we are pleased to announce that one of our favourite producers justus köhncke has finally given in to the constant barrage of requests to work with us. yes, welcome to the rank of nang cosmonauts justus. he has kindly agreed to work on a new artist album for us for release in late 2011 / 2012 but in the time being we just had to pop the mans cherry and get some köhncke-tunage released on nang.
first up is an ep of two brand new compositions. fussmachine and renewal. we have also included a remix and wrapped it all into the fussmachine ep.

the fokuz sublabel fkz:ltd already racking up its 24th release.. this time its future signal & proktah who are ready to deliver some funked up sounds to the label.

the journey starts with epic pads and deep-space melodic strings that flow into rolling drums on the intro, building up into the massive anthem . the drop delivers big, bad, wobbling basslines & retro analog synth stabs that fire over heavy assaulting beats, making this an absolute dancefloor smasher destroying everything in its path and taking no prisoners!
the flip side jumps off with a futuristic atmosphere of high-pitched strings, pads and funky percussion hits while hinting a classic hip-hop sample. wide-open, ravey synths creep up and build into the drop that hits with pounding drums and filthy punishing basslines moving in perfect balance to break free just long enough for the vocal to remind party people in the house what time it is. guaranteed to get the crowd going mental - this one is a banger!

expanded double vinyl edition, 180 gr audiophile pressing, incling 12-page full colour booklet.

limited triple pack !!!

after experimenting through different electronic dance genres and releasing material in several record labels worldwide, chris nemmo (a.k.a christos panagiotopoulos) presents his second personal album, this time creating a nu-disco/funk amalgamation. the album consists of several different aspects of the scene, employing dirty funky basslines, reminiscent vintage melodies and atmospheric vocals in an effort to simulate a warm analog perception of the disco groove and aesthetics. >the nautilus project< features 12 unreleased tracks of cosmic house, nu disco, funk and pop. once more the production quality is massive, providing great musical soundscapes beautiful for the head and feet as well as plenty of solid grooves to offer djs, and enough personality to make for a completely satisfying home listen.

benny tones brilliant album chrysalis. crafted in the wellington studio of this highly regarded nz audio engineer this time capsule represents benny tonesre-introduction as a producer and features a diverse host of vocal and instrumental collaborators he has worked with over the years including electric wire hustles mara tk, taay ninh & myele manzanza, fat freddys drop front man joe dukie, shapeshifters devin abrams & sam trevethick, rio hemopo, adi dick, isaac aesili, ls shihan the poet and many more.

hectic times require adequate measures. shorten the text message, shorten any url, filter a newsfeed to make a broadband broader - in any way, take a shortcut wherever you intend to go. while the world is struggling for convenience, those who chose the road less travelled will soon become - or already are? - outsiders. in many ways this is the case of jacek sienkiewicz - with over 30 releases behind, and over a decade of running his own label, he persistently followed his very own path, creating music that very soon began to be impossible to define. friendly, but not fraternizing with everyone and his family, modest, but stubborn only in a positive way, jacek is an individual with clear, personal vision and an unorthodox approach to music - light years away from the hectic, utilitarian ethos of club-derived electronic beats. and this story finally took shape - at the same time rock solid and otherworldly ethereal - in the form of “on the road , without any doubt one of the few rare records, this complex and challenging, to be derived in recent years from the music formerly known as techno. this album successfully attempts to embrace virtually all aspects of modern electronic music - from rave-like club bangers, through detroitish passion and deep house-like style, towards ambient soundscapes that are mariana trench deep

highly anticipated first time re-issue of the super rare soundtrack of swiss film >l oeil bleu<. originally released in 1968 by soundel records and pressed at only 300 copies. >l oeil bleu< delivers a mix of psychelic pop, acid folk and jazz groove. it also includes a few monster break beats. the soundtrack is now re-issued on flow motion, a new swiss label specialized in highly collectible swiss records from the late 60s and early 70s. a must have for all break beat collectors and psychedelic soundtrack lovers. limited to 700 and selling fast! 180g virgin vinyl, original cover artwork, includes insert with replica of the original poster on the front and liner notes by film director jacques sandoz in french and english.

terminal dusk delivers the goods once again with td025 split control on 12inch & digital. this time around australians droid sector breaks out a smooth techy roller on the a side with out of control. contagious dance floor action, trust. next up for the flip side, uks nuphlo shows his skills with the extra busy, high octane dubstep smasher control room, guaranteed to set the floor on fire!dj support from 6blocc, roommate, dubtek, boot, sook, requiem audio, fault & komonazmuk to name a few.

reissue: der deutsche elektroniker entdeckte 1984 seine romantische seite.

