klik records is proud to welcome a new addition to its roster, 9west. the 9west project made its first steps back in 1998 in thessaloniki, greece, by two music lovers above all, tikis and george. they both love the deeper side of things with many jazz and soul elements, maintaining a raw and kicking sound. their free of crippling nostalgia music wins you over with consistency, tension, and dynamics as well as a sensibility, one would usually expect from house music. 9west pursues an unexacting fusion of quantum jumps and tradition - including effortless melodies and hook lines.

the tracks here are in the brutalist machine house vein and the source material for * we come together* (by mazi as asp and john griffin as awoke) will be familiar to devotees of roots chicago house. the brodanse brothers * sleep won t come* is remixed by audio soul project and awoke. chicago based multi-instrumentalist jonn wallen contributes the dense * aesthete* under pseudonym *by gordon gartrelle*. * we get together* is a tribute to the 90s house that inspired us to start making music years ago. people reminisce about how things used to be better, but you must breath in the present. we keep with us those hallowed bones but let pain and suffering fade into the mist. we let memories fade in the depths of our neural web so as not to be paralyzed by the burden of sentiment. we forget to stay sane.

no need to present fumiya tanaka. by far japans most talented and knowledgeable electronic musician and dj. he founded torema records, the first independent dance track labels in japan in 1993. since then hes been constantly rocking the floors around the world. fumiya made us love electronic music. were thrilled to welcome a true pioneer. dont miss this record.

in many ways, val maira is the perfect kompakt record, albeit one that kompakt never made. until now

double vinyl pack from einmusika for one special price! contains these releases:
- einmusika019: pysh - take me back ep
- einmusika020: piek - does your love fade away ep

incl fade out lines ! heavyweight 180 gram double vinyl lp in gatefold sleeve !

side a: ghetto juice - another nice techno soul groove by eddie fowlkes, with the deep bassline with the laughter of of streets of detroit and crazy horn lead to get the ladies dancing.. side b: sunday morning - this cool swing late saturday night groove with a fade in vocal of -easy like sunday morning- sample will definitely have hands in the air, brilliant track by mr. fowlkes!

mallorcas dakpa has been on a roll since amam released his debut ep last fall. he has contributed to several compilations, including amams own hand out series, kina music s fade to k pt. 3 and wizz vinyl s sonar sampler 2014, plus eps for labels like district raw and serial number 849. but amam gets the honor of issuing his first own vinyl release, the distres ep. the opening title track is an exercise in jacking minimalism, vibrant tech house with just the essentials, but more than enough to get the floor moving. then, ademus gets into a slightly more colorful groove, with tropical percussive interplay and some whooping voice for a humanistic accent (is that brigitte bardot?). on the flip, virgo gives a modern update to the frenzy of acid house. the title alone brings virgo four to mind. on that note, this one is an effective tool for warping minds and evoking spastic dance moves. finally, the dependable gaetano vinci a.k.a. hooved reinterprets ademus with a heavy dose of melodic funk and symphonic washes, making the track into an entirely new creation.

incl. the disco bomb : the avener - fade out lines !
pressed on 4x 12inch vinyl (140 gr) + free dl (voucher inside)

scubas phenix triptych reveals its final panel. a bite-size story in and of itself, and a fitting end-part to the greater sum, 3 feels like the latest acme of a diverse career. this is traditional beginning-middle-end story-telling: silence s call-and-response foretells of a blue funk ahead - funk in the figurative - as nineteen eighty transposes old chicago into an ad rem context. the disquiet continues on the other side, with plateaus exacting techno pulse underscoring astral synth work. tempo and temperature are pushed to an extent worthy of the resolution fade provides with its informal pace, acoustic disposition and celestial chimes

what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last night’s unmade sheets. appropriately, tin man’s melancholic dance music is more club-ready than ever.
the double 12 inch lp comes in gatefold sleeve with download code included.

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

zen-zin. will nicht der naechstbeste kuenstler sein, der sich auf einen stil festlegen lässt, sondern den moment und das gefühl der beats einfangen. das ergebnis ist ein starkes album mit zeitloser musik. the butterfly effect. deutsche beats. sudanesischer flow. universeller sound.

spains edu imbernon continues his unwavering rise with yet another assured release, fading dawn - his second for culprit. despite his young age (edu is not yet 25), the valencia-based artist is an accomplished producer already, with recent remixes for the xx and hot natured under his belt and the likes of john digweed and maya jane coles as his champions

we are happy to present you the first 2x12 inch release on delooped records featuring artists who captured our attention during the recent past.
vinyl only release - no digital sales, just for real vinyl lovers

let s welcome to the reference 005 of kubic records vinyl (limited vinyl 100 copies) the first track twister is a techno track in which highlight acid analog lines, strong rhythms, and voices that take a long time to fade from your mind,the second track starb start with hard kick and development becomes with bass and techno atmosphere. we bet for this sound this year.

a fresh voice in uk techno arrives on hotflush with a four-track debut that brandishes range and dynamics. unsullied atmospherics, large-scale techno, acid, dub and two-step comprise the story arc here disparate elements woven through by the coherence of a singular vision. this is auden.

