pressing on white 180 gram vinyl.

newly remastered reissue of the 1990 debut album from new jersey synth-pop trio anything box.

b-stock , seam split , music uneffected

remixes from ansome, craow, rendered, and the horrorist.

1x blue-marbled & 1x black 180 gram vinyl plus poster.

2019 repress in generic sleeve.

shape-shifting post-punk quasi-legends bourbonese qualk are finally getting a bit of the shine they so richly deserve after years in obscurity, not least thanks to the retrospective compilation on mannequin back in 2015. now platform 23 are reissuing their classic album -laughing afternoon, originally released back in 1983 and having lost none of its impact. its a slippery, shape-shifting creation that veers between uneasy soundscapes and gutter-dwelling funk, with some truly visionary signal processing, electronic textures and more besides in the mix. its a crime this crew arent held in the same regard as their other early 80s post-industrial peers, but at least the wrongs are being righted now.

the new album from melissa etheridge on vinyl lp.

genre bending industrial bass tracks from unhuman.

ltd 2019 repress without 7 inch, one of the most eagerly anticipated electronic albums of 2012 is finally released! after a series of groundbreaking singles: pain in the ass, im week and ghetto kraviz (featured here) muscovite nina kraviz is set to release her eponymously titled debut artist album on radio slave’s superb rekids imprint.

blue-purple-black marbled 180 gram double vinyl plus poster.

black 180 gram double vinyl plus poster.

ltd repress please welcome dj normal-4 on this original 10- in the family. we don t have same mothers but we love the same women from the rue tabaga. this ep is dedicated to her and all the sisters. a1 is a transcendental training act original track from normal-4. b1 have been made with rasputin. please trust us it s not because you nailed your ass that you have to respect us. just concentrate on -chauffe le pain-

the 1992 oomph! debut album back on double vinyl, housed in a gatefold sleeve.

fresno and long island reunite for a special edition repress on classic black vinyl, housed in an alternate cover.

classic hip hop, pressed on 180gr

25th anniversary edition - limited to 1000 numbered copies on transparent blue 180 gram vinyl.

the 1986 queen album back on 180 gram heavyweight vinyl, half-speed remastered and housed in a gatefold sleeve.

limited one-off pressing of 200 copies on 180 gram double vinyl.

dark elektrostuff from clogne ... harder and crazier than ever before 2019 repress

fresh dbridge triple vinyl

limitierte auflage der chromatics-ep/mini-lp in the city (2010) auf halb transparent / hal blauem vinyl.

2nd lp of french ebm/industrial from 1984 improvised in the fever of paramedical oppression, with aggressive sounds from new digital synthesizers.

the new album from ross tones aka throwing snow on yellow and green 180 gram double vinyl.

cardopusher is back on boysnoize for part 1 of his new “a convenient excuse” ep series.

part 3 of 6 incl bart skils, secret cinema & reinier zonneveld, pig&dan

the first release from onur Özer’s own label denial. 8 floor killer tracks from onur Özer himself!

black sleeve edition of the brand new omar-s release for fxhe.

brothers ben & liam murray return to the nail shop with inept, an e.p of emotional house music which soundtracks love, lust, euphoria, heartbreak, late nights and early mornings and everything in between. best consumed with a cold drink and factor 15.

„spectral decay” is a collection of musical reflections about the paradoxical contemporary state of humankind, whereas its own technological, social, cultural and economical development seems to entrench the possible points of a structura downfall. the narrative of „spectral decay” starts with heavy, mesmerizing industrial vibes. due to the notable sound design techniques of japanese artist tetsumasa, his hefty piece „nex” evolves into a harsh but still amazingly cinematical music sculpture. subsequent mid-tempo composition „onzour shayatini” by meer dynamically follows the dark, experimental path of drone and noisy structures. violent accents smoothly lead to the deconstruction of drum & bass patterns and turn into strident 90s metal riffs. the track progressively penetrates obscure subterranean abysses and becomes a perfect introduction to the next theme by yuji kondo – „hades”. in greek mythology hades was the ancient god of the underground kingdoms, darkness, death and metals. therefore, kondo’s music piece turns into an infernal portrayal of the underworld where tenebrous layers of bass frequencies, raw textures and drexciyan sounds build up an enormous and lasting tension. side b begins with the track „anthropocene” produced by arboretum co-founder – mogano. the whole composition refers to the present geological epoch we live in, characterized by environmental pollutions, depletion of fossil fuels and accelerated urbaniza- tion of the world. it is a deeply conceptual soundscape of a powerful system, that incorporates both – the destructive forces of technology and the infinite energy of the whole universe, that interweave in a devilish dance of post-techno, breakbeat and dub tones. thereafter, ~raw in his piece „poly bios” pictures the interference of human structures in the nature. creating a mosaic from indus- trial and tribal, organic sounds, he tells a mystical story of fear, hope, escape and primeval instincts. the narration concludes with an atmospheric composition of nwrmntc – solo project of ana quiroga from experimental ambient duet lcc. „beyond” is a boundless, spectral reflection on collective human consciousness, where haunting vocals evoke a recon- dite, ineffable pain, leaving the listeners in a profoundly meditative state. laura polan&#769,ska

official remastered, reissue of two of esther phillips’ breathtaking covers from the early ‘70s. firstly, esther’s cover of gil scott-heron’s timeless masterpiece ‘home is where the hatred is’. a haunting tale of addiction filled with the rawest of emotions, that can only truly be covered by someone who has fought that same battle with dependency. the pain in esther’s voice completely conveys this vulnerability and does gill scott heron’s original total justice. heart-wrenching and completely absorbing in its honesty, it’s a sincere portrayal of the demons both artist’s faced in their lives. on the b side, an adaptation of eddie floyd’s ‘i ve never found a girl (to love me like you do)’. phillips’ trademark soulful tones suit this sweet serenade so well, with the passion oozing from every word she sings. sit back, relax and prepare to have your heart melted all over again.

