the good doctor has been a cherished member of the jalapeno records family for the best part of ten years now with three albums and many more singles to his name. with evergreen support from the likes of bbc6music and especially craig charles his back catalogue never seemed to fall out of fashion and we consistently received requests to reissue classic tracks on vinyl for discerning djs and fans. well we re not the types to argue with anyone and frankly we thought that they might have a good point so we ve relented and are releasing a special 7- vinyl with two versions of his seminal track disco scene . of course the classic original mix is present and the frantically energetic breaks of wrath re-edit has got its backâ€,¦one vinyl, two banging mixes, many happy people â€,“, it s just simple maths really.    Â

back down on my knees is a raw house cut combining a pounding bass drum and clever percussion reminiscent of a late 00 s new york sound with washed synths. i m amazed offers an ambient track lead by a simple piano interlaced with a field recording taken on a subway platform in new york. on the other side rubber jam is a tough hardware jam with a floaty arpeggiated synth line. here will be blood rounds the ep out relying on percussion to drive the track with breakbeat and a heavy bassline.

amazing debut album by copenhagen based delayscape.

re-issue of a 1984 italo-disco classic.

charlie & jad said the main thing they were trying to create was music that was unpredictable, had twists, and turns. we think they succeeded. music is made for ears. we could describe it all we like. tell you its good, tell you its amazing. but you have ears, so decide for yourself.

dieter moebius is a renowned experimental krautrock / electronic musician (cluster, harmonia), conny plank is a legendary sound engineer. they recorded five albums together, the last one being *en route* (recorded 1986, released 1995). it transports us to moebius and planks customarily audacious, bizarre, wonderful and definitively unique world of sound, noise and rhythm. *en route* is hip electronic music, yet it steers well clear of the mainstream. includes three remixes by manu guiot. pressing on 180 gram vinyl.

nice price deal !!! die tracks kommen im frischen techno/minimal/techhouse style ... lets rock 10 inch!

nice price deal !!! after the great success of the first 10inch vinyl the 2 firends alexander tholl and rubbertrap have produced now the new smasher !!!! again pressed as 10inch and limited to 300 units !

london based punk duo black volume are not easy to classify. their delirious industrial post punk sounds at times like proto house and at times becomes some sort of mutant electro. their b series sound is made of a conglomerate of filthy percussions, unexpected samples and something with the appearance of melody, with a weirdly addictive result. black rubber is james brown wearing black leather at 40ºc (in the shade) while suffering a mental breakdown. excentric melodies sliding down rhythmic dislexia. negative return blooms from an improvised beat with no traceable sequence, on top of which we find rubbery synth lines, creamy interferences and mysterious sampling, everything sounds like melting from old vhs footage with the future we enter a romantic dystopia. sensual and passionate but equally crunchy, it rises up through cheap calculator arpeggios, pitched vocals and obsessive bass lines. streetfight evoques a desolate landscape, devastated and radioactive. distant echoes from an extinguished human race that left behind only majestic rusty ruins.

shift ltds second instalment of their basement traxx va series, a solid 4-track complation from label heads dnart and gianluca marcelli and their guests petr serkin and lady blacktronika.

teenage jesus and the jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out lower manhattan. the mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself lydia lunch.

flanger ist zurück. nach 10 jahren komponieren und produzieren atom tm und burnt friedman gemeinsam die fünfte lp

now: lets play house!

304 is d tiberios ode to his mothers home. the address is both personal and anonymous, providing an entry point into the bleak emotional spectrum of daily existence and its anomalies. partial to concepts of imperfection, many tracks include lo-fi audio clips sampled from youtube, television and other non-musical sounds that may normally go unnoticed in our surroundings. the textures are burnt and the rhythms disrupted, yet each track is constructed to achieve an unconventional harmony. *raver 5* has caught the attention of both critics and fans for its mature, multi- genre production. *let her* and *gone*, featuring natasha agrama, pair sultry female vocals with heavy, atmospheric beats.
the double vinyl includes a download code.

180gr lp in sleeve (spine 5mm) + plastic sleeve with flap. cd included. after nearly three years since the release of their universally acclaimed 2011 album ritual union, little dragon return with their highly anticipated fourth album, the futuristic sounding nabuma rubberband, via their new label because music (justice, metronomy, django django, major lazer).

xoom recordings is a new irish label run by matthew collins. its emphasis will be to release what matthew considers to be his vision of true house music and melodic techno through his own productions and other artists that inspire him and also share a similar vision.

