deadly dub/ dancehall infected techno from one of our recent favourites ny graffiti. features a remix from rainstick (blaze squad system)

on their 11th studio album, dubblestandart team up with lee scratch perry and ari up among others.

rock

digipak, vinyl lp, patch, sticker, lanyard, poster, plektrum, magnet & backgammon spiel, unterschriebene autogrammkarte

reissue of the 1998 album from swedish hardcore band refused. double vinyl in gatefold sleeve.

recorded in 1983

limite to 500

12inch white label sampler of tracks from richard zijlstras 1980s genetic factor project.

the sophomore album from brooklyn folk soul trio holy hive on limited clear, pink & blue splattered vinyl.

the sophomore album from brooklyn folk soul trio holy hive on black vinyl.

deadly mix of ukg and breaks from yosh.

john fm presents his american spirit ep

deadly high speed techno-hardcore projectiles, 1 per customer

black double vinyl reissue of the 2015 album from czarface aka mc inspectah deck and 7l & esoteric.

paris bambounou cracks down on climate of fear s sixth edition of its tape series. recorded at climate s final berlin party before lockdown, bambounou grips turns and swerves across lanes in this high tension neo-rave workout, cutting edge technoid tracks move with a hard hitting bounce and zero body fat weightlessness. lithe & deadly, -guts- spills with venomous glee, tempered with expert finesse.

fabric presents: chase & status !

montel palmer (fizzy veins, tbz & peter graf york) with a couple of deadly little studio chuckles on 45.

deadly analog techno bombs

third album from the four owls on limited purple marbled double vinyl.

third album from the four owls on limited black double vinyl.

expanded reissue of shs deadly auto repeat remix - essential disco house bomb - tip! / 1 per customer only

sleaford mods present a very special retrospective: favourites, b-sides, unreleased songs and rarities from the last 7 years. regular pressing on black double vinyl, housed in a gatefold sleeve.

sleaford mods present a very special retrospective: favourites, b-sides, unreleased songs and rarities from the last 7 years. limited pressing on white double vinyl, housed in a gatefold sleeve with booklet included.

a powerful, streamlined vision of contemporary techno, inner call highlights jeroen search s time honoured ability to walk the line between pulsing, hypnotic workouts & outright peak time tools - stripping back the work to include nothingbut the most vital components to deadly effect

deadly techno bombs

(180g axis audiophile series / color label/ black generic jacket) including audio commentary by jeff mills himself

lft has already made a sizable impact on his gnarly, muscular brand of weathered electro and techno, and now hes been snapped up by zement to deliver another four rowdy roundhousers. nucleon channels the best of minimal wave and gives it a deadly dose of modern acid revelry that will incite fevered responses on the floor, while wounds takes things in a spookier b-movie direction without shaking off those powerful 303 demons. the cure for my kind manifests as a kind of nightmarish electro, and hypno haniwa takes another route into machine funk for malevolent souls, with stunning results.

two bleep-tastic masterpieces re-mastered from a lost dat tape, courtesy of this infamous producer aka silent witness. this is the first in a four-part series of deadly rough club cuts.

meda fury welcomes tom wrankmore aka eliphino to the imprint for a stunning ep of thunderous breaks, 303’s and serious sub-bass pressure. hailing originally from the leeds, but with wider travels to settle down in both london and berlin, wrankmore’s music embraces hip-hop, rave, and uk garage. he now serves up a pungent confection pitched between the hessle audio crew, joy o and demdike stare’s most recent efforts. having released heaters for brownswood and hoya hoya over the years, eliphino now debuts as part of the meda fury family with the realistic sex ep. wrankmore has been locked away in his studio for the last 1.5 years, abstaining from gigging and releasing records to knuckle down and produce, emerging with a new darker edge and a much more hardcore sound. tom explains: “the theme of the ep is trusting your intuition in an information flooded world. i’ve collaborated with visual artists tom pounder & jon harris who have created two videos for the release, one for disc rhythm and one for realistic sex.- meda fury boss nick williams, “tom s new music epitomises to me what modern club tracks should sound like - wild, energetic, deadly. he’s discovered his own dark new world of sound fusing breakbeat, acid, speed garage and even industrial stylings”

deadly groovin new stug record! jazzy house sounds & cool sampling from chocky. the uk composer already remixed for the imprint in 2018, but now returning with a full four track ep >thinking cat< in 2019.

