4 raw, moody deep house cuts from vancouvers resident soul slinger. heavily influenced by classic hip hop production styles, he reworks soulful vocal samples with gritty drum grooves for a modern twist on classic urban sounds. limited to 300 numbered copies.

the kicks started as a collective of different musicians, electronic & instrumentalists, that gathered together under one roof just for the fun of it, coming together and jamming at their own expense. a jam is a jam. theres no aim, no target. it is free from expectations and just like that the tapes piled up with no specific style or genre lines. whatever happens, happens is pretty much the attitude that created a label, not out of necessity but out of convenience of being free to release the more outstanding cuts recorded, regardless of their personal definition. the first release is from the curators and creators of the project, maayan nidam & alex picone. the record starts with the psychedelic tone of alice in the desert, continues to a still hypnotic yet down to earth 020 and ends with the stabbing butt shaker think about it. the next releases will continue featuring picone & nidam, joined by cool cats like aquarius heaven, san proper & cesar merveille.

the house reverends are a trinity of musicians in their own right combining talents through a love of vintage electronics, analogue tape, and downtuned rnb. they glide through londons club scene bringing a blend of fluid funk driven by their robotic drum machine. this ep is a three-stage journey into the hearts and souls of our shadowy heroes. it is a story of love. drivetime the first tune is a slow motion seduction. a musical massage. it is a high-grade slow dance that works from dinner til dawn. girl, i know one for the body poppers. a tense number expressing the addictive pain of lust. vocoder voices straining with desire as the fever grows. curious lady a dream-like climax. gaze across the galaxy in awe and surrender to the state of psychedelic ecstasy this song so easily conjures.

well worth the almost lifetime of waiting, luaka bop present world psychedelic classics 5: who is william onyeabor. spread across 3 lps wit download code included, this is the essential collection of one of the most unique and mysterious musicians in recent history.

the artist occasionally known as simon rufdug mcruff al-duggleston steps up to the collectable porn wax series with two lustful, lingering looks at 80s electronica. sorta rican is all soft skanks and twinkling keys. think ace of bass but with added balearica. mv look , meanwhile, is a psychedelic storm where bold blasts of synths overlap like crashing waves on a new beat shore. mesmerising and masterful, ruf dug is one smooth operator.

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

dva comes with a four tracker, including a dj rashad remix, which works really expressively within a tight format of stabbing melodies and swirling psychedelic atmosphere.

alis new highly anticipated single another has been dubbed one of the most requested tracks of the summer from label boss damian lazarus. co-produced with steve dub another pumps a four to the floor beat with glitchy percussion and distinctive psychedelic vocals. techno soul at its best. the single comes with remixes from tuff city kids (aka gerd janson & phillip laur) and the inimitable felix da housecat. tuff city kids channel reese, and drive it deeper...

a word from label boss chris farrell: this is the new one on idle hands, from us producer strategy. i first came across paul dickows work when he released a 12 inch called *world house* on his own community library label back in 2005. it blew me away. in the ensuing years my friend duncan george who promoted bristol’s best electronic music night - under_score tried on numerous ocasions to book him for a bristol date but it never quite hapened due to the usual things that go wrong in club land. in those years duncan kept in touch with paul and last year suggested to him that it might be worth sending some tracks to me, which he did at the start of 2013… add a peverelist remix and you have the tracks here before you, dub reggae informed house and psychedelic 2 step vibes.

for fans of psychedelic mood with elements of traditional african rhythms and atmospheres for inspiration. limited copies, artwork by house of traps, transparent vinyl.

darkside is the collaborative duo of guitarist/composer dave harrington and electronic producer nicolas jaar. darkside summon a hybrid of electronic music, psychedelic rock, and dancefloor techno with the sort of artistic depth and breadth for which the term progressive was coined. darksides first fulllength album-released on nicos own other people label in conjunction with matador records-is called psychic. darksides psychic is a watershed moment for the duo, a quantum leap forward from their 3-song debut, 2011s darkside ep. at any given moment, psychic encompasses the ritualistic structures and methodologies of krautrock, the cosmic exploration of classic space-rock, and the immersive, body-moving transcendence of 21st century house and techno-but, working with the finishingeach- others’-sentences fluidity of kindred spirits, dave and nico synthesize it all into a living, breathing whole.

