straight out the fucking dungeons of barnhusgatan, we are proud to present axel bomans debut ep for his home label, studio barnhus, co-run by kornél kovács, petter nordkvist and axel himself. europa, as it is called, is his first solo release since last year s holy love ep on pampa records. four beautiful house jams equally fit for the dance floor and your walkman infused with unexptected samples and crafted out of a versatile sonic palette. axel is proving to be one of the freshest producers around with his unique approach to house music that he shares with his studio barnhus label mates and producers such as dj koze and pepe bradock. according to prins thomas these tracks will make every pretty girl dance!

>how come< is the second single to come from the acclaimed third album >king of the waves< from little barrie, delivered as a limited edition heavy weight 7 inch single. with a video shot in paris and featuring mareva galanter, full service to radio and live dates across europe >how come< is building on the initial success of >surf hell< - theme tune to the new channel 4 series >sirens< – to make little barrie one of the hottest acts around at the moment.

bart skils with a phat double header... 1st with legendary usol vocals: **so get off , forget the past**....

this label is a product from the famous cosmopolar club (based in erfurt, germany) who wants to present their residents & friends. polar001 was the formerly known opendoors001 – so this is the official debut release by raycoux & stefan with remixes from workaholic beatamines and fabian reichelt who just released his debut album as marian (together with marek hemmann).

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

in an age saturated with soundalikes and retro throwbacks, the truly unique and unconventional can be hard to come by. storming the 2011 scene with her self-titled debut album, berlin-based barbara panther seems to embody these latter characteristics - and then some. the singer takes risks, blending musical influences and crossing boundaries of musical style innovatively and effortlessly, and the result is a journey through vibrant soundscapes, frenetic arrangements interspersed with moments of beautiful melancholy, and the creative explosion of elements of her past, the present and the future.

mike lennons platter label kicks off in style with >total control<, includes a massive bare noize remix.

another ragga jungle banger!

das debütalbum der gruppe von januar 1967 enthält den welthit light my fire und den song the end, der unter anderem durch den film apocalypse now wieder bekannt wurde und dessen originalaufnahme teilweise auf plattenaufnahmen wegen seines textes zensiert wurde. dabei handelt es sich um die griechische sagengestalt Ödipus, ein königssohn, der unwissentlich seinen vater tötet, seine mutter heiratet und mit ihr schläft. die textzeilen: „father i want to kill you, mother i want to fuck you“ erschienen der Öffentlichkeit als zu vulgär, wenngleich schon seit jahrtausenden selbige szene in den theatern aufgeführt wurde. weiterhin enthält das album das brecht/weill-lied alabama song.

davids first book with over 100 paintings and hundreds of sketches of more than 20 years of his work

this album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. no matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. the journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride.
the experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. she strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. the allure of the impacts unfolding redeems each secret whispered by the spirit of the sound.

the 12-inch sampler for >panorama bar 03< could have hardly been better. hitherto unreleased, the tree tracks on ostgut ton 47 tick all the boxes that make prosumer such a unique dj: house in its various identities. soundstore starts the triptych with >take u<. greatness and frantic fever visions go hand in hand while hitting the core of chicagos second wave: dance mania, cajual, and relief with siren-like hooks in a feverish delirium. irresistible. prosumers panorama bar fellow steffi slows down the pace. >sadness< that surprisingly did not make it on her album debut is not only the opener of the actual panorama bar mix, but also a tribute to that kind of deep house that doesnt take its prefix lightly. in the end, berlins hunee teaches you a freestyle lesson. in a similar way to the young pal joey, he feeds his sampler a well-known dish, but throws in peculiarity, rascality and deviation to get new results. after all the time, this music is still not getting a bit long in the tooth. lets take a love break.

nice price deal !!!