dutch electro with acid elements

ltd 2019 repress !! deadly effective, uplifting, highly energetic techno & electro dj weapons

ltd backstock, all songs recorded 1978 - 1980

triple vinyl in triple gatefold sleeve.

lost album from 1982 dayton, ohio underground electronic band utilizing casio keyboards and motorik drum machines.

dj support from: kahn & neek, mala, rsd, joker & many more.
* big, bad and heavy! two of pinch’s biggest dance floor bangers, remixed by one of uk dubstep’s hardest hitters, kromestar. guaranteed rewinds. * ‘the boxer’ first appeared on tectonic back in 2010, fusing grime and dubstep with tribal drums and tearing squarewave bass. kromestar stays true to the original but switches his stance to swing hard with a left hook, southpaw style. after a moody build up, the intro breaks away into a brief moment of calm, before bass comes out fighting, throwing knock out punches hard and fast. tried and tested dancefloor damage of the highest order. * flip then for an equally dangerous remix of pinch’s deep medi release ‘swish’, from back in 2011. simple, effective and deadly, kromestar gives this classic an update, setting it up for another few years of wheel-ups

following previous appearances on station shiva and discos pandemicos, estrato aurora makes his first appearance on bliq with some advanced deep techno immersions that match the profile of the label perfectly. ursus dolinensis takes a slow ride into submission, placing all the emphasis on the low end and using subtle background frequencies to shape out the atmosphere. lunanosorex takes a particularly tripped out approach to electro, while glyphodon adds a little industrial bite into the machine funk framework without losing that steely atmosphere that makes the whole ep so appealing. leonids remix of ursus dolnensis is the perfect complementary addition to the ep the dolly and sistrum artist adds his own rugged deep techno machinations to the track to deadly, understated effect.

the first in a series of all-time classic hip-hop anthems from the nervous vaults, pressed onto high quality dinked 45s. remastered from the original source material and featuring the unedited dirty version on the a-side, and the full instrumental on the b-side, these 45s are for the heads who know what time it really is! black moon s who got the props needs no introduction, its place in hip-hop history is fully solidified. the combination of vintage beatminerz sp1200 beats paired with the legendary mcs buckshot and the 5 ft. accelerator s streetwise nyc raps is a heady mixture indeed. often speaking of street life in new york in the 1990 s, black moon gained cult status via their 1993 debut lp enta da stage , one of the most celebrated hip-hop debut albums of all time. the beatminerz production changed the game, their deep knowledge and understanding of samples, records and digging in the crates gave their sound a real style and edge. who got da props is the perfect example of this, one of those timeless rap records that appeals to the hardcore and can ignite the party. truly essential. every home should have one (or 2!). fully legit, licensed and reissued by above board distribution in conjunction with nervous records, nyc. 2018.

following on from angophora s beautiful long player, ken oath is back with another full length lp from low flung. friends of the label will note that this is his third release for ken oath, and it s a fittingly mature and expansive statement for a debut lp. perhaps mature is the wrong word here, as all his brilliant ideas are backed up by a sense of whimsy that betrays his playful side. the music strikes a balance between styles and spaces that could perfectly soundtrack moments at home, in the club, and in the liminal spaces between. danny s efforts at writing dance music still contain the idiosyncratic approaches of his ambient works: the deadly deep subs and endless echo spirals on -rising damp- sounds like someone trying to piece together a drum & bass track after an off-hand conversation about the genre. he s transmuted the propulsive energy of jungle into something no less dynamic, full of stops and starts and sonic pressure but flush with space. -tarp climber- is at heart a rollicking digi-dub. the more ambient moments of the lp are equally captivating - the glassy tones of -frozen coat- sound like a space-age ensemble soundtracking a floating lounge on a suite of glass instruments, while -ocean grove- blends field recordings and dreamy synthesizer melodies to create an uncanny sense of place that unroots you from wherever you re listening. there s a heavy emphasis on danny s collaborators as well - the cold emotion duo is reprised on the spacey ‘hills hoist’. closer -bacchus marsh- is a collaboration with prophets, a cross-state ensemble that defy any easy categorisation. the music here flirts with jazz and minimalism but with a dubwise production aesthetic to produce something that recalls khan jamal s visionary -drum dance to the motherland- in spirit and practice, but this whole album sounds as otherworldly and one-of-a-kind as the aforementioned lp.

