with a sound that straddles electro, funk, disco and house, oslo based duo ost & kjex return with their second long-player cajun lunch on hamburg based imprint, diynamic. the debut album, to their big surprise awarded them a nomination for best electronica album at the norwegian grammys and the pair continued to develop their sound on releases such as more songs about cheese and revolutionary tarts, how not to be a biscuit and boston food strangler. since then the food boys have awoken, got their hands on some serious sounds and started shredding out tunes aimed at the dance floor.

the nika club (not in kansas anymore) delivers its rocking 2nd release, made by little death.

support by paco osuna, james blone, pablo rez & citizen kain
the original cut is an amazing deep minimal track produced by daniele petronelli, the official italian remixer of tocadisco, dr kucho, vandalism, christian fisher, spencer & hill and laidback luke, the track contain the effect of the facebooks chat plus a original female voice, is a bomb for minimal dancefloor. in the same side we find the mark ramsey remix with a perfect classic tech-house flavour with dynamic percussions, solid synthetic sounds and some voice cuts that are normally used this master of production. the first cut of the b side is mario miranda remix. this cut will rock all the dance floors around the globe with its powerful tech house sounds and rhythm. the last cut but not for that less important is the profesional remix of andrea mattioli & andrea di rocco, a perfect mix of sounds that will increase the cache of your sets with the professional sound of this two of best italian artists.

ahhhh, mr mark e. arguably the leading light in the resurgent obsession with all things disco and slo-mo, convincing über tastemakers like giles peterson, as well as countless weekend warriors with his sonic sorcery. conjuring up edits that were so much more than edits, dropping smash hits like the janet jackson rework on golf channel, and the magnificnet womack & womack re-do on jisco, and more recently becoming remixer du jour as well as crafting equally impressive original music, not to mention kickstarting this, his very own imprint! >special fx< weaves snatches of mid-eighties magic into a lengthy groove-out with that patented mark e throb, whereas >christo< drives us down a decidely more detroit bound freeway, sounding as it does like carl craig remixing prince, well. you dont need us to tell this is the real deal folks!

>testify< is the second single taken from boohgaloo zoos stunning self-titled debut album. u-gene goes all out on the vocals while the bassline and synth stabs are clearly in the business of tearing roofs off suckers. heavy 21st century funk! the remixes make sure that those who like to shake their behinds to something more up-tempo get with the program as well - soulphiction goes to work on the track not once but twice in a full-on boogie mix and one that is more on the minimal side, while hot chips joe goddard takes it to very late night club territories.

evil activities did it again! the new release evil inside is already one of the most popular hardcore tracks at this moment, while not even released yet!

destruction records presents his first various artists release >dynamite sounds< with five great artists like: jason little, dj hammond, x-tension (stormtrooper and thomas nordmann), sam silva and zheta.four different tracks, four different styles. banging hard techno!

i know, i know… these tunes can really not be classified as house tools. martin beume, who also released the fabulous texgreen ep on outils, presents three unorthodox house tracks packed with the two winner components: weird melodies and mighty basslines. step right up! - the first cut on this release, gives you the feeling of being in a khole in the middle of a freak show carnival. catchy and odd melody snippets rotating diffusely on a never ending marching groove - absurdity in its most elegant form. slowly but steady – its a telling title! old school to the core, this track builds up steadily and adds layer for layer of jazzy samples until the tune is completed to an alluring dancefloor killer. flowing ribbon – what a lovely and sweet tune.

second release on jamie jones & lee fosss hot creations label is the first release by hot new talent robert james. a burgeoning producer, way ahead of his game who will soon be familiar for his insanely infectious music, not least for -sleep moods- his debut ep. -sleep moods- is the type of record that you never want to end. drilling into the mind with rattling bells, rolling bass and echoed calls of go deep… all night… no sleep. this is an unstoppable dancefloor gem, catching your attention from first listen and leaving you wanting more. as -sleep moods- breaks into its groove through haunting sirens and dark rave stabs that keep the energy levels stoked up, it leaves no doubt that robert james is an original and skilled new artist. on the flip -connected- is another explosive original, crackling with kickdrums and sharpened with supernatural synth stabs. in a similar vein to the sound of jamie jones, the hot creations label creator, you can see where these two producers have found common ground. completing the package, parisien house afficionado dyed soundorom takes on a remix of title track, -sleep moods-. producing a stripped back dubby version that works at any point of the night, a skill that dyed has become renowned for. dyed has been part of the freak n chic crew for many years and has also released on crosstown digital rebels, spectral, murmur and supplement facts.