christian prommer und alex barck brechen zu neuen ufern auf. auf dem eigenen label derwin prŠsentiert das berlin-mŸnchener produzentenduo ein album, das trotz der vielzahl von einflŸssen - rave, jazz, krautrock, garage, detroit, house, hip-hop, disco, folk, dubstep, electronica, funk, punk, wave, chicago house, pop und soul - eine ganz eigene handschrift trŠgt und in die zukunft weist. die macher selbst beschreiben ihre eigene musik nicht ganz ernsthaft als deep kraut music oder earthboogie dance. nachdem alex barck bei jazanova all die jahre nur der studiotŸftler im hiintergrund war, gibt er auf >alex & the grizzly< nun sein rundum gelungenes debŸt als sŠnger. unter den musikalischen gŠsten sind u.a. dollkraut, kim sanders, james teej und eva milner (hundreds)

inside this amazing v/a compilation there are 18 unreleased tracks produced especially & exclusively for this project. plus original material from artists like magitman, astronivo, irad brant, 123xyz, ofer di, eitan carmi, roi tochner, guy mantzur, stephan bazbaz, fresh, ronen dahan & twice nice, the 8th note, mr. black, colorless, mark f, garry lachman and of course matans & eddys own productions.

phonicas seventh release comes from paul woolford as he delivers a double dose of quality crossbreed dancefloor music taking his sound to new depths and illustrating hes an artist who never stops evolving. fresh from a tour with, and in advance of a release on planet e, paul woolford continues his rise to becoming one of the most important electronic music artists of the decade with his first release for phonica, a label who have unleashed some unrivalled quality cuts on their catalogue. opening this special double a-side 12 inch is >cant do without<, a bone-shaking record that is laced in originality. building up slowly from a tape-hiss-laden break, a low-slung bassline and a deep yearning vocal, >i cant do without you< is sublime dancefloor material. engaging from the outset with clever broken beats that build playfully into an emotive, psychedelic breakdown to get lost in, woolford demonstrates why he has achieved so much success in his game. on the flip >bareback< treads into dark acid territory that is a hybrid of techno and dubstep in a similar vein to actress and recent material from instra:mental / boddika

david visan presents this limited collectors edition box set of 5 vinyls, including booklet.

oscar barila (ackerdub, parquet, mgf)) teams up with francesco gemelli (globox, analytic trail) and give robot chers this forward driven tech house two tracker

surefire sounds third release features three up-and-coming producers from two points on the map: distal and mayhem hailing from atlanta, georgia and hxdb from vancouver, canada. collaborating together, this trio brings together a pair of innovative tracks that exemplify the exciting future of dubstep and bass music in 2011.

incl maxi cd ! wobbler, blinker oder twister, ackerdub nutzt hier alle register. mit dem remix von mollono.bass ist ruck zuck der kescher nass. viel harmonie gibts von rundfunk3000, passend zum froehlichen wackelbarsch schmausen. big with florian meindl, gorge, funkwerkstatt, dole & kom, fapples, marc de vole

wobbler, blinker oder twister, ackerdub nutzt hier alle register. mit dem remix von mollono.bass ist ruck zuck der kescher nass. viel harmonie gibts von rundfunk3000, passend zum froehlichen wackelbarsch schmausen. big with florian meindl, gorge, funkwerkstatt, dole & kom, fapples, marc de vole

number 1 in ben klocks october charts ... double a-sided remix single from corrugated tunnel s album minor obessions . remixes from berghain resident norman nodge and orlando voorn. supported by agoria!

a tasty 4 track appetizer for their album due out in jan 2011 on lovemonk. not really edits, but diced up loops and breaks reworked with synths, drums and deft studio magic. you might hear some bar kays or dc la rue on here. fans of italo or cosmic disco tracks should definitely dig it.

super frisbee von der bar 25 hol den frisbee pfiffi

christian prommer (drumlesson) und alexander barck (jazzanova) präsentieren ihr gemeinsames projekt. dabei greifen die beiden die musik ihrer vergangenheit auf und treten von da aus die reise in die zukunft ihrer vision von eklektischer musik an - von deepen kraut-klängen über chicago, detroit, köln, berlin zum münchner disco-sound. chapeau!

the song barbra streisand of the new yorkers house duo duck sauce is a dedication to the famous actress. duck sauce is a collaboration between a-track and armand van helden and in the official video you will find a lot of well-known bigwigs. with a great boney m. sample and catchy sounds barbra streisand is a track, which is much coolerthan you suggest from the name!!

