. renowned mixed media artist maria kozic enters with the mysterious downbeat of trust me, her partner philip brophy responsible for digital and analogue sonic construction. a recurring character in andrás and instant peterson’s investigations, brophy reappears with a score piece from his divisive feature film salt, saliva, sperm and sweat, recorded as ??? (pronounced “tch tch tch-). other links are thread under the surface. melbourne inner north experimentalist david chesworth explores his australiana songcraft leading whadya want?. the short lived project also featured philip jackson, whose duo the couch is restored from fast forward’s dance issue - a pioneering cassette fanzine published by early-80s 3rrr

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they dont mess around. in fact, if these tracks were steaks they d still be walking around eating grass.

the second ep by purveyors of the future funk sound, a band called flash. executive produced by ron trent. recommended! created by the inspired young jared hines and produced by master minds ron trent and jonesy, this self titled follow up to mother confessor features four etherial, lush tracks that have a live feel and are equally heavenly. inspired by the jazz funk elements of uk outfit atmosfear and the alternative disco sounds of dinosaur l, presented here, a band called flash embrace the energy of live dance music. reminiscent of the early 80s boogie sound, a band called flash will surely capture the attention of the more eclectic, global dance floor.

nu-disco hero 80s child has come a long way since masterworks vol 1, the inaugural release on his masterworks label a year and a half ago.now we have the follow-up and the first of two parts it reveals how the labels sound has grown featuring tracks by marsupials, soultronic & kiu d, platzdasch & mystep.early support from: joutro mundo, osmose, vinyladdicted, 80s child

philippe quenum returns to cadenza music with ‘solitaire’, some thirteen years after helping kick start the swiss label with the 2003 release ‘orange mistake’/ funky dandy’. this groundbreaking single, co-produced with luciano, has since become a landmark release, not just for the label, but also as the benchmark for the micro-house and minimal tech-house genre that developed over the decade. with a music career than spans back to the mid-80s (dancing in nyc as part of the breakdance troupe, the magnificent force), quenum found his forte with house music, both as a dj, and as a producer and label owner. setting up the access 58 label in 1998 as a platform for his music and collaborations, quenum has consistently released over the years for labels like crosstown rebels, soma, alphahouse, thema and trapez ltd. ‘solitaire’ finds quenum on fine form, on the lead track, dubby fx and bass shaking shots roll out over an urgent disco beat, muted brass and technoid stabs fire from all directions as the tension building pads flourish. shadowy forces are at play on ‘mystic’, discordant sounds echo and bellow over reverberating percussion and a dense back beat that fire into life with shuffling hi-hats. wrapping up this welcome return to the label is ‘mystery’, whipping snares and industrial clangs rumble over the urgent drums for more hypnotizing dancefloor work from philippe!

80s electro disco

katastrofa ep is an ex-yu edits release which transforms forgotten gems from the former yugoslavia. russian valique and serbian veteran selector funky junkie are behind this project. opener katastrofa offers a delicious blend of heavy, synth-laden 80s boogie, punchy afrobeat horns and bold, chant a-long vocals, while the slower, more chugging frka is an adriatic delight all lazy, sun-kissed synths, sugary sweet vocals and sloppy kisses. as for closer yugoslavia, it sounds like a disco-house anthem in waiting, as the duo adds bumpin beats to a rising, horn-heavy chunk of starlight disco

soundway records are to release the only lp by nigeria’s number-one producer of the 1970s and early 80s, sound president odion iruoje. available for the first time since the 80’s, it’s limited to 1000 copies worldwide and is pressed on 180g vinyl. the album features a limited tip-on sleeve.

nice price deal !!! the title of this ep sorta says it all. its quite an important release for the label. glasgow musical connections all around! when most people think of optimo music, they think of the long-running club night in glasgow >optimo (espacio)<, which ran for 12 years every sunday…headed by jd twitch and jg wilkes. label honcho jd twitch is extremely proud to be releasing naum gabo … as this is the studio project of his optimo partner, jonnie wilkes, along with james savage. jonnie and james (formally releasing three 12 inches simply as >naum< on kompakts mighty speicher series) have been active on the scene for a while now. as well as releasing the original music on kompakt, mule, eskimo, dissident, and tinae they have provided some wonderful naum gabo reworks for hot chip, simian mobile disco, franz ferdinand, snow patrol, psychonauts and so many more… twitch has long been a fan of naum gabo so it is a bit of a coup to be getting this fantastic release: two covers of two mighty scottish acts from the late 70s/early 80s.

