with magnum vol. i, d.o.c. records has positioned it self as the home for both veteran and freshman artists, a well-needed break from the labels regular routine that was put to good use, resulting in one of the most defying releases to date. filled with exclusive brand new tracks from monolink, ant, l_cio, m.a.s., shadow movement, elekfantz, hnqo, come and hell, monotype this v.a. meets the high demands of the music scene, thanks to a particularly strong line-up showcasing both the best sellers and the personal favorites of the last two label years.

from rubber duck marching brass bands to mutant swinging pans, expect classy miniatures and raw bruitist soundscapes, hawaian interlude or proto-funky chase featuring cracked up ocarinas, obsessive rattles, vintage drum machines and a consistent amount of analog synths, all revealing a unique and playfull sense of accuracy in their use. exclusive and previously unreleased material, digitalised from original master tapes, wrapped in deluxe package with full booklet designed, photos and detailed liner notes (english & french). artwork & layout by jean-philippe bretin a weme rds and biceps rds co-release.

andreas tilliander returns to kontra-musik in a grand style with his second tm404 album. titled acidub , this highly anticipated release is much more of an evolution than a repetition of the first superbly self-restricted album, where tilliander even decided to use only one of the two roland tb-303 waveforms. acidub is a more playful and open listening experience, no doubt inspired by his extensive live touring with the tm404 concept. in fact, you can almost hear tilliander s flock of acid machines breaking free from the restrained modus operandi. every sound is like a migratory bird with a heart yearning for high altitude and favourable winds.

the highlife world series is a collaborative series of releases by uk-based brian d’souza aka auntie flo and esa williams. the first three parts are to be released in quick succession in early 2015, beginning with cuba, followed by kenya and finishing with uganda. each release features original songs produced in collaboration with local musicians. all proceeds from each release will be sent back to the respective countries in order to fund further musical production costs in years to come. we will also be seeking various ways to distribute the music in each country so the music is freely available for the musicians to use at home.

brussels-based duo return to turbo backed by remixes from warp legends the black dog.

amazing wonky soundtrack grooves from the one & only frits wentik. v limited numbers get in quick! less than 100 units for the world. this record was specially made for mary go wild. its not meant for club use, it s something you listen to with friends. special thanks goes out to malin genie for his contribution to this. fritz wentink

mike ash returns to super rhythm trax after providing the very first release and gives us 4 authentic and acidic warehouse smashers. mike ash may be familiar from early releases on moving shadow and rising high records under a variety of pseudonyms in the early 90s but in the last 10 years has become synonymous with releasing mind blowing and true electro under his own name. when he turns his hand to acid house, the results mirror the high quality and his no nonsense approach shines through having lived and breathed the music and culture back when it was exploding in the late 80s and early 90s. in his own words i tried to keep with the original 1988/1989 vibe. i didnt use any synths / sounds / samples that weren t available past 1990. its all juno / sh-101 / 303 / jupiter / 808 / 909 / 707 / 606 and samples from the beats breaks & scratches vol 1&2inch the tracks exude a raw and strangled soul and are a bold and comfortingly honest take on the warehouse and pirate radio sound of the uk.

modelisme is proud to welcome the french talented and prolific artist anaxander we use to see on labels as pokerflat, tasteful nudes, quintessential, local talk to name a few.. house - techno moods have no secret for him, and for this 30th release on the label, he delivers a surprising and solid ep based on house music mainly.
already supported by jimpster, ooft, kelton prima, grego g, jee, mugwump, hardrock striker, oyvind morken, dj steef, jona saucedo, michael zucker, hydergine, kriss liferecorder, dawad & mokic, virgo music, la dame noir & more…

ostgut ton reissues acht of zehn with original tracks by din (aka efdemin and marcel fengler), fiedel and tobias. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss – what started as marcel fengler’s and efdemins inaugural collaboration as din for 2013s masse ballet sees its continuation in form of mono on a1. on a2 fiedel contrasts the opening tracks cool sounds with an upbeat contribution: probe-806 gently brushes funk, electro, acid and even boogie territory atop the general muscular rhythm. analogue synth aficionados are being served by tobias.: like a drug is a minimalist techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. as with every good drug, you dont necessarily want more of it, but rather a longer duration of effect (in this tracks case: 8:36 minutes).