early support from coyote, idjut boys, pete herbert, leo mas. deeply rooted psychedelic disco. remix by tokyo-based englishman max essa. 180g vinyl deluxe packaging.support from coyote, idjut boys, pete herbert, leo mas, dj cosmo

part 2 of the compilation series inspired by pop art artist charles wilp. the album features 8 extremely wanted cosmic, psychedelic disco productions from the 1970s and 1980s. kristian schultzes zyklonentanz is a captain future styled disco tune from 1980, never commercially released before.limited gimmicks cover edition (4 printed sides round foldout cover, designed by chrisse kunst). expensive, but worth the money!

josia played his colourful,excessive sound all over berlin at well-known venues as sisyphos or weekend, but also in numerous german cities and in neighbour countries like poland, luxembourg, lithuania or austria. as producer and remixer josia combines dirty electro bass lines with deep psychedelic soundscapes and effects on a base of minimal techno beats

take it, make it, on the a side you will find again a bassmental driven techno track >techyes<, 8 minutes of a heavy bassline and trippy percussions are perfect to burn every dancefloor ! >hypnotica del mare< after some crazy holydays at he baltic sea coast and the isle ibiza peter found deep inspiration by stones and mushrooms, this brings you 11 minutes of psychedelic acid house with raw basslines and a lot of accidental sound suprises.

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

fleetwood mac is a band with many faces. in contrast to their poppy sound of the 70s, fleetwood mac actually started out in the sixties as a psychedelic blues band under guitarist peter greens lead.
pious bird of good omen was originally released in 1969 as a compilation of the bands bluesy roots: their first four uk singles and their b-sides and two tracks by bluesman eddie boyd with fleetwood mac backing. the albums sound is laidback, down & very dirty, featuring scorching cover versions of little willie johns >need your love so bad< and robert johnsons >i believe my time aint long<. the b-side features the international hit single >albatross< and peter greens composition >black magic woman<, the latter being popularized by santanas version in 1970. this album is a must-have for blues fans. anyone interested in the roots of fleetwood mac might discover they are essentially a totally different band than one might think.

kinfolk head to philly for kinfolk004, welcoming committed vinyl rummager and top notch dj billy werner into the fold. this 10 inch is the apparent end product of that rare occurrence where budding producer sends label unsigned tracks that are actually decent. *kick & flutter* is a blinky blue sunrise of a tune, innocent, euphoric and, dare we say, totally balearic... not retro but timeless. *where the sea meets the stones* treads a similar line but with a more incessant acidic undertone. both perfect for chasing sunrises and sunsets... as is traditional you get a soft rocks remix to boot... murmured voices, gentle pulses and psychedelic repetition. did any of the original make it in there? just relax and enjoy it...

nicolas cantu makes a welcome return to sequencias with the lost tribe—a brisk 808 workout with lush synthwork and psychedelic acid stylings. this is a more breezy approach compared to his work on other labels yet spares none of the imaginative or emotive qualities. on the flip side, label head jm de frias offers up the dissonant groover the light as a follow up to his debut track from levon vincents acclaimed fabric mix cd. brash percussion collides with staccato melodies awash in echo and organ, sustaining an intensity that never quite boils over. the two team up for the closer the last light, an atmospheric epic of growling strings, breathy ambience and melancholy stitched together with creaky, decrepit acid stabs and brittle percussion. this is the beginning of an on going collaboration between the two, keep your ears open in the near future.

the second ep from >shiki kyokai< a new label founded by dj shufflemaster (tatsuya kanamori, kanamori) for the first time on analog disc, this is a 2004 remix by dj shufllemaster as >housedust sound system< of an original, progressive house track with soulful vocals, by the mysterious artist raysbelonging to liquid recordings, a label run by liquid room, one of the most important clubs / music venues in japan. the original house beat is deconstructed into a psychedelic soundscape full of wah-wah and feedback guitars... this is the starting point of what links with the concept of the shiki kyokai label!