the ever-prolific seven davis jr has been thoroughly generous in sharing out his smoky, sensual strain of deep house in recent years, with the dust still settling from his last album. now he s back with a full tilt five track ep that hints at a new direction to come, embracing the momentum and minimalism of techno without losing the distinctive bump that his music just can t do without. -no mercy- is a dark, kinetic affair while -lipstick- gets tougher, funkier and rawer. -super model- is a sleazy jam that revolves around a strutting beat and a nasty bassline, with some of davis jr s cool and deadly vocals rolling over the top. -on the catwalk- has a rugged dance mania feel to the groove, and then -to be continued- spells out that this new, ruffneck direction for seven davis jr has got a future

bror records and jens records proudly present a gothenburg-strong collaborative effort with brorx1/jens009. on the a-side jens records mainstay pontus björland delivers “limits” with love karlsson on industrialesque vocals. a raw, distorted machine workout with an acid undertone.
bror records curator dj lily ups the pace with an energetic remix of “limits”, making the most out of its original dystopian atmospheric elements, presented at a steady 132 bpm.
the b-side holds the undisclosed gothenburg duo quackpac with the deadly and stunningly executed late hour excursion “earthquack”, measuring in an impressive 16 minutes (hint: don’t miss the last minute).

arktapes whispers in its cuts from the southern american continent. fine spaced out and atmospheric jams, strongly grounded in deadly grooves. a sweeping homage to the roots of our music genre, with a taste for novelty.

"soundboy a-go dead tonight! skrsintl crew load up their dub boxes deep and deliver a wide-ranging, rapid-fire display of their unique vision for musical murderation. pulling the best from their clashes and world travels they weave together a bewildering barrage inna dance leaving a soundboy downright dazed and dusted. and yet within this deadly encounter, there is deliverance when the smoke settles, unscathed, only life remains sekkle urself in this infinity; tune can’t run out."

it s time for a fresh new release from the apollonia stable, and this time around we unveil four groovy gems from shonky and tolga fidan working together for the first time, giving us a winning combination and one which is sure to satisfy fans of both artists. the first track dynamo sets the tone for the ep, the bassline has a deadly groove, while playful effects dance around at the top end creating an immersive atmosphere. intergalactic vibes. after that comes bastille , which features a similarly jaunty rhythm with a variety of bleeps, chirps and twangs layered on top on each other to give the track its depth and character, while a menacing b-line does its dirty work in the low end.on the flip we get micro-ondes , a mysterious into the undiscovered lands of planet funk. you feel as though you ve been transported to another world, where warped creatures lurk, calling out for your attention. as for the bass, its rhythm is utterly contagious. finally americana completes the collection, maintaining the unusual use of sound prevalent throughout the ep it utilises a myriad distorted instruments. support in the low end comes via a tough, punchy bass riff.

dj deep and roman poncet first launched their collaborative project sergie rezza back in 2015 on desire records, and now the project makes a welcome return with another dose of utterly stellar deep house concoctions that go beyond the average while maintaining a sense of classicism about them. -envole- is a sumptuous blend of snaking rhythm, spacious pads and cosy keys, all draped in exotic garms that make this a transcendental house cut to treasure. there are also more adventurous trips into percussive territory on the focused and deadly -le reveil,- crafty jazz diversions to be soaked up on -max- and poised ambient pieces -eclipse- and -procession- to seal the deal.

bas bron (fatimah yamaha / comtron) & jelmer schuette kick out the future jams as belmer... in demand and deadly to boot. tip!

a uk techno powerhouse returns to bass culture for their 55th release, bringing the ruckus with four deadly cuts that combine killer beats with powerful bass and a high level of production, as you might expect from d julz s respected label. ben sims appears under his ron bacardi alias with a follow up to 2015 s debut release, rock your body/first effort . much like the first ep, sims new release is fired up and ready to deliver its potent energy to the dance floors of the world.on the a side we re met with windy city , which kicks things off in frenetic style, its slamming beats colliding with the layers of analogue to produce a rather chaotic start to proceedings. this is followed by ready for action a tough, bouncing cut featuring a delectable female vocal which really sets things off nicely.the flipside continues in a similar vein as one left in the chamber brings a smooth vibe, though with the emphasis still on the percussive side of things. sims flexes his production muscles across all four tracks here, injecting the music with his years of experience on the road and in the studio. the last track is a beats mix of ready for action , highlighting the focus on beats, beats and more beats, adding an extra touch to an already powerful track. this is music par excellence from an artist who is a consummate professional, enjoy!