as non state’s inaugural release, the lake ep by jarvus is a textural exploration into unknown realms, with each passing movement painting imagery of coarse landscapes, from the rolling, insomniac daze of “rock pools”, filled with warm, bouncing bass sequences and synth-pad whirlwinds, to the submersible resonance of “lake mist”, projecting feelings of fragility and under-water claustrophobia as tribal-esque rhythms act as a calming mantra.
produced by processing all kinds of expressive sounds through various guitar pedals and using circuit bending or diy instruments, jarvus fuses downtempo-techno into atmospheric, mesmerising movements rather than folding into conventional structures.

glitterbox resident dimitri from paris and remixing pioneer tom moulton present their retouched mixes of ron hall & the muthafunkaz modern day soul classic ‘the way you love me’ now available on 12” vinyl. initially released in 2006, marc evans provides velvet-smooth vocals complimented by background harmonies and timeless disco production. for his iconic t.s.o.p. remix dimitri from paris enlisted the help of salsoul orchestra founder vincent montana, jr. for fresh strings as well as a new full orchestra arrangement in his version, and here he gives it an update with his previously unreleased ‘dim’s t.s.o.p. version - dimitri from paris glitterbox retouch’. tom moulton’s retouched sweet-sounding ‘philly re-grooved remix’, previously released on harmless in 2013, comes laden with guitar riffs, dreamy harps and xylophone for even more instrumental glory. two disco legends come together under one stunningly soulful glitterbox release leasing new life into this timeless record.

strictly under the counter business. the kk editions are back - hot and limited!

180 gram double vinyl with download code included.

from a formidable connection between pasadena (los angeles, usa) and osaka (japan), kay bee & kzyboost bring us the funk in a new wonderfull way. talkbox, voices, synths, leads, guitars & strong groovy bass lines under the big influence of modern funk & p-funk.

with exceptional collaboration of dr. evo on the bass for the song -feel da funk-, this 7&#8243,,, vinyl is a trip into the real funk galaxy.

after a brief time away from releasing music in 2017 to refresh his ears, essential house artist argy is back with a bang in 2018, as this debut ep on play it say it proves. greek dj and producer argy has been a prolific talent over the last decade plus, releasing a variety of sounds under a number of different aliases. his given name has always been reserved for house and techno, which is classically informed but always infused with the sound of the future. it’s come on key labels like bedrock, bpitch, ibadan, and most recently the martinez brothers’ cuttin’ headz imprint, and has spawned four fantastic full lengths. those releases, along with his storytelling dj sets, have made the these days label boss a much loved and ever-present part of the global underground scene. the excellent title track the way of kings opens up the ep with seven standout minutes of surging house. slick, powerful kicks drive it along as expertly crafted synths bring real drama and tension up top. it’s a tasteful bit of hi-tech soul for the peak of the night and is as essential as the title suggests. switching up the mood is the vibrant los animales, which has a busier, afro tinged groove and tribal percussive energy. lithe synths dart about to add dynamism and movement as vocal chants get you on your toes and the whole thing is sure to make a huge impact in the club. last of all, move like a panther featuring the new yorker in berlin, elbee bad, shows another side to argy. it’s a perfectly raw house cut with plenty of jacking chicago spirit. the drums hit hard, the synths are trippy and the snares force you to move. add in a dark bassline and spoken word mantras and you have a real piece of explosive club dynamite. these are three typically inventive and well-executed tracks from argy that are stuffed with original ideas.

the hardest working reggae band in southern england, dubheart is on a mission to spread messages of peace, love, unity and resistance through a heady stew of contemporary roots reggae, delivered on live instruments with a hefty dose of dub in the mix. cool under pressure, their latest offering, is the band’s most compelling set to date, a ‘showcase’-style album where every vocal track is followed by its dub counterpart, and the vital contribution of the brassica horns—from rising london ska band chainska brassica—is another intriguing element that makes this album tougher than the rest.

part 2 of out licenced infinity 45 releases, another disco funk crossover dancer thats pretty under the radar, the track for me is the floaty disco b side end of nighter, trust me this one works.

rival consoles is electro acid-smith ryan lee west from leicester. influenced by impressionists like claude debussy and modern electronic artists such as autechre and squarepusher, he created his unique signature. a playful and brutal mix of idm acid beats and warm, emotive synth string arrangements. in february 2017 he released and toured the more quirky vemeer ep under his second musical alias aparatec, which sold like hot cakes and earned him a lot of fans. the 10 inch vinyl includes a download code.

