pathway traxx strikes again with this vinyl only underground bomb featuring 2 of the hottest stars in the underground scene, jack wickham and michael james. this 4 track ep delivers punchy underground sounds all designed for the dancefloor. label boss niko maxen serves up both original tracks spanning rolling romanian tech, through to pumping house inspired minimal. jack wickhams rework of the original falls right into his signature sound that has seen his tracks become the staple diet of artists such as raresh and rhadoo. michael james steps up to remix duties on the track cobra and gives us a perfect example of why he is being chased down by some of the biggest underground labels around. this ep is nothing short of an all round banger!

aula magna records presents atmen by mekas, a storming record that reveals the artist s latest techno explorations in full effect, featuring stockholm ltd label boss par grindvik as guest remixer. a techno statement shaped by melodic and rhythmic interactions that draw the listener into the artist’s profound sound world.
the a-side opens with the powerful beat of clark nova, a cut that moves forward with a modulating synth line and simple but cleverly designed percussions. this is followed by unknown soldier, an intense techno weapon that reflects the distinctive sound of mekas.
the b-side features both versions of atmen, starting off with par grindivik’s dance-floor rework of the title track that combines a fresh arpeggiated motif and a powerful groove with the emotional spirit of the original. atmen closes the record, an epic ambient techno track built with deep atmospheric synth lines on an intelligent stripped down breakbeat.

sublime sonic vibrations emanate from ‘down under’, our man subjoi cuts his teeth on heart to heart’s first departure from the great white north. expertly massaged with dusty lo fi grooves and steeped in rnb like d’angelo’s sheets, this one is filled with heat. these 4 range from catching eyes across the club to full body explorations. let it be known, subjoi is in the building.

memento records is proud to announce the licensing of -brain freeze-, originally produced by carl craig as tres demented and released on his legendary planet-e in 2006. for this exclusive re-issue on memento, carl s original stems have been remixed and rearranged by luciano. his additional production has tuned up -brain freeze- into an even sharpened peak-time weapon, rich of intense sequenced synthesisers and thrilling breaks rotating around a fistful of crushing cuts of the original voice hooks. the original mix is a memorable dark, relentless, acidic track pervaded by the wild shouts that have defined the tres demented project, a never ending ascension of attracting percussions and funky bites, running now on the wide grooves of the whole vinyl side.

next up is serbian nenad petronijevic aka shoxy, with some big releases under his belt on labels like desolat, nima gorji’s ng traxx and kanzyiani’s jesus loved you. we are pleased to bring you his drum state ep on fake which includes a super rework by none other than martinez.
300 press. 12” vinyl only

the first in a series of remix ep’s by various artists - this ep includes remixes from the likes of phace, xtrah, ulterior motive and stealth rework some of the best known releases on cyberfunk to date by mefjus, xtrah, signal, phentix and simple technique.

hailing from richmond, virginia, dj aakmael s profile has steadily risen over the last decade thanks to his supremely classy deep house sounds. recent times have seen him release excellent material on the likes of freerange records, axe on wax, church and release sustain, and now he makes his debut on monologues records with two deep cuts. dahlin is a string-laden stomper while organik is more of a synth-driven jam with some of his exquisite trademark keys improvisation. leon revol returns to the label after his well-received embers ep to rework dahlin in wonderfully introspective, hazy style, while label boss ben gomori steps up for a chunked-up, darkly-tinged rework of organik .

8 remixes for depeche mode’s “cover me” and “so much love” on double vinyl.

für das wiener künstlerkollektiv sofa surfers steht seit seiner gründung 1997 die musikalische weiterentwicklung im mittelpunkt seines schaffens. seit ihrem debut -transit- bis zu ihrem neuesten album 20 loten die sofa surfers permanent die möglichkeiten von technologie einerseits und kollektivem spiel andererseits aus. 20 jahre bandgeschichte - das ist schon ein grund zum feiern. aber die sofa surfers haben zu ihrem jubiläum auch noch anderes vor: statt einem simplen -best of- hat man sich nämlich etwas ganz besonderes ausgedacht. neben neuen versionen einiger klassiker sind es vor allem die ganz neuen songs, die eine bislang ungeahnte fahrtrichtung vorgeben. dass sich die sofa surfers dabei dennoch stilistisch treu bleiben, ist ehrensache.

rnt welcomes dusty digger extraordinaires al-tone, with a superlative set of rare edit gold! known for their eponymous rework series, al tone (aka al bumz and tone b. nimble) come hot out of the gate with feelin irie a gritty afro boogie stomper, before moving into the uptempo soul of simone manuel. flip the disc over for the guitar and clavinet-driven groove of groovin, and then they take us home with the theo-esque looped sax and falsetto gallup of wishes. from obscurity to eternity in 4 masterful reworks!

