autoreply label owner och invites kashawar into the fold for their 16th release, following the rising german producers breakout releases for underground imprints project london and soul.on records. for his autoreply debut, kashawar presents moments and lost memories (parts 1 & 2) which covers all bases of his production palette.

slamming delayed audio vinyl compilation with proper house music

equal parts elastic, ecstatic funk and sensitive, reverb drenched romance, on this first installment of endangered speciesremixes the crew love team turns no regular plays genre-defying album upside down. the unexpected results will ignite right-minded parties the world over.

over the past couple of years, kellerkinds unique interpretation of house music has truly catapulted him out of the figurative basement and into the limelight. whether it was the disco-infused cool of backflash or the tribal rhythms found on his debut album basement story, through hard work, rather than by miracle, marco biagini matured into a producer who is at the top of his game.

for the next of our adventures on the black stuff we hand the honours over to english gentleman timmy p who turns out three proper house cuts with an authentically vintage feel.

photic fields next release comes from another (italy born) irishman, lerosa, whos known for an impressive series of releases over the years

ltd repress !!
new big thing from the poker flat camp. new sublabel with kick ass minimal techy house grooves. already making waves all over germany. two stone cold pleaser tracks. dont sleep on it! tip

ltd nice price action !! leftroom records deliver their soundtrack of the summer with tracks by huxley & russo, matt tolfrey & maher daniel, gavin herlihy and julien perez.

we feel very honored to present our new baby rue de plaisance-re issue to the world. we are starting this project to re-release some of our favorite tracks from back in the days, as we believe they need to be made known to the new and upcoming generation. these are our rootz. for our first opus we have invited from the uk the infamous duo >idjut boys< who surely have much to offer with over 20 years of releasing contemporary dance music all over the globe. for our first issue we chose their track >not reggae< supported by forward thinking mixes by varoslav and david k who pushed those classics to another level. we hope, all of you, will enjoy this new project as much as we do. quality timeless music on vinyl...

for their next release, hot creations call upon talented italian duo paul c & paolo martini, whose combined career spans over forty years in the business. true to their personal style and doing what they do best they deliver three tracks bursting with groove and energy, aimed solidly at the dance floor. title track get this! bounces along a prominent bassline, progressing with trippy vocals that swirl into an epic build up, erupting for maximum destruction on the dancefloor.

the auf togo combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti are back with a follow up 12 inch for leng. once again they blend the warm analogue sounds with a dancefloor approach this time bringing in some vocals on old models that sit over a tight live drum beat and guitar work. waiting for beggi gets a balearic workout with more hazy guitars, percussion and a killer bassline.

this is necro deathmorts first foray in the world of vinyl. and, as you would expect again, it is yet another change of pace for the duo, supplementing their doomy ambience and whirlpools of 23hz low-end with 70s evil filthy synth and 90s harsh, pummeling techno, with frequencies cutting, slicing and bursting all over the place. think the likes of the the tuss, goblin, underground resistance, john carpenter, maybe even tangerine dream, surgeon, or the horrorist.
limited edition vinyl release, download code included.

the remix package kicks off with a reworking from alexi delano who has recorded for poker flat, harthouse. items and things, plus 8 amongst others who takes the title track secret moon in a deep and spacious house direction with their superb mix that works from the off. l.a. artist david alvarado steps up next on kazantrip and drops a driving slice of brooding techno that is perfect warehouse material. last, and no means least, is the rather legendary d. digglers live dub interpretation. the urgent low end tribal nature provides a solid backdrop for the fluid elements of the original to drift over. this wax edition release is a rich & complex package of mixes with real depth and is another stellar single from the ever­impressive klartraum and certainly worth to be pressed on lucid vinyl.

unknown to the unknown legend palace, showcases his knack for raw houz muzak over this 12 of raw heats.. this shit burns!

cloaked in black, dimly lit and sparkling with dust, warm communications announces umbra volume 1. much in the spirit of adam xs traversable wormhole series, warm is bringing you a collection of anonymous releases that remind to remember drum and bass at its true heart: cracking snares, kick drums hitting your chest, subtle pads playing in an offcentered unison over 808 tones drowning distant thunder. these are the tunes you hear in a mix and say, who was that? the tunes that have made you wake up the next morning and type *id?* in the comments page. the tunes that do not even need to be named. warm communications umbra is truly about the art.
umbra volume 1 is a two-track ep that evokes omni trio and saw-era aphex twin, rumbling sine-heavy bass under ringing melody, computed chords and clean, crisp drums. this is a collectable, limited-edition series labeled appropriately with secretive sewer-grate artwork. umbra volume 1 is lurking there, underground, looking up through the shadows. it is up to you to find out just who is waiting there.