next out on the ownlife imprint, a remix ep of what so far has been one of the most acclaimed releases from the label, the collaboration between leiras and svreca titled “the bridges i burn”. four well-known names to the electronic music scene has been invited to infuse their own characteristic sound onto the original tracks of own009. first out covering the a side is spanish reeko who skilfully plays with the rhythm tones, the main bleep synth sounds and his unique and particular way of texturizing the layers. a2, signed by british volte-face, gives the perfect balance between sounds and silence in a mysterious spaced out interpretation of “tilling ceramics”. flipping the record you will find new york veteran producer shawn o’sullivan under his 400ppm moniker, developing the structure of the track in a smooth way, melting the modular synthesis with the atmospheres found in the original version. last to contribute with his unlimited talent is swedish acronym, ho delivers an intense, tribalistic, spiral-maker remix, wrapping up this four tracker in the best possible way.

albrecht la brooy s analogue attic imprint returns this may with a solo project from one half of the duo, alex albrecht, under his newly formed melquiades guise... the past few years have seen albrecht la brooy steadily hone their unique spin on house & techno via self-released gems & acclaimed projects on night tide, voyage records and butter sessions, culminating with the release of their debut long player tidal river on apollo/r&s earlier this year . this solo material from alex s new alias (soon to be debuted on scissor & thread) takes a more dancefloor orientated approach. the material recorded live, retaining an improvised feel and managing to capture the surreal and mysterious atmosphere of the australian bush. combining atmospheric field recordings, jazz tinged double bass-licks and bright piano elements, all woven together with the label s trademark intricately programmed rhythms, the bluff ep is an engaging, mesmerising and addictive addition to the label s already well-loved output...

having taken its natural course over the past 18 months peckhams yam records are making the move from retail to production. continuing our celebration of local talent, both unsung and established, we aim to bring all styles of music together under the yam recordings wing. theyve been a permanent and ever­-hilarious part of the shop since day one so it only seemed right that our first release should feature chaos in the cbd. distilling their sound over the past few years, beans and louis make the highest quality house music, which is perfectly demonstrated on this two­-track ep. global erosion sees long­-time collaborator isaac aesili contribute horn hooks and live percussion to this truly deep and emotional journey. on the flip, background explorer turns up the heat with an 8­-minute heads­-down transcendental percussion and drum workout, the surging chords and rainforest calls forcing the head to follow the feet.

the voice bei der arbeit: kompilation mit den schönsten swing-stücken des legendären sängers.

melancholic, wistful rhodes chords float beneath sarah williams white s trademark vocal harmonics before delving into a deeply moving bass led melody that gets right under the skin. something very special to get us excited about the new jonny drop lp. backed with an exceptional, bumping remix from the ever extraordinary julien dyne.

the debut release from mont lake records is finally on its way to shake up the scene and rattle dance floors around the globe.

nice price deal !!! titonton duvante s residual imprint has long been considered one of the most respected house-leaning labels in the game. over the course of the past two decades, the ohio-based label has housed works from some of the scene s foremost players, with the likes of boo williams, john tejada, demarkus lewis and volcov among those who ve repped the tight-knit label with distinction. the label s latest is another high point for all concerned. a v/a featuring the works of duvante & andreas saag as well as garrett david, todd sines (under his .xtrak alias) and fym, it s a wonderfully varied and exciting release that speaks volumes of the label s ability to consistently churn out top drawer house music.

brother and sister eric and arrontette mcclinton had been recording for many years. around 1976 they did a 45 release together on honey records called -where you are- under the their christian names, although eric was spelled eryke! the single didn’t have much success but both brother and sister still went on to be amazing backing singers working for legendary producers mike theodore and dennis coffey. whilst they were under the watchful eye of the production team they recorded some material again and a duo for theo/coff in a bid to get them another record deal and show their capabilities. these songs never got releases. eric became and prolific song writer and also joined the group high fashion. we are super pleased to finally release the shelved songs from 1978. this in one of two releases by the duo.

ltd 2018 repress - the passage was one of the first releases released on apollo in 1992 and the three tracks stand as some of juan atkins finest and most under rated music. re-mastered by matt colton.

