following on from the bewildered 2018 remix/re-master e.p., respected 90s d&b imprint odysee recordings presents its 2nd release in this series

power electro until breakbeat and trip house.

phat remixes from mousse t , dario a attis, purple disco machine... to huge house classics

minor notes recordings are proud to present, a beautiful collection of experimental feelings from the north hearth of russia saint-petersbur

limited pressing on transparent blue vinyl, comes with download code included.

standard pressing on black vinyl, comes with download code included.

lock yourself into the beat, but don’t become prisoner to it. the techno pioneer jeff mills understands that only too well. in his quest to liberate himself from the tyranny of the sequencer, mills couldn’t wish for a better partner than the father of afrobeat.

late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong influence from the music of detroit and chicago. obscure australian imprint offworld records reactivates after a 21-year hiatus to issue the still tomorrow ep by producer tim jackiw as a label follow-up to the rare science of sound vol 1 touted as one of the best deep techno 12inch singles of the 1990s, reissued in 2016 on the recondite label and now highly sought after by collectors worldwide. a series of archival dat and tape recordings produced in tim’s adelaide-based home studio during the same mid-90’s period as science of sound and the recent memory feedback release on slow life berlin, this 6-track extended play 12inch covers a broad spectrum of electronic sounds including late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong infl uence from the music of detroit and chicago.

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

***
six, twelve, nine.
thirteen, seven, eight.
three, five, five.
drinks, dive, trust.
try, think, dust
***

hard times call for good music. this time around times are ruff (tar) dedicated their beat fabricating skills to a double ep for tomorrow is now, kid! the tink! project will put some raw, deep, soulful and garage tunes in your ears. as a dj collective, times are ruff is heavily influenced by the windy city, taking inspiration from the past, but never sounding outdated. focussing on long - preferably all night - dj sets in which times are ruff strives to set itself apart and tell a true musical story to the audience.

incl. her in demand tune -tomorrow- . six-track anthology of south african singer ntombi ndaba, featuring 2 songs from 3 of her solo albums, mina ngiljaji (1988), mama nature (1989) and why me (1991). . ntombi ndaba first rose to fame in 1985 with ntombi & survival, becoming one of the most popular singers of the bubblegum era. after setting up the independent label anneko with her producer a.t. ‘rubber’ khoza in 1988, she went solo. following khoza’s death in the early 1990s, ndaba never recorded again. mastered by: wouter brandenberg

original copies of this beautiful chain reaction 7 inch have been changing hands for £500, so this is a true digger s delight. exceptional soul from the late 70s which hundreds before have attempted to license to no avail. lack of trust was a key issue in these pursuits, after say yeah was used in a b grade hollywood movie without permission, alongside record collectors cleaning producer harold sargent out of his original 45s before upping them on ebay for $1000 apiece. cue the good people at rain & shine, a non-profit organisation based out of new zealand, who have worked with chain reaction directly to license this incredible record properly - returning all net profits to the artists involved. it really doesnt get much better than this - spiritual stuff! comes complete with picture sleeve, pressed on black vinyl with a large dinked centre hole.

dark modern techno from arnaud le texier and unbalance on children of tomorrow. don t miss it!

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sail’s sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling that’s even more defiant and deeply personal.

like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

initial programs is a new project by respected ambient producer mick chillage. it is also micks first ever vinyl release and sees the irish artist focus on deep, acid-tinged techno and melodic electro. the background to the release is a simple one, first cut boss richard be was a long admirer of mick’s music and discovered an electro project he did as the shape. over the course of emails, pints and coffees, the music for initial programs first record came together. the resulting three tracks are melancholic, late night jams, the soundtrack to high speed cruises on the streets of south dublin.

4 great techno tracks from antonio de angelis and kolde on children of tomorrow. not to be missed!

wu-tang’s 2014 album on double vinyl, housed in a gatefold sleeve with download code included.

i try to perform as honestly as possible — the soundbite borrowed from late dancer dudley williams for this record s second track could have been uttered by the mole himself. it s this candor that has allowed us to bear witness to a very marked and very audible transition from his days as a producer in montreal to becoming a part of the berlin scene. and what we have here is one result of that very explicit sonic metamorphosis. de la planet is our dyslexic subject s third studio album, one that stays true to his ethos of weird above all in the best possible sense. and yet it feels like something distinctly new. tapping his enormous reservoir of vinyl and sampling the odd film have acted as complement to the jaw-dropping arsenal of synthesizers at de la plante s disposal—a battery of machines he s been quietly improving his skills on during the past few years. or not so quietly, perhaps. the man himself would probably say -i m coming out of the woodshed-, and go off on a tangent about sonny rollins and his saint of a wife. but that s a story for another sheet.

helder russo is the youngest of eleven, raised in lisbon in a family from the island of santiago, cabo verde. he s a prolific music producer with a couple of heavy releases on groovement recordings and as half of gatupreto on tink!. russo s music is thought out and solid, his reference list is long and diverse, citing rhythm & sound in the same context as miles davis, sade, the late great mj, boo williams, carl craig or jay dilla. the result is a soundtrack composed with care and attention, detailed and rich though still powerful and present.

phil asher & dwala return with two tracks for moreaboutmusic on a london meets detroit tip. more material from phil asher & dwala to come later in the year.