the last sound carrier was based around the notion of intrepid intergalactic explorers trying to get to earth, this time we’re taken 10.000 leagues below the surface to trawl the deep sea. all the way down there, we experience increased pressure, sub-zero temperatures, darkness and previously undiscovered new worlds. up first we have ‘lactarius indigo mission’, which has a distinct urgency and ‘in-your-face’ bitch slap percussion. the bassline writhes under a variety of squelchy, bleepy effects, which add a layer of depth and the whole thing feels quite electro. after that *from the space to the sea* continues the electro vibes with more punchy beats, a rugged b-line and heavyweight kicks. carriers use of quirky details give this track a unique character and contagious energy.on the other side we are treated to another strange carrier creation, the laidback kepler 22b. named after the first known planet to orbit a sun within what’s known as a habitable zone, kepler 22b could well support life. the track is serene and full of optimism, a fitting soundtrack for a distant earth-like planet. minimal workout * diver level 1000* closes the ep with its unusual arrangement and simple yet deadly programming. another addition to the impressive sound carrier catalogue and perhaps its most leftfield so far

sebastian fiegen rolls out his debut solo release for cadenza records this spring, with a trio of excellent house cuts on the theofidelity ep. the german producer has been crafting quality productions for some time now under aliases and collaborations, and its on lucianos label where he makes his mark as a solo artist. dopeman opens the ep with a rolling chi-town house style groove, a simple yet effective filtered vocal loop and sustained strings harvest the feel good vibes over its solid beats. fiegen keeps up the pace with anando, more drum led house grooves with a high production value, the vocal refrain cutting in and out of the mix whilst the simplistic bassline and woody percussion maintains the bouncing vibes. closing the ep is th01, again coming correct with the feel good factor with its use of the looped sample and lazy, hypnotizing drums. a cracking debut production from fiegen, and a well rounded release for cadenza.

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 2.0mm

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 1.8mm

death heard really soft if errant fun tensor gone ease em serious fee chores to drag stay told, pooh land dealin bow rift. fall owing this nakin organ is moanin at a man done even or gone as m2 disney to elf in shock hauntin use dare you knee couplin a fatball hose antique know x curse shown swift two x all in traditions a yin sly click low sir odd the dense flaw. direct hoard calm hiss align no cut pause stir axe 10 tinta si r

mappamondo (audizione). here is the second pp offering in 2016. coming to you via under the influence. ecco, listen! hysteric has selected and reinterpreted four fine pieces of music. for you to use / try. audio recordings strange and foreign. pleasure for the discjockey. disc for the pleasurejockey. buono semper. semper buono. also included: calcio electro far east danse edition lunapark. arrivederci.

arts desire for the best, in this case we are pleased to welcome you one of the future iconic artist talking about functional effective techno, jeff rushin debut on the label is a perfect craft of what this artist knows best, functionality. 4 cuts that stands out from any bag out there, use carefully.

frits wentink remixes tracks from his debut album, rarely pure, never simple. for club use only.

vinyl only
echoes of paradise is the first collaboration ep on lmd. it sees long time lmd affiliate mikael stavöstrand team up with lmd s very own shaun soomro to create something truly special. the ep was a long time in the making with full use of their studios and no holds barred. street code symphony (w10) opens the ep and is dedicated to the w10 area of london namely ladbroke grove, it s past and present musical institutions - dub vendor, honest jon s, notting hill carnival. paradise lost is a open thought, is paradise a place or is it in our imagination.

through shards of frozen soundscapes, boss006 defrosts the stockholm sound with the bm debut of kalawila, whose ample use of sparse building techniques creates a rigid and tight groove structure. this subtle attitude fueled two tracker is what s up in 2016, especially in the bossmusik hometown of stockholm: the extended aside grasps intelligence while swiftly pushing forward. as for the flipside, this intergalactic adventure shares tight resemblance to the mystery unknown atmosphere of bossmusik s sonic universe, and sums up this little bomb in a clever and rewarding way... watch out!

this ep starts with “stitched-, which begins by a rough & anxious introduction with a drone bass and a dissonance pad. then a steamroller sub bass engaged itself into an insane run drived by a brushing arpeggiated synth and sharpened cymbals. college road, the eponym track is a bright energetic trippy techno track influenced by house grooves & sonorities, for club use (not only). the last track bkr is a live construct track with both hardware and software stuff to create a freaky bouncing groove.