nice price deal !!! supported by yuksek, boombass, designer drugs, stereoheroes, sinden, jess & crabe, sayem, guido, minitel rose, candy clash, malente, la violette... born in 2006, man&man started organizing parties in paris paris and triptyque, inviting various artists such as yuksek, naïve new beaters, klub des loosers or plasticines. little by little, alexandre, nelson and luc became djs, and played in many clubs in france, while becoming resident djs in the defunct but still beloved flèche d or. they re going to release their first ep les grandes vacances. they self describe their influences as coming from heavy metal to hip hop, from italo disco to early 80s punk rock, which boils down to an innovative organic kind of pop, with a slight touch of feminity siobahn wilson (mymajorcompany) added backing vocals on les grandes vacances. theyre now playing as djs, but have developped a brand new live show, with real instruments, microphones, and animals, caught in the jungle with bare hands. nelson, alexandre and luc are also still assisting guido in panic rooms programmation, with their comme a la maison parties, and gave their name to a cocktail there!

nice price deal !!! excellent drivin 70s / 80s disco classic

nice price deal !!! brand new release on the celebrated golf channel label. already causing much online and mixtape fervour from a handful of tps released late last year, this is sure to be another sought after cult classic from the catalogue! dominik von senger may be something of a mystery to most, but his early 80s kraut rock / electronic work on german labels f³nfundvierzig, harvest & verabra have become firm favourites with kraut-rock afficionados and balearic types alike. wonderfully melodic and suitably epic >no name< takes its cue from this fertile era of deutsch muzika and updates it for todays ears and dancefloors, with the kon tiki voyage mix especially spicing up the structure of the original into a more toe-tappingly beautiful piece. the real deal folks! in short, another totally essential hole in one from gc - dont sleep!

nice price deal !!! treibstoff / wir producers bring in some quality dancefloor electronics. some deeper and darker beats and 80s tinged staccato

nice price deal !!! magic pop hotel invites you on a luminous voyage through the vegetal dreamscape of >flowers<, the first single from the album. floating somewhere between pop and trip-hop, magic pop hotel reaches through mysterious atmospheres and creeping climates, spinning with freedom. on this record, the poetic universe of magic pop hotel is explored by the artists the micronauts, junesex, and betsyapolis. each remix takes hold of the nebulous center of the song and extends it in a different direction. with the micronauts remix, christophe monier pours his neo-80s space disco honey all over the dance floor. an intoxicating sound serum that will have bees swarming to the club for eternal youth. the junesex remix draws on the trip hop inspiration of magic pop hotel to grow heavy dub blossoms through the cracks in the concrete. the vibrations dig deep into the most fertile emotions. the betsyapolis remix plucks a sweet, ripe fruit and spins it fresh and juicy, playing with the airy pop goodness of >flowers<

nice price deal !!! feel music returns! we give you the debut release of february & mars, two space cadets from galway in the west of ireland, with feel musics john daly on production. we really dont know how to describe this music. classic drum machines and patterns, vintage synths, 80s arpeggios, incredibly tasteful vocals and at times, epic guitar. think magnum pi on a desert moon with sade, david crosby and some shoegazers, listening to house music

side a: of love mystery taken from the da soul revival ep released on dancemania records in 1995.heres another one of tyrees most sought after tracks. it has that classic four to floor bodyjacking dancemania ghetto house sound, with a touch of that chicago innocence to it. side b kan u feel it originally released in 1998 on nepenta records uk. well,if you like phat beats and thick basslines, then this track is for you. it reminds of those early releases in the 80s on dj international records or trax records, where the groove was the most important factor.

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images. by exhuming these obscurities from the dustbin of history, born bad have decided otherwise. archaeologists with an agenda, they seek to give jean pierre decerf the renown he deserves: that of an innovator whose rhythmic, synthetic compositions inspired the harbingers of the french touch (air comes to mind), not to mention some east coast rappers.

fresh 80s sounding / kraftwerk influenced elektro

special remarks : 12 inch with printed out deluxe sleeve, included 4/0 cmyk innersleeve limited edition 500.
- catapulted into the public consciousness by beth ditto, kiddy smile seeks to spread the retro love in his beats - all of which he produces, sings and sometimes even raps over himself. deeply influenced by the sleazy, lazy feel of 80s and 90s house music and the fabulous legacy of the ballroom scene, he has performed live alongside the likes of hercules & love affair and the gossip. through his own music and performances, kiddy has kept the nostalgic sounds of the dancefloor very much alivebio : via his extravagant persona and good music, the parisian producer kiddy smile gets great coverage in the music world, but also fashion (he s the sound designer for balmain, and spins for the like of alexander wang, balenciaga shows etc.) and queer community.it s impossible to dissociate his music with what he represents today in the gay and voguing community and many filmed / photographed features celebrating diversity have highlighted kiddy smile in them.

