heavily influenced by moodymann and andres, new home taping artist simba produces music that is full of soulful echoes, while still dripping in raw house music vibes. quality house music for the believers out there. nothing is too straight in the simba sound as fx drift around and subtle production touches come at you from all angles. vinyl hiss is as important as the kick drum and the overall atmosphere has that classic house music quality that can transport you instantly to another place. the black madonna was the one who drew attention to the rising talents of this young producer. so fittingly she delivers her own lost in chicago take on the original, which delights in the tracks edginess and the wonderful release of the main hooks

acclaimed for many of his compositions on labels such as aesthetic audio, art, ornate, alongside his blistering dj performances. aer boss miles drops the labels first and his debut album. deep is a word often used to describe a lot of music currently out there, but not many touch the depths of this superb lp on atmospheric existence. miles touches on many shades of sound with his trademark emotive warmth. melancholy but positive vibrations flow out alongside abstract grooves. hypnotic elements grace the journey, creating an otherworldy sense of space and distant unknown entities. feeling & mood leap out of this lp at every twist and unexpected turn, circumnavigating the deep spectrum. since his early releases, his imprint aer has become a highly respected imprint globally with a dedicated following. this lp was constructed to stand the test of time and stand it does, firmly rooted in the cosmos

the second album by valanx called >ejecta< (18-diam.) gets the remix treatment. four artists, each with their own unqiue sound, have reworked their favourite track of the album and gave the music their own twist and sound. the exaltics turns >beyond doubt< into a dark brooding metallic industrial beast with a strong and dominant sub bass line that will damage your speakers.crc, one half of the finnish electro masters morphology creates a trippy psychedelic techno epic on his take of the track >chasm< and showcases a masterpiece of drum programming and creation of atmosphere. on the flip, >trail of conjuration< gets the remix treatment by admx-71 aka adam x. his version takes the tribal aspects of the original and turns it into a dark industrial techno drenched track that immediately lets you think of an old abandoned warehouse drowned in strobe light and fog and a massive rave taking place.last but not at all least it is louis haimans turn and he creates a wonderful deep dub techno track out of >legion v2<. the sub bass and deep chords are whirling and will hypnotize the listener with endless echoes and reverbs. 300 handnumbered limited vinyl copies only. no digital distribution

commodity place project is back with two masterful compositions wrapped in a special colorful ep. the duo composed by roman musicians massimiliano loretucci (computer and synths) and riccardo frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music. on side a, >multifrequency behaviour of high energy cosmic sources< develops an intense journey into a nebulous space dimension where a wide range of fluffy cosmic echoes are stratified and stretched to the infinity, while human perception is totally kidnapped by ancestral voice effects. straight to the unknown ambient paradise. the endless 12 minutes of >ahura mazda< fill entirely the b side. a melodic start up loop on a mild 4/4 downtempo pace prepares the well coming of an outstanding solo guitar excursion with some psy-synths on background for a piece of music that we can literally define as an extraordinary psychedelic / krautrock symphony. so, now you are in. but remember: over the mystic mountains another earth could be found.

singular records is back and verry happy to welcome a new producer for the 4th release, filippo bertetto aka >modry<, a new talent coming from turin, italy.this young producer is literally showing a huge potential with this very first release, subterranean ep, reminding some of early jonas kopp releases, deep and strong techno, but also with ambient and atmospheric flavors too that makes this ep more eclectic, a perfect combination to kick off 2014 for singular records.

das quartett hejira besteht aus etablierten musikern wie sam beste, rahel debebe-dessalegne, alexis nunez & alex reeve und gehört neben acts wie kwes., micachu, the invicible oder gwilym gold zur avant-pop-szene londons. das von matthew herbert produzierte album *prayer before birth* ist eine symphonische orchestrierung mit elementen aus electronica, folk, klassik und avantgarde, mit ausdrücklicher empfehlung des mercury prize-komittes.

october will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew.
to accompany the album release there are two very limited vinyl samplers. vol. 1 features wolf & lambs amazing remix of *shoeshine boogie* never before released on vinyl, a brand new remix of m&t favourite *day ken died* from norways skatebard, a peak time acid banger from kink & neville watson and a new balearic rendition of *snowball* by young marco (esp institute). proper vibes.
vol. 2 features remixes from the l.i.e.s outfit sling & samo, tiago & call super.

