live at the checkerboard lounge, chicago / 1981

third album

the 2017 album from taylor swift as double picture vinyl, housed in a gatefold sleeve.

previously unreleased material from gazelle twin. pressing on translucent yellow coloured vinyl.

70s rock

ltd coloured pressing

double vinyl in gatefold sleeve.

timeless rock hits like born to be wild, heat of the moment, rock you like a hurricane and many more on limited & numbered gold coloured 180 gram double vinyl!

limited to 500

new album from ghost on black vinyl with 28-page book of illustrations included.

urban/soul/blues/r&b/gospel

limited reissue on yellow double vinyl - no repress.

limited pressing on red & black splattered vinyl, housed in a gatefold sleeve.

the weeknd’s highlights compilation from 2011 - 2021 on double vinyl, housed in a gatefold sleeve.

the new studio album from diana ross on double vinyl, housed in a gatefold sleeve.

limited pressing on 180 gram double vinyl.

vinyl lp in tri-fold sleeve.

originally released in 1980

reissue of the 1992 debut album from ace of base on clear vinyl.

bronson is a collaboration of the odesza-members harrison mills and clayton knight and tom stell of golden features

double vinyl in gatefold sleeve with fold-out poster included.

fifth in a five part series, documenting the birth and evolution of soul music. comes on double vinyl, housed in a gatefold sleeve.

the ultimate collection of songs from the velvet underground on audiophile 180 gram double vinyl, housed in a gatefold sleeve.

classics by the kings of soul music on 180 gram vinyl.

supported by osunlade, charles webster, laurent garnier, crazy p / chris todd

for over a decade, defected miami mix albums have brought together the best new underground house music, championing upcoming talent and highlighting material from established artists. defected miami 2018 continues the tradition of forecasting the records that will soundtrack the miami winter music conference and go on to remain playlist fixtures for tastemaker djs throughout the summer. diving right in with the sunshine-ready beats, riton & kah-lo fake i.d., the collaborators follow-up to their grammy nominated rinse & repeat, sets the tone for the opening quarter, maintaining the high energy through to first lady sam divines joint effort with cassimm, what god has chosen. it wouldnt be a miami album without some soaring vocals, delivered by kandace springs on the latest kings of tomorrow anthem ÔfadedÕ (sandy rivera classic mix) and by the gospel-powered dames brown on sophie lloyds calling out. more direct club-focussed highlights include rapson featuring nathan thomas heat (scott diaz remix) and claptone featuring ben duffy in the night, taken from the berlin hit makers forthcoming album fantast. mella dees future hit techno disco tool provides jumping tech with a cheeky disco nod while the glorious new york-styled the people by eli escobar off his acclaimed album shout ensures that the album takes a trip through the full house spectrum. spread across two expertly constructed mixes, defected miami 2018 is an essential collection that brings the florida vibes to wherever you may be.

kalakuta soul records joins forces with waf80music to proudly present kai niggemanns solo debut, an all original album of outrageous poetically abstract music created live and without overdubs on a buchla 200e electric music box, one of the rarest and most sought after electronic music instruments. working on the platform since 2013, kai niggemann has become one of germanys leading artists who perform live with a buchla 200e. his style is an electro-acoustic storytelling, a clubby dreamscape and a poetically-abstract kraut-infused energetic mix of new elektronische musik with contemporary club culture. nerds love the technology and clubbers love the throbbing drive of the basslines. its all improvised and recorded live in berlin — yet it sounds meticulously crafted in a dark basement studio throughout the entire last winters.

previously unreleased on vinyl - now available as 180 gram 2x12 inch in gatefold sleeve

catherine and gerald o-connell s work as lives of angels quietly and subtly helped to define a whole generation of post-punkers for the greater part of the 1980s. much like other luminaries of the scene at the time, the couple have remained in the shadows of time, highly praised by the collectors but barely ever cited by the mainstream, and if that s not punk then we don t know what is. dark entries are doing the honours of course, and the imprint have managed to license a whole bag of previously released and unreleased material, the former from a bunch of dusty cassettes which are now going for gold on the second-hand market. this was the era of the drum machine, and these 11 tunes are all carried by that unmistakable analogue swing, at times harsh and leaning into something tech-minded, and at other times playful and quirky, a tendency which defined this outfit and the time in which they operated. what a record, this is another dark entries monster

neue versionen der größten modern-talking-hits plus pop-titanen megamix in 3 varianten. pressung auf transluzentem vinyl.

this may be james hunters fourth album, but it is his first on daptone. produced by daptones own bosco mann (gabriel roth) at penrose recorders (daptone west) near his home in riverside, ca, hold on! is a perfect por trait of an ar tist at the top of his game. james hunter has been on the scene for enough years to acquire plenty of feathers in his cap. billboard charts, grammy nominations, and van morrison collaborations aside, he has earned an international reputation as a rhythm and blues troubadour for his command of the microphone both on stage and in studio. this album, however, is something far deeper than just another notch in his belt. it is truly an ar tists vision come to fruition. the vinyl lp includes a download code.

death of a cheerleader spielen indie rock mit einflüssen von postrock und doom. fuer dancing around the fire of volcano reiste die band nach stockholm, um mit cult of luna-drummer und soundengineer magnus lindberg (ef, grande roses) zusammen zu arbeiten. das ergebnis ist ein homogenes, natürliches und dunkles klangbild.

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bjørk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bjørk, mum, sigur rós etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

classic, on music on vinyl

2011 two cd compilation including tracks from jane monheit, stacey kent, clare teal, ranee lee, maureen mcgovern, joe coughlin, and jamie cullum. the tracklist includes classic works by master composers gershwin, antonio carlos jobim, charles trenet and bill evans amongst others, the album also includes jazz covers of popular songs from the beatles, cat stevens and joni mitchell.

puenktlich zu sharon jones diesj?hrigem geburtstag wird die band ihren vierten longplayer >i learned the hard way< auf dem unabhaengigen brooklyner label daptone records veroeffentlichen. das album ist ein wichtiger schritt nach vorne f?r die band, die nahezu im alleingang die r?ckkehr von soul zu (s)einem traditionelleren sound losgetreten hat.

seit 2019 nutzt der in amsterdam ansässige kurator pieter jansen sein label yeyeh als vehikel für sorgfältig durchdachte (und manchmal unwahrscheinliche) erstmalige kollaborationen zwischen verschiedenen experimental- und avantgarde-künstlern wie eversines, carolina eyck, greetje bijma und oceanic.

urban/soul/blues/r&b/gospel