wonderland ghost is, not only due to its title, a gift for all friends of electronic dance music. the three tracks: >for you<, >the ghost<, and >what im standing for feat. toxic pearl< all exude the pleasure of working with the original beats and rhythms that rattle through baders music. these are elegantly arranged sound montages that relentlessly push into the ears of an enraptured dance floor, taking surprising twists and turns on their way to a land of pure musical fun

holy ghost! is the eponymous debut album from electro duo and remixers extraordinaire nick millhiser and alex franka label. hailing from new york, the twosome made their mark with remixes of tunes from the likes of moby, mgmt and cut copy, and the album includes the single -do it again-.

another red hot and innovative release from our favourite ny label! ghost note follow up their stunning debut with another double header of uncategorizable, but mindblowing cosmic dance music.

dubby, dusty ambient on this ultra limited one-sided blue marbled vinyl record.

deep house bliss from centric mixes from moodymanc.

dubby, dusty ambient on this ultra limited one-sided blue marbled vinyl record.
comes with a cd containing the following tracks:
- city nightlights
- city nightlights ii
- interdimensional
- landmark ii
- city nightlights iii
- city nightlights (beats reduced)

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

well here it is folks, the brand new debut release and label from glenn wilson & mattias fridell. two production perfect works of solid chunky techno with fat vibes aimed at the big floors, both cuts lay down some serious bass heavy hypnotic grooves, pushed along by strong atmospheric sounds. these tracks are no doubt going to be a popular addition to the dance floor and are already receiving big reviews.. no more ghosts is tonal paths second release and the follow up to the debut release the bridge, which received big reviews and heavy rotation from some of the following cari lekebusch, a.paul, adam jay, dj misjah, mike humphries and ben long. no more ghosts lays down two more fat slabs of production perfect techno to conquer the big floors, kicking of with be yourself which is a dark throbbing workout of bass heavy hypnotic grooves which is fast becoming the id sound for tonal path. false sequences progressive layers works and builds into a heavy grinding atmospheric track with a killer break that slams back in for max crowd pleasure.

solid clubbing 4 tracker on jetaime records produced by varoslav incl remixes by carlo lio and resmann

hi-quality minimal dub/ambient techno by skyscaper & ekelon. comes on the likeable ghost sounds label (that always seem to be pressing less as what the demand is unfortunately... hence the zero stock on back catalogue). but lush long tracks with a foggy ambient piece on side a, and a more bright rhythmic dubby piece on the flip with beautiful strings and lush melodies. sweeet!

bloody logoshirt from godspill (100% cotton)

retroesque detroit techno rooted tunes.

ghostriders : mr gavin friday, solo artist, one time singer with the virgin prunes in a unique collaboration with david ball, musical maverick of soft cell & the grid and now of the nitewreckers create a specially recorded, re-coded, poptastic dancefloor shudder-fest version of suicides >ghostrider<. mr fridays ( t.g.i.f !!) sharks swops blade-switches to dave balls jets. a warp speeding cycle-arama-la-ma-ding-dong.
diamonds, furcoats, champagne : tom brinkmans 2005 steriodal muscle-bound dance floor twitch-outdigitally body ripped the biggest star made to crash his own party.keep it clean, keep it tight.
puss on tha time warp : from the 1999 >2007< album

180g vinyl. complete with remixes from the legendary king of cosmic, daniele baldelli and an abstract gem from one of the renowned three chairs (alongside moodymann and theo parrish) marcellus pittman, this is a release for real music connoisseurs.

again some excellent dusty & dreamy ambient tracks on this ghost sounds / creative space records collaboration. laser etched artwork, purple marbled 180 gram vinyl.

ein halbes jahr nach dem zauberhaften album >thrown out of drama school< von phantom ghost erscheint nun die single >four shadows< und knüpft konzeptuell an ihre langspielplatte an. nur auf klängen des von thies mynther gespielten, geschlagenen und teils präparierten klaviers und dem gesang dirk von lowtzows basiert >the shadow<, eine hommage an den schauspieler peter o toole (lawrence of arabia, caligula etc.). in gleich zwei teilen liegt das stück von phantom ghost selbst vor. dazu gesellt sich ein höchst kathedralischer remix von dial label chef carsten jost persönlich, sowie eine reduziert epische version von pantha du prince, der gerade sein neues album >black noise< auf rough trade veröffentlicht. in praise of shadows

2004 classic!!

played by karotte !!! with his newest ep on wagon repair (ghosts in the ai - wag058), mathew jonson looks to both the past and future to create a stunning release. track 1 - ghosts in the ai - is the first solo production that was made in wagon repairs new berlin studios. finally, in a real place to work, and with a lot of new gear to play with, mathew focuses on evoking both the future and technology to wonderful affect. track 2 - technology - comes from mathews past as it was created around the same time as tracks like octagon came out on iiwii. originally, it was going to be the first cut on his debut album that he was planning to release. on the day that mathew was looking for a b-side track for the ghosts in the ai ep, his brother, nathan (hrdvsion), played it over the phone asking him why he had not released it, as it was one of nathans favourites. it worked much better than the other track that was going to be on here so thanks, hrdvsion. track 3 - the alchemist - comes from mathews involvement this summer producing the music score for the old classic silent film faust, which was screened, complete with cobblestone jazz playing the score live, at the 2009 timewarp festival. the alchemist was written for the scene when faust is working in his laboratory then walks out into the snow to summon the devil to help with his work. a fitting piece indeed!

two soundscapes from atheus and relapxych. different from previous output shapes / phases, no beats this time, only drones. 180 gr coloured vinyl.