special price ... gerry read & kevin mcphee reunite with *frummppp*, following their 2011 classic *demolition man*.
*frummppp* heads in the opposite direction of *demo man*, swapping he madcap samples for jarring synths. the remix on the flip keeps the jacking and strutting vibe of the original, and ups the deranged sample use.

zahn returns with his first full solo ep since 2014’s new day rising! he delivers a collection of four new direct, hypnotic cuts from his recent live sets that have already received play from ben klock, dvs1, truncate, par grindvik, and others… the ascension sessions occurred when zahn was holed up at a hotel in ibiza last year during one particularly rainy week. >i was doing a lot of live sets at the time so i wanted to use my down time to write more music that was simple enough to truly play live.<

excl remastered, 180 gr vinyl pressing

we kick off the ep with the original mix that consists of the use of dulcet tones & floating synthetic elements. next, classic house legend brett johnson delivers a floor banger with his groundbreaking remix. and to end, pioneer arthur oskan takes a depth dive into creepy late night space.

san proper gushing on dg..small initial pressing on this one... be quick... tip! san: “lovers, friends, fam. and fans – love is in the air, get ready.” finally, the craze you’ve all been waiting for. this ep listens like one of dr. proper’s infamous radio show or deejay set. impossible to categorize, dropping house, electro, funk, and paying homage to disco. l.o.v.e. is a collaboration with ms. hollywood. an alliance that results in the whole breathing sexy and deep. whereas san proper stays in character for the rest of the ep. his use of the reverb adds shine and glory, and the drums are hit hard. in other words, music with an unprecedented character–just the way we like it.

ltd pressing, straight from sao paulo, the debut ep of sphynx (aka marcio vermelho and pedro zopelar) is undoubtedly pure balearic bliss! intricate masterful compositions fascinate with live guitar, drum machines and vintage synths combined in a harmonious arrangement. without the use of any samples, sphynx constructs the perfect soundtrack for every sunset between ipanema and ibiza. no ar captivates through its unforgettable bassline and dreamy synths, while enigma shows the producers love for spheric new beat and proto house. on the flipside, tempestade explores the realm of electro rock, while toby tobias remix transforms the title track, with rough drums and the synth work, into a psychedelic uptempo jam.

travelling without moving 1996 intentionally offers more of what jamiroquai does best: highly addictive funky grooves with a social consciousness that is matched by front man jay kays charisma. the third effort of jamiroquai was carried by an inventive video for *virtual insanity*, the albums flagship song.
pressed on two audiophile heavy weight champions packed in a gatefold sleeve, travelling without moving is finally available on vinyl again, this time with remastered audio for maximum aural pleasure!

nice bag, you can use it as backpack too

looks nice, good for festival and daily use

all three original tracks are long building, big room, grooving stompers with a lot of emotions that would fit in various sets pretty much at any time. to keep things entirely d footed, the legend, the man of weird, beautiful, unique and reduced techno world - terrence dixon rounds things up with his hypnotic re-interpretation of title track.

vinyl only, 180g ! for its third release forbidden behaviours is hosting enzo pietropaolo with his all over again ep which represents the return of the berlin based dj to music production after a decade long hiatus. the vinyl only release features three versatile minimal tracks with a funky touch and a heavy use of sampling, reconnecting the artist to his hip-hop skillset and previous works. the ep also includes a jazzy remix of the title track all over again by label onwer gabriele carasco.

roberto capuano has delivered drumcode an immense 3 track ep that will blow out the cobwebs and see roberto step back onto drumcode with a bang. lacing each track with pads and tantalising hook lines, capuano s tracks fire on all cylinders with good use of vocals and drum rhythms. his tracks have a certain swagger that only roberto can conjure.