*omicron segment* is a non-conventional language album. at the same time has been conceived with logical thread and it developes in two different paths.
comes with mp3 download code.

*omicron segment* is a non-conventional language album. at the same time has been conceived with logical thread and it developes in two different paths.
comes with cd-copy of the album.

in times where a rave feels pretty much like a funfair, the chairoplane is still the nicest ride. thinking of kettenkarussell some might remember one of those gathered moments in a low summer night under the clear sky when things made sense for a while. but those memories fade away quite fast or seem really strange a few years later on youtube. so what is it that is left behind? after 10 years of collaboration the couple decided to do an album that might challenge the comfort zone of those who try to keep up that easy living. its a record full of holes. and still this is what keeps them together. in pain we trust... and yes i believe you and me will make love forever...

an artefact from a perfect studio long abandoned, bok bok drops this alternative deleted mix of his new single *melbas call*. this version will be available on limited 10&#8243,,, vinyl only, as part of the night slugs white label series. both the original mix (released digitally march 31st) and this version feature kelela, the powerful vocalist behind the smash cut 4 me mixtape, released last year on fade to mind. boks instrumental melted in the trash, mangled tape dragging his cyborg funk to an excruciating, ruined memphis-like quarter-time. meanwhile kelela remains as immediate as ever, evoking r&b greats from a cannon she is clearly set to join. to be played loud and preferably in the dark.

krautrock and ebm inspired post-industrial techno. next-level electronic music made by one of the hagues most original producers. must have for fans of unit moebius anonymous and shitcluster.

phonica unveil the first in a series of three 12inch samplers featuring a selection of tracks from their new compilation ten years of phonica.

with the new release 1112013 stopping outwards, the >numbers trilogy< comes to a conclusion - a milestone in the young life of stochastic resonance collective. the work of six artists focusing on the same research which shows how the common language of electronic experimentation can be the basis of many different variations.

supported by: richie hawtin, marco carola, steve lawler, magda, stacey pullen, reboot, karotte, nick curly, kollektiv turmstrasse, nekes, dan drastic, toni rios, robot needs oil, david jach, doctor dru, chicks luv us, emanuel satie, einsauszwei, steffen deux

a whole pack of love for drum n bass combined in 3x12 feat. great sneaky remixes from known and unknown artists.

sunset wax records is a new independent label founded in 2012 by the italian dj producer gianluca brancaccio and based in salerno. its goal is to print on wax the fusion from the modern warm deep house sound and the old raw house feelings, that fade as the transition from dusk till dawn. first release coming from the talented berlin based nick beringer, with 2 excellent house tracks remixed by giovanni damico and the boss label gianluca brancaccio! vinyl only for wax lovers!

im:ltd, the label with more treats in his pockets than your sugar daddy, is back once again to unleash the latest efforts from ukrainian producer hibea white owl.filled with with bass frequencies lower than a strippers self esteem, fierce percussions and jungle-like wild breaks and backed up with some heavy duty remix works from rising sex symbols phil tangent and fade, that 4 track collection is a definitive must have for any lewd dnb fan.when these drop, owls wont be the only birds whose heads are spinning!

c-edits! a limited series of vinyl only dj friendly versions of songs from the past and present. straight out of a debut on wolf + lamb black covering fade to grey, c-edits is back with the fourth in the series. from slo house to breaks and disco this is another great addition in the catalog. keep on movin dont stop y all!

stygian stride is jimy seitang, a new york based musician in the no neck blues band axis who, as a member of psychic ills and most currently with rhyton, was brought up in the midst of the groundswell of avant-garde and improvised psychedlic music in new york city over the past decade. on this, his debut solo release, seitang has moved away from rock music completely, instead turning his attention to gauzy electronic music reminiscent of gas and the classic era of mille plateaux and chain reaction, with nods to manuel goettsching and tangerine dream

your memories fade away.you devote yourself to music.the propulsive bass makes your heart beat faster.a break , soulful and playful.you dance and dance, cant stop.be happy with jules heffner & freund.