september will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew. to accompany the album release there are two very limited vinyl samplers. vol. 2 sees rising stars sling & samo (l.i.e.s. records) turn in a heavy spaced-out house jam rendition of *farewell to wendo*, portugals tiago (golf channel) go warm, deep & classy on *sleeper* while call supers amazing remix of *the key* also features (never released on vinyl before). dont sleep - no represses! vol. 1 features remixes from wolf & lamb, skatebard, kink & neville watson & young marco.

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

ltd. 250 copies worldwide. percussion, cello, guitars and analogue hardware lead to a sonic result situated at the crossroads of ritual drums, dubby reverberating echoes and disintegrating orchestras.

with over a dozen years in music under his belt and a lengthy discography that includes eight full-length albums and numerous eps and remixes, deepchild is a producer who needs no introduction. from australia before it was a destination of note on the electronic circuit, his early music experimented with dub, broken beat, and other ideas. after moving to berlin to be closer to the pulse, his sound has shifted towards house, but audible echoes of the earlier influences remain. caduceus records happily offers him our latest release, with two contrasting original efforts accompanied by remixes from mrsk and lad

brooklyns boroughs are contaminated by creators, so the only surprise hearing alex burkats first 100% silk masters was how subtly exquisite he had nailed them down. patient, swelling loops of new age club mist give way to classic chicago figure-8 bass patterns, and dubby, sampled drum fills punctuate before billowing back out into breathy warehouse atmospherics.
his recent ep for mister saturday night explored more upbeat-oriented dynamics but tarot unwinds with a dreamier deja vu—waves of arpeggiated echoes, strobing stereo shimmer, and low acid warble arcing over a limitless subterranean dance floor. this is hypnotic humanist mantric mystery music for the 21st century, for those invested in what the deck has to hold.

panic girl returns with her long awaited first studio album lowlands to be released on infiltrator records, following the critically-acclaimed burn and rise ep and the panic girl remix ep, which joined together artists like dbridge, phace and duo infernale.
this 12-track lp is a very personal and unique journey into the mind of panic girl, exploring the depths, dark corners and sparkling mysteries of trip hop and electronica and not only thrusts panic girl to new heights, but is also highly addictive and deeply enchanting. with this album panic girl is further developing her own sound, taking in haunting melodies, a love of the bass, heavy synth work and oldskool sounds. lowlands will leave you wanting to hear more and is going to be an album to treasure for sure - if you let her take you on a spellbinding journey into her raw, dark and pure electronica universe.

just be has been riding a wave of success in the past year and further cements this new incarnation with next installment for the mighty crosstown rebels. the massive dont make me wait for you, featuring jesse monroe is a wonky slice of pent up tension and swelling moods, reminiscent of proto garage house classics with a touch of modern slinkiness. as the diva vocal narrative builds with a dirty bassline groove, hypnotic echoes of dont make me wait for you propel the track higher to truly captivate the dancefloor. the more tangled 5am remix comes courtesy of rebel wunderkind subb-an

a heavy lead rhythm provides the foundation from which spiralling elements project. they coruscate, pulse with light and collapse inwards, until just the echoes of dub2 are left. rising from these depths, the sharpness of distribution theorys crisp hi-hats and snapping claps provide forward momentum to a series of stabs. the house element.
beginning as a mystery but ending as a certainty, the ethereal theme that opens untitled document gives way as it increases velocity, shaking and rattling under the strain. the apex. hands reach, seeking, the elusive moment has already passed, all left is pure. bliss. circumflex kicks hard, a final statement of intent. powerful. corrosive. this is late night techno, played over a system on which the squelching acid-lines converge within the mind. the body jacks.

special remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g vinyl! an exploration of the space between min and max, joran speeds at an hypnotic pace exploring the outer reaches of space and dimensions, returning through a wormhole of frequencies & echoes and optimism of new worlds.