• incl andres remix
• * sabato in pineta* is a track written by these 3 guys (cosimo colella, fabio liuzzi, carmine mongelli) after a great party between the woods of their favorite club, sound department. they capture the feelings and the emotions and write this track in few hours. the emotional impact is really strong, with a great work on surreal pads and trippy synths. the listener can be projected into the atmosphere of the club, but this is sure not only a dancefloor oriented work. andres, with his version, give us a great remix, with his usual amazing use of drums and deep and reminiscent pads. fabio della torre finish the ep with an high quality dub version, more raw and intense on the grooves.

limited to 500 lp+download card. chief and deheb join forces to bring you leaf, a full-length instrumental album showcasing the seamless result of two deft beatmakers merging their individual signatures into a unified craft. both artists each have a long history in beat-making, chief and deheb have worked alongside but never together, and to share a task thats usually tackled by one seemed like a challenge and a new thrill to the two. the use of samples taken from original brazilian music in the two producers collections was the starting point for the creation of leaf

on november 13th, pnn records will release the debut album of its most enigmatic artist myr. diamondbacks make wonderful pets is more than just a strange name, it nine tracks represent an exciting evolution in myr.s trajectory as an artist. following his debut ep nobody knows avalon myr. seems to have dug deep and discovered another level to his sound. each of the tracks on the record are confidently offbeat and precisely composed.a little-bitty bowl (with b.hotton), mixes thunder sound-effects with glitchy synth bleeps, layering them above darker tones which build to a perfect storm in the middle. this 10 minute track fails to get boring and is representative of the album as a whole. myr.s ability to carry off strange hybrids is what makes his music unique. from the ghostly warbles of i think i hear them coming to the sunnier sounds of eleanor, myr.s disregard for the norm has lead to an exceptional record that surprises at every turn.

after the first release, with collaborations from john tejada and ben hoo, kreattones is back with the long awaited second issue.
kensuke fukushima is an established name in the music industry, with releases on wax in a handful of different labels. his astonishing work on “get in” proves that fukushima’s vision is wide and obeys no standards, resulting in this unique piece of music that we proudly present. besides the dub version from fukushima, this edition also counts with two remixes.
through the hands of andy book, the label owner, we receive this clubby interpretation, full of raw elements and fantastic twist in the melody of the original track. her joys, delivers a jazzy approach to fukushima’s track, making good use of acoustic percussion.
as in the first release, this one will be strictly limited to 300 copies. no repress.

san fransisco meets nyc for the third release on fifth interval. rose bay from federsen sets the tone for the record: drenched in tape hiss, the warm pads and delays create a richly textured environment for deeper club sets or for 2am sessions on headphones. dub techno luminary brendon moller offers up two versions of the title track to complete the ep - one in his own name and the second under his ecologist guise. fans of the label will no doubt be well aware of moller s formidable discography, which includes 10 albums under a variety of aliases, exploring the outer reaches of dub music. coaxing two captivating versions from his studio in upstate new york, moller focusses on the chord stabs from the original for the echologist dub, pushing the stabs and percussion through the desk, twisting the tails through tape delay and creating new vistas through crafty use of panning and bona fide dub production techniques. closing with the outstanding tidal dub, moller dons his beat pharmacy cap and pushes the mammoth bassline to near speaker-crushing levels to create a deeply hypnotic groove that is accentuated by waves of ferric pads and fractured percussion.

we are happy to announce mother040, swipe the card ep by our dear friends mat.joe. the hot duo from berlin delivers again an incredible 2 tracker hit ep.swipe the card (original mix)swipe the card is just a party stomper. straight up bouncy, rumbling bassline, haunting, funky pads and a great use of vocal cuts in the breakdown. come on ya, just clap your hands and beat it!make a living (original mix)make a living features mat.joe s signature sounds, tight drums, clever sampling and heavy bassline! it s all about the vocal hook and the magical house ...

cromby is an exciting addition to the london house music scene: originally hailing from belfast he has made camp in the british capital and brought his mpc 2000 xl with him. the young man who has grown up listening to chez damier and moodymann makes use of the japanese sampler from akai in a highly fresh and creative way combining raw drums with sweet and melancholic pads and chords. on his * planets and parks ep* cromby displays a very nice balance between a traditional deep house understanding and a forward thinking attitude and is thus just perfect for tenderparks’s idea of musicality. as far as the artwork of the record is concerned the beautiful black and white image is the last part of tenderparks current series concieved by art director till sperrle and photographer magdalena bichler. and as you ve come to expect from tenderpark all tracks have been mastered and cut by helmut erler at dubplates & mastering once more.