john talabot and axel boman teamed up in 2017 for their r&s debut the night land where they got to flex their creative muscles over eight tracks of rich synth jams. the two electronic artists have been independently successful in their respective careers, but as pitchfork expressed in their glowing review their collective output doesn’t sound much like eithers work, it doesnt even necessarily reflect the thin, convex sliver where their interests overlap. instead, theyve hit upon something new. this new sound also proved to be a hit with the likes of mojo, phonica, xlr8r, self titled and dj mag all including it their annual best of lists. the artists have now handpicked four artists to create their own vision of the talaboman sound. superpitcher, samo dj and luke slater under his l.b. dub corp alias have all seriously delivered the goods.

written during the homecoming journey from amsterdam to detroit, the world is detroit marks the second full release from anonym under his dls moniker, a gloomy yet driving opus of more than 12 minutes. remixes on the flip from klakson co-boss and electro icon dexter and us-to-berlin associate kenneth scott.

under the tree in the cave at the water, there’s where youll find eleventeen eston savouring the shade since his 2014 debut lp delta horizon turned the spotlight his way. taking shelter in the subterranean, the perth musician has found a sound saturated with entheogenic splendour, growing something gorgeous from the grotesque. finding a natural home on hamburgs growing bin, eston emerges into the daylight with a dreamy lp.

following her 1959 appearance in the anti-apartheid film come back, africa south african native miriam makeba vaulted into the international spotlight, fell under the tutelage of harry belafonte, and moved to new york city in 1960 where she immediately became a massive recording sensation. this lp collects some of that brilliant early material that launched her career and made her one of the most beloved voices of the 20th century. all tracks recorded 1957 - 1962.

coletivo vandalismo kick-start a new 12inch series for the contort yourself label. hailing from the city of porto the duo also dj under the name gam and released their debut lp on lake haze s eye for an eye label. their music has an immediacy that seems to stem from a background in live performance as opposed to polished studio sessions - an improvisational punk aesthetic that manages to carry this ep so strongly. wild, crashing fx and unrecognisable vocal distortions layer atop wonky 90bpm drum machine grooves and the pair even show off what may be their turntablism skills on zombie zombie. theres a nod to early concrete on the closing track black suns demise with whirring, mechanical noise motifs suddenly jolting us into punishing gabber-at-33-minus-8 territory. the diy spirit is alive and well here and the feeling that things could fall apart at any minute just adds to the tension.

ludovic llorca is back under the art of tones guise with his fourth single, where the one is. the title track with its bustling bassline, shuffling beats and clever fills accompanied with jazzy chords is a masterclass in the art of tones house sound. next up is double wheelin an instant pleaser for anyone enjoying a soulful and effortlessly groovy fusion of bluesy vocals mixed with classic us deep house, in other words impossible to dislike. last but not least ludovic give his spin, a reprise de fonk , on the title track to finish the ep in fine style.

the debut offering from singer mark wystrach, lead guitarist jess carson and bass player cameron duddy, collectively known as midland. midland is the embodiment of seventies california country, all smooth eagles harmonies and heart-on-your-sleeve lyrics. their songs are intoxicating country sung with the twang of george strait. and it s impossible to resist. their no. 1 hit single “drinkin’ problem” earned best country song and best country duo/group performance nominations for the grammys 2018. if there was a perfect country album which combined those traditional sounds with modern hooks for me then this is it! (six shootercountry). this vinyl is only available in the uk as part of record store day.

if you ever been to a dubstep rave in the past 4 years you probably heard under control being smashed through the system. nearly every dj in the scene supported the original and it still holds it own to this day. a true dubstep classic that will not be forgotten so easily. truth, the widdler and the main man himself went in and delivered 3 mind blowing remixes that do the original so much justice. something that doesnt happen very often some might say. relive this dubstep classic through the eyes of truth, the widdler and of course it’s creator bukez finezt.

the first word of the album says it all: bang! on their new album midnight in a moonless dream the buttertones dig deep and discover something dark. where their previous album gravedigging played like the soundtrack of a good spaghetti-western heist movie, midnight moves to the dark cityscapes of 70s new york and tells the story itself - a perfect and intricate crime executed by a crew of professionals under cover of night, a biting sound befitting of cbgb s while staying true to their la roots. there are echoes of suicide and bauhaus, nods to the spirit of sax and violence that powered the deadbeats. midnight is music made for dancers but also for doomed romancers that will appeal to fans of the cramps, the gun club, car seat headrest, black lips, king tuff, thee oh sees, ty segall, and parquet courts. supported by noisey, i-d and more full european tour around album release, dates are listed below for fans of the cramps, the gun club, car seat headrest, black lips, king tuff, thee oh sees, ty segall, parquet courts released on innovative leisure, the indie la label behind artists such as allah-las, nick waterhouse, badbadbnotgood, hanni el khatib, bass drum of death and more

