incl dl code, dam swindle present ‘high life, their second studio album due on the 28th may on the duos own heist recordings. the heart of the album was recorded over a three week period at their amsterdam studio in march 2017, and the release will coincide with the fifth anniversary of the label. since forming in 2011, the dutch duo have carved a unique place for themselves in the scene. their sound - which merges references from multiple decades into one smooth aesthetic - quickly rose to popularity for its careful blend of soul and rhythm, taking cues from their passion for obscure records, with influences ranging from house and funk to afrobeat and soul. dynamic live shows and dj sets afford them a packed touring schedule across the globe, whilst their label heist recordings is credited with consistently breaking new artists. the album explores the intersection of live and electronic music, with much of the improvised material left largely untouched to maintain its organic sensibilities. dam swindle describe the album as an electronic album with a live approach, combining our love for house, ambient and jazzy harmonics, making it a record interesting for the club, as well as a pleasant album to put on at home.

memory disks. volume one. chevron. the blackpool born sorcerer is conjuring up spellbinding tracks that boil and bubble between supernatural rave, occult acid and inverted techno. dripping from speakers, a concoction of swirling chords simmer as a spiced shower of razor edged rhythms are poured into the pot. shadowy notes ghost like phantoms behind crunching beats, beastly bars growl as keys slide and slither between nine short, medium and long excursions into the glow-stick festooned musical mind of jonathan valentine. nestled amongst the bewitching synthesizer psychedelia, peering from behind the purple forests and white dwarf frogs, are less frenetic works, a soft balance to the frenzied chicanery and chrome plated magic. simply put, a weird and wonderful ep where the only stable point, the only spot of secured safety, is the needle on the record.

body music, mind music, ass-shaking and head-boggling, clay wilsons third release on the bunker new york is a dance ep that manages to be both restrained and cacophonous, speaking to his classical training as well as his years as a dj, producer and sound tech. since we first met clay as a new-to-new york city bunker party regular back in the public assembly days, through releasing his earlier music and having him join us at numerous label showcases around the world, we’ve come to know him as an exceptional producer and dj, an essential part of the bunker family and a regular fixture in our lineups. this new release is an expression of the deep relationship weve all forged through years of raving together of freaking out to an unreleased track on the dance floor only to find out your friend made it and then getting a crew together to remix it and put it out!

living legend cosmic force is welcomed on something happening somewhere for an all-out electro affair including a collaboration with national treasures legowelt and orgue electronique. as the name implies, transmitting illicit logic is a tale that can’t be understood solely with our binary brain cells. reality always escapes the corridors of the mind and fails to be caught in it’s believed opinions and oppositions. cosmic force is here to guide you through the maze and helps you to relax these muscles, trading it for a more direct energetic connection that will put you into hyperspace.

a repress of our & co. ep, which was originally released in 2015. features both a rub-n-tug remix and a force of nature remix of the title track best of friends. on side a is a remix from the once new york based dj duo rub-n-tug. a2 is from the japanese dj duo force of nature. both are fitting to remix the title best of friends since we feel they are close to us. on the b side, we have the sought after original best of friends track and wine cooler bianca chandon presents & co. & co. started out as a small group of friends who surfed and skateboarded together. as they hung out in venice and shared their interests and ideas about music, sounds started to take shape. what started off with no intentions of being anything serious began to develop, inspiring music composer alberto bof, music advisor paul t. and music coordinator alex olson to think about avenues of release. inspired by a seigen ono record put out for comme des garcons in 1988 olson got the idea to release the trio s project under his brand bianca chandon. this limited 12 has embodied the spirit of the creators and the motivation of the brand to become bianca s first record release.

