brilliant tv and movie themes by francois de roubaix!!! on 20 november 1975 francois de roubaix disappeared while diving. before going towards this tragic death, francois had received an order for a television series theme tune commissaire moulin. as usual, the composed melody has been indelibly printed in the collective memory. francois de roubaix always put his fingers where it should be! between electronic tricks and acoustic works, this record brings the themes of this television series together with other musics composed for never released or still unknown projects... all unpublished music, never pressed on vinyl! it soon becomes clear that francois de roubaix feels confortable with this kind of exercises. the result is every time sublime. recommended!!

the caribbean house is a live project that finds bogus teamed up with federico bologna, from seminal technogod and ohmega tribe collective, and cristiano santini, from legendary italian act disciplinatha. straight from electronic italian suburbia of the nineties, skilfully mixed with bogus uncommon approach, this is an outstanding blend of new wave and slow motion disco, strictly for midnight vultures.

after a year of vinyl releases we return with a new four-track various artists compilation. we are pleased to welcome three new artists in the face of petar cvetkovic, alex tea and martin m to the mumble family. our own anatolkin completes this like-minded yet diverse artist collective

vinyl only, 300 ltd copies, poly lined inner sleeves
hot white wax will splash out your speakers!
we are the music makers the new dutch minimal collective

omes with empossed cover and bomus 7 inch vinyl - five guys jamming together, each throwing in funk-nuggets from a finely honed appreciation & a shared love of the good groove. this studio project was compiled from a free-wheeling desire to just team up and play together, see what happens... the holy trinity of rhodes, clav and live bass, all wrapped up in a heavyweight rhythm section has provided the backbone to over 50 years of ground-breaking and floor-shaking black american music. the max graef band project channels this energy with the tight efficiency of the headhunters tag-teaming the new power generation, oh yeah - anyone expecting elbow patch, 6th form funk can think again, this is mosquito�s tweeter territory folks. from raw, p-funkin jams to punk-funk workouts & freestyle jazz flavours, dog pays homage and wears its influences proudly, while bringing a fresh take on the foundation funk that informs this collective�s own celebrated sample-house revival.
the vinyl lp comes with a bonus 7 inch included.

seven davis jr, d bridge & animal collective drop wide remixes for londons steve spacek, strong 12inch. tip!

last spotted together on the cut some three years ago with their eponymous debut lp, the crew like kaidi tatham, akwasi mensah, matt lord, and dego �ranks� mcfarlane reunite for this fresh 2000black 12&#8243,,,,,. off the christmas card list is apparently a precursor to a second album from the quartet and it�s the last 12&#8243,,,,, in a fine year for 2000black that saw the killer dego lp as the centrepiece. the a-side is dedicated to the title cut, an endlessly slinky boogie number that really showcases the collective musicality of this crew, whilst the b-side is split between �hurry whilst they are away� and �fila high�. the former is bugged out beat down west london-style, and the latter a killer latin-flecked cut.

nyc experimentalists sheik n beik add to a series of successful parties in the capital as well as an extolled slew of 12�s from the likes of legowelt & xosar as xamiga and jeffrey scott with another weird and wonderful record courtesy of sheik n beik founder julio operating under a new guise: rechulski. also hailing from nyc and a regular at the collective�s parties - rechulski offers up a celestial 3 track ep as his debut and in doing so offers up an insight into a left-of-centre approach to production that lends him perfectly to a record with sheik �n� beik.

nemas problemas are a bunch of music obsessed collectors from sweden . here they get to work on re editing some of their recent finds from their digging excursions. four tracks from each member of the collective varied in style for your listening pleasure. ltd pressing

a sort of cabaret voltaire for the iphone age, drooids are a collective of three multimedia artists who produce electronic music using improvisational, often anarchic methods. utilizing a hodgepodge of gear both old and new, and not-wholly-quantized, they create a collage of sounds that verges on chaos before slipping back into a dark yet weirdly club-oriented beat. their live shows usually feature multiple guest collaborators, costumes, sculptural props and performative antics. for their debut release on lse we tried to capture the spirit of these shows and recorded over 11 hours of drooids improvising in the studio of the course of one week. those 11 sprawling hours then got edited down to these 4 snapshots, mastered and pressed in a limited edition of 200 (40 with original gelatin silver prints) for our 6th vinyl release.

the berlin-based collective return with another slab of beautifully crafted and timeless warm deep-house, blending together emotive pads, kicking drums and broken rhythms. mastered at alchemy and pressed on 180g vinyl.

melbourne based percussive dance collective no zu bring us their newest creation in the form of the hi gloss ep.

