no label coverartwork - standard cover. the unstoppable force that has become the will & ink label now offers up its first remix ep. those hand picked to work their own magic on three originals by the the will & ink production duo are fachwerks roman lindau, arts label owner emmanuel and yaleesa hall, the mysterious artist who released her debut ep on this label back in 2014

great follow up on basic soul units you knew ep, continuing the remarkable high standard of the current round of new dolly releases. the somewhat mysterious compassion crew brings us two absolute wicked floorburners with this slightly tribal hypnotic feel... sneaky! redshape on remix duties takes things to the techy side of life with a smooth & extended techno rework of v.h.s.s... winner package!

white vinyl in standard white sleeve (no artwork).
systematic recordings celebrates its tenth anniversary and decided to release only special vinyl pressings during this year. the already second part of marc romboys series is therefor also a collectors item and comes along in form of a solid white vinyl. both tracks, the melodic simi and the tracky bylgja have been featured at romboys and bodzins buzz causing be-at-tv show at village underground in london last december!

joefarr inaugurates leisure systems new gridlock 12 series with the longanimity ep, an invigorating

2x12 inch standard weight black vinyl inserted into black paper dust sleeves
2-panel art sleeve printed jacket with 5mm spine on matte laminate stock with gold foil accent
vinyl includes download card

something stirs in the east. re-edits and reworks exploring beyond the standard disco fodder. synth pop, cold wave, new wave, minimal wave, industrial, new beat, soundtracks and a touch of the original balearics no boundaries ideals.

the a1 was never a big surprise. mattias fridell s consumed for profit was one of the tracks of the year, and surely fridell s personal best track, and was played by anyone who at least plays a bit of techno in their sets. the usual fridell quality of standard and a tight synth line! a2 sees french artist electric rescue s quarries in the a. mochi remix. a peak-time banger, slapping the synth stabs right into your face. this one always gets the floor jumping. the b-side kicks off with label-head advance human s pure , stripping things down to some essential moody but slamming techno, right up there amongst his best productions. b2 has +platform s mosses closing things off, and as we came to know and love from +platform, it s out there, dubby and dreamy techno, born for those deeper berghainesque floors.

since its inception in 2009 slow motion has set the standard for new wave of italian dance music producers. with over 15 releases in the archive the italo/berlin based label is now about to drop its first ever compilation italian dance wave. bringing together some of the secret weapons that label boss franz underwear has had tucked away in his record bag with brand new tracks from the likes of clap rules, bottin and riders of the lost arp this compilation packs a mighty punch with its 22 tracks.

since its inception in 2009 slow motion has set the standard for new wave of italian dance music producers. with over 15 releases in the archive the italo/berlin based label is now about to drop its first ever compilation italian dance wave. bringing together some of the secret weapons that label boss franz underwear has had tucked away in his record bag with brand new tracks from the likes of clap rules, bottin and riders of the lost arp this compilation packs a mighty punch with its 22 tracks.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

as we have come to expect, pluie/noir again challenges what can be achieved within the parameters of dance music by empowering its carefully selected epertoire of artists. as standard, the album will come as a limited pressing, this time around of transparent green vinyl, with a beautiful hand-drawn black and white artwork cover, ensuring this is as collectible as it is listenable.

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

ben frost veröffentlicht eine ep mit remixen von regis, evia christ, hrtk, dutch e germ & kangdingray auf 12 inch via mute! die limitierte v a r i a n t ep folgt dem von der kritik gefeierten album a u r o r a (best new music auf pitchfork.com) und bietet remixe des britischen produzenten evia christ (kanye west), dem downward-labelbetreiber regis, dem experimentalkünstler dutch e germ, dem australischen duo hrtk und kangding ray (raster noton). schwarzes standard vinyl inklusive mp3-download code!

in less than a year since first starting out, guy gerber’s rumors label has become one of the go-to outlets for considered, classy and cultured house music. after tastemaking and standard-raising releases from guy & dixon, lake people and chaim – as well as memorable parties everywhere from bpm to wmc - now the imprint offers up a fantastically strong and seductive four-track sampler entitled chinese whispers.