ihren größten erfolg feierte die us-soul- und gospel-sängerine in der zweiten hälfte der 1970er jahre, als sie ihren stil für einige jahre zur disco-musik hin veränderte und mit “young hearts run free” einen internationalen hit landete. die vinyl-lp erscheint inklusive downloadcode.

following up on their acclaimed 2016 album, “pitch black mirror”, the canadian duo return to sonic groove with four new tracks based on their improvised live performances. these are dance floor tracks with an experimental edge and a pervasive sense of dread, emphasizing the project’s decades-long commitment to fusing techno and industrial music in unique ways. elements of ebm, electro, and rhythmic noise blur together as serpentine basslines twist through shifting layers of percussion, and modular dronescapes morph into agonized voices of suffering and defiance. another powerful weapon from the orphx arsenal.

brand new omar-s. keep it fxhe!

ostinato presents “two niles to sing a melody: the violins & synths of sudan”, a superb afro compilation released on 3xlp gatefold with 20-page booklet.

max is back for his third ep for sonic groove. titled the “art of rage” max returns this time with a heavier syncopated synthesized sound in comparison to his previous two rhythmic industrialized techno releases for sg. twisting and turning the sound of early 90’s ebm , classic rave techno and acid vibes into the perfect modern day sound track. what else can one expect from a 30+ year veteran of the techno scene!

the brand new live album from alice cooper. the coloured double vinyl (1x white, 1x transparent red) is housed in a gatefold sleeve with download code included.

touchstone ep is a story told by a new romanian producer. his fascinating music journey takes us along the elusive and mysterious minimal techno path and steps us out of the ordinary with passion and its acid drops of rythm. pain and progression are hypnotic tracks that keep us on the dance floor until we reach the warm reveal of a perfect night out, while the enjoyable bass and beats enchant us throughout the playful tones of his music.

remastered reissue of the 1986 eurythmics album on 180 gram heavyweight vinyl incl 80s hits when tommorrow comes , the miracle of love & thorn in my side !

massive house vinyl sampler , four tracks for dj use only ..

crs ltd 005, -gray fox- is the first ep from the polish producer michal jablonski on vsk s label, following the last ep from the duo scalameriya and vsk himself. -find god- opens the release with an organic broken beat , which meet an evil cinematic voice. -post human being- is the hypnotic element of the release with a dark tribal groove. -gray fox- has a strong 4/4 kickdrum combined to a sound design high frequency scream. -phantom pain- is a madness slow beat rhythm with outstanding soundscape layers. crs ltd is really glad to welcome this amazing talent on the label.

no one confronts the abyss better than chris orrick. the michigan ex-factory worker formerly known as red pill has spent the last half-decade documenting industrial decay, familial pain, and struggles with addiction better than almost anyone inhabiting this poisoned soil. it’s somewhere between charles bukowski and michael moore, or maybe atmosphere if he couldn’t ignore the arsenic in the air. as orrick tells it, “portraits,” his latest album for mello music group is a return to form.

the songs, the words, the melodies in this album, they all matter to me because they represent the real time outworking of my own trauma, pain and discovery of joy and peace. but there is a life inside this record equally important to all of the above, which is also trying to be communicated. it’s almost like how listening to a song in a foreign language doesn’t hinder you from absorbing what the song is communicating. in listening closely as i expose myself to myself, that is where the art is. maybe every time we have the courage to unabashedly be true in ourselves, the courage to do the same is received by someone else.
i ask that you pray for me, so that i can continue to live on the surface, not only in private while making art, but also in public while living life visibly. also that as i continue on this journey with myself, that i can communicate who this old yet new person i have found is. a little better each time, with more clarity each time. - vicktor taiwò

following a standout appearance on dvs1’s mistress label with his “just pain” track, the man from minneapolis, doubt, returns to don’t be afraid for the first time since 2014’s “poor dog” ep. in the interim he has continued to record on disposable commodities under the doubt moniker, whilst also exploring experimental and ambient sound under the name time heals nothing.
for his most inclusive outing to date, doubt mines the outer limits of minimal house music whilst still maintaining the vibe of alienation and melancholy that characterises his work. the mood of “april” is euphoric and carefree but dig deeper and the fragile beauty also suggests an impending and ominous apocalypse. “what is happening” and “samusex” counterbalance the a-side’s brief suggestion of joy with a mood closer to doubt’s previous work. the title track meanwhile recalls the work of labels like ifach and trelik with a swinging, stripped down dub sound.

* after nearly 10 years, kfa returns to vinyl. as a label, kfa was widely loved for its ability to shift styles and genres, always hitting slightly off center, to produce such off kileter classics as the original “truffle shuffle”, a jungle anthem that gets a much deserved remix on this ep. new signee scartat brings the pain with monstrously heavy beats in “role model”, which kf digital man of the moment bucksta keeps it slightly mellower with “killer sound”, leaving luna-c & mr arthur to bring the dancehall vibes with “judgement”.

sad girl delivers her first ep on mary black. nyx is the personification of the night and was born out of chaos. a shadowy figure like the mysterious sad girl herself. standing at the beginning of creation, nyx mothered aether (brightness), hypnos (sleep) and oizys (pain), being the titles of the three original tracks. keith carnal did a fantastic remix of oizys on the flip and completes this dreamy yet forceful trip from the darkness into the light and back into black