what happened? we dont know! all we know is that once in a while every successful couple - and even passionate lovers - needs a break from each other. so you get larry tiger alone on the green this time. no woods around. just one man and his caddy. still, he is able to perform a perfect albatross as well as a textbook eagle. extended disco power play versions for daft punks and silent rockers. limited unlimited.

dubline presents their latest hot signing from israel: tomba (buygore, rottun, basspunch records). started together with borgore and grew up in the metal scene he is known for his raw party style dancefloor. ready for some serious demolition work? slab this piece of vinyl on the turntables and youll be ready in no time!

eric duncan (of rub n tug fame) drops number three in his keep it cheap series - this time inviting underground uk disco hero foolish felix dickinson to take care of b side duties. head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers.
as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

after the success of the ep >triangle disco< by manu-l & paul cart is time for the second bomb ep by the triangle records all in a triangle by mr. bizz widely celebrated by other great releases in famous labels as cocoon, material, and many others, the package is crowned by an high quality remix by our buddy matteo spedicati as much famous for his huge works on labels as mindshake, cmyk, great stuff, toys for boys, tuningspork. we will bring you the light again! sono michele pinna & aldo cadiz in a hot quality groovy folky ep!

lime dubz keep on cracking with another too hot to handle release.. the long time duo jade & matt-u are reunited once again but not for getting back to their dnb roots. no jade teams up with matt-u for some highly technical dubstep sounds. grindhouse on jades venom lp was just a taster of what was to come..

london grime producer swindle follows up his incredible planet mu ep with another slab of funked-up grime, this time for a rapidly expanding rwina records. swindles return marks a slightly stripped-down sound: the funk is meaner, heavier, and nastier. >playground< grooves on rainbow synths and leisurely, drawn-out melodies, as a boogie bassline carves memorable phrases in the ground below. all of this is shoved in an approachable halfstep template that means the track could just as easily slot into any dubstep set as the grime scene in which swindle dominates. did we mention theres a killer freestyling organ solo in the breakdown?

junior sanchez produced albums and tracks for katy perry, ima robot, morningwood, princess superstar and good charlotte. he also remixed artists including madonna, shakira, katy perry, good charlotte, placebo, the bravery, daft punk, gorillaz, blaqk audio, hot hot heat, roisin murphy, felix da housecat, the faint, new order, emiliana torrini, jamiroquai, giorgio moroder, moving units, les rhythmes digitales.. and after that,he is currently djing in the biggest clubs all over the united states and across the world

super gelungene vinyl ep. eigentlich ist alles dabei was der dj so braucht, mal etwas herzlicher (wie regen) , dann auch wieder dickes dj futter für die prime time(sonne, stronger than pain)

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

great audiophile pressing of 2 sought after cosmic disco tracks on this re-issue pressing. >the violence wont stop< is pressed for the first time on a full 12 inch side. the original albatros release was only pressed on a 7 inch. the rare and obscure space art track on the b side goes for around $200 on the bay. limited edition of 300. dont sleep!

auf den 7 tracks auf >pattern & grid world< begegnen wir synth- & vocoder-sounds, schizophrenem ping-pong-electro & nintendo-melodien, klassischem grime, bass- und drum-experimenten und schamanischen zeremonien. die maschinen / roboter / aliens sprechen, singen und erzeugen geräusche, teilweise aber auch eine eigenartige klangwärme irgendwo zwischen vintage dj premier und lee hazelwood (time vampires). entsprechend subtil-psychedelisch fällt auch das von dem bekannten designer theo ellsworth erstellte coverartwork aus

after house releases on rush hour yore, tony takes it back to home grown detroit techno. from new millennial acid house, to disco string stabs, to human beat box samples, he works new angles into the timelessly classic detroit vibe.

bachelorettes first record and the first time for >the end of things< on vinyl. in addition to vinyl, these songs have etched themselves into the granite of our consciousness, and it only took a single listen. take a fantastic voyage to the center of bachelorettes mechanical heart. inner space is deeper than outer.
originally released in 2005 on new zealand label arch hill.
comes with coupon for free digital download of this release.

hares have emerged, bright eyed, bushy tailed and brimming with ideas and inspirations at a very apt time. with bands like mumford & sons and stornoways raising the bar of musicianship and awakening the music lovers desire for both the classic sounds of yesteryear and all things fresh and unique, hares multi-instrumental and eclectic outfit should soon be in high demand.

this part of the urban graffiti saga focuses on the elements that make up our sound. covering all aspects, these tracks have been sourced from some of the most prolific artists in the scene over a period of time right up until the present, almost cataloging the progression of the scene as far as this side is concerned. this will take on the form of two 3-track eps with two additional tracks available for free download. if that isnt enough, we are also going to be giving away a free mix courtesy of d-man and h.o.d featuring tracks from the elements series including exclusives and forthcoming material.

a storytelling debut album by oscar-winning actor and director tim robbins, produced by hal willner.

kondens is a collaboration between swedish electronic music veterans andreas tilliander (mille plateaux/force inc, raster-noton and repeatle) and stefan thor aka folie (mitek). the sound is a hybrid of techy dubstep with a twist and banging dub-influenced techno. pure peak time bliss without losing the love for dub and tape delays. the vinyl debut, first cut ep, includes a stunning deep techno remix signed norman nodge.