back in 1962 when this, their third album was released, the group consisted of smokey, ronnie white, pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music, but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth, closing track this i swear, i promise , a co-write with janie bradford. let s savour an album that, as one perceptive critic put it, features the miracles at their early best... as young, eager kids just starting out, filled with optimism, youthful exuberance and enthusiasm, long before record-company politics, favouritism and restrictions changed the group forever.

we are more than pleased to present the new counterweight artist, our new family member directly from aarhus/denmark. we adopted antn and his synthesizer army right after listening to his kickass techno. his brutal kicks, cut up voice samples, relentless hi-hats and aggressive synths convince from the very first second and you will easily understand, why we ve chosen him. to round up this release we are glad to have this massive rave mix by under black helmet... a dancefloor destroyer.

“den heliga Ån” (the sacred river) is the debut album of ambient wizard and techno connoisseur aos. the album is themed around the river helge Å that runs through the town of Åhus in the southern parts of sweden. the town in which aos grew up. the music reflects both a deep love of the river and the nature that surrounds it and has a melancholic feel of a time passed by.
on the course of this album aos invites us to take the journey on the river with him: from the sweeping electronic gestures of timelessness in tiden upphör vid mölleholmen, via the melodic pings that can be heard throughout graften, and the ritualistic electronics at play in jag eldar vass vid kavrö until the blissful mellowness of vår i biflödena – where spring has arrived, and both the river and the music are filled with a calm melancholy, yet joyful in its celebration of a winter that is ending.
this debut album collects six tracks of soft techno, ambient atmospheres and field recordings with a close attention to details, harmonics and electronics.

limited edition of 300 on transparent pink 180 gram vinyl, 100 copies numbered for rsd. karen willems returns under the moniker inwolves with perhaps her most ambitious record to this date. color in the zoo is a playful album, masterfully composed, wrapped in dreamy sound waves and repetitive rhythm patterns, but the tone became somewhat lighter. it literally bridges the gap between north and south as nils gröndahl and barkin engin, among others are guests on the record. expect a colorful sound palette, with outlandish sounds, that all cohesively click together in an utterly engaging aural trip around the world.

the complete output of a great but under-recorded soul singer. pressed on 180g white vinyl, with in-depth notes and rare photos on inner bag.

unlimited source’s ‘down in the cellar’ ep from 1982. up-front uk jazz-funk fusion via luton and neighbouring hertfordshire that cuts across genres and has stood the test of time to cut across generations 35-plus years later and become a dance-floor under-the-radar essential. features their previously unreleased cover of the skip scarborough penned ‘love ballad’ alongside the sought-after top-drawer jazz dancer ‘nicoca nicola’. plus some break-beats on that title cut.

london band tomaga are back with their fourth release under the hands in the dark banner: memory in vivo exposure. the 12inch ep consists of four original tracks and yet another new musical evolution for the duo. whilst they still use complex layering and harmonic polyrhythms in developing their original approach, this time the sonic tales they have shared are much more cinematic and dreamlike. these visions are locked up into emotionally charged loops to convey the sensation of a dream in which half remembered things become new zones of feeling.

two miscreants of uk electronics have been drafted in by shipwrec for a 12- of techno debauchery. richard bevan and joshu doherty, aka posthuman, have been addicted to acid from their first contact with the caustic and cruel chords of the tb303. since then the two cousins have gone on to curate 10 years of i love acid as well as doling out some toxic classics of their own. the duo deliver the soured goods once again, starting the audio anarchy with the ominously titled -netflix and kill-. drum patterns are gnarled and nasty in this slow burning jacker where basslines boil over into a thick syrup of late night revelry. the flip is taken over by the bullying sounds of -the damocles syndicate.- the track rumbles with venomous menace. coils of 303 spite bulge and contract under the strict resolve of a stern beat in this ready made floor filler. two helpings from two malevolent masters of the silver box.

