kristiana is the brand new sub label of miso records, owned by the worldwide renowned charles webster.

only 200 copies - supported by: roman flügel, raresh, laurent garnier, joris voorn, eats everything and more! for our 9th release we look to our homeland and the city of córdoba, as we welcome bodeler & brandub with their sensitronic ep. together the duo paint a brilliant display of sound as they intuitively merge minimal, funk, techno and house to create two stunning originals. our vinyl release is lead by the raw, jacking’ groove of ‘hat swing’, before we are plunged deeper it the hypnotic expanse of the aptly titled ‘spaced out’. keeping it córdoba, we are excited to welcome cadenza hit man ernesto ferreyra, who takes hat trick on his very own cosmic ride. stunning.

mr.g presents a very special effort for the annual record store day. a heat packing 12 inch 180 gram heavy weight release that has some special messages carved in the run out. music for all should be the rsd 2015 house anthem. the b-side hothorpe is a hazy tool for adventurous club situations.

what can be said about kerri chandler that hasn t already been said? the man is one of the greats of contemporary house music, a true legend & one of the most hard working & consistent producers out there today. trionisphere, his (second) lp from 2003 has it all, those gritty drums, the deep garage groove, the church feeling that influences so much of his sound & those bass-lines that he s renowned for are all here, not forgetting the outstanding vocal performances from his long-time collaborator dee dee brave amongst a cast of other guests. the sounds on the lp are wide ranging, from the uplifting latin swing of ye yo ma (mother) to the sparse, pacey, heads down house of it s you we re treated to a glimpse into mr.chandler s sound world across 2x12inchs & we all know that can only be a good thing! trionisphere has always been a fond favourite with house aficionados around the world & hasn t been available for a little while.until now! fully re-mastered, re-pressed & re-released in conjunction with king street sounds, nyc & made available again for 2015 in it s original format with the permission & participation of all rights holders. now s your chance to own a piece of ny/nj house history!

10 rare french disco and boogie titles, all produced between 1975 and 1984. 500 copy press - check! on one hand, tracks by overdrive, marché noir, didier makaga or france-lise, were produced by underground artists and labels from the french caribbean and african community and also filled with the raw spirit of this tropical stamping. on the other hand, tracks by beckie bell, kelly, le club, or bernard guyvan, were released by major labels such as trëma, carrere, disques vogue, or pathé marconi, thanks to confirmed independent producers, acting not only in france, but also in canada and the us

-light up- gives the name to this ep, the track builds around a funky bassline but gets deep and intense with dominating synth work leading to huge breakdowns while always keeping the swing. -street knowledge- jacks things up a bit more with a more agress

adult only shape is back with an intriguing collaboration, between the mysterious frenchie monsieur georget and young parisian talent le loup. a combination of the old skool with the new skool, the sounds are just that. each take a pounding bass and a solid minimal-tech stance and layer their character on top. a1 is scattered with futuristic bleeps and computerised murmurs, interspersed with reminiscing vocals, while a2 is the most raw in nature, with a tough techno feel until the smooth overtones set in and a feeling of euphoria takes over. but some may say b1 is say arguably the standout track, for its intoxicating vocal and irresistible underlying swing and groove.

brooklyns person of interest returns to l.i.e.s. after his widely celebrated *call this number* debut from last year. once again we hear p.o.i. delivering the goods on the subtle yet massive*-what you think you want* with its phazed flutes, sleazy vocal, and rough house beats. *keep it moving* does just that on the b-side, again with a slinky laid back and somewhat sinister feel, whereas *my 97s* almost has a grime/uk kind of swing to it. comes in an amazing full sleeve picture cover designed by pete leonard and p.o.i. dancefloor approved.

thre release from polar records for one special price! contains these eps:
- polar003: various artists - pegasus ep
- polar004: various artists - lotus ep
- polar005: various artists - uranus ep

side a - boom, boom - deep swing bassline with a poetic vox that keep the dancers dancing with a old school blues loop, that make you say -boom, boom-!
side b - slow down - funky beat, simple chords, efx that make you move in away to grab a lady so fast you have to slow down to enjoy sounds.