as a polychrome composer, laurent perrier is developing his work through a large number of projects which, although they often share many common points, are all built on a strong identity. thus, zonk t has always been a way of exploring the most ambient fringes of dub, and the transition from the all-digital to compositions made entirely on modular synthesizers has overall not changed its approach in depth. yet, banburismus, whose unlikely title comes from the crypto-analytical process developed by alan turing during the second world war, begins by taking us by surprise with a long luminescent drone that seems to rise endlessly before dissolving little by little in a wall of echoes, glitches and distorted voices then make way to round and deep basses disturbed by metal peaks on which float distant blips, like farway echoes of the secret messages decoded by turing. real master stroke, this track occupying the first face of the lp is a trip in an ether much more populated than it seems. shorter, the three pieces of the b side participate in the same atmosphere, but still extend the sonic field. more stripped, more airy, more cosmic, banburismus achieves there new heights with ease. we could be tempted to play the game of references and try to put zonk t somewhere amongst the great experimenters of electronic dub. but who cares,, banburismus is well beyond categories, and laurent perrier, by cracking the code, opens for us the doors of a universe of disturbing and fascinating vastness.

the dundee label has produced their first vinyl release which contains hypnotic-electro tracks on both sides. side-a comes from the french-duo, crossmods who have supplied three guaranteed dance floor- fillers with a snappy electronic feel throughout. on the flip-side, edmundy and j wax have taken care of supplying two equally intricate melodic electro tracks to put the dundee electro-scene on the ma

* there is a way* opens with a soiree of shuffling percussion, which drives it forward throughout. the tune holds its nerve and refuses to cash in, constantly bubbling and building as layer upon layer unfolds almost to breaking point. an exhilarating statement of intent. never looking back. side a comes to a close with * tricks*. it confidently boasts a heavy hitting kick drum, set to shake speakers and alter heartbeats. a relentlessly positive guitar sample and buoyant bassline set the mood of a lively cut, which builds to a pay-off that brims with shimmering brass and crisp hats. a sunshine filled stormer, sure to get even the most cynical city worker moving. drums, drums, drums. as * mistakes* begins we’re swept away by salary boy’s effortless command of groove, before a booming bassline snatches back at our attention. “everyone makes mistakes” is the refrain from the vocal sample. i’d usually agree but our hard hustling, hi-hat wielding hero hasn’t put a foot wrong so far. an evocative piano loop anchors ‘cry’, a tune made to define the early hours. equally adept at touching the heart, as it is at moving the feet. endings are important, and this is as strong as they come.

in the 5th installment of our various ep series, we continue our journey through both international and georgian soundscapes. put the needle on the a side, and you’ll find yourself in a melodic electro labyrinth. the journey goes on with the hypnotizing grandezza of a big room. the a-side closes with a spaced out sketch, deeply dedicated to rave reminiscences. what happens when electronic music resonates with eastern territories? flip the record to find out. distorted kicks and dirty drums, like ruins of an empire long gone, clash with house samples. our second georgian artist keeps it dirty: intertwined melodies tell fairy tales of landscapes both familiar and foreign.

after a steady stream of successful underground dance-floor stables via his viscera ep series and last year climbing charts with his remixes, fango returns with his second album titled gea. set for release this forth-coming may 11th via degustibus music, gea is a 10-track trip of eclectic electronica panning across various moods and tempos. flexings his matured production credits, fango fuses rock, disco and psychedelic influences, meticulously put together on his machines resulting in a spectrum of sounds to satisfy most palettes. it’s a serenade from gea to ouranos, the greek gods of earth and sky.

back in 1962 when this, their third album was released, the group consisted of smokey, ronnie white, pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music, but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth, closing track this i swear, i promise , a co-write with janie bradford. let s savour an album that, as one perceptive critic put it, features the miracles at their early best... as young, eager kids just starting out, filled with optimism, youthful exuberance and enthusiasm, long before record-company politics, favouritism and restrictions changed the group forever.

wan chai records is a hong-kong based label, specialized in rare asian records and quality reissues. after a few years of hard diggin’ in asia, meeting the artists and many local figures of the 60’s, 70’s and 80’s scene in hong kong, singapore, and taiwan, they wanted to share their best finds and put them together on vinyl with the best productions ever made in soul-jazz, disco, funk, modern-soul, and aor. the result is a selection of 10 totally unknown gems sung mostly in english and cantonese with amazing covers of classics like “lovin’ you”, “make me believe in you”, or “hurt so bad” in a nice artwork gatefold lp.