(rollmottle remix) norwegian producer marius circus has been steadily carving out a name for himself over the past few years, with releases on prins thomas revered full pupp imprint, a ten minute acid tinged rework of seahawks for the ocean moon imprint and recently the launch of his very own in the garden. sentrall records very own rollmottle, one half of project sandro, steps up to deliver his take on ‘shorelines.

canada’s fastest moving and hardest working collective are back with one of their finest albums to date, a brand new journey into tropical, soul and jazz styles on their scorching new release, “under burning skies”. turbulent times call for strong voices and the souljazz orchestra’s new set packs a suitably heavy lyrical punch, with wry observations and an urge for progressive change. musically, the band continue to push the limits, dusting off 80s vintage synthesizers and early drum machines for the first time, bringing lo fi disco, boogie and electro touches to their trademark horn arrangements and earthy analogue sound. the fruits are a-plenty and the group sound at their confident and versatile best from start to finish. opener “dog eat dog” powers in with mabinuori idowu and philippe lafreniÞre lambasting the powerful and the corrupt over an infectious afro-disco groove, “lufunki” takes the group right back to their b-boy roots, bringing the afro vibes to beat street and “is yeelyel” delivers a killer rework of an obscure original by somalian super-group dur-dur band.

repress , swedish disco aficionado drop out orchestra has been plying his trade in the world of slick edits and on-point party fodder for the best part of ten years now, and now he comes to riot gear with a sure fire club classic to share. there s no prizes for guessing the source material on -holding on-, but in this context the evergreen crossover jam gets a modern steroid injection, having never sounded more contemporary than here. yam who? sidles in for a remix that does a subtle job, simmering down some of the familiar vocals and making a slinkier cut that still hits hard. -knucklehead- brings a little more jacking drum machine action to the table, but still disco is the main order of the day, while -where is my man- takes the prize with its on point jazz funk licks and stomping beat.

london based club night and newly formed label snap crackle & pop s third releases comes in the form of a dark take on new wave influenced techno from berlin based new yorker curses. side a kicks off with a hypnotic techno stomper another view which playfully tips its hat to early electro albeit through a visor of coldwave inspired guitars. together in the dark delves into even darker territores with ice cold organs reaching for the light through the grinding ambient yet groovy undertones. on the b-side inga mauer ramps up the dancefloor tension with her machine like acid rework pulsating and crashing urgently together in the dark, whilst the golden filter turn out a low slung trip of brooding synths and haunting vocals before cascading down the rabbit hole in a swell of industrial motorik beats and percussive explosions in their take on another view

thomas apokalypso marks his return to rett i fletta almost exactly 3 years after he started it with blusjketuta and apne slusa. and following a now famous winston churchill saying: this is not the end, not even the beginning of the end. this (apokalypso) isthe end of the beginning! and the rest is history. or simply great tekno not tekno. all available on full pupps techno not techno offshoot rett i fletta!

15 years of pornographic is now limited available as 4 separate 12” vinyl.

15 years of pornographic is now limited available as 4 separate 12” vinyl.

yet more proof that rodents rule ok! those anonymous rework masters of the night the secret squirrels unleash two more mighty weapons of dance floor destruction. as is their custom they zig-zag across the boundaries of disco, italo, house and acid inspired squelch as they exorcise their dance floor demons. the results might just drive your dancers wild! dig in.

for our fourth we are pleased to welcome russia s denis kolomensky to the clandestino family. denis is part of a collective of moscovian djs, producers and promoters throwing interesting parties in the cities simachev shop & bar and dewar s powerhouse venues. when denis sent us his demos, we knew they were a perfect fit for the clandestino ethos. recovery opens with a lively conga section, snappy snares and a classic detroit-style drum sequence takes hold while emotive pads elevate. man of the moment felix dickinson ramps up his remix and turns in a modern jack track by intensifying the bass, introducing firing drums and darker pads. santa monica takes a slower pace gentle sunset chords complement marimba hits and atmospheric key stabs. balearic gabba sound system s stunning rework is an extended blissed out reinterpretation adding a dreamy female vocal over heart wrenching synths

