they expect me to write something informative about the tracks on this ep here but i find it really difficult to express music in words. on top of it i went out last night, to club der visionõre, and i feel hungover and empty inside my head. so now im sitting here and all i can think of is, cant you just take a listen to the music?! the ep contains 5 tracks all made in the last couple of lousy summer months here in berlin in nostalgia for the better days. itÆs about house and a bit of electro, no gimmicks.

combining forces, audiofly and patrice bäumel draw on unique inspirations from the desert to deliver the monumental atacama on crosstown rebels. having focused solely on his own productions in the past, label boss damian lazarus steps away for the first time to complete this exceptional release with a profound re-shape. the hypnotic atacama intricately builds with a certain intensity that never drops, stimulating the senses and transporting the mind as deep, grumbling pads drift in and out of play. damian lazarus remembers the first moment i heard this track i knew there was something very special about it, not only did it strike me as a killer club record but i also felt the textures completely appropriate to my own experiences in the atacama desert. on the flip, damian changes gear as a deep, chugging beat leads the way through an impressive re-shape of the original. anthony middleton and luca saporito aka audiofly have established a creative empire, which includes two record labels and their flying circus global party brand. they met patrice during a us tour and immediately hit it off. it wasn t long after that we decided to invite him to barcelona for a session that proved to be nothing short of inspirational. internationally renowned dj and producer patrice bäumel has had a busy start to 2017 with a release on tale of us’ afterlife imprint, plus remixes for sasha & policia and depeche mode amongst others. he truthfully said of the this release, it s a labour of love that came together within a few hours of jamming in the studio, unlike many collabs this one really felt like we all equally contributed to the end result.

adult contemporary welcomes u.k. s mark gilbert as hugh mane via his adopted home base, oslo. three impressive, punchy and amazingly produced songs adorn this release. like us, you will become a real sucka for the title track, -real sucker for your love-. this buoyant live performance was built around a sequenced bass line and really drives the kids crazy. we guarantee that over time all the three songs will rotate as the favorite at one point or another. side note: they sound amazing at home, at the beach and in the club. early supporters include kcrw 89.9fm los angeles, dj harvey, bill brewster, lovefingers, nick the record.

here at quantize we simply love confounding expectations cos, guess what? we love all kinds of music and don t like to be stereotyped. but this one even surprised the hell out of us so much so that we figured it deserved a 7inch vinyl release in tribute to the original format. think (about it) was originally recorded 45 years ago in the summer of 1972 by the fiery lyn collins. produced by the godfather of soul, james brown, it barely scraped into the rnb top 10 at the time and normally would have faded into time as just another great james brown produced record but in 1987, it started to get sampled by a new generation of hip-hop artists like roxanne shante and robe base and dj e-z rock. suddenly the world woke up to the possibilities of sampling and since that point, think (about it) has been sampled 1908 times and is the no.3 most-sampled record of all time. so we decided to cut a new version of it with real musicians and one of the few vocalists that would be capable of matching lyn collins firepower - dance music s diva supreme, the incredible barbara tucker. we wanted barbara to really cut loose on this and she didn t disappoint. and yes, those are real keyboards, real guitar and real horns. believe us, this session was off the scale! so when we finally got our breath back we decided we had to get this out on a 45 on its 45th anniversary! it seemed the most appropriate way to do justice to a record that simply jumps outta the grooves. we believe think (about it) will have universal appeal pretty much everywhere since the song is now implanted within the dna of dance music across the world.

detroit s one and only di jital, former part of the underground resistance band -the aquanauts- with his second release on rawax motor city edition. the final frontier of electro is a superb bluperint for music made in detroit!

“eagles & butterflies has taken storm in electronic wonderland - boiler room arpeggiator was originally titled 14 minutes of arps and its exactly that. its one of the simplest tracks iv ever made with probably only 8 layers that your weaves in and out the whole way through, really love the subtleness of this track where at the same time it is also a beast! oyeme is maybe the e&b sound people are familiar with, big marimba melodies, fat sub and rolling hats with a big break, love this one prophet was originally just an experiment when i purchased a prophet 6, its a little crazy and pretty full on, love the funky bass in the one from the sh 101. all the parts for this where recorded in a few takes live and two whole track was made in 2 hours!