in the 18 months since his brilliant debut release for we play house, luv jam has been steadily building his profile with a number of releases, and now he returns on vibrations with his first full ep of material since that auspicious first record. the eps a-side is a typically lush foray into stripped back, slo-mo house, with opener tough future utilizing little more than a 303 bassline and 909 kick to slowly build up to its raindrop crescendo, and >rubber band< employing a number a dreamy synths atop its tense, gurgling bass. the pace picks up on the b-side with >last floor hotel (mega mix)< upping the tempo and going into full on acid mode, with its furious pace accented with frenetic cowbell hits and industrial textures. the ep closes with >elastic band< a deeper excursion into jacking house, characterized by its flurry of handclaps, weighed up by its rubbery bassline.

introducing club constructions, a new series of releases that will operate alongside night slugs main eps and white label series. a new home for our most direct productions, cc will run as a channel for raw and tracky material aimed straight for the dancefloor. the first cc volume comes from l-vis 1990. hot on the heals of his >neon dreams< lp, l-vis dives further into the house music whirlpool, drawing on classic dance mania and underground construction vibes (think robert armani building trax for 2012) to deliver 5 tape-saturated, strictly-analog slices of modern-day ghetto hard house. strictly for peak time use!

3 jacking tech tracks der oberklasse - must have spezial decks tipp!

> they made us do it< contains pure analogue, dirty and sophisticated dance music, with a wide range of influences: from chicago house to german psychedelic krautrock, from skweee to minimal techno, from ambient to bass, from the first collaboration with their free-jazz daddy on saxophone up to collaborations with modern classical musicians. file under: konfusion! >they made us do it< Ð it makes for a challenging listen both at home and in a club!

limited backstock action !!!

3 jacking tech tracks der oberklasse - must have spezial decks tipp!

special repress / backstock

the new label by kreon & lemos & tonny lasar incl. kreon remix ... a new label based in athens is born. first release is from greek producer named thodoris triantafillou who started the journey with a rather jazzy feeling on the a side. on the b2 side club mix takes it in a little bit more club friendly vibe. to conclude in b1 kreon gives us his special interpetation. enjoy.

brett johnson back on frankie with 3 original tracks perfect floor burner between hypnotic (a1-two cents) weird and freaky (a2-rubber duck) and rollin tech house beats (b1-tick tock) as brett knows to do … perfect mixes combining brett’s different inspirations…on a2-two cents remix by the great napolitean producer massi dl more known for rollin techno beats delivers here a techy more housey mix …solid beats and perfect groove

since the akai s1000 came onto the market in 1988, loletta holloway and love sensation in particular must be one of the most sampled voices of the last 20 years. cevin fisher anthemic treatment of it is back on playlists too, toughened up with a trademark tribal dub from dj chus, with housier takes on the b-side. a very big set of mixes, this will seriously move floors for a long to come, simply awesome.

remixes by raul rincon and oliver lang

no matter what, an artistic work most likely results in the amalgamation of a whole bunch of different parameters such as what, where and how a creator may live at a specific period of his/her life... this being for much on the undeniable dimension taken by music on our existences and of course jays one... a man who, in addition to his numerous bookings, does currently like 24/7-ing production wise with this 3 tracker obviously conceived in the very depth of the nite...rubber face sounds as of those unlikely early morning deep bleeping dives into some wakin up city life. whereas deepen your mind seems like a never ending abstract frenetic journey to the heart of synthetized phonk melted with a drop of acid house inherited fx...dancers vibes€,bring us into the deep territory with some hammond style keys and tough brooklyn beats.

two cosmic tracks this time on the disco devil label, done by rubber room. runner up is a baldelli favourite, killer!

ltd backstock..

phat chicago techno techno, official classic

after the two tracks on the recent soul jazz >box of dub< compilation jay haze and michael ho follow up with a full-length of growling electronic dub and dubstep

written & produced by i.minthe. additional rework & production on junior caldera s remix by j.dumas. sound engineering by chab. big bassline shaking away under some tight percussion and an epic counding synth hook, hi-hat driven techno grooves with a fat hypnotic synth loop on top for a post-detroit killer

great paul daley electro tech mixes !!

amidst the maelstrom of aliases adopted by detroits prodigious and prolific mmaatttthheeww ddeeaarr, audion is undoubtedly the grittiest -- a dark representation of dears id and a brain undone. the singles kisses,the pongand just fuckinghave earned immense praise for their serrated approach to heavy 4/4 techno, bringing untamed synths and raucous beats into a devastating melange. all three songs appear on the suckfish full-length alongside eight other dancefloor burners that also work on the listening/psychedelic level, making for one of dears strongest and most distinctive releases to date

big electro influenced house stomper for peaktime madness in 3 phatt hitting mixes

4 verschiedene interpretationen vom pot by cari lekebusch, christian morgenstern, claude yound and thomas brinkmann

bonus track version on white vinyl.

third r.a.n.d. muzik x echocentric collaboration. twist your thoughts and sway your core to the sound of pletnev.

incl. jim sharp edits