following on from her highly acclaimed ett lp on editions mego klara lewis presents 4 new works which further her signature explorations of field recordings, electronics, rhythm, sound and atmosphere. here lewis exemplifies her uncanny ability to harness the world outside in order to reconstruct and re-present this as amorphous musical matter. these 4 new tracks exude a certain ambiguity where standard signposts such as rhythm, ambience, texture, light and dark remain as elusive as they are present. whilst bypassing passive or photographic representation of the source material these works withhold a strong emotional quality resulting in a confident and at times brutal musical manifestation. as suggested by the title, msuic resides in a zone at once familiar and slightly off kilter, a world of lewis devising in which the listener is warmly encouraged to enter and explore. msuic is another superb collection of music as fantastic matter.

standard black vinyl - repress 2014
glorious and epic two tracker vinyl for bosconi records, this time by our favourite detroit techno duo the oliverwho factory. we used to be big fans of their madd chaise works and latest rush hour and planet e were awesome, but that percussive sound was different from what we knew from their past. we wanted them to give another chance to their more jacked out musical side in memory of the two masterpieces (and bosconi soundsytem favourite waxes) those were >the rhythm< and >the rain 5th wave<, and so we proudly got another timeless, soulfull, spacey and futuristic techno anthem called >take me away< darryl with his magic hands has created an ultra effective combination of energetic and groovy pumpin kick with a tight funky bassline substaining an upbuilding layers of dreamy synths and stormy noises while the voice of lashone gives that unique colour and atmosphere to the track that all the oliverwho fans love, dictating their original trademark sound. on the flip, takin inspiration from tama sumo panorama bar mix samplin the ow, we got an upbeat version of their slowmotion gem called >together<, that this time, thanks to altered states re touch of darryl and shone has become a proper and fat techno arena bomb, now just for the pleasure of absolutely everybody. you wont miss it, for sure

standard edition with factory-printed sleeve.

flofilz ist einer der talentiertesten newcomer der hiesigen beatmacher-szene. bei soundcloud erreichen seine tracks regelmäßig sechstellige playzahlen, seine kollabos mit eloquent und wun two sind legende. mit *metronom* erscheint nun das erste soloalbum des in belgien aufgewachsenen wahlaacheners auf melting pot music. flofilz stammt aus einer musikerfamilie und studiert selbst geige. seine beats aber atmen vor allem jazz in bester low end theory-tradition. *metronom* erscheint nun als standard-edition.

limited 300 copies on standard black vinyl.
original recording 1984 released by jumbo records. epic vocals and ultragroovy synthlines made this release one of the italo disco must-have records!

limited 300 copies on standard black vinyl / picture cover / limited supplies
original recording of 1982 released by moon records association –, cat.# mra1002 / mra 1003 blackway s own interpretation of italo disco, dark and catchy. another gem.

initially listed as hm1001 now released on archivio fonografico moderno official 2014 re-issue from 1983 ! limited 300 copies on standard black vinyl / picture cover / limited supplies / 1stcopies on red vinyl melancholic and ultrafunky synthlines together with an ultrafat bass and unique vocals for one of the most significant record of the golden age of italo disco ! don t miss it !

official 2014 re-issue of hm 1002 released in 1983 limited 100 copies on red vinyl limited 300 copies on standard black vinyl / picture cover / limited supplies / this record comes from the peak era of italo-disco. this release is pure quality, genius, so simple yet so brilliant. from the guys who brought the amazingly beautiful -stop / livin up- release under bwh. this record is equally amazing, with a spectacular drumbeat and very nicely layered synth, parallel to -stop- in brilliance and sequence, but a bit simpler and slightly shorter. its a shame that this track is only 4:30 long and that the duo released only a handful of italo-disco gems altogether under the aliases of bwh, blackway and mr master.

official 2014 re-issue of hm 1002 released in 1983 limited 100 copies on red vinyl limited 300 copies on standard black vinyl / picture cover / limited supplies / 1st copies on red vinyl this record comes from the peak era of italo-disco. this release is pure quality, genius, so simple yet so brilliant. from the guys who brought the amazingly beautiful -stop / livin up- release under bwh. this record is equally amazing, with a spectacular drumbeat and very nicely layered synth, parallel to -stop- in brilliance and sequence, but a bit simpler and slightly shorter. its a shame that this track is only 4:30 long and that the duo released only a handful of italo-disco gems altogether under the aliases of bwh, blackway and mr master.