the inaugural release, slag heap comes as a collaborative 12� between london-based producer and live act aggborough and rising talent ashworth. together, the pair present an enticing and focused vision of mystic techno. borrowing depth and energy from the purest of sources to create immersive techno soundscapes, �slag heap� is a truly magnetic listen that never loses its collective coherence.

sugarhouse records debut release is a collaboration between artists maurice jnr & roy rozell. the title track, magic mountain, featuring seb miguel on keys, provides a blissful introduction to the label s own brand of house. the laid back swing of -dane s groove-, relentless hustle of popcorn riddim and the refreshing fizz of lemonade complete the ep. sugarhouse records operates from sugarhouse studios in east london, in association with turner prize nominated design collective assemble. original artwork by alistair hanson.

first volume from obscure label go music. wicked evocative melodies and weird electronics from mysterious collective.

enemy returns with another remix package including efforts from some of our favorite producers at the moment. this collective includes the crafty and credible sound of vril, the legendary steve bicknell, and house musics latest tastemakers mr. tophat and art alfie. getting the remix treatment this time around is dustin zahns 2014 comeback release, >new day rising<. monsieur tophat and his esteemed colleague art alfie surprised us by turning in a very dark and stompy techno rendition of >lost in rapture<. it goes without saying that this one is definitely geared towards the time of the night when things get a little weird. vril follows up with an excellent take on >new day rising< by keeping the tension for nearly three minutes before the reese-like bassline drops in and causes the track to evolve into a groove that demands instant attention. steve bicknell rounds out the package with the peak-time hammer! its relentless, heady, and undoubtedly bicknell! this one has >rave< written all over it.

tyler friedman returns to kontra-musik with a series of immersive wax maelstroms, adorned with the mind-melting artwork of rafaela drazic. every track on ccc: bb: bbb: jj is a controlled experiment in lysergic dance music, an examination of how far you can warp the constitutive elements of techno without loosing it s essential spine. the result is four evolutionary techno suites full of movement and life that make your brain move just as vigorously as your body. as the personal work of a composer creating soundtracks for artist projects - most notably as a long-term collaborator of the otolith group, the filmmaker collective spearheaded by pioneering afrofuturist theorist kodwo eshun - ccc: bb: bbb: jj sums up everything kontra-musik is about: dancefloor celebrations challenging the boundaries of expectation and genre.

slated for a vinyl only release, dusky invite hodge and jerome hill to remix the rolling techno of parakeet feet from their recent ordinary world ep. part of the livity sound collective, bristols hodge has been responsible for some of the most fresh and leftfield uk techno excursions in the past year or so. focussing on the originals talk to me sample, hodge drops a dark, twisted techno banger in his unique style. on the flip, underground legend jerome hill cranks out a raw, ravey acid house work out that builds and builds with a dynamic surge of screaming, layered 303s

three residents of london party half baked team up under their collective moniker >pap inc< to bring the 7th instalment of half baked�s record label

as benedikt rugar s superbly illustrated cover art for the recent cocktail d amore compilation nothing matters when we re dancing proved, the berlin collective proudly celebrate their status as a forum for berlin s gay community to fully express themselves. with no releases on the label since that compilation arrived in january, discodromo and dj boris have now unveiled a sister operation with a focus on edits under the wonderful name cockring d amore. the debut release features contributions from label regular massimiliano pagliara, the unheralded trent and founders discodromo.

ntd005 adds a new artist to the collective � metamethod aka simon haynes. from adelaide, australia, metamethod (undefined recordings) returns from a long hiatus with a new ep. the product of much time refining sounds and ideas, both tracks on the ep are essential synthesis. sounds primarily sculpted from scratch, resulting in biochemical rhythms and algorithmic loops. a must have record for anyone wanting to add some raw energy to their collection.

chicago party collective debuts their vinyl-only label with berlin based artists. 2 original tracks + remix from martinez. gem 1 takes off with upbeat stripped down groovy bass line, gem 2 + remix head for the deep after-hours sessions.

ritual is a collective of djs and producers from malmö and copenhagen. after several years of orchestrating ruthless techno nights, we have decided to turn the sweat and blood left behind on our floors into vinyl. this is the result.

