new three track ep by los angeles producer silent servant. these will fly ...tip! known for his previous work with techno outfit sandwell district, juan mendez, since the dissolve of the group has tapped into his formative new wave/post punk and early electronic influences effectively applying them to his recent productions to create an engaging amalgamation of modern dance music. across this ep the sounds of bleep, ebm, and even minimal synth are all present...from deep floor movers to jagged edged 150 bpm skankers, mendez through these last years has been responsible for opening up minds on the floor and this ep proves to be a testament of such.

last copies left - 30% spring deal - limited edition of 300 copies on white & black splattered vinyl.

claudio coccoluto continues the return of his the dub imprint this may with thedub107 ep, including three original tracks from the unmistakable italian artist. without ever leaving the tribal and mystical flavor, thedub107 winds through influences that take shape in beats meticulously blended, as only claudio can realize. the work contains all the colors of the summer, from the red of the midday to the sunsets orange, a rainbow of sounds that you must have in your collection.

wah wah 45s return to the 12- format to bring you three incredible re-works from french disco don the reflex, for our very own legendary canadian/haitian keyboard wiz henri-pierre noel. funky spider dance is a percussion heavy bomb filled to the brim with henri s soaring piano licks and infectious female vocal hooks. the reflex has taken what was already a sure-fire club favourite, and created something of a dance floor destroyer. his rework of a fifth of beethoven takes its time to build into another heavy hitter. as the beats make way for henri s deft keyboard flourishes, the recognition of this cover of the walter murphy classic (taken from the saturday night fever soundtrack) begins to dawn - and as it does, it s clear that once again the dream team of hpn and the reflex have worked their magic! last, but certainly not least, the reflex s revision of back home..., sweet home is a modern island funk masterpiece with organ and tropical guitar riffs making way for sunny brass stabs all underpinned by foot friendly beats. the original versions of funky spider dance and back home..., sweet home can be found on henri s one more step lp, and his take of a fifth of beethoven was recently available on 7-inches of wax - all on wah wah 45s of course. the reflex revisions all appear here together on vinyl, in fact anywhere, for the very first time!

news of the record first broke back in december, when omar-s, real name alex omar smith, contributed a three-hour mix for ra’s 500th podcast. the lp will be smith’s fifth full-length release, and arrives three years after his most recent album, 2013’s thank you for letting me be myself. like almost all of the detroit artist’s catalogue so far, the best lands on smith’s own fxhe records. it comprises 11 tracks, featuring collaborations with fellow motor city acts such as norm talley, ob ignitt and kyle hall.

classy, reduced drum & bass stepper - 10 years anniversary edition.

freamon is a denizen of the modern world, allegedly hailing from ny, according to some, not relevant, says he. what matters is the music -in this case- three finely honed and carefully crafted dancefloor gems, presented together as “the black grid ep”, served up with love the way they used to be, the way they ought to be.

the official re-issue of the dub classic “wins the world cup” available as extended 2lp vinyl-set with 20 tracks and poster. the original album from 1982 has been state-of-the-art remastered and is twinned with a second disc of the original vocal versions. all music recorded at channel one with the roots radics and mixed by scientist at king tubby’s with producer henry “junjo” lawes.

thilo comes back to contribute his first solo release which turns out to be a big one ! the third installment of pager records contains three outstanding, quirky, twirly and playful minimal house tunes which definitely reflect the hardworksoftdrink member’s mindset. we say „kühl ich an board zu haben thili !“ and present to you the saga of bennos t.s. ep!

despite only a few releases, the electronic deep house sound of vibraphone records and the production team behind it, had a major impact on the international 1990 s dance scene. the original 90 s vinyl are now considered precious collectors items. revitalized by an increasingly new young audience interest, this label has reached a cult status and it has now been re-launched via juno records. for the first time in twenty years ttusr has produced three new exclusive tracks which will be included on this 12inch ep entitled liquid time.

daniela caldellas is a producer and dj from brazil. having released music in many styles and guises over the years, burn the past, her debut offering as terr, sees her return to her electro and techno roots. this three track ep on hotflush recordings showcases caldellas extensive capabilities as a producer, with a variation of styles present throughout. from the vocal refrains of burn the past via metropoliss electro flirtation to the stadium-sized may day, caldellas flexes a sure-footed range that hints at whats to come.