the sun sinks, the sea is turning scarlet. on deck stand two, entwined, a final embrace. the plane is ready for its single passenger. heartache ascending into the heavens. -pilotes- is the third release of the 7inch dedicated label no more pop. by an obscure french synth pop band, performance, this double pack brings together both rare and unreleased material from the early 80s. the double 7inch features the original version, a dub version, a remake of the song s

siam, one of israels pioneer new wave bands from the 80s, get a steamy red axes rework for their underground killer tel aviv downtown on the a side, and a re-master for their anthem in the realm of on the b-side.

rediscovered 80’s british acid house gem ‘cortina kidz’ recently made a serious impact on andy butler’s mr. intl with remixes from factory floor and juan maclean & tim sweeney. hot on the heels, moscow’s lipelis’ steps in to remix with striking results. pitchfork enthused of the recent reissue being “a chilly acid-house track operating the influence of both soft cell and the specials,’ xlr8r as “drenched in dark and sleazy overtones, the track encapsulates a downtrodden time in london”, while ransom note noted “cortina kidz is more than just an old skool oddity- it s a banger that s stood the test of time”. originally recorded on london’s stoke newington road in 1987, produced by a young tim brinkhurst ahead of his imminent record deal with virgin records with his band soho, and long before his current role as manager of mercury prize winners, young fathers, ‘cortina kidz’ remained undiscovered and the eccentric spoken word overlay and weird lead vocal made it very unlike the prevailing dance music sound of the time. leonid lipelis explains that “since it’s a reissue of a relatively unknown record it gave me a certain freedom of expression (when it’s something well known and classic you re likely to produce something more serious). i came up with more of a pop song, structured with a vocoder for the main version and had fun playing with vocal samples for the dub mix, paying homage to the 80s sound in both.- lipelis’ recent release on lies records has gained him support from four tet to dimitri from paris. he also runs a side project for hardware jams called tmo and co-runs low budget family records.

the third release of the obscure cuts series, curated by the italian disco pioneer beppe loda, represents the electronic dance movement that formed in the late 70s, early 80s in italy. it features a few obscure productions that were inspired by giorgio moroder and other european electronic music of the time.

following his 2013 debut lp, fictitious nostalgia, beastie respond joins forces with alia fresco, silkie and circle vision to present his new ep, back to the future. as with most of his output in recent years, the danish producers indisputable enchantment of 80s aesthetics and purple nostalgia beams through the entire record, elevated by alia fresco’s soothing vocals on the glamorous title track. intergalactic soap box derby’s hectic synth work and sharp turns generate an unpredictable space race for the head nodders, while joy ryder sees beastie respond carefully mesh classic d n b programming with neonlight melodies. silkie rounds off the ep with a signature sub treatment of back to the future, navigating on a tempo not previously released by the acclaimed uk producer.

the first release on the perth imprint cosi cosi, basic mind’s “grotto” catalyses some of the great innovations of both continental and atlantic analogue techno, 80s formalism, late drexciyan funk, darkroom acid, and indeed is one of australia’s purest sources of that ultra-orthodox, hardware-based sound.

zweiter sampler von ibiza-dj chris coco, kurator der real ibiza-serie, und jim breese, resident-dj im café mambo. 13 hervorragende balearic-tunes, darunter neuen tracks von faze action und horsebeach, neue beach-house-versionen der 80s klassiker good life- (inner city) und hangin on a string (loose ends), stereolab-sängerin laetitia sadier mit einem dubby digi-reggae-tune, sowie vinyl-exklusiv sacha puttnam mit einem cover des abrahams theme aus dem chariots of fire soundtrack.

a smoky 80s nightclub, muffled background voices, dim red lights and whiskey drowning your soul... this is -so you are- scenario, the perfect soundtrack to a lost love that takes comfort in a slow and dogged boogie-down vibe. voice by filippo zenna (records collector and dj, periodica), drums sandro zampera (collective blends), keyboards alessandro mutto (collective blends).