* merging two of the finest technical wizards this genre has to offer, we are pleased to present the long awaited joint release from hybris & dlr, entitled ‘a new tomorrow ep’. * sharing a mutual respect and support for each other’s music from the very start, the duo collaborates for the first time, in a demonic tech step title track, setting off the ep in fine style. * one solo track apiece follows the collab, as the ep develops into a soundclash of technical prowess, with each artist unleashing their own original strains. * a fusion of tremendous skill and two unique, well established sounds, we proudly welcome a joint release from two of our favourite producers of the decade so far.

the outside agency have teamed up with permanent label fixture deathmachine once again for yet another solid exercise in kick and snare torture. today’s tomorrow and the violence both serve as deeply philosophical explorations of human nature, with kickdrums and snares.

the snooze fest is over and we’re back in the saddle with the first output from colin la plante aka the mole aka half owner of this imprint. he’s been touring up a storm and playing out a lot of new music we’re excited to share with you this year.
spicy noodles are something colin thinks everyone can love…not one at a time…but by the bowl.
this four tracker definitely shows off “new directions” for the mole – nothing too outlandish mind you, but the path he chose with the title and crowd favourite “gelb grun blau” definitely has these tracks leaning towards the centre of a dj sets vs. beginning or end…spiralling kick drums with a fine grind blend of digital synths, analog synths, drum machines and the occasional samples here. vape-house anyone?
the closer “back in the studio game” is a beatless one created just for the sunrises of your life.

rsd 2017 release on white 7 inch vinyl.

the latest release from serbia’s soul print recordings brings together the two l’s, leonid and laak. up first is leonid on the a side with two tracks urania 1 and 2, possibly named after the muse of astronomy, which makes sense, as both tracks have a cosmic feel about them. urania 1 starts off with a nice string sound that permeates the space before the drums start to really take effect half way through. urania 2 has a more house feel about it, with the acid bass line sitting nicely along the deep pads. over to the b side and laak takes control. delving into late night territory with haunting layered leads & pads these tracks are typical quality by laak. featuring label artwork once again by fellow serb, bratislav milenkovic and pressed on a beautiful sky blue, yesterday for tomorrow is a thing of aural and visual beauty.

next up on tomorrow is now, kid! is an ep from rutilance recordings owner, dj steaw. the french artist crafted four sturdy tracks on this fresh ep. it is a perfect blend between chicago and new york house, with a big splash of acid throughout the disc. the hypnotising percussion and grimy sounds take you to new, unforeseen places. keywords for best describing this 12inch are, beyond any doubt, deep and vigorous. enjoy these four definite killers in the club.

the kid is back! mister jacob otten as known as kid sublime has been delivering twelve-inch discs of love to the international house scene for many years now. his sound is soulful, purposefully energetic, very playful and always straight from the heart. let his creations raise your spirits and make you feel insipred, for music is lifes greatest expression of love.

a new split ep with 4 great dark techno tracks from antonio de angelis and moteka on children of tomorrow. not to be missed!

rhythm&soul s just groove it label has been excelling in its first year of operations, serving as a vehicle for the paris-based producer to air his own productions while drawing good friends into the fold. following on from chris carrier s appearance on the previous 12-, this time around ben rau has been invited to join in, and the resulting two tracks are testament to the strength of the collaboration. -the long tomorrow- is funky as hell, keeping the swing levels high and using a crafty set of minimal sounds to create movement. -we can do it like that- takes a deeper route, using dubby production methods to create an immersive treat for the dancefloor.