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched

previously known as universal funk, the black lillies debut freestyle release is a distinctive and highly original work. fusing electronica, soul, house & jazz with an ethereal, eclectic other worldly feel and featuring contributions from thulla wamberg, hannah vasanth & jo harrop.

influenced by distorted electro sounds, to orchestral,jazz and blues pieces such as shostakovich and tom waits,he presents his first record,3 twisted and rocking tracks on archibell records.the first track right in the spotlight is >tokamak< a track with a dark kick and grind, featuring layered synths and vocal samples that break and drop with attitude.no time for intros this track hits hard and fast and leaves unexpectedly. next up is >g.i.g.a.s<, defined by its epic breaks, driving melody and sudden mood swing.perhaps the less sinister track out of the three, probably to give you a break for whats coming up next. unlike tokamak, nyxstarts with a slow baleful, classically influenced intro filled with suspense. eventually dropping into a deep atmospheric hard hitting groove. evil rhythm crafted with precise microsampling.

the 8th release on flights play:musik label sees another excursion into deep bass and beats by the much loved survival, this time in collaboration with long-time friend chris inperspective under their >living in shadows< guise. the a-side gives you the melancholy but tough and rolling >apple fingers<. flip over to the b to find the quirky sounds of >the phlebass consideration< ? apparently inspired by an iain m. banks novel, its different and we like it. dj support: flight, goldie, storm, alix perez, redeyes, a.i plus many more ...

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

following on from his critically acclaimed third album basho basho, kidkanevil is back with a selection of remixes from his forthcoming basho basho remixed album. first up is a long-time friend of fw in the shape of eliphino. he provides a stunning sub-heavy mix of >the floating world<, fans of floating points, joy orbison & bukem need to check this out. next up is manchesters illum sphere, fresh from the release of his titan ep on martyns 3024 imprint (becoming only the second producer aside from 2562 to have a solo 12 inch on the label). his rebounce of >when doves bounce< does exactly that, adding spooky electronics and tougher drums to the original.

shortstuff dribbled this ep out of his arse. it took him 12 months ? he worried about everything, accomplished nothing, and then called it something stupid. by the end of the process, everybody at ramp wanted to die. the end result is a 6 track ep, released on 3 separate 10 inches throughout august. dj support from scuba, roska, loefah, jackmaster, ben ufo, ramadanman, pangea, scratcha, lvis 1990, brackles, toddla t.

more punk rock mayhem on purple marbled vinyl, limited to 350 copies!
hoping to fan the flames of heartfelt rebel rock, burning streets emerge from the scene that has produced some of the worlds most timeless punk rock anthems and that has given us dropkick murphys, far from finished and the street dogs. - ....boston.., ..ma.....
the already impressive lineup of i hate people bands only gets better with this release. rife with s..oli..d hooks, booming anthems and a sense of vigor that cant be quantified, burning streets have crafted an impressive debut with is it in black and white?. grab it for a road trip or blast it through a boombox, its good ....boston.... punk no matter where it takes you.

time and again, when everything appears to have come to a complete standstill, you will find yourself seriously wondering what the future of electronic club music is going to be like. what will come next? and it was at that very moment when suddenly a new record appeared on the market to satisfy this longing for new, fresh sounds: sascha dives the basic collective pt. 1. in the meantime, almost 4 years and innumerable releases later, a new genre of house music has developed from and around the concept of this young, highly inspired frankfurt-based artist.

part 2 of 3, tracks originally featured on the scion-audio dub police compilation released over the in the states. this time the others step up with quantum leap a dancefloor smasher with signature others vibes, big support for this track ? watch out for their brand new solo single coming soon on dub police! ld steps up on the flip for a tribal-stepper, more music needed from this man always coming with a different approach

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

it only takes one listen to jee days >like a child< – and its whirling, hypnotic rush – to recognize the know-how that has made studio whiz dennis dj mcnany a go-to source in new york citys dance music scene. over the last decade, the sound architect has become a musical jack-of-all-trades: fine tuning releases from outfits such as the rapture and turing machine, working on early output from dfa records, maintaining his own run roc label, remixing artists like panthers, ghostape and digable planets ladybug mecca, and contributing keyboards and percussion on tour with the juan maclean. in light of the already impossibly long list of credits to mcnanys name (including the numerous pseudonyms under which he has released his own music) the jee day debut 12 inch is a bit like a first listen to an artist who audiences, ironically, have already heard many times before.