2016 is shaping to be a fantastic year for rebirth records, the 10th year anniversary and the 100th release…to celebrate this special date the label owner shield and his right arm robytek get in the studio to collaborate with two of the most innovative figures of the end of 70s / early 80s. the a side is the the pyramids with isabelle antena, french singer and songwriter, founding member of electro-samba pioneers antena. in the 1990s she also led another group, the powaga sisters, for three albums between until 2004. alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. from camino del sol (1982) to bossa super nova (2010), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide. the pyramids is something really special, a cosmic and balearic song with a timeless meaning, with the collaboration of martin ditcham (sade s percussionist) for the drum and paolo mantini, a real italian talent, for the bass and chords. the aa side is now, a collaboration with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of (for the legendary early 80 s nyc band liquid liquid) seminal nyc minimalist-funk band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound which they called big beat, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics. the group s successes included club hits such as cavern (sampled by grandmaster flash in the making of white lines), bellhead and optimo in addition to sold-out concerts worldwide. sal p and dennis still explore today new ways of writing & performing music. now is the experimental way to combine the live drums played by snacks (the berlin based duo rene corbett & aljoscha babel), with the electronic world and the unique musical textures from sal p and dennis young.

two tribute edits. early 80s russian drum machines running under some respectfully chopped up, scratchy west african winners. could almost be cold war onyeabor, whod have though it? ltd to 200 copies...tip!

repress 2016 , giant 45 returns with 2 well crafted reworks. a side is 80s boogie funk at its best reworked and timed up for perfect dj mixing. on the flip we have a much sought after japanese boogie classic reworked in the same way. limited 7 inch pressing so act fast.

this record can easily be classified as library and will probably find a spot on the shelf with viberts nuggets, the strange world of bernard fevre and carpenters assault on precinct 13. listening to these tracks moves your senses back and forth through time, from 80s sci-fi back to raymond scotts early 50s experiments. the perfect soundtrack for bedrooms, late night dinners and greenhouses ed dmx contributes to a tradition in musical history, a richly vivid trail in which composers influence each others harmonies and ways of writing tunes, like an endless ping-pong game between minds and individuals but at the same time between continents and places throughout the world.

last autumn the long-awaited debut “colour” by pete josef saw its release on sonar kollektiv. now the first 12 inch with four fantastic remixes arrives.

originally released in france in the early 80s, the highest bidder has long been a dancefloor classic, combining snappy boogie bass and a stepping groove with gordon’s soulful vocals. sofrito and gordon henderson are proud to see these tracks legitimately once more, cut nice and loud on a 45 for optimal club play.

our second and final release from billy bruner t spoon out of his obscure oil capital record label. if you dance tonight is almost unknown boogie spin your never gonna find, solid. on the flip say yea is an 80s sweet soul ballad years ahead of the pack, i have a soft spot for this one, damn good end of nighter if its been a good one. strictly 500 no repress.

april showers bring may flowers, but this april claude vonstroke brings you the rain break. inspired by two different songs from the 80s - (razes classic break for love and oran juice jones the rain), claude has replayed and re-sung all the music from scratch to make a special cover tune of both tracks changed and combined into a surefire dirtybird classic. to quote vonstroke, i kept singing the break for love bassline over and over again in my head but the vocal that always popped in over the top was from the oran juice jones. i cant explain why that happened but i just thought they went together so well that i ran with it.here comes the b is a much weirder affair. built with massive psychedelic effects, a huge kick and almost no hi-hat pattern, this is late night cavemen music at its best. this big release from cvs will have you wishing for a downpour so you can go walking in the rain.

here at control room recordings we feature analog only synthesizer recordings and one off and special projects. our last release was from the human league and we are pleased to be following that up with another titanic group from the 80s visage. following the tragic death of steve strange in feb 2015 visage and steve strange s family are planning a series of events to honour steve s life and commemorate the impact that he made on the worlds of fashion, music and style. one of those events is the fifth and final studio album from visage. as a bridge between the highly successful fourth album hearts and knives and this future album we are pleased to be releasing a vinyl only special single.

jessy lanza s second album oh no is inspired by japanese 80s electro outfit yellow magic orchestra’s philosophy of experimental pop. playfully laced with cascading arpeggios, crispy drum machines and breezy songs, oh no has an infectious energy that has carried over from her live shows.
made in her hometown of hamilton, ontario, with production partner jeremy greenspan from junior boys, the plaintive, reverb drizzled mood of the first album has all but given away to a more direct, confident and joyful album. as jessy says ‘i want to make people feel good and i want to make myself feel good’