hunx and his punx is the homoerotic vision of san francisco-based performer/personality hunx, aka seth bogart. carrying the banner of his gay sisters (rob halford, little richard, freddy mercury). hunx is proving himself a legendary child in his own right, charming gays and squares alike with his live shows and candor. the music pays homage to his varied influences (the ronettes, the ramones, al pacinos cruising), hunxs unique style defies genre and serves up equal helpings of 60?s girl group, bubblegum pop, and new wave with all of the hallmarks of the bay area garage rock scene seth emerged from.gay singles compiles all 5 of his sold-out singles released between 2008 and 2009 with a bonus track.

walking a strange line between the asylum and the dancefloor, welcome bob chance. yes, this is an album like no other. but then again bob chance isnt like anyone else. put together in 1980, >it s broken< represents bobs creative juices flowing and then possibly overflowing all over the place.

john lord fonda is somehow a signore of electronic music in france, a free bpm hero. a simple and classy producer who only communicates through music.2012 is a new beginning for our antisocial nerd, with an ep and overall his album supersonique coming out now in france and may worldwide. he started re-producing track in 2005 delivering debaser, his previous album that sold more than 10 000 copies, having some really great feedbacks from so many medias worldwide.between june 2009 and october 2010, he got back in studio improving his production skills, getting the right way of producing for the current market, tracking all his weak point to get better, bigger. from the last years he only kept 2 tracks, brunette tattoo and orchidŽe, concentrating on brand new tracks and influences for all the rest of the album. he came back on stages in 2009 with composite, a live-set project which enabled him to discover upcoming artists and to assimilate all the new techniques.changing several time of tempo, supersonique is containing quite a few pearls, some efficient like brunette tattoo, you originate and orchidŽ. but the album also include some fine and melodic tracks like ÒemilianaÓ or toyboxes (which goes aphex twin electronica style). some ghosts from the classical music also haunt the album such as mozart, getting out (under acid) in whats going on, verdi facing some syncopated drums on sound of a melody or vivaldi on brunette tattoo. a full orchestra seems to drop a tear on orchidŽe.john lord fonda is a dance music warrior, an electro-tech seigneur, a future leader of free french techno. this second album has a huge class, a kind of urgency, full of simplicity, and goes straight to the point.

brainmath was the first of ramps three sub-labelsÑthe others being fourth wave and patterns.between 2008 and 2010 it released a string of eps by now-established bass artists, including works by zomby, sbtrkt and james blake, plus roskas only production as bakongo

come pre-hashing with gary! the in-between years, echoing from far out, seeking love and peace and happiness but disturbed by what all s around the treasure. it seems that 70 & 71 wasn t all smiles and sunshine paranoia struck deep, and it hit a chord: a pretty, eerie acoustic one.

following on from the debut artist album from marco bailey and the second album from guy j which have both been well received internationally amongst press and public alike as well as huge compilation releases from label owner john digweed himself in the form of the structures and bedrock 12 releases. following on from the second instalment of the structures series bedrock proudly present the debut artist album from rising star stelios vassiloudis titled -it is what it is-. a fantastic double cd release showcasing forward thinking music and once again showing why bedrock is one of the leading labels in the electronic scene. in addition to the many original pieces of work on this album, stelios has also teamed up with a vast array of talented vocalists and song writers. -the z- is a collaboration between himself and sasse who owns and releases music on his esteemed mood music label. based in berlin sasse has a long history of successful releases and support from some of the biggest names in the scene. john dalagelisinvolvement with the project (he co-engineered and co-produced the continuous mixes) resulted in him contributing his songwriting and studio finesse to -sunrise on the avenue-. john runs the very hip dieb audio imprint and has released music on a wide variety of labels over the years. the album is rich with the many vocal talents it hosts with notable contributions from the likes of astrid suryanto, tomomi ukomori, anna maria x and darren murray. astrid has an established history of working with some of the greatest names in electronic music such as todd terry, king britt, dj yellow and morgan page as well as a plethora of great labels like nervous, plastic city and armada amongst many others. based in japan, tomomi ukomori has also worked on stellar releases with key labels in that territory like avex, apt international and green parrot recordings working with the likes of mathias kaden, hernan cattaneo, omb and hideo kobyashi. anna maria x is a name synonymous with the music scene in greece whether it be as a dj or a producer/singer. anna has been one of the main names in the electronic scene being involved in clubs, radio and of course a whole host of releases with her studio partner, gpal.