new dubstep label dropping with some sick re-works and no better start is a re rub of aphexs classic >on< keeping to the original with that classic melodic sound but bringing it bang up to date ...this is one for all apx collectors and no doubt many djs liking the more deeper techy dubstep flavours.....superdub ..not to be missed

green could not have found a finer match. the melodic genius of ripperton is wonderfully sculpted by the uk producer, who delivers not one, but two remixes. part 1 sees radio slave taking leonor s lanugo on a deep, hypnotic workout. its warm, all encompassing bassline works brilliantly with its tribal drum line to deliver a deadly take on the original. on part 2 radio slave takes a housier direction. rock solid beats are interwoven with the original s beautiful string melody as bird calls and wild cats prowling add to the incredible suspense to create an inspiring remix.

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

(gute luft) leaves a soothing emotional residue. taken as a whole, gute luft sounds like a continuation rather than a culmination of thomas fehlmanns rich career. hes not out of ideas yet. in fact, they just keep getting more interesting. – resident advisor

perfect for the not-so-far-away summer sessions, its a lovely closing moment, affirming the message that langenbergæs house is open to everyone.

limited 300 copies, no mp3!four dark techno and tech-house tracks by fabrizio lapiana, founder of the italian label, gianluca meloni from modernheads, untitled3 who are three young italian dj-producers based in berlin, and .ed talented producer from venice.played and supported by: donato dozzy,giorgio gigli,claudio prc,ness,etc.

aux 88 returns even stronger with pbx-16 >shadow dancing ep< this marks the second phase of the aux 88 presents black tokyo project released exclusively on puzzlebox records. the first song >shadow dancing< is a spiritual floor killer on its way to classic status with additional strings played by estaban adame of los hermanos fame.
>electric underground< highlights newest member of black tokyo ice truck. not only is she beautifull but her vocals take aux 88 to a new level in electro dance music. side b1 lone track >winter in japan< moves aux 88 black tokyo project in a more techno driven soundtrack of a snow covered winter in japan. black tokyos second 12 inch is a classic that must be collected.

dj sneak returns to guesthouse with another monster 12 inch chalked-full full of underground goodies. boasting 4 tracks from the hardest working man in house music >the freakin sneak< ep delivers more tasty treats for the masses… vinyl junkies get your fix right here, this release is not to be missed

after their first >woof ep< the question on everyones mind was: are they going to disappear in the mumbai masses or are they more then just one in a billion...? with the new >ancova ep< comes the answer to that question: mumbai science is here to stay. while working in dr. lektroluvs underground lab for a few months now, they improved their sound to a whole new level. with dancefloorbangers like >ancova< and >hoot<, its hard not to get cured... you say party, we say techno. whats next for mumbai science? the nobel prize?

another fine artist from the marguerita recordings stable. this new kid on the block isnt just any ordinary electro artist. a fresh name, bs-1 is already a player in the electronic fields. with dozens of gigs already passed by himself, and also a lot of jams together with cosmic force, makes bs-1 already an established name. therefore, it is now the time for him to shine in his first ever released material. electronic madness and aggression, formed in a distinguished mature piece of art. power electronics. this is not for the weak!

james holden may not be a household name, but to fans of adventurous, progressive electronic sounds, the british techno sorcerer and psychedelic shaman is renowned as a genius. so revered are his talents that he has been tapped to remix some of pop music most eminent stars, including madonna, depeche mode, & britney spears, though as this mix demonstrates, his tastes tend more to the cerebral than those associations suggest. head of the zeitgeist-defining label border community which boasts fellow forward thinkers nathan fake & extrawelt on its roster, holden can count himself amongst that very modern breed of dj with a special knack for layering the most surprising of records with an unparalleled musical ear. his status as a free-spirit unconstrained by genre or scene is now championed by independent stalwart !k7, who have called up holden to deliver the next installment in their definitive mix series dj-kicks. holdens masterfully eclectic mix includes the first solo holden single in four years >triangle folds<, and his exclusive previously unreleased remix of mogwais >the sun smells too loud<.

man/machine: viennas elektro guzzi challenge the meaning of live in electronic music. bored of laptop sets? with a classic setup of guitar, bass and drums elektro guzzi quantize themselves to an unheard level of discipline, tightness and danceability. no computers, no pre-recorded loops, no solos. probably the first time techno is really played live. as sequential as they may sound, they couldnt be more analogue. but however traditional they may look as a band, they certainly do not sound like one. the quest for the ultimate live presentation of techno has come to an end.