the nu-rons, were a family group consisting of two sets of brothers and cousins, the four young men in question being brothers daryl howard and raymond gibson (daryl’s mother registered him under his father’s surname of howard and raymond under her maiden name of gibson) together with otho bateman and charles bateman. they were all born and raised in salem, new jersey and from the age of ten and eleven began singing with a fifth member and gibson brother rudolph in a group called the gospel 5. they eventually decided to crossover to secular music and as a group known for their energetic dance routines they came up with the new performing name of ‘the nu-rons’ (taken from the word ‘neuron’ which is a cell that transmits nerve impulses). however rudolph was soon to leave the group due to physical illness. also daryl howard and charles bateman had also been part of a working group known as the devotions prior to becoming the nu-ron’s.

file under : experimental, industrial, techno

2x12 inch vinyl with download voucher in slipcase with 5mm spine, black innersleeves and sticker.
everything begins with changes, whether you re moving geographically or emotionally. aera’s album „the sound path” tells the story of this sentiment.
born in the high north of germany and now a berlin resident, ralf schmidt aka aera first appeared on the electronic music map when he established his own aleph music label back in 2010. with only a handful of releases, aera was able to lay out his very own musically topography on the cutting edges between house, psychedelia and breakbeats. this colourful mix culminated on his debut album „offseason traveller” in 2013, resonating the past forty years of electronic music, which brought him the attention of a wider audience as well as fellow djs and producers. so it was a logical consequence that his talent also attracted other labels and lead to widely praised releases on innervisions, maeve or john talabot’s hivern discs. with these, aera’s sound bloomed further into bubbly acid and trancey territorries and his fine reputation as a singular producer, travelling dj and remixer flourished. with „the sound path” aera continues his musical travels and permanent vacation is gladly hitchhiking on that ride. his second album is the most coherent and definitely most personal work to date. here, he has perfected his sound even further - adding nuances from the meadows of new age, kraut cliffs and high-flying kites of ambient. complete with the cinematic and nature-esque qualities of ralf’s music, it will draw you in deeply through a great variety of landscapes before your inner eye. however, you’ll never lose track, because this path is beautifully illuminated.

rawax proudly welcomes system of survival to the family! distortion under control is the debut ep of the italian duo aka pietro de lisi & alessandro carpentieri. future-retro at it s best!

dapayk solo, berlin based producer and veteran of the minimal techno scene, announces the release of his 10th studio album the calling. this latest project will be the producers first solo album since 2015. the 8-track double 12inch lp will be available via dapayk solos label mos ferry productions and comes with a free download voucher. the first track on this lp the calling shares its name with the album and starts off with a pang of energetic, chopped beats before exploding into a brassy melody, continuously gaining momentum. blackout immediately announces itself as a next generation detroit house anthem. the rolling synths, hi hats, and vocals make this one of the most outstanding tracks on the album.aurora stays true to its name with a buildup composed of throbbing ethereal synths that give the track an otherworldly vibe. flood transports listeners to the dancefloor with its pulsating bassline combined with komplements quaint vocals. the second part of the album begins with after all, one of the most enticing tracks on the album. it combines the groovy rhythm of four to the floor percussion with tantalizing vocals by vars before low tinnitus reverts to dapayks signature minimalist sound. the transition into wanderer continues the momentum built up by the previous tracks. the closing walk with me is a deep-house jam that features a rhythmic shaker layered under mental bends powerful vocals. dapayk solo, alias niklas worgt, isnt afraid to try new things.

what if music had no beginning, no end? can music exist for itself or of itself, without structure constraining it, defining it? can music be non-linear, non-narrative, simply experiential, existential? the second full-length album on mysteries of the deep, musica enterrada from portland’s william selman, neither answers these questions nor supposes them. but in listening, one can’t help but wonder: what if i disappeared into this record forever? in another time and place, william selman was known as warmdesk, an alias through which he issued a series of sharply precise minimal techno records. in recent past, selman shifted gears, shedding the dynamics of tension and release that characterized his previous alias output. under his own name, selman began releasing process-oriented, freeform experimental music on cassette-focused outlets like digitalis and hausu mountain. now comes musica enterrada, a diaphanous, weightless musical vision not unlike the theoretical square root of grm and popol vuhs early electronic forays. split into six tracks across two sides of vinyl, musica enterrada bubbles, churns, drifts, and dozes. dulcet tones pile up gently like waves on shore. patterns repeat and reconfigure, as if heard from different angles. rhythms appear, shift the frame, then disappear, into the ether whence they came. play musica enterrada on repeat. and if you disappear into it, fret not you have drifted into solace.