electronic, danceable pop meets industrial, dark techno. its the first time you can hear the folkpopsongs of piroth in these free interpretations. piroth remixed is a collaboration between the swedishlabel kranglan broadcast and oma gusti records. the release consists of 6 remixes of songs by the swedish folk-pop duo piroth. the remixes are made by some of the finest electronic producers such as popnoname (kompakt/firm/italic), disrelatedkin (ministry of sound/kitsunŽ), harald bjšrk (kranglan broadcast), studio barnhus (petter nordkvist, axel boman, kornŽl kov‡cs studiobarnhus/border community/pampa records/ourvision recordings), clara moto (infinŽ) and nathan fake (border community). the release is scheduled to the 26th of january 2011. the mastering is done by stefan echinger aka lopazz.

the most in party on the island for all those saturday night clubbers, this cd mixed by danny leblack and fran morin is an amazing example of just what the cafŽ ole fiesta is like. these 20 incredible house tracks will take your breath away. just go ahead and enjoy such sounds as eric morillo and eddie thoneick feat shawnee taylor, hitch, feygin, coco silco & santy lafonte, jairo catelo and many more!

justice, the french duo formed by gaspard auge and xavier de rosnay, is the band of a whole generation. when the two friends were still bright students in graphic design, in 2003 they made justice a place to experiment a hybrid genre between music and image, which blends pop and electronic borders, and showcases the talents of 2 fascinating passionate pop culture craftsmen, bored with hierarchy. they met pedro winter who had just founded his label ed banger records, he immediately signs them after listening to >we are your friends< which, with its joyful and vitamin-enriched electro beats combined with exhilarating voices, became the hymn of a whole generation and one of the most important tracks of the year 2000, celebrating a reconciliation of pop music and the dancefloor.

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.

the cocoon label presents the cocoon morphs tokyo cd, previously released exclusively in japan. presenting exclusive work by artists of the highest cocoon-caliber, cocoon morphs tokyo also celebrates the aesthetic partnership between world-renowned german photographer and artist andreas gursky and cocoon-head sven vaeth. gursky has published a cycle of large-sized pictures with -cocoon- as the central theme: the -cocoon- pictures reference current club culture, with gursky using the big techno events cocoon stages as inspiration. the architectural frame of his work refers to the design of the cocoonclub in frankfurt. the spatial concept was developed by v„th, together with the design agency 3deluxe. in gurskys cover art, you can see the idealized approach to the original cocoon club in all its fervent glory. here, excellent electronic music meets the work of the most important contemporary german artist worldwide - again, cocoon explores new frontiers and combines art forms of the 21st century. artists include: gerber & kalbata, tiefschwarz, pig & dan, vaeth vs. rother, schneider & galluzzi, ricardo villalobos, david k, and patrick zigon.

jazz cinema 2, a touching remembrance of poignant love, takes you swimming through the joy of music and serenity and entering into a time of majestic legends. the performers in this album includes jamie cullum, one the most popular jazz singers in the world, stacey kent, a grammy award nominee, peggy lee, who has a great reputation in both singing and film career, nat king cole, one of the most legendary jazz singers, louis armstrong, the swing star, billie holiday, and ella fitzgerald, two of the most honorable jazz queens. their renditions of songs are from inception, the english patient, un homme et une femme, cars, oceans 11, casablanca and the curious case of benjamin button, those romantic melodies which is to remind you of the classic stories and write you an most unforgettable and delicate note in life.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

jailbreak at the zoo! totebagz is the collaboration between two of melbournes most daring minds, jerky perky aka misha hallenbach (perks and mini, bamboo musik) and the most excellent surfer/dj biscuit (moonrocks). when theyre not cycling the unknown regions, foraging the bush for >special< funghi or surfing the 50-year storm, theyre oozing tweaked cardboard box techno. on this limited edition disc, the totebagz pile blankets of synth upon deep-fried circuitry upon drum machines that have a mind of their own. to say they take you for a ride would be an understatement. this is what it sounds like when gremlins shack up inside your mixer.

biophilia is an interdisciplinary exploration of the universe and its physical forces - particularly those where music, nature, and technology meet - inspired by these relationships between musical structures and natural phenomena, from the atomic to the cosmic. the independent on sunday calls it -brilliantly original and ambitious.

biophilia is an interdisciplinary exploration of the universe and its physical forces - particularly those where music, nature, and technology meet - inspired by these relationships between musical structures and natural phenomena, from the atomic to the cosmic. the independent on sunday calls it -brilliantly original and ambitious.