the wrdubs split series is back serving up both sickness and slickness on our 4th plate to date. pon a side duties t.a.r drops a beautiful mindfuck of a track. the crafting of the bottom end of this tune is pushing next levelz while the mids and tops are full of unsettling rattles and insane voices. really not like anything else atm this tune will stop em in their tracks. progression. flip to the aa and vgb drops some sub-soul for us. robust bottom end and drums supporting a melody that addresses our need to escape the sometimes narrow musical boundaries of dubstep. expression.

skeleton recordings are proud to announce the release of the skeleton xxv project to celebrate the 25th anniversary of the label which originally launched in 1992. this is a five part collectors edition to celebrate 25 years of skeleton recordings. volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original skeleton recordings logo that will look good on any wall. volume 05 will be a picture disc. the full digital album will only become available once all five volumes have been released. the project has taken just over 12 months to put together and is definitely something for the collectors. it has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of bailey, storm and ray keith to name a few.

skeleton recordings are proud to announce the release of the skeleton xxv project to celebrate the 25th anniversary of the label which originally launched in 1992. this is a five part collectors edition to celebrate 25 years of skeleton recordings. volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original skeleton recordings logo that will look good on any wall. volume 05 will be a picture disc. the full digital album will only become available once all five volumes have been released. the project has taken just over 12 months to put together and is definitely something for the collectors. it has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of bailey, storm and ray keith to name a few.

justin timberlake, the multi-platinum pop star, actor and owner of handfuls of grammys and emmys, composed the orchestral film together with mitchell owens. his debut composition is nothing but amazing. justin takes you on a minimalistic reflective trip. the score is emotionally driven and shows pure honesty, which is the most supreme form in which an artist can express himself.
first pressing of 1.000 numbered copies on solid red 180 gram vinyl.

there is not much more to say then this is one of the best records innervisions ever put out. the future of house music comes with a unique sound!

hero wouters is a dutch artist who has been active since 1950. through the years he has been involved in many (music) projects. his work in the field of electronic music ranges from synthpop to experimental music. some people might know him from his collaborations with the legendary pink dots and edward ka-spel. other people might know him from his contributions to the obscure contactdisk vinyl series or his appearance on the legendary dutch ding-dong tape label. featured on this lp is work by hero wouters from 1982, 1984, and 1986. most of the material was written for a dutch film (‘een zaak van leven en dood’) and a theatre play (‘laios’). the music has been (partly) released on cassette on hero’s own label herophone. now it is for the first time available on vinyl. the music has been restored from the original tapes and mastered for vinyl with great care not to loose the original feeling. below you can find soundclips for the tracks but we feel these do not give a really good impression of the record. the music (and the record) have to be heard in total (and as a whole) to be fully experienced and appreciated. we are proud to present this beautiful and simply fantastic music by a dutch artist that deserves more attention. the wonderful cover artwork is a drawing by maaike.

neil landstrumm - bad life choice club ep are bad life choices a bad thing or actually quite good really? neil landstrumm invites you to join his club of fools with this effort on moustache records. its money badly invested if you do but endless selfish pleasure awaits the brave. don t blame me if it all goes wrong. i warned you. idiot. this six track lp from the early 1980s contains pleasure seeking electro-pop and beastly disco lust, heard from the other side of mute records black leatherette covered door this record is made by neil landstrumm (rip) on fuck all with shit speakers. ably assisted by tommy stuart and his wall of modular synth and a pork pie on at least two occasions. made for the french but they didn t have enough money to pay for it. fuck the tories and brexit. scotland wanted to stay in the european union. we hope you all know that.

the exaltics are back with new transmissions from their universe in form of the second part of -das heise experiment-. the first part from 2013 on abstract acid will see his follow up end of 2017 on 2xlp inclusive a comic book about the story of the heise experiment. this amazing looking shape picture disc, developed with the dutch artist godspill aka mehdi rouchiche, is -the prequel- release and sees the exaltics in assault mode. side a brings a stomper in typical exaltics style with deep strings and a pumping bassline like an alien invasion which is on course to earth. side b begins with a cryptic alien speech signal transmitted direct from the universe whilst the second track is a collaboration track with non other than dopplereffekt s rudolf klorzeiger. both artists together create a timeless electro voyage with sharp snares and fast running basslines and combine their both styles perfectly together. every record comes with a download code for the release itself and 3 exclusive bonus tracks. this release is strictly limited to 500 copies. the outer contour of the picture is also the contour of the record and makes this release to something really special and to a high collectable item.