a killer collection of tracks from the mighty paul johnson on steve poindexters chicago underground offshoot. this is some true blue ghetto house music, fat, funky and fresh with all the swing youd expect from vintage paul johnson! the tracks across this ep kick like a mule when applied in the correct scenario, all styles are present here featuring some straight ahead bangers and some weird, woozy down-tempo cuts for the freaky side of the dance-floor to get lost in! theres endless fun to be had here for the djs, youll want to work these tracks all night long in the mix. essential! re-mastered, re-pressed and re-released with the permission of and in conjunction with steve poindexter chicago underground records usa and inspired by bobique bobby. do it!

the untold stories: protagonist series. records dedicated to the stories of some venerable but unsung historical figures. the first of the protagonist series was created by sil, and gives a glimpse into the spirit of the first such figure: tadeush konrad. sil, the pseudonym of kirill sylantev, who is more widely known for his work in the duo easy changes, now begins solo productions. for the untldpro series his work dedicated to tadeush konrad is of confident vibe, with much swing and rich with soulful flashes from times past. this work is then remixed by ztrl and hubble. first comes the ztrl remix, with energetic bass and a wealth of tones interrelating to great hypnotic effect. then on the b-side hubble s remix, an extended work, a floating journey of warm organic sounds, concludes the story and the spirit of tadeush konrad.

nhan solo gets back into the swing of things. this time he teamed up with the wonderful cari golden (suara, noir music) for another catchy dance floor mover. -body- comes in two versions, enjoy!

poker flat capture mark henning in a rich vein of form for this ep of deadly deep and intense tech house. for almost a decade, the anglo-german, berlin-based dj has turned out consistent releases on an array of underground labels, but here his trademark combination of darkness, swing and technoid funk reaches new levels.

armando gallop, the legendary chicago producer & dj whose career was tragically cut short by his death in 1996 left behind a legendary reputation as one of the windy citys finest. having released on seminal labels such as, trax, musique, westbrook and his own warehouse imprint, armando brought his own rough hewn brand of machine funk and acid to the table and the dance music world has been much better off for it since.

nail is a bit of a legend. with his career flourishing once again it seems there are plenty of ears alert to his next musical move: a limited edition and individually numbered nine-track double pack on shabby doll called nite music . and they re not going to be disappointed. this collection shimmers and shines, packed with gleaming house music designed both for early evening head-nodding and early hours hands-in-the-air moments. from deeply delicious tracks like angel dub and lunar views to harder-edged delights like track two and bikky swing , nail has created another must-have set for the fast-expanding shabby doll catalogue.

8 track longplayer im elektro swing style.

king britt classic on ovum!! includes mixes by nu era, roger sanchez, mood ii swing, philharmonix... ltd backstock / warehouse find

vinyl only release
concept e25 is back! wax classic 15 sees concept e25’s third release on the label in the space of just a year! the demand has been overwhelming for more garage house hits with that added subtle, french flourish. we heard those cries, so here we have another slammin four track record from the man himself! the opening track of the ep, sing!, is destined for greatness this summer on dance floors everywhere. for me, this will be the go-to track of the record for most djs out there. on this track, concept e25 combines a pumping kerri style bassline with beautiful sustained chords, feel good vox cuts and the occasional sax line. proper hands-in-the-air vibes here! giving it takes the ep into a deeper realm, one that evokes images of late evening summer sunsets. however, the garage swing and signature concept e25 bass sound is still present. lies leads with moody chords before introducing a vocal that will be stuck in your head for a long time! again, we have a smooth sax line to accompany the vocal up to the track’s climax. rounding out this solid release is feel this way. here, the punchy bass hits are united with an acid line that bubbles underneath, before being unleashed halfway through the track in a warehouse-reminiscent burst of resonance.

polysom brazil vinyl lp repress import, released in 1972. certainly one of the greatest albums by this excellent (and oft-overlooked!) group from the 70s! 180 gram vinyl in gatefold sleeve.