the latest release on guy gerber’s successful label rumors is a remix ep of the dying seconds’ song ‘mora minn’. guy gerber himself turns in a dub remix, whilst acid mondays and elie nissan & jenia tarsol’s tales feature on the b side. guy’s remix see the acclaimed dj and producer turning the starting point into a wholly new and original sounding release. the dub mix puts guy’s outstanding production into the spotlight. subtle yet intricate, guy’s take on the record pulls together echoing piano chords, a delicate guitar line and emotive, building strings over a gently propulsive bassline. it’ll be familiar to those who have frequented guy’s famous rumors events series this season, with guy’s road testing of the release prompting many fans to ask what this new, distinctively gerber-stamped track could be. meanwhile, rumors label and events mainstays acid mondays take the track into deeper and darker territory, with a faster paced beat and sub-bass flourishes offsetting trippy vocal samples. two fellow tel aviv talents, eli nissan and jenia tarsol, round off the ep with a rework that matches more of the original’s drums, vocals ethereal piano line with amplified percussion and a dancefloor ready bassline. the ep drops towards middle of a busy season for the label and events series, rumors ibiza has become one of the busiest and most talked about daytime events on the island, with international parties in the likes of la, mykonos, sardinia and, most notably, a london street party selling out within hours. to accommodate his ever-expanding fanbase, guy will be playing a landmark headline show at london’s historic roundhouse on the day after this release.

slamming disco action

special request returns taking no prisoners with a fierce battery of snarling, belligerent, machine-funk of the highest order across a 6 track ep. atoms are smashed, vapour clouds sent into the ether, chaos is controlled, tamed and rendered in 6 different shades of wrong… also features a deliciously spannered rework by peder mannerfelt to close out the ceremony

passport to paradise continue their winning streak with an exclusive release from man of the cloth, digger extraordinaire, john zahl / jaz. if you ve seen his video for thump, you ll know that jaz and his works are weird, wrong and wonderful: in a word, the ethos of ptp is alive and kicking in this release. first up, geisha chugs along in the cosmic dust of 80s synth assortments and flourishes of koto. scatter-brained brilliance from the deepest of osaka basements. a2, move to the beach, heralds a sleeker, sleazier side to jaz s episcopal offering. it builds itself out from a latent groove that ushers in the end of the night, carrying you to the empty seafront just before dawn, where a breeze ruffles the palm trees as you dig your eyes into the moon. turning the page, we have a rework from the same post-kraftwerk heritage, but this one is more potent synthpop roller, a straight-up, no frills edit for the toughest of dance floors. the final track, twin theory, is a lofty affair from the outset, its arpeggiated bass holding the track to ransom: it is playful yet very serious, sublime and sarcastic. this is what passport to paradise are bringing to your homes and dancefloors. don t miss ou

it s been quite a while since naibu’s last feature on scientific. more than a year has passed since the release of his acclaimed “case study”, a mature and eclectic quasi d’n’b album rich in live instrumentation and tons of intricate details.
and here’s a follow-up to this work a four track remix ep featuring reworks by some of the biggest names in the atmospheric deep drum & bass current of today. naibu’s already captivating take on music gets reinterpreted in four different ways, so just know that you’ll be treated with a sense of freshness and familiarity at the same time.
spanning a variety of shades of drum & bass, from hiddenwave’s deep and rolling take on “turn me down”, through seba’s nostalgic rework of “astray” and bungle’s powerful, cosmic rearrangement of “case study”, to future engineers heavyweight, solid-basslined reinvention of “fighting for attention”, the ep acts as an excellent supplement to naibu’s original work, offering listeners even more of auditory pleasure.

odd breakbeat-influenced crazy rework by locked groove and a dope psychohouse remix by simon haydo on the already odd outcast oddity…game changer!

soma500 is a very special release that sees label heads slam visit two memorable tracks for them over this past anniversary year. the duo of stuart mcmillan & orde meikle rework robert hoods, the bond we formed - taken exclusively from the soma25 compilation and a track that has featured highly in countless sets, a unique slam rework of carl craig’s interpretation of delia gonzalez & gavin russom’s, relevee.

the make mistakes gang returns with their second record in the form of remixes of roy england s techno rocker, photon. what you get here is a package of dance floor cuts showcasing the varied styles, and tastes of the crew, making this a versatile record that s gonna find a way to fit in where ever it s needed. on the a side we have a taste of attentat s signature sound: hypnotic, driving minimal techno. a slowly evolving meditation, this stripped down, pulsing jam will ignite the late night dance floor. an irrepressible tinkerer, roy england took the original, funked it up, worked it out, and streamlined it for peak time. in his remix, roy crafted a consummate party jam, steady, pumping, and full of life. with his remix, time for trees takes you on a psychedelic, housey frolic through the woods. what we have here is a slow building, mind-bending groove, wrapped up in cascading waterfalls of sound. the make mistakes label has built a diverse sound around a cohesive aesthetic. with the photon remixes, they continue that tradition, with style and depth, fine-tuned for dance floor lovers.