hailing from the bairros of lisbon, the portugese duo sabre take the helm of tasteful nudes second single. the young pair follow up an ep for w.t. records by expressing adoration for german proto-techno on a majestic scale across a sub-tropical backdrop. bali comes on like a strong cup of psychedelic tea, leaping from a tapestry of gamelan plucks to gigantic, growling bass lines and prismatic synth arpeggios. ging channels manuel goettschings hypnotic synth lines with the dance floor in mind, rubbing shoulders with a gregarious 303 bass line.

dj rocca kicks off his new release with a bouncy, deep and machine driven track laced with occasional synth stabs and highlighted with simple but effective percussion. next up is a wonderful track weaving in out of a harmonic house theme and a synth heavy banger. this tune will definitely drop some jaws and raise some eyebrows on the dance floor with dancers mesmerized by the lightness with which rocca switches up the game in one tune. to finish up the ep the b-side serves up a house heavy theme with a slightly distorted vocal and a more psychedelic slow jam perfect for the next late-late session.

club trax, is a new series of records created by djs, exclusively for djs. pressed in a limited amount, club trax is only available on vinyl and presents reworks of classic songs from the present and the past.
this second club trax outing brings the spotlight back on a 91 classic that moved many mountains and greatly participated in the building of underground culture worldwide and especially in the uk. the shamen was first founded as psychedelic indie rock band alone again or in the mid 80s before it quickly evolved as one of the leaders of the british acid house scene.

aptly titled the noughties, the latest 12 inch from beats in space records features three tracks recorded between 2005 and 2009 courtesy of tokyos humbly dynamic gonno. a dynamic producer who is clearly not afraid to nest until crucial hatch time, gonno flies the coop with a wingspan throwing psychedelic colour at a sunburst sky. blending a spectrum of musical influences and personal touch points about the people (and animals) he has encountered and the implicit joy / sorrow in that exchange, gonnos productions blur the lines between art and life experience.

from the soul-stirring opening strains of ex friendlys sublime start to the people are looking at you imprint, it is clear that the emerging nottingham-based producer has a gift for music that travels further than mere surface physical response. in a scene littered with disposable vocal turns, the simple poetry of rich medinas narrative that runs through journeyman resonates perfectly with the yearning strings and low-slung, bass-rich groove that come to define this exquisite approach to deep house. jonno & tommo hone in on the more rhythmical elements with their own dub of journeyman as a clearer club-ready intent meets with the psychedelic potency of the aqueous sound effects and that ubiquitous string hook. whether reaching for a more meaningful dimension to add to a set, or to simply drift away on the cradling nature of the music and its message, it is clear from the outset that this is music built to last.

the rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenals 98 fa cup winning side. the nigel winterburn of the release is coyotes without the e, a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles. aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust, while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder, an ebm and industrious dancefloor workout.

simply he has never done us. the low-key friendly turkish producer with the unpronounceable name, has never made music for the hip all-together-happiness-floor. the man comes from jazz and blues. and at tolga baklacioglu means electronic music production to test the depths of house music. sometimes tricky, sometimes playful, sometimes psychedelic, but always deep. his tracks have often a length of eleven or twelve minutes. music takes time. prime-time music sounds different. and that is why we like him. and so tolga published with *feeling now and then* his fourth lebensfreude - ep. music that was heard up to buenos aires, where the argentine producer and dj violett (telegraph/unfoundsound/igloo) contributed a functionally magical remix. one thing we know. this time it will not be simple again. luckily.