jun kamoda is a producer, dj and mc from tokyo. new to the label but a friend of the party, jun came to mister sunday in nyc last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. when he returned to japan, he got to working on the music we now present to you on the clay ep. this is jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. they’ve been chopping up our dance floors months, we’re excited to hear them do the same to yours.

the junkies make their truesoul debut with a three track, punchy ep.
the rhythmic, tech house and techno tracks are filled with delayed vocals, chuggy drums and throbbing bass line.
the tracks showcase the diversity and talent the pair hold as producers and their ability to cross paths between house and techno

2015 saw damian lazarus create his most ambitious project to date in the ancient moons, producing a full-length album message from the other side co-produced by james ford (simian mobile disco, arctic monkeys, florence & the machine), with a wide assortment of vocalists and collaborators from around the world. they went on to support roisin murphy on tour, gain wide acclaim from the likes and lazarus became the final cover-star of the year in the uks mixmag magazine. now the tracks from message the other side have been reinterpreted by an assortment of producers for a remix album. three of these remixes will be released as an ep entitled remixes from the other side (part i), featuring remixes from red axes, acid pauli and mehmet asian. the second remix ep will following in a few weeks.

wicked bass label is excited to announce its 10th vinyl release with a debut from wuffius, a ukrainian producer from crimea. in the pines crowns ep comes with three original tracks which unveil the inspired beauty of the peninsulas nature via his psychedelic house beats

seth troxlers play it say it label welcomes phil moffa as the butcha for an excellentnew ep entitled 202 future. featuring three killer tracks, it is yet another club readyoffering from this most on point label.

gari romalis and lello di franco - dreamin for the uninitiated, our man gary romalis is the unsung master of detroit’s house and techno scene. having djed across the motor city’s top venues for the last three decades, gary is somewhat of a seminal figure for many of detroit’s djs currently at the forefront. following a slew of high quality releases on various labels over the past few years, gary now unleashes that special flavour on us for skylax 142! he is not alone though. with him, he brings all round italian partymaker, and top selector in his own right, lello di franco. let me tell you, this duo’s collaboration is something to behold. throughout all 3 tracks on the record, gary and lello maintain the essence of what the detroit underground is all about, stripped back tracks with soul that never feel like they go ‘big’ for the sake of it. while dreamin (wanda mix) may be packing a big kick and power clap combo, it’s the elegantly filtered, jazzy sample that will leave you wishing that the track lasted forever. the vibe takes a dip right into the deep in detroit underground (beat dat mix). spacious pad synths alongside a mesmeric vocal carry us through. taking a step back up, afrobeat rounds off the ep, made with a solid toolkit of afro-centric samples.

shaun j. wright & alinka lay down their chicago flavour on crosstown rebels with face the truth. the release features three originals with hot property audiojack on the remix. wright, formerly of hercules & love affair, provides the vocals to each track with rich, sultry tones timely placed across heavy bass-lines, hypnotic rhythms and high-energy percussion: that classic chicago sound.

three cuts of heady, cerebral bliss guaranteed to push any dancefloor a little further out into the interstellar, in russell s hands, clay wilson s e4 becomes a spaced-out stepper s delight. his rework of romans coptos lets the acidic undertones of the original run free while snappy percussion holds focus. and while were not one to pick favorites, russells remix of zemi17s rangda, stripped to its bare essentials, is almost a purer representation of the original than the original itself, designed to lift a willing crowd into a trance state

for his second release jackin george teamed up with three of chicagos earliest house music legends. the result is a musical cocktail with the ingredients from an old house recipe: passionate vocals, a fierce bassline, analog percussion and rhythmic piano chords, turning the entire track into a classic underground anthem.

visuals will debut on thesongsays with his beautifully well-rounded novella of an ep, the state of things. the label has long focused on the romantic and conceptual currents of dance music and visuals joins the tight-knit roster with three stunning songs that perfectly fit the thesongsays ethos while bringing together the diverse elements of his musical background.