the debut solo ep from voodoo down records co-founder 12x12. deadly electro/techno jams, continuing the high standard voodoo down have been synonymous with.

standard edition transparent blue vinyl pressing with white inner sleeve and printed cardboard sleeve.
the project stems from an idea of hypnotism and low frequencies which are an integral part of the musical premise. in an ever-changing field of music, blow creates a fusion between the genders in a spiritual perspective becoming part of the contemporary underground movement. both tracks are live interactions and excerpts from archival material of the opera mutica. the acoustic elements that characterize the artists sound are flutes, drums, percussion, guitars and ambient sound environments. between the surreal sounds he is able to initiate a search within ethic harmony. through musical research the project evokes a certain significance, enough to take on a certain character which makes space for more conventional acoustic elements.

exceptional taste and sound is an ideal that rhythm cult embodies and is at the core of the label s mission. with its first release bringing an eclectic group of electronic tracks, the second release raises the standard even higher. this time danish duo jesper larsen and simon knøsgaard aka greenville massive, drop three original works of high standard house sounds. known for their signature style, sitting between deep and tech house, the two tend to rely heavily on a melancholic vibe in their work. the rewind ep is just that, a flawless ode to their carefully honed sound through years of exploration. a cosmic ride of relaxed and charismatic electronic music, rhythm cult s second number is mature and oozes delightful soundscape

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adam s stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demo s that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adam s stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcodes core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcodes core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adam s stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demo s that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcode s core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

to rack & ruin comes thundering your way slap bang in time for summer courtesy of our italian disco brother in arms dj rocca and his compardre n2b. the usual high standard of sounds are as present as ever on the 6th instalment of our edits and reworks imprint. get up hits you with a rolling bassline that brims with plenty of pant flapping groove & wah wah guitar licks before that ever so familiar vocal kicks in for a full on reggae disco workout. weird safari certainly lives up to its name - a stripped back, dark & almost techno sound, alongside tinkering percussion and spaced out wild animal noises surely make for a weird safari. dubby pino has you from the off, all the foot stamping & money shaking elements are present - hooky guitar, fat bass loop, infectious percussion, soulful vocal licks and a gorgeous little piano break. mr rossi’s backpain starts off by getting the award for the best song title we’ve ever had on rack & ruin, but as well as that it’s in the proper groovy dance floor tackle category with a bassline & guitar that commands your respect and then when the 4/4 kicks in at 1 min, well just have a listen.

jerome c, born and raised at haifa city port in israel, is a declared fan of vintage gear, always looking to explore the special analog sound. he creates music with a sumptuous mixture of house, disco, funk, and hip-hop. he first hit the house scene partnering with double hill for soul clap s imprint double standard releasing the amazing *i need love ep*. for his latest offering three new cuts pressed and published by the spanish label apersonal music.

standard black vinyl pressing, download code included.
cloud boat aka tom clarke and sam ricketts are back with their second album following last years critically acclaimed book of hours debut. one listen to model of you tells you that cloud boat are not the same band they were 12 months ago. richer, heavier, more adventurous. this is an emotional record untethering themselves from the past sailing into deeper waters.the man charged with helping cloud boat navigate this new course is andy savours, the english producer who has worked with the pairs favourite bands such as my bloody valentine, sigur ros and the horrors. the result is a dramatic body of work destined for further greatness.

once again, the sunkissed camp get it spot on with this loud-pressed 12 inch collection of balearic classics from brazilian songstress astrud gilberto. opens with the original version of mesmerising dancer *black magic*, a great dj weapon that got the tangoterje edit seal of approval a few years back. followed by balearic favourite *beginnings*, a jazzy take on chicago s classic hit which spins out into eight minutes of sensual bliss. turn over for big daniel wang play, the obscure lp track *all i ve got*, a glorious low-slung floor-filling gem produced by none other than salsoul orchestra founder vince montana who also supplies the sublime disco version of the song that made astrud a household name *the girl from ipanema*. lastly comes her cool and breezy version of the bossanova jazz standard *agua de beber*. beautiful stuff.