devon lyon, born devon bailey, moved to kingston in the 70 s to live in trenchtown with his mum, his sister and his brother named dennis. dennis was working in the new kingston area on a construction site. dennis met a friend who worked at the construction site and that friend was the lead singer from the group the chantells. . dennis told the chantells lead singer that his brother was singing at home like he was singing everyday on construction work site. the chantells lead singer told dennis to bring his brother devon. one day, devon came with his brother devon and they met the three members of the group the chantells. they became friends. devon started to verse with them in the evening and they really like him style.

as part of our 10th anniversary this year, huntleys + palmers are very excited to present a special release with a combination of our musical influences old and new smagghe & cross feat. matthew herbert + remixes ivan smagghe has been a long time influence on the h+p world and we re huge fans of his new smagghe & cross project with the film composer and programmer, rupert cross. not only that, but one of the tracks features another hero, matthew herbert - making a rare appearance on vocals (and sounding pretty robert wyatt-esque in the process). additionally, we re really chuffed to have commissioned a honey soundsystem generator remix by jackie house, super-swedes, samo dj & pedrodollar turn in a trippy groover, and have enlisted the services of the dj who played the first ever h+p party back in 2007, pilooski - completing another circle during the 10th anniversary year.

antideepressant records, where jazzy house, nudisco, techno meets deep and creates the eclectique spiritual grooves for your mind, body & soul. listen to lola allen s deep-afro stripped back but emotionally resonant track. the idris rises is really a classic beautiful track, so relaxing and spiritual, freakin great latin influenced house, while mille & hirsch made a uplifting deep dancerfloor killer. this ep will help save hot energy on any party, festival or just stoned you at home.

re-release of beverly glenn-copeland’s rural canadian new age suite for dx7 and tr707 …keyboard fantasies… with new carefully reconstructed glasswork design by alan briand beverly glenn-copeland is already known amongst collectors and music heads for two sought-after albums of folky jazz in the key of joni. but it was this album, originally self-released on cassette in 1986 that really caught our attention. the album, entirely recorded on dx-7 and tr-707, lies somewhere between digital new-age and (accidentally) early detroit techno experiments. the inimitable style of bgc here is both peaceful and meditative while simultaneously rhythmic and bass heavy. the album was recorded in the northern canadian town of huntsville where bgc was living at the time and is a beautiful fusion of personal vision, technology and place.

lillygood party ! label is very proud to put out the volume 2 with these two attias versions unreleased before in a 12- format and officially licenced directly from the artists. already played by a few international djs, we are definitely confident that this new imprint is promising with great quality for music lovers and vinyl collectors.on the a side we have an early uk vocal house tune produced by the she project outfit and that came out only on an album in 1991. never released on a 12 inch before -mainsqueeze - edit by alex is longer than the original and more -dancefloor- orientated with extended parts and an amazing mastering to feel comfortable to play out and loud. on the b side you will find an incredible instrumental soulful deep house track from 1991 produced by t tauri new york duo. extended from the original tapes and mixed with unreleased versions , stéphane attias version is a 9min 21 extended dancefloor journey into the deepness of new york early house music sounds . these two great soulful track will definitely find place in any dj box because its really really good!

after the success of last years debut ep onemind are back with more music on metalheadz, and coming along for the ride are a couple of friends in total science and throwing snow as they follow in the footsteps of ulterior motive and om unit (who both featured on ep1). ep2 is a prelude to onemind’s forthcoming album and is a sure sign of what to expect as the duo showcase an abundance of talent, from the heavy and well refined sounds of late addition to the spine-tingling pressure of early daze, they really do have it all covered.

vor zehn jahren veröffentlichte daptone records zum ersten mal diese zusammenstellung mit ende der 1960er jahre nur als singles erschienenen songs des new yorker duos bob & gene. das von tollen vokal-harmonien dominierte sweet soul music-album, samt titelgebender marvin gaye/tammi terrell- coverversion von “if this world were mine”, war damals schnell vergriffen und ist seitdem ein gesuchtes sammlerstück. jetzt ist es wieder erhältlich, wieder auf vinyl, jedoch remastert und um zwei nicht auf der original-version erschienenen tracks erweitert. 1967 waren die beiden teenager bobby nunn und eugene coplin die stars des in buffalo, new york ansässigen und auf lokale gospel- und soul-acts spezialisierten labels mo do records. bobby nunn veröffentlichte später soloalben auch auf motown records und arbeitete mit rick james und philip bailey zusammen.
die vinyl-lp erscheint inklusive downloadcode.