the buzz has been around for some time, but now its getting real! the recently created cologne label magazine will release its debut record >cologne tape.< until now, they have made their appearances almost hidden, but it might not be too far-fetched to refer to them as a kind of supergroup: cologne tape are ada, axel willner (the field), joerg burger (modernist, burger & voigt), philipp janzen (von spar), john stanier (battles), jens-uwe beyer (popnoname)

big with mihalis safras, piemont, afrilounge, phonique, someone else, anthony collins, stephan bodzin!! slim, sporty and very casual- thats the way in which current number 18 on acker records sneaks into listeners ears and hereby wonderfully illustrates the much longed for beginning of the open air season in europe. other than the name justin side implies, its even two dudes from denmark who conjure up this unusual voodoo. bedded on a gently shaking groove and larded with tropical warm percussion and lots of vocals, the magic takes effect immediately but still unobtrusively. beside the original mix, the groove of the a-side includes a minimal club mix by mister mollono.bass that creates rather nightly associations in its straightforward manner. on the flipside he pulls out some other stops of his sound repertoire and calls the sunbathed result very appropriately his summer mix. last but not least the unmistakable, humorous organ sounds of rundfunk3000 represent the unique, local mecklenburg version of a mighty voodoo magic.

emptiness isnt a quality you normally associate with electronic dance music. from the crowd on the associate with electronic dance music. from the crowd on the dancefloor to the weight of the bass, its all about fullness, volume, density. reboot turns that opposition on its head with his debut album, shunyata. the title comes from buddhism and translates loosely as >emptiness.< but not just in the negative sense: it speaks also to impermanence, a state of constant flux. its a great description of reboots music, where everything is in constant and kaleidoscopic motion. and its also a fitting metaphor for the life of the frankfurt-based musician, aka frank heinrich. in just three years, since his first eps under the reboot moniker appeared on cadenza and below, hes become one of electronic musics hottest properties, releasing not only a slew of singles for labels like cocoon, love letters from oslo, ricardo villalobos >sei es drum< and underground cult fave motivbank, but also a pair of high-profile mix cds for cocoon and cécille

and we are back for ep three. its a get together between master rick and young kyle. and its time to turn things up a notch. kyle hits it unbelievably hard with >after fall<. have you ever tried head banging to disco music? if not, now is the time, because this track will make you do just that. there is no denying. banger! on the b-side the godson eases down a little and lifts the classic >love & happiness< a capella to work it into a hypnotic groove. build it up! the third track sees kyle and rick teaming up, where kyle provides the drums and rick delivers the groove. a futuristic piece of jazz techno, 22nd century shit, that plays with your mind and demands you to move.

technopassion presents a single from george le nagelaux that is a musical stroke of genius: >das dunkel spricht< (the darkness speaks), a lovely composition of dreamily-dark synthesizer sounds which meld perfectly harmonic with a contemplative vocal. the austrian master remains true to the techno spirit and combines the ensemble with a irresistible, hard as bone bassline and a solid pumping groove. the original mix is the perfect tune for turning the dancefloor into a boiling pot during the prime time. the dub version is slower, but not less driving and will enjoy great popularity among the devotees of smooth sounds.

hello there, not much to say about this release, we are just so proud to present the techno legend of detroit anthony shake shakir on astro lab recordings, after the last release by astro zntn with a remix of shit robot, we are back with this new 12 inch. crazy good track by the man with 3 solid remixes. first one is by detroit based osborne and the 2 other ones by our mates photonz.

hope in bags? no way, but rather thoughts on vinyl! true to enliven musics credo, not to program tools but to bring feelings back to the dancefloor, this new release is as spheric and deep emotional as a tech-house-funk-jazz-track could be. packed with a ribbon loop, bound by sven tasnadi, the >envelope of hope< is conveyed. the recipient launches a hearing pleasure on a special level, either heard in a sunny morning, beginning a lovely day or in the evening prospecting a lovely party, this track sets you in the right mood to experience all things with a quite positive elegance. as always, every part of the body is pleased but most of all the legs and the heart.

tbd first made a noteworthy noise with the release of >what is this?<, their 2009 debut that found favor with critics, djs and audiences for both its seditious take on dance music – and avoidance of worn-out conventions – and sheer sublimity. it was fitting success for an outfit founded by two musicians who, bored by the sounds around them, set out to >create something new, fresh and not confined by restrictive genre pigeonholing.< on the heels of that pitch-perfect release, as well as remixes for luminaries including permanent vacation, runaway, 2020 soundsystem and populette, to name just a few, tbd – comprising rong musics lee douglas and ex-!!!/outhud bassist and producer justin vandervolgen – is back with a 12 inch of idiosyncratic new music.