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with �remi at 21.16� a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with �do� its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with �october times� a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of �suque� this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

hessismore are a 7 person musicans collective based in new york and copenhagen around musical mastermind mikkel hess. they released their gomma debut ep last july. strange, beautiful music from outta space. balinese marimbas, african drums, spooky voices - great new music. now here come the remixes. dimitri from paris did an effective, supersexy disco stomper. keeping a lot from the original version. the crazy voices, the punk funk feel, the moody, new wave atmopshere. but now its a club bomb. then williamsburgs hidden underground star lorne dune reworked the other song. in a more edgy, distorted way. beautiful. then you have a version by munichs pollyester. the former bass player of munk now has gone solo. she does this kind of naive, early 80ies, powerdisco you could hear at clubs like the loft oder dj harvey playing. orgastic hardcore disco rock

throwing rave parties since 2011, the bp collective has been founded with the objective of bringing a new breath to the french underground techno scene. in the bp tag und nacht� parties the visual universe tends to merge with the sound. each of the two stages has something different to tell: tag for the open air, nacht for the dark and smoky room. this project is based on the belief that the story told by sound depends on the visual atmosphere in which it is played. indeed this very first ep is built between those two atmospheres, the 4 tracks of the ep could be played in any of the two scenes tag or nacht with a totally different impact on the audience. on the tag stage, both of the tracks are colorful, atmospheric and dynamic whereas on the nacht stage, they become dark, trippy and powerful. this record is the first release of the two artists x1000 on the a side and vidock on the b side. both of them are part of the bp collective since the beginning, they draw their influences from the 90s detroit and belgium techno and trance scene. its difficult not to think about artists like the martian, model 500, robert leiner or the whole r&s label while listening to these 4 tracks.

having previously lent her quirky voice to the london based cosmic jazz collective nostalgia 77 and renowned german beatmaker dexter, josa peit settled into the lab and developed an intriguing musical sphere of her own. on her debut ep constellation, josa peit has crafted her own brand of soul miniatures, emerging under influences of house, disco, krautrock, psych, and hip hop.

hail blk is a maltese collective record label founded by n.d. through its algorithmic resonance the label envisions to challenge and re-model the cognitive perception of time and self-consciousness. the first ep will consist of four raw and energetic tracks by hail blk, for the first self titled collective label.

pittsburgh track authority have been making waves the last couple of years following brilliant releases on some of the best underground house labels around such as uzuri, argot, finale sessions as well as their own pittsburgh tracks imprint. last year saw their debut lp enter the machine age gain them further fans and we invited them to remix nils penners i can be for which they delivered an absolute beast. the pittsburgh based collective are as comfortable making disco-influenced grooves as they are funk infused techno so when they offered us your situation with a view to doing an ep we jumped at the chance.

dept. is a helsinki based, newly found record label and music collective. their va1 contains originals by dept. regulars, denzel and bravik supported with remixes from satoi and the legendary electronic music pioneer, fred p.

vinyl only.
owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

18+ return with their they remixes ep, a collaboration with artists they respect and admire, with a purpose to reinvent their favourite tracks taken from their critically acclaimed debut album trust . featured artists include the distorted trap beat darling suicideyear (prod. for yung lean), experimental grime producer mr. mitch, and the cult portuguese collective tia maria producoes. the final feature is relatively unknown puerto rican artist audri nix, whose unofficial remix for crow first caught the attention of the band for its similarities to their own aesthetic and magpie-like approach to art. sung all in spanish, audri provides original lyrics just keeping the band�s beats. the 12inch is cut & mastered by matt colton

the prolific eatbrain are back once again, with italian producer dabs returning to their embracing fold following his 2014 release with them. having releasing on labels like dispatch, avantgarde, and horizons, dabs is no stranger to the hard hitting, ultra-modern machine funk sound peddled by the eatbrain collective.

f.s. blumm aka frank schültge from berlin has been making marvelous music for many years now. be it solo like on his latest album (pingipung in 2013) as part of the subtle folk-duo -bobby & blumm- or as a sound- scape researcher at the side of nils frahm. but even though f.s. blummbastic sees the light of day for the very first time in this release, the combina- tion of dub and blumm is not new: he is part of the quasi dub development (qdd). the collective around blumm and luca fadda from new york recently released the album -little-twister vs stiff-neck- with features by lee scratch perry or lady ann on pingipung in 2014. these -riddims and biscuits- came to live during the creation of material for future qdd-concerts. f.s. blummbastic played all instruments himself, rhythm guitar, organ and of course bass to send the results the the colleagues in new york. soon it was clear: these riddims have the most impact in their reduced form. theyd like to stand alone and get played back loudly. for the drums f.s. blummbastic brought helmut erler aka hey from hey-Ø-hansen into the qdd cosmos. not only did he bang the drums, but he has also mixed, mastered and cut the vinyl of this album.

in 1997 the vienna, austria based live act syncmode was founded and formed by bernd rausch & sascha sadat guscheh. their first 2 eps were self released between 2001�2003 and continue to play an important role in their reclusive production ethic. they continue collaborations with a close knit operation between 24seven and breakin stevens, which has directly triggered them to surpass the common duo and develop into a collective of changing members, which include the latest fixed members christof winkler and sonny blake. this ep is stripped down to a mix of live synthesis and heady synth-sync and machine drum trickery as it touches on past and future electronic music production techniques and solidifies these four tracks on a solid 12&#8243, vinyl. very rare and limited! due-out-in-summer-2015!