the king sporty reissue series continues with the lesser known, but no less worthy, rock attack. this first time release of the song under the king sporty name having previously only been released as by the vocalist in the ex tras, johnny griffin brings in to focus the breadth of music, numerous alias and versions used by noel williams on his konduko label.

feat. the og mix & cajmere, johnny fiasco remixes
-introducing basic vision, a new imprint releasing a vinyl series of rare classics from the legendary back to basics club. selected and compiled by the man who played the first ever record at the club, original resident dj ralph lawson, on this release joined by long term resident tristan da cunha on selection duties. all the tracks are cut to vinyl from the original master recordings and given enough time on high quality vinyl to ensure clean, loud pressings with original artwork by the godfather of punk design - jamie reid. the artwork spans across 4 records, which collected together will make the compete picture. basic vision 003 heavily features the birthplace of house, chicago, with a selection of rare cuts that always move the dance-floor. the highly sought after og freak mix of cassio ware - i wanna see you dance rocks the spot on the a side. this is the original black house version and not the remixes or re-edits that can be found. mark grant and cajmere only made one record together as the chicago connection and it was a true bomb. mint copies go for l75 but cajmere s remix is included here and cut loud from the original master recording.

nach seinem studioalbum under the sun (2016) veröffentlicht mark pritchard nun in zusammenarbeit mit dem künstler jonathan zawada das audio-visuelle projekt the four worlds, bestehend aus vorliegender 8-trackkollektion und einem 13-minütigen kurzfilm, bei dem die ausserweltlichen audio- und video-landschaften beider künstler in nie gekannter weise miteinander harmonieren. zahlreiche underground-poeten und musiker sind als feature-gäste vertreten, darunter colorados psychedelia-heldin space lady (s.o.s.) sowie 1980er kult-radiomacher gregory whitehead (come let us). erscheint als schweres 180 gramm vinyl im klappcover, downloadcode inklusive.

when we started the bunker new york label in 2014 there was a short list of artists whose music we knew that we wanted to get out into the world. lori napoleon, aka antenes, was high up on that list, although at the time the brooklyn-based chicago native had yet to release her recorded music at all. five years on, after acclaimed records on l.i.e.s. and silent season, residencies at issue project room and bell labs plus a busy global touring schedule as both a dj and live performer, we are proud and excited to present loris ante meridiem ep under her antemeridian production moniker. she tells us that the antemeridian project is a special outlet for her more melodic synthesizer compositions and the name antemeridian refers to morning light and the meridian lines of the planet, the view you would have from above if you were already in the sky/space/seeing the atmosphere also from a great distance.

the well known miami based artist once again joins forces with the frustrations department to drop one of his best outings ever. these experiments go deep. way deep. melancholic melodies drowning in running tape delays wobbling analog pulses that seem to come from beyond the aquatic triangle. blue vinyl pressing

sonic groove records presents the advent of a new strain of contemporary techno for 2018 and advancing electronic music culture further into the future with this release. this is a document of the convergence and alliance of two distinct artistic visions, that of veteran and pioneer thomas p heckmann under his drax moniker and current dedicated activist blush response. the results of this cutting edge collaboration are pure dance floor revelations of the infectious and mind expanding kind. four cryptic transmissions initiating a sequence of combined sonic dna output. this is an interpretation of techno rooted in radical experimentation and upgraded to the next level with compelling innovation. side a initiates the drama with mysterious analog machine signals of both purist and experimental dark techno that are composed of elements crafted at the molecular level. side b continues with intensity delivering more of the combined audio expression of the artists. the intense coded communication weaves through in waves of perfectly balanced synthesis that is reinforced with heavy percussion and complex intertwined and engaging rhythms. a new key to other dimensions in sound. essential

kerri kaos chandler dropping some neat mid 90 s nyc/nj house pressure on the mighty strictly rhythm! that s right, another little gem mined outta the sr archives, from deep within! under control across 4 mixes gives us that sound, that hard kicking kc groove that we all know & love. an oft overlooked number from kerri s catalogue under control will appeal to all fans of real deal house music. featuring longtime collaborator yahya mcdougald on vocal duties this one ticks all the boxes and has been given some tasty 2018 remastering treatment and repressed onto a high quality, weighty 12inch for all you record lovers out there, this one will keep them moving in the mix. perfect nyc/nj house sounds here, untouched and represented in its original 1993 form with original strictly label artwork, no sleeping permitted!

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wig… the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.