we love the way of leeks experimenting with sounds, some are quite edgy others are electronic sounding and not necessarily pleasing sounds as we get them in nearly every production these days. >qwerty< for example does not subdue to the daily routine of >todays techno< but moves upright and proudly. ever listened to jeff mills? you will then understand a bit about whats going on here.&#8232,,,,,

and last but certainly not least. the fifth episode to complete the five releases in the run up to the much anticipated 10 years of clr compilation. hold on to your hats people. the final finale, chris liebing presents his very own contribution to this 10 year anniversary compilation.

first on decks.de! mitja prinz, one of the most successful djs in berlin, with his own series of events yes in the watergate, strikes back with his next awesome release >bosco ep< on aspekt records. the new great 4 track ep includes the tracks bosco, back in the day, mutu and bash. on side a you can expect fresh house with a hint of groovy jazz elements. tangy tech-house on side b, sounds tempting and has charm, groove and sex appeal. no wonder that the new aspekt release is not matchable with one of the previous records once again. moreover its worth it to hear!
supported by anja schneider, sebastian roya, patrick bateman, paco osuna, richie hawtin,...

with ‚into the great wide yonder trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. the original chord progressions and feel for melodies is fundamental to him, and thats also the reason why most of the instruments are played by trentemøller himself on this album. >i like the possibility to be surprised that chords and melodies change into something new. the music that i like most lets the themes and sounds come back in different disguises<. the danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. the first single of the album, the beautifully tender >sycamore feeling<, featuring marie fisker, is a typical highlight

4th studio album by booka shade as double 12 inch in gatefold cover.

suspect - unfinished business ... lock your windows ... close your doors ... contact interpol - connecting to the internet is not recommended ... >> your systems have been infiltrated << ... both the airborne and online viruses will spread any information you thought was safe is now compromised ... responsible is an enigma who has been accused of occult activities, a man whose house has been raided by the anti-terrorist squad. having been arrested for action art events in warehouses involving dubious objects, he is a producer whose art and music runs the fine line between creativity and illegality. returning from the depths of his underground research facility in berlin where he had been quarantined, suspect has >unfinished business<.

every so often a new talent pops up out of nowhere and delivers something special which grabs everyones attention. so, for its 12th offering redux is very proud to present an exciting new artist with his first ever release and what a debut it is. christophe, known to his mum and dad as christopher rees is not only a dab hand in the studio but a talented graphic designer in the day and dj with the futureboogie crew at night. after playing a demo of >make a mark< to tristan one hazy morning in his hometown of bristol, the track was quickly snapped up by redux without haste. drenched in classic house sensibilities and showing astounding amounts of skill and taste for his first foray into the world of production, the future looks bright from this point on for christophe.

the detroit duo known as reference focuses on the soul of electronic music, not the hype, staying true while working to promote the expression of underground music and dance culture. luke hess is a name synonymous with a new wave of detroit techno producers, but his roots go deeper than that. his continued dedication to musicianship and his natural talent as a dj have allowed him to release music on some of the most respected labels in the genre, and play some of the most prestigious clubs in the world. brian kage is the founder of the record label beretta music. along with a countless number of successful releases, brian s experience as a producer, dj, and label head has helped catapult the careers of some of today s brightest and best artists in the dance music community.

italy has been evolving into the fiercest hot spot for brand new club-acts over the last 2 years. crookers, dusty kid, congorock, all these musicians have influenced the international electronic scene massively and have put this european country on the place to bemap. well, here comes another bad ass act from the home of spaghetti eaters and ferrari racers, the cyberpunkers are about to be unleashed on all innocent bystanders and behold, these guys mean business. just listen to there up-coming track i needed to goon germanys prime indie-elektro labe freakz me out records, this dance-floor killer is not just the next level in peek time insanity but also another big step forward in the constantly progressing indie- club scene. these two italian djs are cleverly juxtaposing music, fashion, design and photography with another, giving their rapidly growing fan base a complete package to enjoy. remixes by the extremely successful boysnoize records master in demand d.i.m. and the fast moving tom deluxx. with these top-notch producers under their 12inch belt, the cyberpunkers are bound to make an huge impact on all non-believers. bon appetit!

nice price deal !!! this is dasein, the opening potion of milyoos (aka tommy wilson) debut ep and the second release on subeenas new opit records. dasein attempts to grapple with existence, temporality and substance and what could be a more perfect description of these warped sonics- perpetual motion purely of the moment. multitude makes you feel like a tourist at an off-world bazaar, a strange landscape with a slug-bass bubble undercarriage and inquisitive wide-eyed synths. fayoh leads in with in a harold budd doing house piano before being pounced on by clipped vocal tics and odd blocks of cubist sound all underpinned by a funky beat and quite frankly its gorgeous. if there is a strand of coherence across the ep then its an almost exotic one- these are curiosities, virtual ships in bottles, they are not narrative pieces even if they are in constant motion. only two releases in and opit records is clearly going to avoid easy categorisation- milyoos debut is something to get mighty excited about and i await further transmissions with baited breath...