aksutique is the moniker of matthias springer for his deep ambient techno, dub techno and downbeat productions. matthias has released several productions over the years, ranging from techno to chill out music under different names. the notch fields ep is the first vinyl release for aksutique and features 3 tracks of aquatic dub influenced deepness that sucks you right into its maelstrom of endless echoes, synth swirls, noises and reverberated chords. “echolot” for example is a pure intense submarine cinematographic infinite journey that takes you into the depths and never lets you free again. the record features an additional dark and electronic rework by valanx aka arne weinberg that drenches the original in eerie voices, electronic sounds and deep bass. not for the faint hearted.

with a techno career stretching nearly a decade, finlands samuli kemppi is a natural choice for the fourth edition of themas continuing chronicle series. his intensely rhythmic, futuristic style has been making its mark across europe since 2004, but it was really four years later, when he was picked up by ostgut ton, prologue, and kosmisch, that the world found out the true impact of his sound. since then he has enjoyed his strongest support from the last of these imprints and, even more importantly, from luke slaters powerhouse mote-evolver, a go-to since its inception in 2006 for the freshest sounds techno has to offer. following the summer launch of his own deep space helsinki label, we are proud to announce kemppis chronicle debut with voyager, an ep of deep, science fiction sounds backed by intense beats.

theo parrish, kai alce, and larry heard, under his loosefingers guise, all on the one ep... ltd 2013 repress

embossed sleeve art /180gr-vinyl zsou bring their trademark sense of drama and dynamics to an intense rework of ?walking through heaven?s door?, a track that featured on manzanera?s album k-scope. the choice of track and remixer is particularly fitting for the b-side. pioneering italian dj daniele baldelli remixes ?caracas?, a track that had heavy rotation in the ?cosmic? club that baldelli dj?ed at in the 1980?s. the ?mental? remix adds a sense of disorientation and heaviness that echoes the vibe of baldelli?s sets from cosmic

knox is the band brainchild of brother-sister duo nic and eliza coolidge. hailing from boston and new york, the siblings released their second ep, here, on december 3rd, and it is a big step forward for the band. formed less than two years ago, in march 2011, knox finds themselves working with the likes of john tejada and kuxxan suum on this release, and the outcome is stunning. here is five-song set full of ice and echoes. it runs as close to the third rail of impersonation, but flies away so quickly that knox sounds contextual and perfectly fresh. the influences from james blake is clear: the swooping, bomber bass and half-timey compressed dub beats, here could also easily be an inventive b-side to the latest how to dress well album. but, with the limited scale, interspersed remixes and foundling status in the scene, i would say it is likely a more impressive feat. the ep as a whole is desolate. expansive spaces filled with cold little beats and vocal washes, exploring in the course of five songs an icescape aesthetic with a sense of place usually reserved for full-length albums. the remixes blend so seamlessly that i didnt even realize they were during my first, casual listen.

das trio (jimmy, chuck und ryan) aus brooklyn, new york gehört mit nude beach zu den ersten signings von other music. mit ihrem album ii , welches vor power nur so strotzt und american-rock-fans begeistern wird, wurden sie bereits in diesem jahr von spin unter die besten 5 best new artists gewählt. ihre zeitlosen songs erinnern stark an tom petty und paul westerberg.

having swiftly carved a niche for himself amongst the likes of perc, ben gibson returns to sect to deliver more of his brooding and engaging techno. there is a great emphasis on sound design and atmospherics in the two tracks on quien es?, as ominous clangs and tense tones hang heavy over rugged drum workouts. >ceased to gasp< is the more industrial of the two, but still allows for a melodic slant in the cavernous echoes that define the track. >remain< adopt a swirling, psychedelic approach to sonic decoration that draws you in just as it continues flooring you, like all good techno should. highly recommended.

the land of oz has such a thriving scene at the minute: francis inferno orchestra, tornado wallace, andy hart and the future classic guys all having huge success – as well as every dj and his dog popping up on australias festival and club circuit. it is the place to be seen and heard. and we are very proud to have a slice of that pie in the form of andras fox.
pressingh on transparent dark blue vinyl.