mindtrick records proudly presents the new album by hollands favourite hardcore artist charly linch. after two previous releases on the label he is now ready to drop his full length. on filthy pleasures charly linch combines the fierce sound of uk-hardcore with the harder elements of drum n bass and gives it his truly unique spin. he doesnt shy away from using old-school rave samples and ridiculously filtered gabba-kicks, without it becoming comical or cliched. on this album he found the perfect balance between creating an album that is banging on the dance floor, yet intriguing enough to be listened to in the comfort of your own home. this releases offers a wide range of genres for those seeking out where harder music is going, ..it could do with some more cowbell!

kanda bongo man is a giant of african music and the artist credited with introducing john peel to african music. his fans number vampire weekend (cape cod kwassa kwassa), paul simon and john peel. all the tracks were recorded for joe boyds hannibal records between 1984-91, an era we can look back on today as the high watermark of parisian soukous, and showcase a band at the height of their powers. behind his soaring voice kanda employed diblo dibala and rigo star, two lead guitarists who are widely considered as the best soukous guitarists who ever lived. diblo was recruited from the band led by the legendary franco whilst rigos scorching licks graced albums by paul simon and it was their twinning that gave kandas music a wonderfully joyous, ringing quality. they both feature extensively on the -king of kwassa kwassa-.

paul rose, aka scuba, the mastermind behind the incredibly well curated hotflush label, has been enlisted to create his own dj-kicks mix. featuring a healthy helping of exclusives from his camp including new music from addison groove & boddika, the mix treads the line between the uk bass music scene in which scuba came up, and the techno sounds dominant in his current home of berlin, creating a new sound in the process.

azuli return for their flagship compilation with three of the biggest house stars around at the moment. olav basoski, james talk and ridney will take the helm of this years offering, serving up a tough, peak-time mix of house music.

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.

before he made his breakthrough with 69 love songs, stephin merritt was a little-known songwriter signed to merge records. the label reaches into its own archives for this rarities compilation, which features 14 songs recorded between 1994 and 1999. full description1999. some of the tracks were originally released as 7 inch vinyl singles by the magnetic fields, others are unreleased rarities, including three cuts from merritts unfinished science fiction musical and one outtake from the 69 love songs sessions.

as the dust begins to settle on the white isle and people become reacquainted with their normal way of life, ministry of sound comes to the rescue with the ultimate ibiza flu remedy. this is the essential round up of all the tracks that have been heating up the biggest party island in the world this summer. the huge tracklist features hit after hit from the biggest acts in music right now, calvin harris, example, dj fresh, chris brown, adele, wretch 32, nero, aloe blacc all feature alongside big room bangers from the biggest djÕs in the white isle, avicii, laidback luke, afrojack, above & beyond...

whilst barlande may be difficlut to classify in genre it has been described as having its roots in flamenco and some ramifications of contemporary classical music. but any attempt to pigeon-hole this album should be ignored beyond deciding what shelf or floor to place it on in a record store. barlande is about creativity and discovery and its story is both fasciniating and inspiring a father, pedro soler, and his son, gaspar claus have created something entirely unique. the opening track insomnio mineral is a gentle begining with sparsely plucked cello before being joined by a gently sweeping flamenco guitar. what takes place from there on in is difficult to describe in words. the language between the cello and guitar become unlike anything i have heard before. the cello comes alive, a voice at times, leaping and striding in near freeform before coming back to join in mutual step and melodic interplay with guitar.

the international rudeboy is back! since leaving home at the age of 15 to become a sound engineer, wayne -lotek- bennett has been on a quest to hone his interpretation of the sounds that he grew up with ? a journey that has taken him to all corners of the globe. from festivals in czech republic to clubs in japan and all points in between lotek has forged his own path as a ska revivalist, culminating in his debut album on first word, international rudeboy.

drawing from a rich sonic palette, man without country splice glacial guitar ripples with an eerie synth pulse to create music both complex and all embracing. their debut ep kicks off with king complex, taken from forthcoming album foe and indicative of mwcs ability to morph their source material into anthems when you least expect it, the tracks tinkling keyboard led intro exploding into a euphoric dancefloor chorus. the melody belies a darker sentiment behind the lyrics on king complex -you are a true parasite / and youre the bane of my life- ryan concedes that -they are personal and bitter-. this contrast between melody and lyric is a common theme across their debut long player. the six track ep features a further 3 tracks from foe Ð inflammable heart, ebb & flow and iceberg plus the sei a remix of king complex. xi is exclusive to this ep.