here is the exclusive limited japanese pressing of this record which was already charted number 1 in aeroplane charts and played at pete tong@bbc1. and the skatebard mix of it already got licensed after beeing played atpanoramabar to a well known label so dont sleep on this limited japanese piece since the official announced pressing on diskokaine will not come out anymore maybe because those diskokaine freaks got bought out or thecontract doesnt allow it? anyway, we dont care because we have this special release of it.

it is no secret that the 1980s was probably one of the best decades. 1986 was in particular a very memorable and historic year across the world. it also happens to be the year delete was born and the name of the groove laden a-side. >1986< does not boast any sci-fi effects or other worldly sounds, it does however have one of the catchiest bass lines out there. >our generation< pours a real telltale chicago house vibe, complete with derrick carter style vocals and a bone-chillingly infectious four-note pad melody. this is eyes closed, hands in the air euphoric house. the 12 inch rounds out with delete still showcasing his knack for creating funky bass lines with, >lunchbox<. this number runs a bit deeper than the first two tracks, as it is rolled along by little percussion edits and snippets that evoke a more subtle laid-back vibe.

another brutal speaker assault from the coinop camp! voted the worlds greatest label ever (repeatedly) by channel 4 viewers. nan-bangin says it all really - yet again the coinop massive (led by general mustard gunn) freak our minds and bootys with this, a very london affair....other than that theres not a lot to say for a label that has everyone hooked but our office highlight has to be the brilliant kanjis brand new vip remix of his own previously huge coinop track >drive you crazy<

quartz rec. family is looking forward to start the summer with a bang! here we present you a new series of collaborations between the artists of the label.
paul ritch has teamed up with his good friend paco osuna to deliver a groovy monster tune while carlo lio and canadian friends the junkies show us their skills with the well titled >go ahead listen< track. last but not least okain & hermanez >buds bomber< completes this rocking ep.

this is the first of two vinyl releases of the channel x debut album >the x files<. andré and mirko decided to put four smashers on this first ep: it kicks off with circus-infused polka minimal tech track >freak show<. next up is >strange girl<, the tooly and soulful vocal tech-house that channel x have become renowned for. on the flip its channel x show how deep their house approach can go on the super sweet male vocal track >snug descent<. last, but surely not least this ep finishes with >we love the x<, a perfect showcase of what channel x stand for: vocals, effects, big basslines and strong loops.

jephte guillaumes uptempo masterpiece receives its rightful full release on his own tet kale imprint!! deja vue delivers three exclusive 12 mixes not available on the limited promotional release, featuring variant instrumentals and the full vocal in all its glory, spliced and rearranged for maximum effect. heralding a new wave of future deep house classics, deja vues full release reinserts the skillful musicianship & studio-based expertise that pushes dance music forward, beyond the realm of standardized electronic music and into the domain of timeless musical complexity and beauty. featuring germanys thoroughly qualified vocal governess wiltrud weber & an guillaumes own monolithic talent, tet kales newest full-blown vodou house magnum opus drives forward with uncompromising force & rigorous integrity, a full song in a world overwhelmingly dominated by replicated tracks.

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

techno and house heavyweights chymera and king roc who both delivered not one but 2 mixes for this ep!

bop doo is a hot tempo dance slammer that scorches across cut up vocals and sensual synth treatments. intense and relentless, its definitely a tune for those with serious energy to burn. do not cross brings deep, warm edged stabs to big room beats to create a melody marathon for those who like to get funked up

dj support from loco dice, robert dietz, matt tolfrey, dubfire, deetron, paul ritch, anja schneider, slam, steve lawler, mr g, alex niggemann, x-press 2, brothers vibe, tini, martin landsky, nick curly,.. in four short years tsuba has become one of the uks most respected underground house labels with releases from some of the worlds most desirable producers. one of the key artists in the tsuba family is samuel thalmann aka okain. okain has had an impressive few years releasing for tsuba, quartz and jetaime and whilst not in the studio has kept up an intense touring schedule taking in dates at some of the worlds leading clubs. his latest release kicks off with title track >sleepwalking<, a superb slice of bumpin groove laden house with subtle vocal hooks and a spacey hypnotic vibe. next up is >scream<, a track which once again journeys into the realms of rock solid house, featuring a rollin bassline, loose jackin percussion and refined melodic elements.