klyne first caught everyones attention with their critically-acclaimed debut ep paralyzed on aesop, as well as their debut remix - a rework of disclosures omen feat. sam smith - before signing to because music and going on to release their first two singles, dont stop & water flow. both tracks hit the 1 spot on hype machine whilst garnering support from i-d, pigeons & planes, the fader and noisey as well as receiving airplay support from bbc r1, 1xtra, 6 music and beats1 with water flow racing to over 6m streams and counting on spotify. mellow electronic pop thats like a long-lost cousin of jai paul - the fader infectious and effortless groove-laden soulful masterstrokes - vice / noisey minimalist vibes, captivating vocals impeccable melodies - pigeons & planes more fire from the young dutch duo the boys are off to a strong start - i-d

an old hero at int hq, andy meecham(bizarre inc, big 200, chicken lips etc.) released his debut for internasjonal recently. no we with vol.2 of a 2 part series entitled 2500?. all synth noodles and doodles written, performed and produced by andy meecham and one rework by wolf m³ller prins thoma

ion din dorobanti is one of the many monikers of the ubiquitous producer ion dumitrescu from bucharest. his 7” single on pingipung shows the oriental influences on bass music in his hometown. this release carries the manele, romanias wedding music which dominates contemporary pop styles since 30 years, towards new sonic realms. on the two tracks, he drag psychedelia and analog electro into the manele-sphere. the first one presents a radical afro-electro rework of alex pus&#806,,,,tiu’s “mi-e pofta&#774,,,, de tine ra&#774,,,,u”. ion din dorobant&#806,,,,i’s original production on the other side is a track pulsating on a 9/8 groove infested with synth nostalgia. all is spiced up by nicu chinezu’s on clarinet. ion dumitrescu is the co-initiator of the future nuggets label and its sub-label p-balans. they are both based in bucharest and run in heavy rotation at the pingipung office and in our dj sets. if he is not ion din dorobant&#806,,,,i he appears as australopitecus oltensis or utopus as a producer. among his productions are the brilliant debut lp by steaua de mare, the first lp of the legendary band rodion g.a together with strut records (london), the raze de soare ep and both volumes of -sounds of the unheard from romania-. these two summer anthems are part of the ongoing series of 7”-releases on pingipung. other singles recently came from ya tosiba, sven kacirek, andi otto or f.s. blummbastic.

the man, the myth, the legend that is danny soopasoul bennett has returned to spread the good word of funk once again. pushin weight is the storming new instrumental track from our man soopasoul and as usual it doesn t disappoint. rambunctious sax lines and soaking wet wah wah chords ride over the tight drums and grooving congas. there s more breaks than a fat man running a marathon with this floor filler and more exciting still, it s coming out on 7- vinyl for your listening pleasure. the aptly titled b-side and perfect foil to this funky monster is his classic track â&#128,&#147, the fan favourite: brand nu which has had a cheeky little 7- rework to make it, wellâ&#128,¦brand new.

scrimshire s edits are synonymous with our imprint, and every one has been of the highest quality, often hand-picking the more obscure works you never knew you loved, from some of your favourite soul voices. and as we turn 21 (release-wise) he pulls it out of the bag once again, rework chaka s string-laiden -some love- into a monstrous dance-floor destroyer, adding some serious sliced and diced funk chops to merry clayton s percussion heavy version of -keep your eye on the sparrow-, and finally, subtly and tastefully turning mcneal + niles rare slow and soulful treat, -summertime love- into a late night balearic beauty. the perfect summer soundtrack and another sure-fire dubplate winner!

slamming four track with with excellent funky / disco edits, 2017 reissue

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. now let’s discover the dub version of ennenne. dub is a unique discipline. a strange and sometimes unpredictable music practice. it was just after the release of ennenne that we decided to take back the multi track recordings and start to rework the music through the mixer. in order to give a new shape to the project, we thought it was a good idea to invite some of the best producers and musicians on the dub scene. following a very natural process, our vision began to take the shape of an international all star event, including contributions from historical dub artists such as adrian sherwood, lee scratch perry, dennis bovell, and actual celebrities of today such as gaudi, vibronics, manasseh, khalab & messmorize, and mario conte one the most interesting producers on the italian experimental scene. a bunch of old and new friends with whom we share the same vision.