mattes schwarz started djing in 1982 at age twelve, inspired by, as many west-german kids, the gi-djs of the roller skating rinks around us army bases. while he got heavily involved in cologne’s bmx scene of the 90s, he never really stopped, and during the main years of being known as stecken-mattes and playing there each friday night, he coincidently lived in magazine record’s homebase, north- eastern cologne’s old harbour. one day after stecken’s closure had sent restructuring ripples through the city - i imagine him getting up in the morning and taking a deep breath - he decided to send magazine a few tracks. “i don’t know” is mattes schwarz’ first release.

really nice shirt with a second logo inside at the neg. (100 percent cotton)

this is the second 12inch from taken, the duo effort of elias landberg and nihad tule.this is the second 12inch from taken, the duo effort of elias landberg and nihad tule. the duo has done a local show at under bron in stockholm as well as herrensauna in berlin, this new ep sounds inspired and fresh as their live sets, setting the course straight away. the reminiscent sounds of techno s adolescence goes everything but unnoticed as the reduced and powerful cluster on the a-side showcases taken s ambitions. going into deeper territories, the b-side elysia almost smells of strobes and smoke machines for the eye-opening moments of a proper party. with this new ep from taken, the sounds have really developed and show their excitement for things to come, from their almost three year debut on skudge records. this is a keeper!

key uk house player richy ahmed is next up on play it say it with a standout twotrack ep that proves just why he is such an essential talent. ahmed is currently in the headlines for his four thirty two label, which has put out some of his own great music and will a&r plenty from his peers in the future. it has also spawned a big party in ibiza at privilege, and has hosted events from glasgow’s sub club to leeds’ mint club. all this comes after years of richy headlining all over the world and working with labels like hot creations and crosstown rebels. now really into his stride as a producer, his latest is sure to rock floors worldwide. up first is the big and bombastic kimalaya with its tribal tinged and jumbled beats and big woodblock hits. wordless chants also join the groove, and the looseness of the whole thing is what will ensure it really gets the dancefloor going. add in diving bass notes and some clever breakdowns and you have a sure-fire recipe for success. just as infectious is come with us, a more nimble and peak time tune with lively synths darting and jumping about above techno leaning drums. its a freaky cut with inventive synth patterns that really get under your skin as it rumbles on. with these latest tracks richy ahmed once again offers up some truly fresh house perspectives

yeah, blah blah. lorem ipsum rainbow banana bullshit tacos. aren’t those release descriptions really senseless and stupid? as if anyone cared about a text explaining music. it’s like posting selfies or continuously crying about the good old days. but you know what, while writing this - i’m sitting here on a wooden chair at my favorite pizza spot. the sun is shining and i’m eating these damn delicious pizza margherita slices. i might get some tiramisu afterwards. i don’t know. dessert first some might say. but i’m more a dessert after kind of guy. anyway, tiramisu is always a good choice.
ps: i guess now you still don’t know anything about the record, but reading a lame description wouldn’t help either.

rrwd is a label collaboration between ta-ku/ repeat pattern & jakarta records. charlie abbott is a 25 year old from boston, ma.living in aomori, japan who teaches high school english. i made goes to math class, over the course of about one year (from fall 2015 fall 2016ish). as for influences, i d say i was trying to go for the dirt of early quasimoto mixed with the melody of emerald fantasy tracks era lone, but i m having trouble describing it in terms of larger generic genre terms.i feel like it has a beat tape structure, and is definitely rooted in hip hop//dance music, but isn t really danceable or meant for the club.i d probably describe it as headphone music?

keope is the musical brainchild of toni bruna and marcus rossknecht. with the aim to record an album they ve met in an abandoned quarry on the slovenian border. the outcome tropicalni seems to exist in a vacuum. stylistically, all tracks here owe something to multiple genres and reference points - from folk, balearic, psychedelic and electronica, but none really fit well. synths drift in breezily, floating around the wistful melodies, acoustic guitars sparkle, while flutes & the beats hint at a deeper connection to dance rituals.
limited 12 inch vinyl edition of 250 only coming in a handmade and numbered artwork. each record is highly unique as it goes through an artisan process of hand-printing, folding, glueing and numbering which highlights the aim for creating unique and long-lasting pieces of art.