we present you the debut of denise rabe on arts collective, impressive music from this rising star, penumbra is energetic, romantic and solid. this release becomes gold with the special rework done from rrose.

nyc collective sheik �n� beik continue to bolster their catalogue and add to a slew of cosmic cuts from xamiga, derek marin, voiski and peter corvaia with the next installment coming courtesy of nyc newcomer jeffrey scott.

copenhagen underground posse presents machine heads supertonic for the labels second outing. pure analogue love from the depths of nørrebro. copenhagen underground posse (c.u.p.) is a vinyl label and music collective based in copenhagen, denmark, dedicated to showing the world what the scene up north is about.

the new slow life has landed and the berlin collective is setting the bar high with this one! four expertly produced, inventive & atmospheric cuts - two originals, two remixes - that will take you to the cosmos & back before you even realise you ve been taken on a trip. s. moreira and refracted are on absolutely deadly form here! mastered at alchemy and pressed on 180g vinyl.

alongside fellow members of berlins janus collective, recently behind nights at berghain and corsica studios, m.e.s.h. is known for his futurist approach to club dynamics and production. on piteous gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. standard club syncopation is twisted by sliding tempos, cut and paste time signatures, and indeterminate pacing. its sound design and compositions are ornate, even courtly, with neo-feudal moods offset by the recurrence of hydraulic hiss and flanger. the vinyl lp includes a download code for the full album.

2015 repress
owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

helsinki based label friendship & decadence was setup to tap in to the helsinki electronic music scene and highlight those young and talented producers who inhabit the city. the first release comes via the collective known as joint minds, comprising of three artists autoexec, poly sone & miss kade. the 2 tracks are both live jams recorded using a host of outboard and analogue equipment. -commotion- fills the a-side of the vinyl with a throbbing acid bassline and pulsating industrial stabs, whilst the flip side takes a more stripped back approach. with -headstuck-, a delayed piano floats around rolling drum pattern, uk techno influences aplenty.

a n a k is the second full-length from los angeles-based underground, ambient beat producer chad valencia, aka yuk, a founding member of my hollow drum dj collective. valencia is also co-founder and head chef of rising filipino pop-up restaurant lasa. (see: new wave of gives filipino food a modern spin � la weekly.) after many years of keeping his passion for culinary arts separate from his personal musical output, a n a k represents a fusion of the two as cultural movements that share the same inspiration

ltd 50% deal , rote liebe releases tim keilings new album under his erdbeerschnitzel moniker. in contrast to his recent dancefloor-oriented eps on delsin records, the attendants is hovering over more subtle grounds, featuring a mixture of contemporary electronic composition and hazy experimental pieces just outside the dancefloor proper. rote liebe is a cologne-based collective, founded in 2006 with a focus on events in various off-locations and clubs around the city. 2013 marked the launch of the rote liebe label with the aim to build a catalogue which features a broad musical spectrum, featuring house, techno, broken beat and experimental electronics just as the regular rote liebe nights.

mickey (cosmic chronic) and ppu group effort here, long over due. check! mickey de grande, member of the cosmic chronic label collective, has long been making waves in miamis underground for blending his affinity for synth boogiefunk with just the right amount of 80s-indebted, slowjam cheese. eye witness, released in collaboration with peoples potential unlimited and rated x records, is his long-awaited debut full-length.

nice price deal !!! we are very proud to welcome kamran sadeghi to welt, know for his work with the new york outfit soundwalk collective. he provides three beautiful and abstract tracks that will transport you away on the dance floor.

speed painters are a unique collective of musicians who improvise simmering, slow-burning house music, built from a foundation of techno, disco and experimental/found sound.

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very �after dark� can only be a lucky hit. but no, he�s knocking out the classic material just like that. another example? catalog number km028, his brandnew �trilogy� ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, �woods� is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that�s frequently pervaded by mighty synth clouds. and once again, there�s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor�s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that�s actually more of an a-competitor.

after releases for discos capablanca and moon glyth, minneapolis collective food pyramid align with especial for a remix ep based around oh mercy, a track from their 2012 album mango sunrise. apparently a long term favourite of label boss stuart leath, the warped breakbeat jam fusion of the original is ripe for reinvention and gets the remix treatment from especial in house team apophenia, inhalt and jamie paton. its the full on italo pumper remix from san francisco s inhalt that really impresses too, with especial right to compare it to timmy regisford classic remix of >rules to survive< by noi