carl craig needs no introduction, he has been at the forefront of the international techno scene for over 20 years and has amassed a truly enviable back catalog of releases utilizing various pseudonyms and collaborating with many different artists during his stellar career. one of the detroit natives most enduring and popular guises has been his paperclip people project which has been active since 1991. country boy goes dub was originally released in 1996 on the seminal paperclip people long-player the secret tapes of dr.eich. its blend of samples, metallic drum machines, 808s, guitar loops and serious dubwise tendencies made it stand out instantly. as with a lot of craigs legendary productions it had that otherworldly swing, an incessant groove and a melding of various styles, sounds and influences informing its spirit.

adam beyer has been showing us the extent of his versatility for years and this ep solidly cements the idea that beyer can confidently swing between genres and keep up his consistently high standards within electronic music. youre the same is a remarkable piece of work and keeps the tech house bods moving and shaking. all the tracks on this three-part stunner are chunky, solid grooves, that are infused with dashes of techno, house and dub. vocal snippets are used to create some spine tingling hooks as well as moody pads to create eerie atmospheres. valium & lfos has already built up quite a following courtesy of its inclusion in beyers landmark amnesia terrace set for cocoon that was later broadcast as part of his drumcode live radio show. it has also been a mainstay in richie hawtins sets along with other accomplished djs including the likes of joseph capriati. a well accomplished single from the swede.

copenhagens tartelet records reach their 30th release in style! this va birthday party features label regulars like uffe alongside a whos who of modern german house heads. tito wun & damiano von erckert from the cult ava imprint, cosy up alongside mpc wielding giants like max graef & glenn astro (alongside regular sidekick inmyrmind) submerged funk loops, off kilter chord work and sharp disco percussion share a packed dancefloor with heavily delayed hip shakers (swing set to the high 70s) elsewhere gritty, tightened up 4/4 sample house rocks out alongside neck snapping mid-tempo cuts, all concocted from a wholesome melting pot of four decades of black american music. its raw & for the floor, you couldnt ask for more

a dream and a trip into de pure house music, subtle and dynamic born with this 001 of discos nutabe. from the aburra valley, colombia, perpetuating the essence of music in time with limited vinyl copies is their purpose. for this first cut, we present the debut of dcm with his origenes, a record that has a very noble sentiment: the revival of classic house music which only causes movement, in body and soul.

side a: ghetto juice - another nice techno soul groove by eddie fowlkes, with the deep bassline with the laughter of of streets of detroit and crazy horn lead to get the ladies dancing.. side b: sunday morning - this cool swing late saturday night groove with a fade in vocal of -easy like sunday morning- sample will definitely have hands in the air, brilliant track by mr. fowlkes!

6 e.p.ii- is the second vinyl e.p. taken from headman/ robi insinna -6- album which was released via relish on the 15th september. e.p.ii includes on side a1 number 9, a2 swing now out dubfeaturing tarafromit rough fame. first track on the b side is called somethingwith vocals by david shawwho just released his first collaboration with jennifer cardinion correspondant. the last track on the b side take me to the top dubfeatures bozzwellaka hiemfrom firm fame. the dub versions are exclusive for the vinyl release. robi s cover design is again in the same line as the whole album project, including the artbook, video and screenprints.

6 e.p.ii is the second vinyl e.p. taken from headman/ robi insinna 6 album which was released via relish on the 15th september. e.p.ii includes on side a1 number 9, a2 swing now out dubfeaturing tarafromit rough fame. first track on the b side is called somethingwith vocals by david shawwho just released his first collaboration with jennifer cardinion correspondant. the last track on the b side take me to the top dubfeatures bozzwellaka hiemfrom firm fame. the dub versions are exclusive for the vinyl release. robis cover design is again in the same line as the whole album project, including the artbook, video and screenprints.

the wondrous odd appointment quartet (john swing, marieu, emg and lucretio) returns with 4 tracks of sleazy urban funk cut directly from outdated ferrous tape. a plastic torpedo crafted with household hardware engineering, shuffling mid-west cracks and british breaks with sinked bass and vitrolic disco balls.

a new label is born, based in london discobar introduces their first release, produced by odd soul, a dear friend of theirs. spending many nights producing music in his studio, this french artist has finally become ready to showcase his talent. this ep is based on three light-hearted, trippy loops and original tracks. on top of this, the mole has added his authentic classy touch to remix odd souls work. this really is a family affair which is not to be missed.