its been a year or two since we featured a 12- single release from a new project. so hear at bearfunk we are really pleased to be releasing a cracker of a track. -gong bong-. it is from the caribbean house who are a new(ish) italian collective based around the core members of billy bogus & ferderico bologna. the original is one part slo-mo disco, one part psychedelic moondance and one part sci-fi horror movie. the track begins with swirling bass guitar and grinding synth before layering on a waft of sound effects and spooky keys. if the first two thirds of the track is a caterpillar then the last third is a butterfly as uplifting riffs and swirls of layered keys bring things to a crescendo. fellow italians the mushrooms project are up on remix duty first of all. they strip back the layers and concentrate on the growling bass and locked on pulsating synth. its back to the uk for the second remix where label honcho stevie kotey gets his percussion out for a drum, timpani and swing remix. stay tuned for more from the collective on bearfunk shortly.

its just over a year since we started our new label, real balearic. for our second artist album we are really pleased (and honoured) to welcome one of the few djs who can claim to be one of the founders of the eclectic balearic sound. take a trip back to the 70s and 80s in northern italy and you will fine daniele baldelli mixing up electronic, african and slo-mo disco records to co-create the electronica meccanica sub genre. records often would be played at the wrong or variable speed to be made to fit into a wide aural tapestry of his unexpected-but-seamlessly-flowing dj sets. this of course is an aesthetic close to us here at real balearic. a sound we are ever so pleased to have as part of the mixing pot for our new balearic label. for the album he pairs up with fellow italian dj rocca to serve up an eclectic â€,“, electronic â€,“, balearic feast.

after two years of colaborations and remixes, secret cinema is finally back with a solo ep. we think it has been worth the wait. artwork in charcoal and paint by everything is visible. after two years of releasing collaborations and remixes, jeroen secret cinema verheij returns with a solo ep. the amsterdam based techno producer has never been one to copy others with many timeless classics to his name. he pushes himself to write music that sounds different while at the same time appealing to the often large crowds he plays for. after two years of searching, the peaces fell into place. with sÚance ep verheij has ushered in a new creative era for himself. sÚance ep is trippy, complex, strange and powerful. secret cinema proves once again that he is one of those artists who really knows how to bring machines to life.

after the huge success of their first collaboration, doorly and el prevost are back for part two: this time the world touring doorly serves up a hot original that gets remixed by red rack‘em and el prevost, while el prevost also serves up an original of his own, all on his own no speakers label. the first ep, featuring a lee foss remix, got support form the likes of paco osuna, solomun and groove armada and this second instalment is set to be just as big this summer. doorly is a dance heavyweight who headlines clubs like space ibiza on his global travels, releases on cajual, hot creations and dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. as a dj he is energetic and can make a mark on any dance floor, and so will this new tune, ’sonder.’ it is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors. el prevost then steps up to remix after 15 years of putting out killer cuts on labels like third ear. his music has made its way into the record bags of tastemakers like steve bug, dj hell and steffi and this excellent remix shows off his singular style again. it is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top. then comes red rack‘em, the bergerac boss who had a huge hit with ‘wonky disco bassline banger’ last year. it was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. his remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else. last but not least, el prevost offers up a solitary state mix of his own ‘temper mental’. it’s a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes. this is a strong ep that really packs a punch across four standout tracks.

double vinyl in gatefold sleeve

70% deal , last copies left.... sascha braemer s first record on dirtybird was a very big success gathering support from a wide array of djs. as our very first german artist, we were very happy when he sent over this super hot follow-up ep. true to dirtybird style both tracks on the ep are thematic, but these also show some restraint, not getting too silly or gimmicky with the themes. grounded in heavy funk kick drum grooves, sascha has delivered another set of bombs for sure. the train grows from a simple solid groove to a massive whistling peak, then back to the deep rooted funk. fly flip is a play on bug sounds, bringing a more laid back vibe to the table. both of the tracks are the kind of thing that could be played in any set from techno to deep house which really says a lot for the universal appeal of sascha s solid beats. we hope you enjoy them as much as we do.

mancini and the creepers is a much needed breath of fresh air that really turned my week around from being horrendous to unreal! with the ridiculous vocal stylings of mancini throwing down some truly unorthodox rhythm, along with the unreal british-accented lyrics, this crew is pure entertainment in my mind. the rapping is done over the production crew, consisting of tommy tempa and frank law’s, beats and is put together in a great package.