orilla oscura is presented with the utmost highest production standards – mastered and cut to vinyl by andreas lupo lubich at d&m in berlin, pressed on high-quality virgin vinyl at rti and housed in a heavy-duty old-style tip-on gatefold jacket printed on uncoated stock by stoughton. also included is a free download coupon.

with previous releases on labels like idle hands & horizontal ground manchesters alex coulton drops and impressive ep for hype ltd. he may only be at the end of his teens but the music he makes is way beyond that as this ep clearly shows

that is attack, decay, sustain, release. the adsr envelope is just one type of envelope, but it is a popular one that has been used in electronic music for decades. attack is the period of time after the initial release, it is typically the loudest part of the sound decay is the phase while you are going from the attack to the sustain – you are decaying the volume from this sharp initial phase to the normal volume phase sustain is the normal phase of the sound. it is typically less volume than the attack, and go on for an indefinite period of time, or for a specific amount of time release is the draw down from the sustain period to no sound. a fade out.
mini-lp release, cd version included.

brand new seahawks album available on double vinyl with gatefold sleeve.

the special edition lp on double 180 gram vinyl in gatefold cover.

damon kirkhams solo adventure under the alias jon convex continues. the first of an exclusive three part limited 300 white vinyl run ep series leading up to the cd album release. the release also contains a remix from french duo gucci vump (aka brodinski & guillaume of the shoes). kirkham has also been working on the staging of the album, which will have custom-made visuals based on the covers of the album and the eps.

nguzunguzus (prounounced en-goo-zoo-en-goo-zoo) bubbling, otherworldly productions stitch percussively forward experimental sounds into a club-friendly framework. alongside kindred spirits in the fade to mind crew (kingdom, total freedom) nguzunguzu seamlessly cross genres, tempos, and atmospheres to create a new emotive electronic club realm that immerses body and mind. the mirage ep is nguzunguzus breakout ep (from 2010) made to have and hold in the physical realm for the first time ever. the new version features a rework from kindred spirit dubbel dutch and mind melting artwork. limited edition of 500 on clear vinyl.

radioblues take me home on fenou no.16 is the sweetest piece of minimalish housy electronica in a long time on this label. as a mere mortal you cannot resist the dreamy voice of sylwia van der wonderland. you just want to fulfil her wish to take her home and get caught up in her world. solely the music itself makes it impossible to leave the dance floor and thats thanks to robert - the rocket scientist - who is the other half of this organic duo. with remixes by umami, arjuna schiks and le prix you can choose from various styles, but when the last beats fade youre almost forced to flip to b side and back to the a and so on and so forth

ramona still gets plenty of mileage from massimiliano pagliaras wonderful and critically-acclaimed album focus for infinity. thus you will find the second 12 inch of top-quality remix action right here: from acid romantics to reggae house. this time removed from all links to producers from frankfurt, but injected with international rollercoaster sounds.

part 3/4 ! limited edition! including remixes by qluster(aka cluster , kluster),kangding ray and silent servan

arne weinberg aka onmutu mechanicks returns to echocord colour after his debut album on echocord in late 2011 with three new cuts of dub influenced deep techno. expect the trademark onmutu mechanicks beat science combined with delay and reverb drenched synthwork spiraling down into your mind. the title track phosphor also gets a remix treatment from norman nodge who turns this into a real berlin techno dancefloor stomper that will please both the djs and the crowds.

fresh from starting us sister label fade to mind, kingdom is back on planet night slugs with a new 4 track ep. the long-awaited >let you no< continues where fogs (ns006) left off: a cinematic half-time environment of snap percussion and winding eski synths, with a longing performance from a disembodied diva, the track s anonymous guest star.

ali renault with a great longplayer from electro to cosmic... housed in a luxury gatefold cover

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

new album by portable. on the fifth longplayer, alan abrahams teams up with efdemin, johannes schön and >süd electronic< labelmate lakuti, to lead us into infinity. during the last 15 years, alan lived & composed in south africa / england / portugal and germany. he released records on background / context / karat / musik krause / scape / spectral / süd electronics and yore.

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

sampler #4 from the global communication >back in the box< compilation album, the techno and ambient retrospective selected by tom middleton and mark pritchard, back together again after a 15 year hiatus. this album has racked up an incredible amount of support and 5 star reviews across the board, and claiming compilation of the month honours in dj magazine and idj magazine.