the rattler proxy present the prelude to their upcoming album, three new tracks produced by thomas bullock. *follow* is a ten-minute acid storm brewing with distorted vocals and jangling art rock guitar - it was previewed by tim sweeney on his beats in space radio show and voted one of the best tracks of 2015. *ex cop* is an edgy three minute punk stomper with sharp guitars and an incessant driving beat. *mother goose*, like *follow*, showcases more of the bands techno influences with thundering drums and twangy synths emanating from the deep.

repress alert, 180gr white vinyl pressing, 500 copies
only 1 per customer !! mosaic s journey into main room techno continues with three trax from one of the finest exponents of uncompromising hypnotic techno, markus suckut. it has been said that his reduced and minimal sound is designed for heavyweight soundsystems and heavyweight dj s and we wouldn t disagree.. slowly evolving rhythmic and melodic patterns with sub heavy kicks and bass tones are the order of the day: these three cuts beg to be played loud!

3rd rhythmus günther with superb techno

benedikt frey crafts a musical aesthetic that (much like the esp institute) might only be seen in its true form from a birds-eye view—a whole greater than the sum of its parts. his playful indifference to genre specifics and pre-prescribed instrumentation or production techniques makes for a loose and refreshing collection of work, and this debut for the esp institute, the lobbyist, serves up an incongruous three tracks so bewildering and narcotic we’re already impatiently fiending for more. on side a, the title track is no less than a medieval assault. led by a stomping war drum and a blasting bass synth that might literally have caught the studio on fire, an erratic array of clanking percussion, hi-hats and cymbals push us into a sinister corner where his whispering chant grants us the smallest bit of humanity before continuing with the beating. on side b, cupids delight (ft tcb) and gravel both explore variations on beauty—the former in a blur of ghost-like vocals smeared in harmony across a low-slung machine drums, and the latter evoking a tropical affair gone psychedelic, complete with drawn-out disorienting marimba and ritual clave/tom arrangements. welcome home brother benedikt, what took you so long?

french label d3 elements returns to chicago for its next ep, this time looking to the assured house talents of hakim murphy for three tracks of raw, dense grooves right from the heart of the windy city. opener boxbeat is a curious, freaky jam with bobbing percussive hits, wonky, pixel thin synth lines and free roaming pads that wrap the whole thing in a nice sense of spaced-out serenity. taste o rainbow has a much more firmly planted kick drum that pounds away uninterrupted below a free flowing brew of modulate synth sounds. it s expertly reduced and masterfully reserved and is sure to send dance floors wild as a result. the flipside cut freshness has pinging drums and a big, frazzled bass line as slithering chords rain down the face. musical yet jacking, cosmic yet propulsive, it is a perfectly contemporary chicago house sound that rounds out a fine ep from one of the best in the game.

earwiggle welcomes back the very talented oliver rosemann features superb sleeparchive remix following his early appearance on earwiggle as one half of dualit, oliver rosemann returns with a killer ep all of his own. creepy, niggling hooks weave their way around three surging rosemann originals, with a hefty remix from berlin master sleeparchive at his brutal best...

phillip lauer makes his third appearance on beats in space records, this time alongside boss in space and burgeoning producer tim sweeney as t & p. on shoot the freak, the dynamic duo deliver a groove-infused three tracker for your inner and outer freak.

back to basics with two heavy rhythm edits/tools. a-side features label boss paul du lac s edit of t.o.y. s drum electronic sound , a dark and menacing mid-eighties instrumental italo/electro track (original version was recently released on bordello a parigi), b-side features a simple yet highly effective and relentess minimal drum cut by herr mick wills... no need to say more... vinyl only.

as the d edge label clocks up release number 24, it turns to the phil hinter ensemble for a fantastic three track package that is filled with fresh house vibes. phil hinter ensemble is a joint project by phil s main pillars philogresz and german simon hinter. they have ties with labels like their own phil, love unlimited vibes and of course d-edge. previous eps have gone down well around the world and simon hinter s smart grooves and sample based fill-ins blends with the wombastic bass and shivering synth lines of philogresz perfectly. up first is the owl, a squelchy, synthetic house track with lively drums and chords and magical trumpets all making for a party starting track. it is perfectly arranged and expertly musical, unlike much of today s plastic and sample heavy sounds. in the air then gets even more playful with glossy synth stabs, rumbling bass and diva vocals all bouncing along in a charismatic style that is full of colour. struggle then gets intimate and final with scurrying little percussive sounds, burst of afro vocal, down low sine waves and icy snares all making for a perfectly seductive minimal techno brew

this is a city of contradicting systems and clashing elements. its morphology becomes a direct representation of a poly-rhythmic frenzy, avoiding any attempt of crystallization into a single entity. hi hats become columns, snares turn into repeating arcades and drum kicks form encompassing volumes. this is the architecture of the absurd, where reality as a single vision is no longer possible. as music helps us escape our bound dimension through obsessive repetitions, this city wants to be a materialization of this transcendental power.