one of australia’s most dynamic up & coming acts acts, the goods have become vital members of sydney’s rising soul/electronic scene in just a few short years. with word spreading internationally and the band recently joining forces with brooklyn-based label bastard jazz recordings, the goods are gearing up to release their hotly anticipated make your move ep as they put the finishing touches on their debut album out later this year.

hell yeahs next project is to revisit a collection of jazz covers of dance classics. back to new roots (serotonin fuelled jazz covers) was first released in 2011 by 3io, a band lead by double bassist manuel moretti and including richard maggioni on piano and matteo giordani on drums. they were veterans on the italian jazz circuit and put out a couple albums, but they are no more

this is the return of the collaborative project vofa, by sawf and anfs, on pi electronics. the athens based duo, that put out the label’s debut release, deliver another 4-tracker of their signature sound for the 5th pi record. pi05.1 is a bass line oriented composition of thrilling beauty, while pi05.2 and pi05.4 provide different takes on the main pi05 theme: one leaning closer to uk breaks influences and the other closer to industrial, hard hitting broken beats. pi05.3 offers a driving tool of distorted realities and tuning bass lines. all tracks showcase further focus on sound texture and dynamics balance, providing a perfect blend of sawf and anfs in joint forces as vofa.

the raw jacking sexiness of ghetto house has always played a big role in the killekill universe. so its high time to put out our first release which goes that direction. italian andrew soul is an artist we have been watching for a while already. when he sent the demo with the extremely raw and dirty tunes that you find on the a-side of this 12inch, the decision was easy: killer stuff which makes you bounce immediately we want to put this out! the b-side comes from dirtbox, who is also one half of snuff crew and therefore has been part of the killekill family for a while already. actually almost from the start. being the musical wizard he is, he can not only make house and acid music and anything else you could think of, but also class a ghetto house. maybe even more classic than andrew souls side but ranging from the percussive style of smmfd and work that to the raw energy of fukk it is definitely in no way less original. shake dat ass!

pure ddr-groove! the exorcist is a gothenburg-based trio consisting of osynlige mann, pontus and petrus - members from bands as uran, tentakel and ultra satan. hoga nord invites you to their soundscape with their full length debut album the exorcist gbg: everyone could be an informant. the cold war is alive. dark cabaret. spy-theme-mode. david lynch-electro. italian horror. easily put - this is kinky organic acid-funk for all of you looking for a gateway - but know you have to stay.

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

four italo disco cuts produced by the powerhouse of svengile aka luigi venegoni. original copies of stratosferic band on it s 40th anniversary are changing hands for £125 and no wonder why. splashdown encapsulates perfectly the weird and wonderful imagination of italo productions sci-fi synthwork that ventures beyond this dimension. the ben norman track on the b1 has a more straight up disco feel to it but those vocals maintain an ethereal italo aura. completing this special 4 tracker is the obscure t.c. radiation that talk box guitar solo will melt any minds it s put in front of!

for anma’s sixth outing we see a coupling of two remarkable talents from either sides of the atlantic, each taking two turns across a side of crisp wax. first up for the us side we have new york based trinidadian deep. personally mentored by chi-town legend ron trent and with his own unique vision of soulful deep house, he has imparted us with two deeply immersive cuts of intense dance floor electricity, laced with his signature percussive club spirituality! for the uk flip, london based will lister is a name to watch out for, a young producer who can boast his first wax release being put out on phonica’s own house label! taking things down a notch on the pitch fader, will has provided two slow-mo jams that reward the attentive listener with his sensuous and detailed production style. building tension meticulously before releasing energy with aplomb and polishing things beautifully with his class jazzy flair. lovingly pressed on 180g vinyl, hand stamped and labelled on a limited run.

a compilation of classic elvis presley songs on 180 gram vinyl.