copy paste soul is a london based producer who makes warped yet warm deep house, which soothes the soul without missing a beat. over the last year this highly skilled artist has been making tunes to satisfy those wanting fresh sounds with a brittle edge and echoes of classic 90s dance music. the crossover appeal of tunes such as >want it< is obvious for all to hear and latest track >makes you feel good< does exactly what the title states.
with huge tunes like >84 vintage< and >so good< already under his belt, copy paste soul has an ever expanding army of fans in the dj community. annie mac called his productions gorgeous, while the legendary laurent garnier has been hammering these tunes in his set. tensnake and pearson sound are also big supporters and this moreish music has been played by skream & benga on their radio1 show and by brackles on rinse fm. this is only the beginning for copy paste soul, a producer who makes sounds of the future now…

the man they called brokof was a blazing star in one familys dark history. a player with a wandering heart. the band called brokof follows him into the vastness and gives it a face. they draft a map with songs. singing with beautiful solemn sadness about encounters and fleeting moments of truth. hinting at rage born from the loss that occurs when one moves in life. about what one has to gain when there is nothing expected. when hope has turned to echoes and dust.
these are pop songs purged and reduced to the core.every sound stands alone to serve the song. there are no tricks. through their naked vulnerability they find their power. the structure is stark and the messages clear.

lost and sound …
a1. fenin: black screen (w+p lars fenin) - raw mixed tech stomper for lovers of early techno vibes / simple pattern works.
b1. lars hemmerling: vektor (w+p lars hemmerling) - drowning down the river with moments of noises and shapes lost in echoes and reverbs lars hemmerling delivers a pieceof haunting grounds.

afriquas first f4t release msgs, is an exceptionally deep house track dusted in warm tape noise and that showcases an effective minimal pulse. the melody resonates long after the track ends, an instant classic after the first listen.
shinigami sans interpretation pushes msgs into the techno arena, deconstructing and rebuilding the track with walls of noise bound by ethereal instrumentation and cavernous echoes. dirty and intense, this leviathan of a track should only be dropped with perfect, purposeful timing.

as ajello say:the idea for a cover version of n.o.i.a.s looking for love was born a couple of years ago - an idea of alessandro piatto, younger brother of davide piatto, original member of n.o.i.a. as soon as alessandro proposed it,we asked whether we could have the original tracks but, unfortunately,they have been lost over the years.immediately his brother davide brought together the original lineup of n.o.i.a.and locked them up in the studio to record the voice from scratch and some of the synth parts. our intervention was first on the drums, replacing the original for a more uptempo beat, and then the bassline, shaping it to a more modern sound. the vocals were treated with filters and echoes,and we also added some new guitar parts and synth lines. it was an honour to us, ajello, to bring to light an italo-disco classic that has really influenced us and we have put all our efforts to create a version that is timeless, as much as the original.

vladislav delays ep >espoo< features two new conceptual, rhythm-intense tracks. whereas the groove of the opener >olari< derives from a sound loop which is manipulated by filters and echoes and finally brings forth the intensifying beat, the reverse is done with >kolari< on the b-side. starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent vacation-like melody, close to terry rileys minimalistic concepts. both tracks share a linear increase in density, and because of their break with the common four-four time, they create a certain folkloric atmosphere. like with >vantaa<, the experienced music producer vladislav delay continues his search for dance-floor compatible, yet unique and fresh music.

grey series, an offshot of the already well established m_rec ltd., aims at celebrating the reclusiveness of techno, its core ideas, its attitudes and its most recent mutations. traditions that while remaining, have allowed todays artists to conceive uncompromising and exciting sounds. its first release sees juho kahilainen explore dark and glacial territories. epilogue is the end of the darkest set, with its sinister piano moving slowly on a set of digital sounds meant to shut off any source of light.we heard it coming enhances stripped down techno with echoes of what seems to be field recordings from an unexplored locations.rotko dims the light down with its flirty, crepuscular details. acid and irresistible, its a trip that carries you on and on.the less we try takes a dramatic turn, where a beat that pays tribute to acid sounds encounter a martial soundwave and its tense and dooming melody. grey series is dedicated to everyone who lives techno today, who recognizes that theres a whole array of possibilities to explore, away from whatever the dancefloor requires.

limited edition single sided white label. claude vonstroke teams up with jaw, lead singer of the notorious dop crew for a trippy slab of modern funk. this marks the very first time vonstroke has worked with a singer and we think the results are great. jaws smooth falsetto harks back to singers like curtis mayfield and the backing track is filled with trademark dirtybird flavor. the record is a slow building jam that builds into an almost church-like resolution filled with spiraling space echoes and organs that is sure to set off all the right rooms.