deep space helsinki is back with the label s third installment of finnish techno. signal three ep features 3 tracks, one track from juho kusti and samuli kemppi each plus a collaboration between the two as deep space helsinki. enjoy!

mosco fell asleep and awoke days later with red axes. this is their joint offering for the esp institute. dikembe manutu, the fictional character whos name gives title to our thumping a side, establishes a lush theme based on meandering steel drums and reverberating toms while a slew of rich percussion leads us through the jungle on a melodic galloping bassline. once this deep groove gets us rolling, were treated to a variety of twinklling melodies that float high above. on side b, rage in the cage is a true live drum machine jam, full of bleeps, detuned toms, abrasive cymbals, and plenty of left turns. we can only imagine the mood in the studio as these three old friends frantically smacked buttons and tweaked knobs, creating happy accidents and loving every menacing moment of chaos as they stirred this cauldron. these two songs will make you thirst for exotic nectars.

for the 7th release on love on the rocks, we welcome the mexican duo zombies in miami for a three track ep titled snake language. the title track is a raw an haunting drum heavy number. on the flip comes calo with its twisting riffs that wind and turn alongside percussive interludes. yamo changes the pace but is no less impressive with climactic flutes and a driving bass line. with this ep, the zombies in miami are literally on fire!

*dubble attack* is the ultimate deejay selection for producer legend glen brown including u roys king tubby sound system special *number one in the world*, big youths instant rewind *opportunity rock*, three of i roys hardest and hardest to get tunes along with a trio of killers from prince jazzbo and many more, released in 1972 to 1974 on glen browns jamaican label pantomime. in total 14 tracks of highly desirable recordings from the most collectable label of them all, engineered by king tubby. remastered with expanded sleeve notes *dubble attack* is the must have deejay round-up no serious reggae fan can be without. available as cd (digipak) and lp-vinyl with new lacquers cut by kevin metcalfe at soundmasters.

2016 is all set to kick off in fine style for the opilec music label as they release three brilliant remixes of an i-robots original. artwork comes from tamami saito to ensure this is another irresistible package. the original track here is opilec music boss i-robots come to harm which was released on his debut album laws of robotics back in 2007.

let present you our next piece of jewelry, the womb ep . neverm!nd appeared for the first time on wirsindeins recordswith a remix of iori wakasa his track take u antarctica and now they are present with their own ep. the womb shadows and mobiers three tracks full of nicely matched percussions, tight baselines and greatful pads. everything your heart desiresand the demands of your mind of course. higuchi, our first family member launched its 2 track ep in 2013 on our label and now he is supporting this huge release with a brute and yet beautiful ...

orchestrating their return to kompakt with the much-acclaimed new full-length moonbuilding 2703 ad (kompakt 330 cd 124), iconic pioneers of electronic music the orb found fresh momentum in an enticing melange of psychedelic loops, deep textures and striving beats. the album saw the duo at the peak of its creativity, indulging in that distinct style of warped miniature epics they ve perfected, ever oscillating between ruminant sampling and propulsive jamming. with moonbuilding 2703 ad remixes / sin in space pt.1, we present three reworks willing to tackle the sonic thicket of the source material - and succesfully translating the orb s unique brand of musical insanity into their own resourceful idioms.

tresor.283 unveils yet another exceptional debut ep, this time from the hand of zadig. the head of construct re-form had already been initiated to the tresor catalog with the inclusion of panic on the demo tracks #2 compilation, in 2013.
with the stellar hunter he delivers three tracks rich in tradition, matching impeccably to his style, arrangemental magic and masterful set of technique.
between elongated synth pads, high-frequency blips and reversed kick drum sequences coupler with deep hypnotic bass lines, zadig proves to be the talented recipient of an illustrious heritage in techno, carrying it forward with modern application.