when we released thors yellow sky over reykjavik on the first part of our icelandic lost tracks series in 2010, we were proud beyond words to discover such an outstanding and still unreleased track from one of our heroes from the 90ies.

when walter merziger and arno kammermeier head to the studio to work on new material for their long time project booka shade, the result is a winning combination of underground sensation and club hit, as titles such as mandarine girl and body language have proved to great acclaim. its a balancing act that only the most successful electronic musicians can do so successfully over such a period of time. booka shades new single >love inc< is no exception. presaging the fifth studio album release from these berlin transplants,>love inc< is infused with pure club sound created by merging a refined sense of sonance with solid craftsmanship. the duo pays a contemporary homage to chicagos former king of house, lil louis, whose 1992 hit club lonely serves as the tracks sample

like the face-painted celtic hordes that succesfully repelled all invaders, seaghdha continues to dominate the high ground and provide sonic sustenance for rave caves the world over. as the series continues to pick up new fans and plaudits aplenty, the modus operandi remains the same - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

murphy jax delivers a fresh full length lp entitled *teleport: echo city* via the frankfurt based chiwax imprint.
murphy jax, over the past few years, has been steadily building up a back catalogue of solid electronic workouts. delivering content for the likes of clones jack for daze series, hypercolour, exploited and turbo,jaxs style meanders through a variety of styles, ranging from low-slung, chuggy grooves through to straight up chicago inspired house rhythms, always keeping the production intriguing and melodic. here murphy joins the chiwax roster (a sub-label of rawax, also running the dubwax and housewax labels), alongside heavy hitters like gemini and perseus traxx.

nach der veröffentlichung des neuen albums >tomorrows harvest<, das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten. jedes neue vinyl enthält diesmal zusätzlich einen downloadcode sowie einen boc sticker aus der jeweiligen zeitphase. zuerst erscheinen die alben >music has the right to children< (1998), >geogaddi< (2002) und >the campfire headphase< (2006), im zweiten schritt das minialbum >twoism< (1995) sowie die beiden eps >in a beautiful place out in the country< (2000) und >trans canada highway< (2006)

the manic brothers - voices huge hypnotic stabs generate a late night dub that uses sparse percussion and interesting delay effects to mesmerize the crowd. hidden history includes lots of snare rolls and a stab that is infectious whilst rolling over a heavy kick drum.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

gaetano vinci a.k.a. hooved has been one of the most dependable producers on amam over the years, and more recently, his sound has mutated in some unexpected directions. thats why its high time to give our knob- twiddling satyr his own special catalog code from now on, and here we present amamhvd001, or for those of you who prefer titles instead of strings of letters and numbers, the timeless ep, his first 12inch of the year. the near-15-minute tmlss 1 begins with a 2-step beat, and as it unfolds, the beats only get more broken, causing a sense of auditory psychosis while somehow remaining calm, cool and collected.

portugese producer, accatone, drops the a reason not to try ep via the ever on-point, hudd traxx, imprint this september, backed with a remix from house aficionado, matthew herbert. accatone aka jose reis, has been steadily evolving as an artist over the past four years, racking up a string of releases for roots & wings, apparel music, and dabit records. here he joins the hudd traxx roster, slotting in alongside the likes of rick wade, rolando, sascha dive, and dj sneak to name but a few.

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

ndv return from summer with their 2nd release which is a bloomin all star va. the idea of the va ep is to showcase the synthy housey technoey sound theyre all about, and what better way to do it than give the vinyl over to some of the most freakishly talented producers out there.

will saul & october / karizma remixes) first single of the forthcoming album music over matter. deetron calls on the beautifully smooth vocal talents of ben westbeech which produces the perfect melody-drenched house track.

northern irishman ejeca makes his second appearance on london based needwant after his highly successful horizon ep. title track together showcases the talented producers style when it comes to combining a new twist on 90s garage with a 4/4 beat. the tracks huge euphoric breakdown cleverly reference the past whilst still keeping the future in mind, a signature sound that ejeca has become so well known for over the past twelve months.

the acid arabic wind has not finished blowing. after the warm welcome of our collections ep01, versatile proudly present four new tracks for eclectic and demanding dance rooms. once again, guido, hervé and sex schön from acid arab deliver one track and have asked producers from all over the world to contribute to the project. as you can see, some of the best musicians of our era have answered positively.