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

raw synth line & chords driven techno/house stuff by the mysterious mod.civil project (ornaments). be fast - limited edition!

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

new label lost in records drops a killer 2-track remix 12inch from red hot indie rock dance band mgmt. one side features the slow and sleazy late night screening mix from soft rocks while the flip upbeat electro glam remixes (vox & inst) from holy ghost

lisztomania is the first single of the much acclaimed new phoenix album wolfgang amadeus phoenix . kitsune have asked the new electro scene to remix it and this led to this great and exciting ep! new yorkers holy ghost! (dfa), with this great version of crystal fighters xtatic truth, put everyone in agreement - on their knees. la based classixx deliver a production thats evocative of a corvette in the sun, carefree, before it all gets dangerously heated up. quite convenient too when youre fifteen (at least spiritually) to french kiss for a whole five minutes. finally half of digitalism, der die das, brings the track to the dancefloor with an uplifted and breathtaking version.

the space djz launch their attack on the human flesh and do it in style. big banging beats that will pound right through the bones!!cannibal is just going from strength to strength with these releases who are just getting more and more ruthless!

lovely ambient/dubby pieces on this danish label. comes on light blue and dark blue marbled vinyl and contains some foggy ambient/dubby pieces that sound very gentle and relaxed. nice one

no comment... just listen..tip

headless ghost presents its wicked 1st ep on sthlmaudio recordings. the 12 inch is packed with full groove and hooking you up themes and melodies. backend ep is made of a perfect balance between straight club monster like >the journey< and sweeter grooves in the likes of >forever deep< headless ghost backend ep is the weapon of choice for all true house grooves lovers out there..

incl gregor tresher remix !! in its original form, ghost life displays all the hauntingly emotive qualities that the title suggests. subtly uplifting and set to a shuffling rhythm the main focus of the piece is a wonderfully tranquil melody that flows freely on top of heavy sub-bass. typically cinematic ghost life is instantly recognizable as a pole folder record. gregor tresher brings his midas touch to the release, shaking up the sublime sounds of the original to create a dark tech house rework.

groove shifter aka nicolas clays, the leading french-tek producer at the moment, starts his groove shifter project at gs2 records.

limited backstock of this 2004 classic, rework and swayzak remix included.

excellent breakish electro house monster , for fans of azzido da bass s dooms night... killer !!! incl lee mortimer techhouse mix

they came from the stars i saw thems new live favourite moon song taken from their recent album “we are all in the gutter but some of us are looking at they came from the stars i saw them” comes with a premier set of remixes from serge santiago, holy ghost and mungolian jetset as well as newcomers king of town and weird knights.

breaked disco two tracker

already championed by the likes of john digweed, dubfire, nic fanciulli, steve angello and fergie, alan fitzpatrick is enjoying a rich vain of form.

plays by richie hawtin, sascha dive, vera, 2000 and one, magda !! another german producer appears on amsterdam imprint area remote. christian burkhardt known for is ultra sci-fi funky tec-housey tunes on labels such as raum, muzik and oslo

lowkey and kardinal have become a rising figure of french techno music thanks to a handful of impressive maxi. their rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now they are back with their new single, future dancefloor killer, ghost rider

hervorragender 3 tracker mit frischem house von deep / detroit und zur phunky disco zurück... oberamtlich

aber hallo, animo flashed mich wie lange kein track mehr !! monsteralarm ! rievaulx ist 50% von solaris heights und liegt genau an der schnittstelle von techno, minimal und house. freunde von gabriel ananda, robert babicz, rodriguez jr und nicht zuletzt den solaris heights werden genauso auf ihre kosten kommen, wie freunde anspruchsvoller grafik

cool ghostly rec shirt

cool ghostly rec shirt

nice longsleever from matthew dear tour

nice longsleever from matthew dear tour

panthers used to play aggressive post hardcore before their style morphed into a somewhat sober version of anthemic stoner rock. they released albums on both troubleman and vice records. goblin city is the lead track from their second record, the trick. holy ghost! requested to work on goblin city. they then delivered one of the most relentlessly snappy disco dubs in quite some time. panthers also asked run roc to do a mix of the song and he came up with an excellent old school acid house version. this single is a true dfa family affair, bringing together good friends, musicians, and creative allies from the past and for the future. family reunions are not supposed to be this much fun.