hnny is mostly known (so far) for his amazing house take on mariah careys >i want to know what love is< which was released on fellow stockholm label studio barnhus last year. for his debut on local talk he has pulled together three house gems that showcase a remarkable diversity in production quality. repressed

dj fs prayers for the long life returns for its second release. dj f delivers three detroit flavoured slices of techno and an electro tinged, synth odyssey as acid future overdose!

ltd 2016 repress !!
seuil is back on his label, eklo with 3 deep techno cuts worked only with the mpc. uncluterred beats, right to the groove. add a brilliant deep fred p reshape and you have one essential 12 inch!

joel martin and gerry rooney first surfaced as velvet season & the hearts of gold back in 2012 with the first of three salacious 12-s for lucky hole records that really got the refined disco lovers hot under the collar. following a smattering of remix commissions and a wonderful debut for resista, velvet season & the hearts of gold rear back into view with witch doctor love, a two track 12- of late night voodoo dancefloor material issued by love circle. the title track is a chunk of tough and moody house music, all sleazy whispered vocals and trippy electronics, the results are nothing less than intoxicating. complementing this, -fish powder dance- sees the pair s disco influences come to the fore on a superb fusion of classic strings, vocal harmonies, and joyous basslines over a bumping early 90s house groove

jean nipon most recently known for his standout productions on parisien label clekclek boom joins the l.i.e.s. stable with a new three track ep. the a-side sees nipon go straight for the throat with a chicago-esce muted-synth beating drum track, not unlike early poindexter or ricky smith productions- it is effective, dj ready, and geared for the club. the two track b-side takes a more mellow and dusty approach- without losing his sense of rhythm engaging drum programming push along tape warbled melodies as the tracks expand and release, balancing out and letting this ep breathe perfectly.

• three more fantastic edits by japanese based artist dj k.
• vinyl only release.

after the very polish and the very soviet cut-outs, zambon continues his endless trip around eastern europe with another excursion. now it s time to follow him and dive deep into dance music of former yugoslavia. the very first volume of the brand new the very yugo cut-outs exposes a little known scene of editors based around the cult club 20/44 in belgrade, serbia. a duo of djs and producers called kompleks is responsible for three edits here, while the label boss zambon supplies the last one. tracks range from poppy new wave of jakarta group from serbia, through psychedelic rock of seid memic aka vajta from bosnia, yugo boogie of kim band from serbia/macedonia and sleazy synthpop of videosex group from slovenia. the unique vibe and amazing skills of yugoslavian musicians from the rich and unfortunately still little known scene are guaranteed to move both you and your local dancefloor. hvala!

three stellar tracks between house, acid an downbeat pepe braun, swilen oschatz,bayou soundsystem

and just like that, sounds of the city bring out a new walt j ep! the label is fast becoming recognised for its ability to force mythical house producers from chicago back into the studios after decades of hiatus, and we still don t know how they manage it! after brian harden s recent stormer, this three-tracker by the great walt j is just what we need to sooth our evenings a strong beat winds into starry melodies and forward-thinking percussion on test your limits, while simplicity (the atkins tribute) calls all stations to detroit and lays down some utter truth it s exactly the sort of house music we want to hear bald, fiery, and deep as hell. bypolar, on the other hand, is classic walt just doing his thing dope samples, heavy chords, and dusty drum swings. the quintessential house shit.

american label beyond the speaker made an impression with their first release angels against dust two years ago, a tasty 12inch split between legowelt & willie burns. for the latest outing, canadian mastermind michael silver aka cfcf (rvng, ghostly, 1080p) celebrates the soul and grooves of house, electro, and techno. three tracks that balance dancefloor hustle, intricate detail and flourishing melodies. lead track head up is a poignant call to the dancefloor, a peak hour house cut with an emergent vocal sample that rallies all for a blissful groove excursion. the b-side is a moodier affair, with mossy wall submerging the listener with potent rhythms as ominous bass intersects with a waking metropolis of melody. and the classic techno sound of sea of love deftly lulls us with gentle vocals and a looping guitar phrase.