just as summer arrives, sylphes bosses holdie gawn & micawber are delivering their third ep hypofermsenso. on the a side hypoferm has holdie gawns trademark sound, with analogue bouncy warm snares and hi-hats, accompanied by synthesized modulations and raw filtering action, forming a chuggy, sleek rhythm with deep reaching basslines and a lot of movement. on the flip, micawbers -senso- offers a tribute to experimental composer john cage by incorporating parts of his vocal works into creating a landscape of mysticism, riding along sub-bass tones and syncopated drums, an afterhours number with a psychedelic twist

nick lapiens debut release as metropolis garnered little attention when it materialized last year. a skeptical yet dedicated network of underground heads built up a subterranean buzz that has yet to spread into the daylight. that initial transmission was thick with the raw analogue flavors that have become ever-present in dance floor fare recently—but his is a sound that is dedicated to the emotive, narrative aspects of electronic music rather than simple fetishization or passing curiosity in the days of yore. this, his second release as metropolis, shows a more focused and patient hand at work. the titular track on the a side is a deep, psychedelic groover. melodies, textures and sequences undulate and intertwine within a lightless atmosphere guided by lapien with optimum restraint. equally pensive and gorgeous, the flood serves as a machine’s beat-less foil on the reverse. made up of little more than feedback and two slow, echo laden arpeggiated sequences, this is reminiscent of jean michel jarre’s more sinister moments: a brilliant paradox of economy and indulgence. expect to hear more from lapien here at sequencias. he has many more dark corners left unexplored.

new jersey based producer jorge velez returns to echovolt under his brand new guise bridge & tunnel kids with three tripped out, psychedelic journeys of the detroit kind plus a remix by fellow outsider willie burns! once again, only 300 copies.

el tercero is the third of a series of eps introducing batongo, ranging from obscure deep to psychedelic disco.

a psychedelic mixture of electronics and analog rawness infused with more than enough soul to keep it going on and on...what are the odds? asan!

back in december 2012 we brought you the sounds of the unheard from our romanian ambassadors future nuggets. the compilation gained plaudits from across the globe and was even named by andrew weatherall as one of his compilations of the year. steaua de mare featured heavily and the band was instantly noted for their smokey psychedelic sound. their unique sound comes from many directions. they bring elements of prog, dub, psychedelic rock and contemporary gypsy music (manele) mainly from romania and bulgaria into the mix.

brother jt is central, pa’s john terlesky whose freewheeling boundless music has been released under many different monikers: brother jt & vibrolux, brother jt3 and most commonly brother jt. he has worked with an impressive roster of tastemakers such as drag city, siltbreeze, birdman, and drunken fish. brother jt is a moniker that finds terleskys songwriting and ample guitar skills taking a decidedly psychedelic form but never deviating too far from the classic song structure.

after the unanimous global acclaim of glass eights (dial lp 22), john roberts returns with fences, his second full length offering on hamburgs dial records. from elegantly dusted chamber pop and semi-psychedelic acoustic musings to turgid orchestral dance floor fillers, roberts creates a beautifully collaged symphony of recorded violins, cellos, cracked guitars, detuned pianos, faded samples, broken drum machines and manipulated answering machine cassettes.

first release on vinyl le galassie di seyfert records two trips to high-intensity sound and atmosphere, hypnotic,intriguing and psychedelic work of great talented carlo boselli.techno superb white vinyl only! no more words! just listen!

full pupp takes us on a trip to the darkest side of disco with 3 suspenseful takes on the lionheart brothers >the drift<. frisvold & lindbaek dont waste much time lull you in with gentle introductions but pull you right into their deepest lair where swathes of billowing, ghostly sounds and warped strings are sliced trough by gyrating rock guitars and echoing vocals truly messing with sense of reality and orientation. a psychedelic onslaught of stoner rock, italian horror soundtrack and progressive electronics which in the morten oby & prins thomas version obtains its dizzying intensity from stacking said components tightly to a towering, dense sound of wall while prins thomas diskomiks on the flip takes it sweet time of pleasurably adding up the spine tingling aural ingredients over a straighter beat, slowly tightening the screw during to course of 12 gloriously spooky minutes.

the latest emotional response release provides something very special indeed, in the form of a new track from under the radar psychedelic rock musician nick nicely. nicely has been making music from the 70s onwards, but his music has recently undergone something of a critical reappraisal, with the likes of robert wyatt and robyn hitchcock supposedly inspired by his work, wrottersley road provides the ideal entry into his music, a masterful piece of shoegaze pop filled with fuzzed out guitars and eastern psychedelic tones. remixes are provided by invisible hands, who provide a minimal 80s inspired electro-pop version, which comes saturated in radiophonic textures, and the oscillation, who take the track into even more abstract ambient territory than the original, deep into a place where time seems to stand still entirely, drawing its rich textures out into infinity.