fragments is the sound of a band discovering its true identity: peeling back layers of bouncy math-pop beats and angular guitar hooks, leaving at its core a body of work that swirls with deep intensity and primal emotion. musically, fragments scrapes and slides like tectonic plates between the glistening melodies of foals and the raw drive of the joy formidable, whilst frontman matt holliday emits powerful and heartfelt declarations that leave you feeling like youre sat in a self-help group with the nationals matt berninger taking register.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings

have you ever been >motorcitysouled<? matthias vogt and christian >c-rock< rindermann form the deephouse syndicate motorcitysoul. after their debut (did you expect it? / infracom 2004), their mix-cd (back up / infracom 2007), and their last studio album (technique / simple 2008) the two djs and producers present their first selection of remixes that have been released between 2004 and 2010. the >remix< is one of their favourite dishes so its no wonder that more than 30 artists or labels have asked for a motorcitysoul remix treatment since the duo joined forces in 2004. all of their remixes have been regarded as high quality by the media and djs worldwide. so far artists like chez damier, ian pooley, abdullah ibrahim, brett johnson, solomun & stimming, and johannes heil have ordered the extra motorcitysoul polish. motorcitysoul remixes have found their way to labels like cocoon, dessous, freerange, liebedetail and junior boys own/defected. creating a remix is a versatile production practice built around various philosophies - what is the remix meant for? how should it sound? should it be an addition for the club heads or a musical adventure that takes the listener on a journey? every motorcitysoul remix has its own vibe and is meant to respect the idea behind the original track. motorcitysoul merge their trademark sounds and styles with the original track. vogt and rindermann communicate in a musical way with the original artist.

>only our hearts to lose< is a nice, shining character between the club and the balcon written and produced by marek hemmann

filterwolf is an acclaimed producer, dj and live act from munich, whose infectious production talents, electric live shows and groundbreaking debut album on london based process recordings released in 2010 have all led to the creation of his stunning new masterpiece: night patterns . his work was remixed by some of the finest artists around the globe such as portable, tigerskin, niederflur and hrdvsion. the consistency of the quality of his musical output was compared by journalists with no less a figure than carl craig. his productions have constantly earned praise and gained many fans for their driving beats, elegant, warm and cheerful synths and blossoming, journey-like arrangements. filterwolf received strong support from zombie nation, john acquaviva, spektre, ivan smagghe, groove armada, slam, dirt crew and coldcut. he was featured on tsugi compilation volume 18 along with gui boratt o, tiga and juan mclean and on huw stephens best new music evening show on bbc radio 1. across his new album, he explores the exciting, timeless space between house, techno, electro and beyond. throughout, he constantly maintains a melodic and emotive core, creating a mesmerizing body of work structured and presented in a highly creative way. the album was mastered by eelke kleijn, prolific producer (manual music, global underground) and mastering engineer from rotterdam, who among others has mastered the works of dubfire and applescal. deep, swinging, handclapping grooves and furious saxophone lines of the opening track color of spring , with their subtle, uplifting, intelligent beauty, signal that this is a master artist at work. as the mood moves towards the deep, pounding intensity of deep data , it s easy to become lost in the swirling music as filterwolf plays with emotion buttons, exploring the depths and whole spectrum of the dance and electronica, rese arching possibilities, forging ahead into the future.

nice price deal !!! four years since osunlade has graced us with an original full length house album. his next release and self-proclaimed last house release is nearing the gate. pyrography is an evolution incorporating the signature yoruba soul sound, bridging organic and electronic. braced with more vocal songs than any of osunlades previous house offerings, he has created an innovative endeavour. tracks including idiocyncracy, the infectious envision, and the yoruba chant of ser al santisimo showcase the wonderful palette of the musical diversity encompassed here. in addition to the album itself, osunlade has teamed up with the amazing talent of pyrography artist scott marr to create an original art experience harking back to the days when these two art forms were one and showcasing the synergy between them. the result is a very special selection of >fire paintings< created for each track making up the artwork for pyrography.

soundway remain in colombia for the follow up to cartagena! curro fuentes & the big band cumbia & descarga sound of colombia 1962 Ð 72, with a collection of pure colombian dancefloor thunder. check! 16 tracks of the finest guaguanc—s, descargas and cumbias recorded by legendary bandleader michi sarmiento y su bravos, and released on the infamous discos fuentes label between 1967 and 1977

von heerscharen an fans rund um die welt bereits ungeduldig herbeigesehnt, fźgt armin van buuren der geschichte seiner erfolgreichen >a state of trance< mix-compilation serie auch dieses jahr einen neuen meilenstein hinzu. auf die ohren gibt es auf der >a state of trance 2011< in guter tradition wieder eine fulminante auswahl der besten und neusten tracks, die die trance- und progressive-szene zu bieten hat, verfeinert mit einer fźlle an unveršffentlichten tunes und exklusiven remixen. auf zwei cds, prall gefźllt mit ohrwźrmern und floorstźrmern von hei§en newcomern und bekannten grš§en des internationalen dance-firmaments, liefert der welweite trance top dj erneut einen unwiderstehlichen mix fźr alle anhŠnger hochwertiger trance-sounds

party class! incl. funkerman, jesse voorn, robbie rivera, armin van buuren, sied van riel, mr. sam, tiesto ..