20 years of downwards ... enough said! pressed on translucent, slightly smokey marbled vinyl and delivered in a 350gm printed sleeve.

dub wise noise - new energies from kaitaro, whose skill in creating pathways, settings and fictional dark futures shines through in this ep, over a year in creation. now based in berlin, kai continues to intrigue and move. on this grow record are 3 original works, followed and concluded with a remix by easy changes, voice by opex.

is it balearic drop a 10 inch slice of acid house perfection from one of the true masters of the genre in foolish felix dickinson! *ousana* grows slowly over a driving house beat as warm synth pads and synth leads take the track along nicely with a subtle acid line until the bassline drops. a vocal refrain joins the groove seductively cooing *i want to take you home* over the acid layers that develop in deeply hypnotic fashion. straight into the basement. on the flip coyote take the tempo down, bring out the percussion and create a balearic acid stomper. bleeps dubbed out vocals all swirl around the percussive rhythms then the acid line drops subtle and reminiscent of a certain acid house classic. early doors or at the beach bar for this mix.

the track 303/303/303/606/606 is heavy, slow grooving techno that brings the listener back to the dark emptiness of the plastikman consumed era. on the b-side the tm404 project is allowed elevated to new levels. with a yamaha sy-1 and a yamaha tg33 entering the machine park, tm404 for the first time, breaks his roland oath and opens up the project to a future of new po ssibilit ies. during the development of the svans ep this track actually went under the working title the summer hit. take a listen to the fine bassline, airy production and the selected ambient works-inspired harmonies and sounds and you will know why. welcome to over 12 minutes of pure old school bliss.

the prospect of a music is love release has become an increasingly notable proposition for electronic music fans with their assured consistency of groove-heavy beats having already resulted in four high-grade releases. the label has effectively cemented their reputation as a trailblazing imprint for fresh sounding house and from the introduction of new jack city through to the much hyped maxwell, their latest rendition further emphasises their status as reliable purveyors of effortlessly deep, contemporary house.

two absolute masters going over to the dark side with serious results. trademark elements from both artists combining into gorgeous vox laced dubbed out electronics, recorded in berlin. the force is strong in these two... on the flip ricardo villalobos and max loderbauers vilod collaboration takes the whole other side, twisting out the original parts and arriving on a planet all of his own. metroplex returns! tip!

phobiq presents its 4th vinyl sampler and its another slammer! once again it features only the best the label has to over and does so in the form of powerfull tracks by sasha carassi, hans bouffmyhre, rino cerrone, mark reeve, jerome sydenham and skober. big!!

with the exuberant *hot inside* ep still ringing clearly in the consciousness of revellers across the world, berlin-resident jimmy edgar hands over the reigns of his newly-minted ultramajic imprint for another vivacious outing to launch the metaphysix series, a concept that was developed alongside long-time creative partner pilar zeta.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

cambridge resident samuel emerson iliffe, aka ill life, is driven by a penchant for warping things. akin to warping his sonorous surname into the ill life moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. samuels sonics seemingly owe a considerable amount to recent innovations from the likes of blawan or perc trax alumni, however his only fault is taking part in the phenomenon of synchronous innovation. before karenn coalesced, before clouds newest offerings started being rinsed, ill life had long since moulded his sound. it is infinite machines infinite regret to have discovered him so belatedly. but there is no use crying over spilled trax.

since his first single masquerade dropped on vinyl just over a year ago, forrests profile has continued to rise, with releases on noir music and mobilee and forthcoming on visionquest.

after the storming success of fractures outing on methxx02 friske quickly follows up with both tracks *covert* & *venture* on methxx03.
overall the whole 12 inch exemplifies friskes highly accomplished production prowess with a release that has the metalheadz signature stamped all over it and once again all finished off in the hugely desirable and collectable methxx packaging. another stunning metalheadz ltd outing for 2013 and another slice of metalheadz future history.

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

vitalik recordings welcomes sam russo to the ranks with the rather fantastic vanishing test ep. sams production skills defy his years, his style defined and his sound signature. his trained ears have been sought after by the likes of craig richards, matt tolfrey and huxley in recent studio collaborations. his music is non-categorical genre speaking however his influences permeate his music, dub and bass play key roles, darkness and light coexist in a dynamic juxtaposition, bright expansive pads soar over rumbling kicks and moody bass lines.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

e.a.r always pull something perfectly summery out of the bag just as the sun pokes it head from behind the clouds and with *mercado viejo*, it is no different. this carnival style mood lifter is destined to have heads nodding and feet tapping in beach bars and around pools all over the world. news has it that it is already heralding the summer season in ibiza in a wonderfully cheerful way.

fcl is the pairing of two reputable producers in the underground house circuit, namely san soda & red d, individually and under the fcl guise, both artists have made a huge impact, although retained a quality over quantity approach, with only a string of releases out there on the likes of we play house, ferrispark, and delusions of grandeur. although these singles acted a striking indication of quality with each one garnering huge support from the masses, especially the duos critically acclaimed lets go, on the 2010 vocals for everyone ep