ninth release on the by now firmly established box aus holz label! man of the hour glenn astro links up with familiar production partner imyrmind for another effortlessly assembled and irresistable extended player. drum swing set to stun, and all manner of soulful fruit thrown into the blender for a seriously juiced package! as deft sample house jams sit perfectly alongside absorbing, synth heavy head-nodders. 100% quality cuts all the way.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

the title track reveals a deeper and more contemplative mood for 2014, with a pensive piano loop, a dark-toned deep house swing, and a vocal sample that speaks to the experiences of the disenfranchised. chris lattner s remix of the same provides a punchier and more dramatic rhythm track for maximum impact and a more urgent effect. b-side production -morning poem- harnesses the power spoken dialogue again, with a big flter of distortion, and wispy, whirring deep tech sounds tha testablish a late night feel.

always at the top of their game, hot creations this time call upon torontos nathan barato for the next release on the label. the unique and fresh sounding *everytime i see you* is a real groover with a low slung bassline creating deep swing and flow with the vocals from room 303 taking it to the next level. brazilian volkoder is first to remix, picking up the pace for the dance floor he adds a new killer bassline, stripping down the vocal but holding onto the groove. last up drumcode favourite nicole moudaber brings her techno touch to the release with her remix making this a wholly satisfying package indeed.

plus sized house hitmaker dj sneak has knocked together his second release for exploited records, laying down some serious swing on 3 club tracks which are destined to make dance floors sweat this summer, from ibiza to points beyond. with sneak s infamous grill and barbecue sessions in mind the night dish ep is a proper doner kebab and satay meal after a heavy night out in berlin. featuring artwork by berlin-based street artist nomad.

since 2009, vincent koreman a.k.a. drvg cvltvre has been working on his own blend of dystopian acid, no wave and dooms day deephouse , which he proved impressively on his release on crème organization or porn wax. for his permanent vacation release he is perfecting his methods and style , which is equally influenced by suicide, sun ra and terrence dixon. on remix duties for -night time is the right time- is original chief rocker and omar s protégé ob ignitt who puts some extra swing on top and makes sure that it is always the right time for this one.

ronald burrell s second release as equation on nu-groove is as deep as it gets. we re talking late night nyc back room deepness, often imitated but never bettered. -i ll say a prayer 4 u- is the lead track here, a sublime longing synth groove with a nagging bassline and crisp rimshots, a total -under the radar- anthem straight out of new york city circa 1991 and engineered by the equally as legendary bobby konders, a real undercover gem. the other two cuts on the ep drive further into the night, -domm domm, yeah mm hmm- is another dope basement groove, rocking some classic burrell flavours, and -my life- is a real down-tempo piece that reappropriates the roy ayers classic -my life in the sunshine- while giving it a real -100 bpm house- swing, don t snooze... all in all this is another classic release from the nu-groove vaults, re-mastered and re-pressed here for the first time in conjunction with nu-groove records and the burrell brothers. essential.

a1. the martinez brothers unleash a searing dub to lullaby a track by the angry kids. with exquisite tech house deliverance, tmb show their masterful production skills and unique swing. this unrelenting track is a mere example of why the martinez brothers are at the top of the game!

ltd repress, whoever knows of toi toi musik will know they have become synonymous with underground quality and for keeping things close and personal for their events and agency. well, with their new label its no different they stay very true to their identity (a good mix of english and german) and their quality. the 1st ep is produced by the legendary mr g. inspired after playing live at one of their events he wrote the track toi toi, which was later released on djulzs bassculture label. as a consequence, his relationship with the couple is so personal he nurtured them to open their own label and offered them 3 tracks for tt01 called much love ep. the 4th track is a remix by hello? repeat co-owner daze maxim, who has been a guest resident for the party for nearly its entire existence.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

introducing the house of 12 vol.3, including new artists on this one, who are all italian based! a1 is with abissy, proper use of vintage gear with a great great knowledge of the machines! always respect! a2 is a mysterious man, twilo, with his first release! catchy dreamy pad and ethereal atmosphere with roland beats... for the dreamers b1 is mike lee, and his love for italian house from the early 90s, made with love and soul and respect to the originals!! b2 is a name i don t have to introduce, giovanni damico, here with a funky-all-played-song made with machines and his swing magic touch!