the owl returns for 003 after two sell-out opening releases. there is a bit more sample trickery on this release with beefed up drums and smooth chords added to the original material. the opening track being a clever disco-house take . the drums are chunkier and the groove is tight! donny hathaway s little ghetto boy gets more or the straight up edit treatment with all the good parts looped for a dj friendly mix. hustle is a very clever rework with plenty of new parts added to give the original a much needed dance floor boost. rounding the release off with a simple yet effective re-do of fred wesley s classic house party .

first terrace records is honoured to present the beacon sound choir singing sunday songs - a project conceived by peter broderick and brought to life through collaborations with a number of portland-based individuals including david allred, holland andrews (like a villain), branic howard and heather woods broderick.
beacon sound choir is one of broderick’s most ambitious and avant-garde projects to date. utilising the harmonies of a 35 strong choir, sunday songs plays out with an almost religious undercurrent, the product of individuals inspired to commit a divine act of collaboration, recalling the rare splendour of a community in seamless alliance.

earlier in 2017 nathan fake released his keenly anticipated fourth album “providence” to rapturous acclaim. fact hailed it as “career defining… one of the best electronic albums you’ll hear in 2017” and dj mag made it their “album of the month”. on this follow-up ep, fake delivers a brand new track ‘bosky’: “a spiky, but warm and pretty raw roland/boss analord-inspired studio jam with synth autoharp improvisation”, calls on tessela and truss (xl, r&s, perc trax, poly kicks) aka overmono and huerco s. (proibito, software) to rework album highlight ‘degreelessness’ (feat. prurient) and additionally showcases the talents of polish composer and multi-instrumentalist olga wojciechowska who submits a stunning modern classical interpretation of ‘hoursdaysmonthsseasons’.
limited edition solid white 12” vinyl in a black paper inner sleeve housed in a 3mm spined popset outer sleeve with beautiful artwork by matt bateman (flat-e).

hyperdub+ warp records artists babyfather and gaika rework two 18+ tracks from their second album collect. hyperdubs dean blunt, a category-rejecting artist and an art-pop provocateur tackles drama under his babyfather guise, looping a low slung swagger beat under the vocals of dj escrow and samia mirza. warp records multi-disciplined south london artist gaika rips apart glow into a discordant sub-low bassline drone, pitching samias vocal as slow as can go, harsh high pitch tones and field recordings. one of the strongest things we’ve heard from the divisive producer.

3 of shadow child’s connected collaboration album tracks get a makeover from rimbaudian, mj cole and bodhi. rising talent rimbaudian reworks the only solo track from the project, steak fingers, and takes the original bumping stripped back groove on a more melodic journey with its stunning arpeggios and new string parts. the backbone of the original remains but be prepared to take a trip to a new stratosphere, with his stripped version which is included too. bodhi step up next to remix gacid, twisting and turning the original acid patterns and grooves to make a special rework that gives a nod to early detroit with new drum programming and pads. the welsh duo bring the heat. mj cole delivers what must be one of his finest remixes. um the collaboration with bodhi, already offers a trip that flirts with jungle, lo-fi and the hypnotic but mj cole brings his signature vibe to the table with new keys, groove and provides something that feels as if it belongs in the realms of his seminal hit sincere.

from the first moment raoul has sent it, innervisions felt something special about toukan. dixon worked out the pure essence of the track to give it a more dancefloorfriendly twist whilst trikk set the focus on the instrumentals, creating a dubby african techno excursion.

after agoria and oxia, dino lenny is now entering the sapiens family. founder of frenetica and fine human records, dino lenny starts young as a dj in a small radio in cassino (italy) and after a while he moves to london where soon he starts enjoying successful releases on labels like ellum, innervisions, crosstown rebels, exploited, yoshitoshi, toolroom, suara and many others. dino also gaines notoriety remixing underworld, missy elliot, timbaland and collaborating with everyone from scissor sisters to wutang clan and madonna. in 2015 dino signes to ellum 3 eps in a row its saturday, living in a song & the anthem this is a love song. 2016 sees dino remixing in partnership with seth troxler the magic room out on seth’s label (play it say it) and contemporary on innervisions a certain distance with a great rework from label boss dixon himself. this year correspondant will take part in this exciting journey with a track that dino wrote with fiberroot called suddenly meanwhile his label fine human records continues building nicely with great support. the italian wizard just got remixed by agoria & maceo plex and his original mixes of shoot me to the sky/ this time we take it easy will be out soon on sapiens. exciting electronic days for lenny! tracklisting 1 shoot me to the sky (maceo plex remix) 2 this time we take it easy (vinyl edit) 3 shoot me to the sky (extended mix)