maxi cd edition .. aquarell with their first vinyl on night drive music. this 4 tracker is a mixup between finest techhouse and deephouse and always aiming on the legs of the dancer. bombastic rhythms, bouncey grooves and driving elements. made to dance, made to freak out, made to burn the floors.

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future Ð its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

der bruder von paul kalkbrenner und die stimme von >sky & sand< bringt nun sein grossartiges album auf den markt! tip!

pulshar are emerging as true musical heavyweights, with compositions that traverse the borderlands between spacious songcraft and the futuristic outer-reaches of the dub-techno universe. desolat is proud to present pulshars latest longplayer offering. after receiving widespread critical acclaim for his various solo projects and remixes in 2009, the inside lp sees pablo bolivar reunited with the tender tenor tones of aphro for their much-loved pulshar project.

previously known as universal funk, the black lillies debut freestyle release is a distinctive and highly original work. fusing electronica, soul, house & jazz with an ethereal, eclectic other worldly feel and featuring contributions from thulla wamberg, hannah vasanth & jo harrop.

dass armin van buuren neben seinem phaenomenalen erfolg als dj auch als artist gereift ist, beweist sein neues meisterwerk. fr >mirage< nahm sich armin 2 jahre produktionszeit und arbeitete mit erfahrenen musikern wie dem begehrten songschreiber guy chambers (robbie williams), den hit-vokalisten sophie ellis bexter & adam young (owl city) sowie seinen produzentenkollegen bt & ferry corsten in seinem studio zusammen. entsprechend liefert er auf >mirage< eine schillernde variation an unterschiedlichen styles ab: von dancefloor-killern - trance bis house - ueber feelgood-pop bis zu epischen orchestralwerken! so kann >mirage< schon jetzt als eines der dance-pop-highlight-alben des jahres 2010 bezeichnet werden!

>to share and to increase the love, to let the soul speak through the music, is a feeling which can hardly be described with words. with loving, i want to embrace the whole world, because this journey to the origins of electronic dance music in between modern detroit, high tech soul and house is coming from the very bottom of my heart.< (johannes heil, 2010)

this is a journey into our sound! an album in a reserved spiritual cast, thats complete down to its individual tracks. spin this record any way you please. from a pure jammed out playfulness there grew a sparkling conversation between the winds and those with keys and sometimes a rugged funk, others a finely-sensed jazz, and then completely improvised. a music with value added for an urbane, scenic people and for everyone whose heart beats along.

maxi cd edition - erster aber bleibender besuch von oscar bei damm records ... wir hoffen auf ein wiedersehen .. 4 tolle tracks

ark has got an eclectic and ÒorganicÓ sound, something in between. from his origins as guitarist in a number of 80Õs funk bands, most notably trankilou, where he hooked up with the legend that is pepe bradock and onto the great matthew herbert & losoul with their first collaboration, Ôbelle luretteÕ in Ô99. the ÔalleluyarkÕ ep series from 2003 reaffirmed as his status as chief protagonist of experimental, groove led house and techno. his 2005 long player on perlon, ÔcalienteÕ won him critical acclaim, which is furthered by his more recent works together with shalom (as shalark), krikor (as krikark), cabanne (as copacabannark), mikael weill (as les cerveaux lents) and dolibox. his cannon of remixes is as long as the channel tunnel, reworking the likes of stephen beaupre, mr. oizo, archive, mossa, salif keita, slabb, fym, robag wruhme É arkÕs new lp (cd+vinyl) features singers (xanax, lippie) and is here nowÉ

the debut album from charlie alex march is a wonderfully melodic and satisfying affair, gloriously english in a non sniffy manner, like tea and crumpets or a stroll on an autumn day. like a soft collision between aphex twin at his most melodic, nick drake at his string soaked finest or some hybrid of steve reich and syd barrett scoring a tim burton movie, the music of charlie march has a lingering, delicate beauty that will be around for a long time.