100 copies worldwide. limited edition vinyl with hand printed cover and paper bandarole. warm rhythmic echoes of a steady synth pulse spans the vast side. a bass line surface midway and falls into place. electronic dub sits firmly on the second side. waves of bass washes ashore as the sun sets over the caribbean islands.

lp debut from claudio prc on prologue! talking about italian outstanding electronic music artists, claudio prc is one of the first to mention. his understanding of profound and overwhelming beats is extraordinary. claudio abducts us in a world of minimalistic sound experience opening a new universe of impelling simplicity. claudio is equipped to receive all credits an astonishing instrumentalist deserves.

last year’s ‘the age of compassion’ by chicago underground house don tevo howard was one of the standout tracks for buzzin’ fly in 2011with widespread dj and media support. it joined his burgeoning body of work on other acclaimed labels such as rush hour and his own beautiful granville. now tevo returns with his follow-up for buzzin’ fly. if ‘the age of compassion’ was a simple and elegant dancefloor bump wrapped in warm analogue melancholia, then the ‘monument ep’ is its nemesis - a stark future-retro reinterpretation of the origins of house music build from the bare components of machines: raw drums, sub bass, sine waves, square waves and oscillators. and yet there is still a burnished beauty to this ep. all three tracks seems to find echoes of each other in their arrangements and brittle harmony. machine music for the modern age edged with passion and feeling, and another fresh step for its producer.

franck roger returns with a sharp three-track release alongside talented countryman terence:terry. the pairs this is now ep blasts us into 2012, a bold and edgy step-change for real tone off the back of vintage, stateside-vibed >after all< (with mandel turner). gritty opening number hustling peoples keeps things on edge, just as they should be. roger and terrys title track accelerates smoothly into funky, retro-tinged house flow, complimented by echoes of female vocal. final offering beaucoup la fête returns to moodier territory, a 4-4 stomp with real chaotic charm and buzzing fx. together, roger and terry have produced something very, very special for real tone. their >this is now ep< is a striking record asking the listener, very simply, to dance hard and dance now… early djs supports and feedbacks by damian lazarus, tania vulcano, lee foss, ralph lawson, heidi, james priestley (secretsundaze), ryan crosson, deetron, clive henry, josh wink, magda, dj t., sasha, efdemin, d julz, jimpster, matthew dear, ellen allien, hernan cattaneo, nick curly, michel cleis, sascha dive, boris werner, le loup...

three ways to move is a collection of delicate dub and chord driven tracks by pablo bolivar,barcelona based one half of pulshar - the band who released remarkable album inside on desolat in 2010 - and avantroots productions.feel free to find your way to move in the world of smooth pulsating bass lines, tender frequencies,echoes and sweet melodies.

nice price deal !!! after the amazing success of his ram records debut single, >brainstorm / echoes< hamilton is back with a release that contains a pair of undeniably epic tracks. hamilton runs riot with his impeccable production skills to offer a 12 that has already gained support from all the major players within the dance music scene, including andy c, hype, culture shock, chase & status to name but a few.

cool phreakin and spooky real electro bombs... anthony rother style

here is the new single by abstraxion - moribayasa, which is already being championed by tiga and brodinski. the single features remixes by pokerflats argy and dfas dj kaos.

for the inside job ep, beat pharmacy leaves dub in the background, taking things in a more straight ahead house and techno direction. percussive without being oppressively banging, melodic without excessive nooding, tracks like >inside job< and >comet< nevertheless retain the intense attention to subtle detail that define moellers more dubwise productions. >in a trance in france< takes things into a deeper more hypnotic realm, and >hootin & tootin< toughens things up with an ominous analog bassline and thunderous kick drums sure to ignite a mainroom dancefloor. yet even here, echoes and melodic elements sweep through the mix, lest you forget who was working the boards.