kings of tomorrows place in electronic music history is well assured. one of the alias for new york legend sandy rivera, k.o.t. helped define the early 90s new york house sound with a series of key releases that climaxed in 2001 with the global smash finally - truly one of the house music classics. happily, sandy rivera is still making killer, soulful house music and this latest release on poker flat recordings continues to showcase his immeasurable talent for groove.kaoz is a bumping, attitude-full jam rich with thick, punchy drums and a driving synth pulse - topped off with a stunning spoken word vocal from divine essence.kaoz dub does a lot more than strip the track of its main vocal elements - the groove is rebuilt as an edgy, tension-filled underground house banger - breaking down into a devastating bass section. dario d attis the swiss born dj and producer whos also known as the funk ensemble - delivers a fine remix that perhaps draws on some the 90s influence that k.o.t. defined, producing a bumping, building epic track that seems destined for heavy rotation amongst those in the know

hey everyone, dont be alarmed as we understand that you just heard of us a few weeks back. here we are again with another doobified doozie of a 12inch. from the furthest reaches of the canadian west coast comes a concoction by three well known faces that have a long history of working together, they prefer to remain anonymous for this 12inch for reasons beyond us. were not that good at keeping secrets and have a suspicion that you hear the rambling house that is emitted from this trio brings to your ears will recall something very familiar. johnny lumière and the triads, originally conceived as side characters of the adventures of t-bar and salary man cartoon (never published). the music was recorded during break intervals in the cartoon writing sessions (still seeking illustrator). file this under mystified house with a splash of sunshine. ps:weve been doing our own printed sleeves for the last few records from a really cool print house here in berlin. we think they look unique as they are a print/ fold out designed by our friend dave girard. people seem to be into them and figured we should say that as we are only doing limited runs of them.

we’re getting almost regular here with our releases so maybe it’s about time to put a section in your shop for our label? maybe it’s a bit premature to start demanding things out of you...what do we know. so it’s time to hit you with number 6 and this one certainly smells like summer. split secs are a los angeles based duo made of some serious local mainstays travis kirschbaum and alexandre mouracade (aka sonns). they’ve put out a bunch of great records over the years on kompakt, jolly jams, throne of blood. they happen to also be behind the machine limited imprint too. impressed yet?

reissue of the 3rd album by william onyeabor, originally released in 1979.

a new split ep with 4 great techno tracks on children of tomorrow with the label boss arnaud le texier and new comer eric fetcher that signed lately on the great compilation on polegroup mixed by exium. and a solo ep on the sub label of polegroup calls aine. not to be missed! supported by : marcel dettmann, ben sims, efdemin, dvs1, slam, pfiter, francois x, darko esser, mental resonance, kr!z, rodhad, electric rescue, exium, etapp kyle, submerge, invite, maetrik, thomas hessler, joseph capriati, jonas kopp, jeroen search, marco bailey, philippe petit, miss sunshine, kobosil, joton, synthek, marcel fengler, mental resonance, luciano esse, the plant worker, truncate, dj krenzlin, savas pascalidis, antonio de angelis, paul mac, christian wunsch, shdw, keith carnal, mattias fridell, tim xavier, dr motte, etc

taking a step back from packed yoshi classics, weve decided to keep it simple with this one, kings of tomorrows i want you for myself. this tune needs no introduction its a vocal powerhouse that had dancers singing along worldwide in the summer of 98.

wild oats proudly presents a new record by byron the aquarius, gone today here tomorrow. the 6-track ep explores the nature of reality and being, the pursuit of ecstasy and bliss, and embracing the ephemeral.

savas pascalidis delivered 4 tracks timeless techno for his 1st ep on children of tomorrow called right on for the darkness. a mix between deep techno tracks and more darker techno but always with a proper groove

mehr northern soul-raritäten aus den 1960ern auf 7 inch vinyl!

the debut of endlec & euskalraver on children of tomorrow who delivered some proper massive timeless techno on this last split ep. we saw lately endlec on mord & euskalraver on raw surface. dont miss it

hey everyone – so we re back again finally with number 5. it s taken us ages but expect a slew of 12- releases from us this year. the big news for stores is that we ve gone vinyl only. our reason is simple - we love digging and label honcho the mole only dj s vinyl so why not follow our passion! maybe tomorrow is starting the year off with a doozy from one of the most knowledged disco guru s on earth – koosh. this amazing dude has been keeping canada s west coast edits scene strong and free for many moons. the heads should know him thanks to his releases on cult labels such as common edits, red motorbike and his own 7 inches of love. what you get here are 2 prime cuts that we guarantee to bring the sunshine to any dance floor and a bonus fx ripper to melt minds.

antonio de angelis delivered for his 1st solo ep on children of tomorrow some proper class dancefloor tracks. with 2 amazing remixes from exium & luigi tozzi. don t miss it!!!

great insight into japanese pop music!

continuing on their stellar run of form sees villem & mcleod drop another release of top drawer drum & bass. aint no way is pure dance floor goodness. rolling drums, deep bassline stabs & vocal snippets all wrapped up perfectly. make tomorrow features the boys alongside friend totem delivering a blissful, summery roller to please anyone. twinkles of piano, female coos, distant horns shimmering along steppy drums. saved you is a digital exclusive & sees the men going more for a head down, minimal affair. something for everything on this one!