we’re delighted to report that black grape are back on the road, and with new album pop voodoo that really does rock the fuck out of the discotheque. it’s a rewind to over twenty years ago and the glory days.
shaun’s word play has never been deployed to such devastating effect, and he scores a bullseye whether he hits the obvious targets (trump), and the more obscure ones… well, find out for yourself. the world is in a bit of a state right now, and bullshit reigns more than ever, and perversely disguised as candour. we need manc street sass, intelligence and wit more than ever right now. this new pop voodoo album has that in spades.
180 gram vinyl in gatefold sleeve with download code included.

nice price deal !!! the kooky scientologist should need no introduction - unless you dont get fred giannellis sense of humor. hes played everywhere, for everyone, and killed it every single time. smartypants, aka mike uzzi, has released on traum, sentrall, and of course zero g. he is a staple of the north east underground party scene. rounding out the compilation is zero g label boss eddie o., known for his releases as triton on both zero g and skor. the first minicompilation on zero g sounds features the best of the old school and new school. representing the old school is the legendary fred giannelli, aka the kooky scientist. this time around as the kooky scientologist, fred gives us a dose of what it really sounds like inside the head of tom cruise. demonetics rides a fat bass line, up-front stabs, and layered percussion. just when you think youve figured it all out, it takes a left turn as we are treated to freds signature quirky melodic noises

quazarz came to the earth from somewhere else, a musical ambassador from his place to ours. somehow, through fire or through fury, the palaceer of shabazz palaces caught wind of the tale, and it is through his prism that we hear the story. the beach was there, and atlaantiis, and chemical alterations and cell memories and andre norton, richard k. morgan, and always octavia butler. there were killings and there were votes, and brutality in both. there was sound and there were other worlds, and there was a vastness so participation sometimes came only at the edges. and the palaceer coasted down with the alien notion, like quazarz, and so became. on quazarz when they look at this place they see the inhabitants, the humans, but they don’t assess as we do. and so quazarz was sent to meet a cat with vibration, a creative and courageous, caring, compassionate dude that stood out. the dude was a drug dealer, but that was neither here nor there, until his dealings squashed the rendezvous, leaving our alien alone to figure out what this place is really all about. the vinyl release includes a download code.

(boscoexv21 – 5.49€) after the last acclaimed pretty eyes ep, and releases on slow town, fly by night and messalina -don- riccio is back on bosconi extra virgin with a new four tracker ep fully inspired by his new residence in the middle of the mediterranean sea and where all his palette of different styles has been included.the record begins with the romantic vibe of the deep house and jazz-fusion oriented tune -here you are- , followed by the mid tempo jam of -marcela- where its guitar notes will take your mind and your soul really so far to another level, then on the flipside a more balearic approach and a joyful-motwonish mood for the disco track -please-, as you will imagine yourself dancing on a ring around the rosey holding your hands with each other, praying as a hymn for peace and love in the whole world, while the mysterious vibe of the rolling late-night house groover -tessie- closes up the ep with its shifting jazzy rhodes riffs, dramatic strings and cinematic atmosphere. more richness in club music for your incoming summer!

nice price deal !!! nice price deal !!! cannibald records introduce his new artist gabriele carasco responsibles for this 4th release before the beginning of the summer season. gabrieles release represent a further shade of cannibalds outputs , the two tracks on the side a are really groovy, whit a sweet and peaceable mood, the prefects tracks to be played on the beach or on the bigs open air gigs , while in the side b the mood changes in dark and wild techno sound for all the big bass lovers.

the passport to paradise gang are in fine form as they serve up four more tripped-out disco edits for the globally-minded savant. we take sail with the excellent thru wit waitin, a beefed-up guitar chugger reminiscent of 70s aor in its steady percussive work and misty sax solo. it s the guitar line that really shines here, lifting the tune into funk transcendence in the bridge. anybody out there reaches out to the disco trippers with its northern italian cosmic kitsch feel: starry-eyed synth pads float above reverb-soaked guitar musings and playful french vocal samples. a particular highlight. on the flip, ptp take things south with a soulful west african shuffler guaranteed to elicit some arresting footwork. the ep leaves us with resounding vibrations from the far east: jp wave explores ethereal planes, building up a dense rhythmic fabric punctuated by bass stabs and ornamental chimes. this is a clever bunch of edits for the more discerning selectors and enthusiasts out there- act fast.