for our 77th release we are happy to welcome back bart skils. on the remix nicole moudaber retains the intensity but strips it down to accentuate the swollen beat pulses, creating a harsher dance reality with lower pitched moody bass thuds and gritty echoes. groovy main room mastery!

excellent 4 track vinyl with fantastic deep house. it gets started with >spring loop<, a track that looks to its name both for feeling and production sense. of course that sensuous vocal sample that gets drawn through it wouldnt do the job on its own, but rau knows that too and surrounds it with a warm, humid bassline and his always changing and snapping drums to keep it in the pocket for the whole 5 minutes. even though the groove on the a1 is already heavy for him, he goes deeper yet with >swearing (vinyl version)< that jamaican vocal is something so classic that we wont spoil it here, but the pumping house beat and piano stabs he winds around it give even more poignancy to the lyrical substance… we are pretty sure that by the time he finally echoes the vocal out late in the track there will be some hands in the air for this one

including lyric sheet and code for free download of this album.

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

o*rs 1600 is the second release of the fancier vinyl-only label. the young label is run by djs and producers filburt & good guy mikesh from leipzig. after the first ep in earlier 2011 plus a reissue in autumn featured with tracks from good guy mikesh & filburt they bring us now some new stuff. on side a we have some old hands, celebrating their comeback since 2004 named mr. hille & mr. hirsch and lake people one of the most talked about newcomer from leipzig. trompeten by mille & hirsch is an euphoric and twinkle-toed house tune for the dance-floor. llewellyn aka lake peoples it happened is deep, veeeery deep, warm and soulful. on the b-side there is a reissue: echoes of a long future by metasound & lucius14 which was released some weeks ago on the digital-only label break the surface. now this organic sounding gem comes on vinyl too. 1600 is limited to 300 copies and comes on hand numbered purple vinyl

new ep from new signing jonathan meyer, plus bonus remix from kerri chandler

out 26th of sept. mikkel metals new tartelet ep travels deep into the spectral voids of space. empyrean pads and raw drums reverberate in our ear meatus on cassini -soft kicks with shrill claps and a prodding bassline bringing back memories of mikkel metals earlier dubby excursions. phasing, relentless, and a favourite in the early hours of both the night and morning, cassini has everything needed to become a mainstay for all djs brave enough to venture beyond our known realms. mazurski, a galaxy of beaming details and radiant synthlines colour it deep, while the echoes of light gone by envelops the transient listener. following on the same side is the dub version (vinyl only), outlined by a scrapping kick, filtering sequences of sonic waveforms and abraded sub-basslines. all this rough beauty is fully submerged in a crystal pond of levitating strings and sparkling monotones. these cuts will transport you beyond, both in front of properly charged sound systems and laptop-powered earphones. referencing both the recently resurrected new age wave and the analogue power of london, mikkel metal has brought a completely new dimension to the tartelet universe, the quality is undeniable, the construction timeless and the foot-tapping ensured, so get floating.

with private golds newest offering the inimitable cologne producer martin beume has really taken a huge and achingly beautiful step in his songwriting and production. some might know him from releases with connaiseur or brut! records, but this record is miles higher… wisps of detail adorn each song like edible gold flake on a luscious chocolate ganache cake. synths flutter and glide like summer butterflies and even the percussion is precious and clean. this is not to say it is only good for home listening. lead off track solid rubber has a tough and sexy deep house sway with echoes of brazilian bossa nova laid over its more traditionalist chicago house and jazz. lsdeep, has the full dirt stomp necessary for a forbidden tryst, but sneaks in smart samples and emotional filter washes to add unexpected depth. at 105bpm, you might not expect wip catch to fucking groooooove the way it does, but trust me kids, things are getting slower as we are getting older. and it feels great. soaring orchestral strings married with perfectly cut vocal samples are sure to get the more adventurous djs hypnotizing dancefloors like musical svengalis. and when you thought it was all over, axel boman turns in an amazing remix in his instantly recognizable non-traditional style. this dude is a lothario. all hip shake and cooing come-ons, its a reduced house gem that slinks its way into your pants.