nice price deal !!! hypno killer! martin patino is a real heavyweight with releases on cadenza, suara and flash. martin belongs to the generation who have enhanced house music with a new vibrant sound design. his track >michal< is a spiritual and breathtaking experience, a mesmerizing encounter into the deeper and psychedelic side of the soul. martin hits the keys with precision and energy that works in perfect harmony to his hypnotic side. this track is a fabulous one and comes here as a single side release.

first remix single cut from latest eddie c album country city country . we invited two favorite new producers. one is italian edit master marvin&guy . after the big success of their record on let s get lost, they are into more original production. their remix is simply killer for dancefloor. brightest hope from australia tornado wallace reconstructed original of kraut rock oriented tune to excellent psychedelic slow mo house. it s for the fan of quiet village or andrew weatherall.

the vinyl lp comes with a download code.
a real sense of drama is a thread that runs through solar bears music, supermigration, their second album following 2010s critically lauded she was coloured in is full of all kinds of drama – from the intimate to the psychedelic, from the chase to the suppression. this time it has been taken to a new level in all kinds of ways.

2009 gründeten john pelant, micky alfano und mark ritsema night moves eine band, die nicht nur auf pressefotos beeindruckt. nach dem einstieg von drummer jared isabella anfang letzten jahres war die band vollständig und wurde schnell von domino records entdeckt. im märz erscheint nun auch in europa das debütalbum colored emotions mit seiner knieerschütternden mischung aus folk, dream-pop, psychedelic und natürlich der wahnsinnsstimme von sänger john und einer bandoptik, die trotz all der nebensächlichkeit einfach nicht unerwähnt bleiben darf. als produzent fungiert thom monahan der bereits für devendra banhart oder den beachwood sparks an den reglern saß!

the reflective and psychedelic dream world of footprintz debut lp escape yourself is fully unleashed on the visionquest imprint this march and next single uncertain change is one of the twelve glowing examples of the duos esteemed sonic and lyrical wonder. reworked here by two of dance musics finest auteurs, audion aka matthew dear and maceo plex ride in full effect.

vinyl only. limited copies no repress. more than 40 minutes of music. a psychedelic techno acid journey.

named in homage to the series of collectable football cards from the 1970s, the rothmans label follows the inaugural mario kempes release with another long-haired icon being given his dues in the form of the harald toni schumacher release, complete with another four tracks of chugging techno-disco. emotional responses timothy j fairplay kicks things off with *off the rails*, an expectedly dark and tense piece of carpenter-esque synth, while lwe writer per bojsen-moller delivers the atmospheric techno of *staying late*, whose rippling analogue bassline gives way to an unexpectedly funky breakdown. on the flip, steve cooks *noahs arp* takes things a balearic house direction with its thick, filtered analogue textures adding some psychedelic colour to its mid-tempo grooves, while emile strunzs *magnetic* adds some acid flavour to its low-swung, vocoder saturated italo swagger.

orre releases a 12inch mini-album by the inimitable avrocar. cited by radiohead as a prime influence on their kid a album, they also did an acclaimed session for the radio show of the late john peel. the eight songs here are improvised sketches, referencing the psychedelic side of krautrock, harmonious sixties pop and lethargic post-punk. combined with a modern feel of rhythmic progression and production, avrocar effortlessly comes up with songs that are moody, but yet fit many moods. without pretension, straight to your heart and mind, avrocar is a band to be cherished.

brand new music!!! this latest offering of unreleased gems played at dope jams monthly parties features fresh and all-original tracks from some of nys finest practitioners of electronic music. winter sampler 2013 #1 opens with the jerky, post-punk nodding funk of emperor, from the promising and much hyped brooklyn outfit beige, an imminent anthem perched somewhere between house, techno and psychedelic pop—and superseding of all of it with its sheer scope, ambition and originality.

the infectious, hypnotic and psychedelic work of function/sandwell district is now on ostgut for the 1st time.

transparent vinyl. part 2 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.