new york, chicago, detroit? nop, boring shizzle!! just try miami!! sun, butts, flamingos and music! only an idiot can think this way! the bar is for sure the answer to the question: what is the most important part of the house? so what is more obvious than crowning a house-track with a vocal by the person who enhances life to the bar and to the party as well as the dj? luna city express wants to build a monument for the ones bearing this responsible task and say thank you, together with enliven deep acoustics. they want to pay homage to the person every visitors welfare depends on! so just imagine the bartender not only leverages your drinkable luck but also sings for you! not only sing, just utterly make the party to an unforgettable experience which makes the dancefloor to a trivial idea. everybody who is pleasured by this record is forced by associations which will make her or him hugging the person behind the bar!!

superbacon is an epic bigroom track, still with enough livedrums and sexy house elements to make it work in smaller clubs as well.

incl ricardo villalobos remix

new label from horizontal ground recording artists szare (hg02 / hg04) - bit techno bit house!

the original television soundtrack from >star trek<, taken from the pilots >the cage< and >where no man has gone before<.

very nice ozzy ozborne shirt, black like the night (100% cotton)

thanks for dance. thanks for smile. thats needed to be said. nicone and sascha braemer (one part of heinrichs & hirtenfellner), done it again. after the >nur mal kurz ep< on bar25, these 2 guys follow up with there next self-deprecating hit on the bar25 label.

fm radio gods aka andrew hamilton & tao-nhan nguyen, their powerfully-dynamic sounds take in everything from minimal house to glitchy electro.

new globox limited produced from the greek duo barnum & bailey already on syndikaat! 4 super tech house groovy tracks with minimal elements! hammered by mihalis safras, joseph capriati, chris carrier, someone else, monika kruse, mikael stavostrand, bloody mary and many more!

second release of barraput with a new of biggest 90s release. edit by mop.

guillaume & the coutu dumonts has been unstoppable over the past three years. since his debut album, face a lest, on montreals musique risquee label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquée, oslo, cocoon and many more. cannt have everything feat. dop, the first single taken from the forthcoming album breaking the fourth wall, was recorded in dops studio in paris.

irelands finest is next up on baroque.. dibby dougherty has crafted his deep house sounds, with his releases on labels such as audio therapy, global underground, dyami & of course baroque.
this latest offering gives his signature deep sounds, with sampled vocals & a cool hook line, and paul jackson on the remix duties who provides a driving peak time monster.
a massive package for miami..

philip bader und nico stojan verbringen ihre zeit im studio verdammt effektiv. was die beiden beizusteuern haben ergaenzt sich grandios. philips leichter hang zu verklöppelten latino styles und nicos verständnis für rhythmus und breitflächige baesse fügen sich ineinander zu ganzheitlichen und satten sounds.

these two guys need no introduction we re sure.. between them the music these guys put out there, is some of the finest house beats around.. now combined the production level on this beauty takes things to another level.. swinging hooks, driving beats & acid 303 lines. a perfect blend of prog / tech & house.. call it what you will.. this simply rocks! alex & filip takes things deeper and more twised , while steve haines goes down the more melodic route. two great remixes to top of the release.

friday night sweat is a jackin house workout, full of swirling synths & cut up samples. ooh yeah ha, is a more driving twisty little number, with retro tinged toplines & a heavy bass!

supported by: locodice, villalobos, raresh, hawtin, tanzman, rhadoo, 2000 and one, shinedoe, seth troxler, tania vulcano,.. barraca music label head andrew grant finally brings us his long anticipated first full release. littered with bulshy, blistering high-hats, a superble, snickety gritty groove & sinister quimmy plumes of utter brapness. nothing but a total lushness aura of strongby fingersnapping happiness from the circoloco resident dj as he deals up 2 tracks that are malleable and clunge enticing to any safe pair of ears.

phatt rivaz mixes!!

nope, this man is not a legend, yet! however he is in fact legendary already for his notorious live sets as well as a wide range of groundbreaking styles and sound he designed apart of the consensus way in the last 15 years.with his now presented astrodymics part1, richard bartz deals similar to the subway concept again with his past and transfers these late nineties space-disco drafts into the wonderful here and now. he delivers vivid funk-supercharged house which is at the same light as a feather and for sure a very sudatory matter.
space-disco rules!