detroit s keith tucker is a man of many names, the man behind aux-88, alien fm, dj k-1, optic nerve and more. if you have even a vague interest in the motor city s electronic output of the last 20+ years his name will be instantly recognisable as someone who turns out the highest calibre electro and techno jams, the type of records that look towards the future for inspiration, existing in the subterranea and sharing the same artistic vision of artists like juan atkins drexciya, erik travis, shake, dj stingray and many more. originally released on scottish imprint seventh sign recordings in 2005 detroit saved my soul is a modern classic. it features all the hallmarks of classic 313 techno and electro which is to be expected with tucker behind the boards. first cut it s a mood (detroit saved my soul) is minimalism done right - stripped back drums with minor synth stabs punctuating flurries of vocoders and kt s voice describing the d as he sees it to us via the medium of music. killer stuff. elektronik is up next, almost classically a-u-x sounding, pure electro beats for the heads. fast paced machine funk from 50 years time beamed back to 2017 to tell us what s really up. oh, watch that bassline, you could get into trouble. finishing the ep we are treated to my mental state , a slower paced, psychedelic electro cut with killer drums and rim-shots featuring, again, kt s vox weaving in and out of the mix asking where are you, what are you doing? . absolutely essential tracks from a modern day techno legend. essential stuff. detroit saved my soul has been legitimately re-released with the full involvement of keith tucker / seventh sign recordings for 2017 and remastered by london s curve pusher from the original sources especially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

terrific 12¨ purple vinyl and as waste editions crew are really into emotive and personal sounds ,on this occasion this new release -inside us - by old coroner can t be otherwise. we can t talk about a trend since the producer from barcelona victor safont ,who is the man behind this project ,started producing synthwave music in 2003. yes siree! powerful beats ,dark textures and touching melodies which are perfect for a diabolic dance floor or a meeting at a lodge.

in a discography that includes releases on too many quality labels to mention, we are proud to present toronto’s very own demuir and his yoruba records label debut with ‘discover’. vocal duties are handled by another native from the 6, the lovely and talented cynthia amoah. demuir and cynthia have proven to be a formidable team, collaborating in previous bangers such as ‘here’s to friday’ and ‘such is life’. -we marching on and walking together softly…- ‘discover’ takes us through that initial first encounter of two lovers. that point where you feel the entire world opening up to unimagined possibility. the adrenaline starts to rush and the anticipation builds. you begin to listen to your heart thump in the same way you feel demuir’s signature hard drums thump. the urgency in cynthia’s vocals is letting the listener know that this is real. that this is really happening. ...

chaim, chaim, life, we here in the disco halal hq are so happy about the fact you joined us, you are a true gentleman, a melodic genius, and really the missing link in the chain of our releases. for you who still haven t heard about chaim, we urge you to do a small search and find this universe, no less, of music that he has created on top labels such as bpitch, jeudi, and so many more. as a moroccan decedent chaim graced us with his fresh approach to north african music, summing it up with banging beats and percussions. the perfect circle, lives up to his name, it feels like chaim finally went back to where he has came from.

dj pone was french dmc champion for 4 years (1999-2002) and is member of birdy nam nam, famous dj crew which released 4 albums and was also world dmc champion crew in 2000.the tracks falkens maze and m.f.e. sound a bit like slow justice songs with urban beats. dipodaine (feat. didai) can remind modeselektor and the 4th track errotic impulses featuring arnaud rebotini is a really efficient techno track with analog synth and rythmics.

the last few years have seen nathan melja really hit his stride, landing on such esteemed labels as mister saturday night, black opal and technicolour with an addictively weird update of the classic boxjam format. now he steps up to inaugurate dream real with three slices of upfront deviant business for all the sleazy dancers out there. there s no arguing with the rubbery bass tones and perfectly processed vocals on the original mix of -jerky teardrop-, but there s also the more wave-minded delights of the -blue mix- version of the track to suit more reflective situations. by way of contrast, -places we belong to- smooths out the mood on the b-side with a low riding slice of boogie that sports just a whiff of indie thrown in for good measure.

rdv, the new imprint from french dj & producer molly, presents its first release, from prophets of a new generation (aka michael zucker & pete an). rdv , the abbreviation of« récits de voyage » will simply be a meeting with artists that i have crossed paths with during my travels - a platform for my very talented friends, artists i really like, and also music from myself. this project was in my mind for so many years. it was not until now that it felt like the appropriate time to realize it, but i feel ready now to help push new talent & music from people i love.- - molly