part 4 with more fantastic tech house / techno / minimal slammer... taken from john digweeds famous dj mix

back in 2009, exactly five marches ago, culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. with its new release, the los angeles­based label celebrates one of its most recognisable elements, the standard hotel rooftop, the site of the labels signature parties for the past 6 years: its been more that just a location – the rooftop has become the essential ingredient of culprits philosophy. inspiring a successful three-part compilation series, above the city, which has united some of the best young production talent around, the series has showcased a particular brand of warm summer­time sound, modern yet timeless. each remix is a culprit debut for all of the remixers. yet, each of them is part of the extended group of friends of the label, a like­minded tight­knit collective

standard weight 12 inch black vinyl with 3mm spine. the sleeve is matt machine varnish onto reverse board with the original artwork redesigned by hand, individually, in a variety of colour options (green, blue, red and purple). limited edition to a 1000 copies, each individually numbered.. dansson & marlon hoffstadts -shake that- was one of ibizas biggest hits of last year. now, following support across radio 1 from nick grimshaw to annie mac and a remix by djs of the moment blonde, the resurgent ffrr marks its first ever release for record store day with this limited edition vinyl

>a series of shocks< ist das zweite soloalbum des versierten produzenten, tobias freund. auf dem neuen album setzt tobias. seine erkundungen im >non-standard< elektronischer musik fort und erweitert die reichhaltige palette seines sounds vom ersten album >leaning over backwards< (2011, ostgut ton). das neue kapitel führt mit seinen vielseitigen tracks tiefer in die puristische und sich immer weiter entfaltende klangwelt von tobias.

oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.
repress in standard sleeve.

killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!
this is the standard pressing on black vinyl.

nice price deal, only standard cover !!! wph 021 hails the return of spains nacho marco, who was responsible for wph 010 together with raoul lambert. for his wph comeback our valencia kid has teamed up with the vocal talents of aqeel, bringing you the acidic soul masterpiece *open*. think deetron on a dark day! on remix duty we find young wph buck kiani & his legion who came up with two remix versions. his basement remix will go well info any levon vincent set and his normal version is vintage kiani. that says it all really, vintage kiani, after just 6 tracks officially released. raw belgian talent at its very best!

snow bone debuts for lobster theremins second release, with the a-side roaring and crackling with noise and ebm-influenced toughness, whilst the flip plunges much housier territory featuring a jared wilson remix. the tracks blew the mastering console four times so you know this is going to bang. mastered by christoph at d&m. ectoplasm a4 insert as standard!

first contact ep is living proof that music has no geographical boundaries, uk and latvian artists come together to bring electro funk of a celestial standard.

pulp presents the labels sophomore release called loves cosmos by us house veteran darand land. after delivering a top-notch remix for the first effort (pulp01), darand agreed to come up with an entire ep for the labels forthcoming output. the result is well orchastrated deephouse sounds with that signature darand land vibe. the opening track the long night and the follow up soothe me both have that classic american house vibe to it while the ep takes a more percussive route on tribute to ron and anthony. darand continues to show his versatility on the downtempo track cling to a cloud which has that dreamy touch to it. jose lau helps out on the b side with his mix of sunshine to peaches. all and all pulp is determined to set a very classic standard in modern house. pulp02 is being releaed as a vinyl only limited product. first come, first served.

the much loved nice n ripe sound is being re-visited by boston funksters soul clap. it is impossible to think of garage in the nineties without thinking of the seminal uk garage label nice n ripe, which started way back in 1993. from its beginnings in flat in finsbury park releasing the occasional 12 inch record to releasing a record per week under an array of different guises such as nice n ripe, nice n fruity, g.o.d. and zest 4 life, nice n ripe peaked in the years 1997 - 2001 when classics such as *together* by 24 hour people, and *industry standard* by industry standard featured on every dance floor from pacha ibiza to save the robots in nyc.
pressing on translucent, yellow coloured vinyl.

&me is a no stranger to delivering high quality eps to saved and this time round continues the maintain that standard.

20x 12 inch cover 300g/m karton high quality standard cover ohne loch (31.5 x 31 cm) paßt für eine 12inch vinyl mit papiertasche