was für ein zirkus: be svendsen hat sich 4 titel von 4 virtuosen klangakrobaten geschnappt und jongliert sie im freien raum zwischen schnittigem house, klassischer rummelplatz-atmosphäre und stummfilmmusik der goldenen 20er. so beschwippst und überschwänglich dieses manöver klingen mag – wer sich rhythmisch dazu bewegt wird schnell merken, dass hier nach dem muster routinierter dancefloor-präzision gestrickt wurde. dafür bietet acid pauli natürlich eine echte steilvorlage: be svendsen schnallt die schunkelnden klavierakkorde von requiem for a loop auf eine swingende bassline, schlägt verwegene kapriolen und landet mit jazziger lässigkeit doch immer wieder auf der eins. die vielschichtige komposition, aus der sich der zauber des schlaraffenland vom electronic swing orchestra ergibt, untermalt er mit schlichten aber effizienten beat-texturen. zusammen mit monolink und inspiriert vom detailverliebten tiefgang des micronauten entsteht der wohl hypnotischste titel auf dieser ep, nämlich ein wunderbar verträumter remix zu modulation transfer function. und dann wäre da noch die zackige vertracktheit von the one, welche die hörerschaft wohl unwillkürlich in menschliche kanonenkugeln verwandeln dürfte.

manchester artist belly is back with his second ep of 2014 released through his new inprint belly dance and this time he is joined by east end soul vocalist shona carmen & one half of asphodells tiimothy j fairplay on the remix. the second ep see s belly up the pace slightly from his inagural release moving slightly away of the slow beat of tracks like dark autumn and farewell and embark on a sligtly more up tempo , swing style bordering on the style of machine drum. the first track control is a hazy club track with strong vocals from both belly & shona backed up by drum and bass beats which is followed by vocal heavy space beats in the form of zu . on the flip side we see the real inpact of shona carmen with a clubtrack loaded with summer vibes called painting . the vocals are soulfull and beautiful with a swing tempo and drum patterns that lift throughout. this is followed by timothy j fairplay bringing in his own take on 90 s chicago garage music with a banging clubtrack remix of dark autumn off of belly dance 001.

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

raw instinct volume 4. a series of raw house tracks engineered for heavy dj use. three tight tracks inspired by 90s ny house music. underground!

release description: kenny raw & sommerfugl have released several tracks together already on a few different labels such as coincidence recordings & morninglory music. distorted reality is their first release on their own nightfalls recordings and can be described as a warm, melodic house track with a killer vocal and a rolling baseline. darren roach takes more of a dancefloor friendly derrick carter-ish approach on his remix with a groovy baseline, tough beats, loads of swing with a deep undertone running beside it. definitely one to get your body moving

berlin based cohorts ekkohaus and rufus (also part of tru west and nightdrivers) consummate their friendship with this four-track mission statement that deals in gutsy house music with a range of moods to suit every corner of the night. studer is a cheeky cut with jazzy key flurries and a fulsome bassline squelch, while pagan takes a tougher route into heavy delay feedback and pure rhythmic intensity. the end of an ear is a playful beast that takes off-key melodies and oddball noises and works them into a moody, heavy grooving context, while peace & reflection pushes the swing past the brink for a leftfield house jam that sounds liable to fall apart at any minute, in a good way of course.
pressing on translucent, blue colored vinyl.

occasionally jay haze will take some time away from his productions on contexterrior to release music with other labels like leftroom and desolate, or he ll provide a mix for fabric. here, in 2014, jay haze debuts on soul clap - and brings some friends with him. these friends are signor andreoni, an italian producer that s not released a solo record since 2010 (his last was with haze) and the unknown jordy lockruf. -take a dip- is a new-school cut of retrospective italo with those moaning synths perfect for a rimini dancefloor, while the two joints with lockruf provide one clunky, slide guitar twanging disco jam and a shuffling house cut that ever so lightly verges on electro swing - but not too much!

adult dance combo velour return with this erotically charged single. influenced by the hedonistic golden age of 1970s swing culture but with a flirtatious hint of 90s french house. the release provides a window into a world where decadence and romance are divided by a thin velvet curtain.