with ferris schumacher delivers a fine slice of quirky acid tech house, with killer synths, storming bass riffs and a melodic rave signal on top! other side a traditional persian acid housetune
slice of bumping latin-jazzy deep house courtesy of the worldÆs most beautiful..warm keys, jazzy guitar work, bouncing bass and the tasty vocals from the original..
freex squeex is old school acid house..punchy beats, big ass bottom end and infectious 303 lining. flip for see saw, a catchy vocal with solidbeats, throbbing bass, nice pads and keys..
geiger setzt sich keine grenzen und hantiert ohne jede schüchternheit mit psychedelischen rocksounds und trash punk, mit hippy folk und detroit techno. er spielt den bass und die gitarre, singt, knarzt, kuschelt und rockt, bis jede schublade mal auf und wieder zu war
throbbing bass, imploring vocals, hypnotic lead lines, this sound is synonymous with hyper, a man adept at delivering the goods on the dancefloor. dj support - paul van dyk, dylan rhymes, deep dish, timo maas, crystal method, general midi, nic fanciulli, annie mac, annie nightingale, soul of man, adam freeland, james zabiela, blim
koze, der minimal-disco-bratzer mit dem hang zu melancholie und humor, gibt sein erstes gastspiel auf f.a.t. weniger gasthaus zum satten bass, mehr restaurant zum delikaten track
flash atkins aka ben davis. he lends a techy big room flavour to 3am's house label in 'photoshoot'. pitched down vocals hover over a bright acid line and bursting bass line. 'wishpole' more ligher sound, where jazz licks and double bass stabs sit amongst a laid back, shuffling drum pattern and light vocals give a summery fee
adam beyer deliver a stunning remix. the remix pumped up with a roaring bass-pattern and mental stabs! the original monster track as featured on the b-side is also reconstructed by beat disasters eric sneo
dickys back with another retro inspired release for deep freeze. yo retro!is fuelled by electro inspirations and acid house flashbacks. the trademark 808 drum sounds fuse with a warm and dirty 80s electro bass as the cheeky, drugged-out guitars and old school lead drive the track on
new lp from frank martiniq. mal tanzbar, mal für den bauch. aber wer will sich da schon festlegen? pop will save the world, und das genügt diese platte zu lieben..
dusty moves' sees the boys combining techy beats with a dubby bassline and some subtly filtered synth lines. on the flip, 'sometimes i feel' is aimed more at the late night crowds, with deep chords, warm bass, jazzy horns. 'jays acid dub' completes this solid trio with subtle dubs and acid tweaks
a serious bass rub and with some little additions as a clonky rhythm, sparse synth and a robotic voice it's more than enough to drive you up the wall. the freaks remix is more opulent, crammed with raw snare hits, clonky percussion sounds, quirky eccentric synth melodies and rubbery acid lines popping up everywhere: someone should invent a novelty dance to that
swaggering live sounding drums, eccentric live-jam style vox and crazy bass modulations - all twists and turns like one of those arthur russel epics. besides the re-mastered original version there are two amazing new mixes / carl craig styled soundscapes
pure twisted chi-town groove for the farina,derrick carter and heather fans. cuts range from the piano cut-up 'ray digs' to the jazzy bouncer 'what?', while a-side 'toy land' is amonster of a bass-heavy funkathon. nothing but quality from this talented trio
a stellar ep of funked up electro to moody motor city techno. light on vocals and heavyon synths, analog basslines and chugging drum machines, thisep will resonate with everyone digging the retro techno and minimal sound so in favor. lust und liebe is a bass-heavy bouncer with a hypnotic synth pattern
tee trinken im braunen salon is an endless upbuilding minimal track. neo detroit chords, bleepy acid bass, warm analog flavoured and floating melancholic synth. somewhere between plastikman , mathew jonson and monolake, this guy from munich takes his time to catch the audience and produces one of the most innovative spaced out tune since a long time
a grooved monster that balances dark bass against soulful vocals and a sound scape of nifty synth work, with great results. the flip side strips the vocal to a bare minimum leaving a quality dub that concentrates on the beats and synths. can you cope with this? we sure hope so!
a bad ass funk driven call to arms that sounds like a mix of greens keepers & derrick. on the flip you ll find 'loosen your collar' a killer wobbly, boompity tune with infectious vocalsand freaked out bouncy synth & bass parts. finally we have the r n b tinged 'shame' a soulful yet bittersweet ditty
ralphi turns out this remix into a twisted clubby mover. expect big fx, spaced out synths, dubbed out vocals, a funky bass on top of a pumpy afro house rhythm. on the other side, there's the dub instrumental where dominique ntoumos adds a touch of his muted trumpet ingredients to it. don't let this one pass you by
kill memory crashs crash v8stands as a monolithic statement of the duos industrial electronic sound, a storming beat and sharp bass refrain underscore claustrophobic vocals lamenting modern social anxiety and the perils of technological dependence. its immediate effects are undeniable, it is paranoid, politicized, and po*nographic
feat. marshmellows recordings with their new single til i left the music , the track meanders through toe-tapping rhythms with intricate, ever-building percussion underlined by smooth bass guitar. full press support in dj, idj, mixmag ,m8 ,rip &burn & touch
eric prydz teams up with steve angello for another slice of pop-dance. woz not woztakes a simple 4/4 house formula, and while not being as instantly recognisable or as big-room sounding as call on me, its stretched out disco chords and guitar bass line to give it a summer anthem vibe
ater big success franz kromer on last releases on est with his vision of pharell frontinversion .this mysterious label back with another release produced by jt donaldson himself. a really good one side groovy vocal (who is ?) & wicked sub bass ! check this out very limited & enjoy
jt drops three fresh floor-movers with his trademark jazzy, jacking style.dusted loopis a pure infectious groove, with nice sax touches, rhodes loops and full bass tones, this one was recently dropped at the san fran love parade by farina. were rockingis a funky chicago number with a cool hip-hop sample in the mix, while sax & violenceis a relentless loop cut with some severe dancefloor hypnosis. sturdy underground goods from one of the best
the mash up of soft rock guitar chops and buzzing electro bass brings immediate dancefloor satisfaction while the unmistakable voice calling for heads of the mtv generation ensures you wont forget this tune in a hurry. tom neville remix / album version / riton rerub/ headman dub
dj koze dreht hier so dermaßen den bass rein, daß sich die weiber vor angst in die hosen kacken. wetten dass ?! die teichmänner verkuppeln derweil auf schlüssige art und weise psychedelischen bratztechno mit chris isaakschem blues-po
there's some interesting influences going into the melting pot here, as france's furious kay gets it together with bermuda's lou valentino. dancehall rhythms shuffle with deep funky bass & percussion, whilst l.v. lays down rhymes, making way for sariel's sweet choruses. sounds like a hit to me
harold returns to the sensei fold, with two tech house killers deep bass, fx in all the right places sit well over tight drum programming and some vocal snippets to boot support from all the usual sensei suspects
huge new three-tracker! taking the spoken word vocal from the original, mr. g bangs it out with a vocal and dub, both pumping the clubby drums and bass to the max. typical jacked-up, pumping stuff right here. flip for a deeper groove with the black music remix
essential three-tracker. this one is big on boompty jack and chicago swing - isjazz is a bouncygreenskeepers-styled romp, while life a dream is the standout cut with low-slung bass, old-school beats and weird vocal bits. freak confusion is a trademark lil mark party wiggler, great stuff for the derrick carter and luke solomon fiends out there
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