copenhagens music for dreams continues its run of great releases with a tasteful 12 inch from label boss kenneth bager who presents four on-the-money remixes of his single *sunshine stereo* taken from forthcoming album *follow the beat*. currently enjoying heavy rotation on p3 (denmarks answer to radio one), this summery anthem gets makeovers from denmarks jazzbox, greek duo bonnie & klein and from mr bager himself who teams up with napoli-born producer extraordinaire tuccinelli to give us not only a superb extended vocal mix but also an on-fire dub version of the track that is sure to be a future classic both for the balearic brigade and all lovers of funky downtempo dubbed-out weirdness. treading the same territory as the fabulous frankie knuckles hallucinogenic mix of *aint nobody*, this dub is full of tricks, teasing and pleasing the dancefloor and already getting strong support of manchesters moonboots, amnesia legend leo mas and danish dj peter visti. elsewhere jazzbox deliver a great uptempo beach boogie version full of soul and groove making great use of the unmistakeable voice of damon scott, known for his work with storm queen, while bonnie & klein produce a very special percussive jazzy dub mix. the pair are on a roll at the moment and this remix with its warm marimba vibes creates that mediterranean vibe we all love. a real sun-soaked winter warmer, this 12 feels like a knitted sweater in the cold! limited vinyl.

2018 repress - australian newcomer, mall grab helps launch vinyl only imprint, shall not fade, with his moody, lo-fi and analogue sounding “alone” ep. this is mall grab s third full 12” and presents some of his finest productions to date, mall grab proves that it s not what you use, it s how you use it.

ltd repress !! vinyl only - outplays second outing on vinyl is here! this release features three tracks by outplay s daniel leseman on a well deserved solo ep. the tracks have the warm and gritty feel we re so crazy about. together with daniel s signature bright brassy synths and his use of the right samples, it makes this ep a package with a fantastic funk and groove!

a techno label for punk rockers, a punk rock label for techno-heads, maelstrom and louisahhh!!!s raar imprint aims to release truly innovative music from and for brave sonic explorers. unsatisfied with digital-only distribution, raar plans to press every release to vinyl, in collaboration with the vinyl factory, curating a library of tangible sound objects as the labels legacy. additionally, the digital releases will be pay as you want, and feature special open-source material (beat-a-pellas, acapellas, instrumentals, sound banks). the label encourages its audience to invest in and make use of what tools are laid out for the taking

london-based producer guy andrews is renowned for creating textural electronic music, combining influences from post-rock, techno, ambient and afrobeat. after releasing on hemlock, hotflush and pennyroyal, scoring for photographer nadav kander, and remixing massive attacks robert del naja, he makes his houndstooth debut with in autumn arm’. on the title track, a simple guitar melody falls melancholically over a bed of synth loops and string ensemble, while snares and thundering drums meld with distortion to heighten the tension. let your shadow decide is the a-sides darker, downbeat counterpart, opening with tremolo strings and a weighty bass-line, while emphatic drums build toward the tracks climax. although seemingly disparate, guys use of wall-of-sound noise and softer strings is skilfully mixed, carried forward by the stark guitar lead.

repress in blue vinyl !! the late french soundtrack composer (1939-1975) was one of the first to use frequency modulators on an 8 track homestudio. he was known for his melodic works mixing electronic & acoustic. his oeuvre has been sampled by many. this release devotes a posthumous work composed for a cousteau documentary which was refused, probably beacuse it was too avant-garde. on the second disc youll find different tasty style-exercises that show to what extend roubaix manipulated the modulators with ingenuity.

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cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

modern architect is a compilation of works by artist, dj/producer fred peterkin on the newly established energy of sound label. this project focuses mainly of freds work in the dance field of electronic music. this particular installment is a varied selection of emotive vibes as it is focused for use on the dance floor.

karousel is the new alias from irish producer gavin herlihy. forged in the fires of house and determined by a steely dedication to timeless deep dancefloor theory, the alias begins life on one of the uk s most trusted vinyl labels, illusion recordings. gavin started learning to produce in 2005 and less than a year in scored one of the tracks of the year in 2006 with machine a homework, a techno opus hailed by laurent garnier and dj hell as one of the tracks of the year. over the next few years a move to berlin lead to gigs at clubs like panorama bar, fabric and later circo loco while his productions took root in a variety of different genres and big labels. karousel is the expression of gavins house leanings rooted in the sampling of dusty old jazz and disco records and the use of hardware.