turbo recordings is proud to present a release a full year in the making. a&rÆd by turbo elder thomas von party, gender embodies the adventurous spirit of his own multi culti label, and marks a return to the kind of mega remix pack we used to make when the world was young and an alternate dub rework was all you needed to get by. germanys skinnerbox sets the template with a high-speed jungle rave banger, which is an accurate enough description but not something we would expect you to ever repeat out loud. the 12-inch also features versions by swedish nice guy axel boman, who missed the submission deadline by 13 minutes but still managed to turn in a 12-minute epic jam, and glasgows auntie flo, who somehow harnessed the siren song of the iphone with a marimba-heavy mix.

incl julius steinhoff version (smallville) ...telfort returns with a third 12inch on his own imprint, following the aptly titled debut in a good place and stellar follow-up lickety split. his best yet, the edinburgh-based producer drops the evocative and soul-stirring soon i will embark on a journey, with its immense, alluring melody and downright addictive grooves. on the flip, the hazy and hypnotic æuntil nowÆ takes us further on the journey with its shimmering textures and mesmeric flow, radiating warmth through mind-soothing chords and gritty percussion. further on, we hear a reinterpretation from julius steinhoff, co-founder of smallville records and half of smallpeople. serene and smooth but equally stomping and floor-ready, the melancholic strings and trickling percussion slowly develop and captivate in a sublime and entirely fitting rework.

underground japanese artist makoto murakami comes correct with threee variations on one tracks, ranging from playful and skippy house vibes to downright mean and moody technoid pounders. comes strapped with a rework from luca lozano and sj tequilla, safety at the highest level!

with the motorforce ep, pépe joins the renascence family in its fourth installment. a both tear-jerking and hot-blooded collection of music inspired by long highway drives in the spanish summer, pépe goes from lost-in-the-tarmac-jungle percussions to relentlessly emotional energy with melllow and nostalgic synths. dan white brings you deeper than the marianas trench through a light, spellbinding, dub rework under the rings around saturn moniker to top off the emotional trip that this entails.

omer joins the love on the rocks family with a massive underground smash, the not-so-well-kept secret rework thats been doing the rounds recently among a handful of trusted djs, inducing hands-in-the-air hysteria and clocking up more than a few plays in clubs from robert johnson to panorama bar. finally it lands here as the title track of the ep, perfectly tooled for any poolside dance party. phew! finding just enough room for another huge jam to share the same side, omer moves effortlessly into his trademark late night melancholic trip territory with high hopes, leading in with snapping percussion before giving way to a fierce bassline, swirling layers of melody and synths that resonate with warmth and emotion. rounding out the proceedings, back and forth pulses with electric energy from the word go, quickly pulling you into its distinctly neon after-dark atmospherics, with a forboding hook that twists around itself amid spiralling tension, and on into euphoria. you and me to the party, you and me all night. you and me to the party,you and me all night.

the fifth release in ygroks limited catalog debuts the dkm project of samantha waldram, a native of barcelona. the a1 is her rework of the sound poem titled little ali hommage to forough farrokhzad by giorgio sancristoforo, a contemporary italian sound artist. the heavy rolling groove makes her track compatible with any dancefloor while still keeping the wild psychedelic flavor of the piece. giorgios original piece opens the b side with its disorienting collage of bells, modular bleeps and cresting, tumbling waves of persian syllables. the ep closes with a stripped down beat and soundscape tool in the finest ygrok tradition

the second volume of the bld remixed series is here. once again, original tracks previously released have been revisited by artists that support the label since the beginning. in such good shape nowadays, oliver deutschmann delivers an outstanding remix of acid on mars pushing the limits of warehouse techno & jackin house faded with warm & hypnotic detroit chords and space-pads. as the name indicates, minneapolis legend freddy fresh delivers an ethereal mix of before deep full of nostalgic dreamy synths reminding us of his 1995 return to phantazia vibes. last one is coming from prolific asok bringing a raw and banging rework of be apart based on 808 electro beats & breaks combined with a crunchy bassline.

in 2014 sascha dive released his last album called dark shadow. now in 2017 finally we have great remixes made by reboot, tobi neumann, arno e. mathieu, austen/scott (brodanse) and hooved . check it out