french label based in normandy, planet gwer aims to release la creme de la crème of house music. we feel very glad to launch our label with vanderkraft s first solo vinyl ep. we thought ce bon vieux jean lassalle and kimono doux that were originally released on la chineries raw streams deserved to be put on wax so we worked on a third track that would fit the whole and there we go: vanderkraft au-dela des mers planet gwer pgwer01 a. ce bon vieux jean lassalle b1. la romance b2. kimono doux

“yuxtaposición” is a recently unearthed treasure recorded by a tight italian trio in miami during the early seventies. until now, this music has only been heard in office backgrounds, tv commercials and movie soundtracks. but the perseverance of an admirer brought about its first-ever release on the italian schema label. imagine hearing a 1972-era cal tjader quartet without cal tjader and you get an idea of what to expect. it’s slightly latin, lightly funky and truly enjoyable. “yuxtaposición” offers enough to interest a jazz listener. but the sounds heard in these 35 minutes are really better appreciated as mood music. lead man, cabildo, composer of all ten tunes here, has a knack for writing jazzy little hooks that launch his tasty, well-crafted keyboard solos. often alternating fender rhodes and piano within the same song, his playing maintains a hypnotic command that recalls bob james’ cti style. electric bassist bobby fares and percussionist max ronnie make subtle, supportive contributions that serve only to enhance cabildo’s sound. there’s a funny thing about yuxtaposición too. it’s kind of like developing an addiction. you may not pay much attention to it at first. but before you know it, you’re hooked. you need to hear it to be satisfied. a very nice surprise.

124 recordings know how to put together a deep house compilation, and they re sounding fierce on this latest, appropriately titled levels up. the jams come heavy and funky from a range of on-point operators, leading in with tom jay s quintessential new jersey bump n grind on hanging on. david moran is a little more shadowy but no less groovesome, while nicola brusegan takes things on a sweet and smooth tip. across the whole double pack there are classically informed jams to satisfy the most weary deep house heads, but keep an ear out for the old-school flavoured heft of freak ds power of bass, which should get some seriously jacking airtime in the right kind of dance.

matt flanagan has been making music as defekt, ess and tinfoil for the past few years, so who better to put out the debut release on first cut? we decided early on that there was no point in repeating his admittedly fine back catalogue, so matt went off one evening and did a 30-minute live jam on his machines. there was no real plan, but between us, we picked the three best bits, which you now own. then we had to come up with a name. initially, we toyed with the idea of calling it ‘fekt’ but then decided that only a local audience would appreciate the joke and that it wouldn’t travel well. octal step then emerged as the clear favourite. we sealed the deal to release ‘toner head’ over a cup of takeaway coffee on a bench in the stephen’s green cente in dublin. and why is gunter walraff on the other side of this sheet? well, he seems like a cool guy. plus he’s german and has a moustache - what’s there not to like about that?

nice price deal !!! this is the first remix that todd rundgren has ever done for another artist. this is at least what rundgren nerds/experts have told us. anyway, we are of course extremely proud to put this wonderful music on wax. todd rungren has been a big inspiration for lindstrom, so this is a dream come through. also lindstrom has made an extended disco version of quiet place to live exclusive for this 12 inch.

auke riemersma (aka aux tha masterfader). erio simonini and gilberto caleffi (aka disco doubles). together this partnership from the netherlands and italy form light cycles, a trio raised on sci-fi sound tracks and smouldering synth anthems. these influences are omnipresent in the group s debut 12-: flowing. addictively catchy hooks and clean beats are central to the light cycles sound with their dazzling melodies glimmering across the 12-. elements of disco are folded into these spirited compositions as this forward-looking triumvirate marry past inspirations with a hope-filled future. seamless radiance. simply put, flowing.

we are not where we live, but the valley we built enjoyment through suffering. beauty in chaos. african ghost valley apply these principles to create their heavy doomsday electronics pulled in from the black bunker a d.i.y space under a multi-story car-park. separated from any scene on the surface, the record was put together by european / canadian duo childle grangier and gabriel ghebrezghi a partnership formed in the heat of heavily improvised recording sessions, where the pair would thrash out their versions of power electronics, industrial waste drops and rhythmic dub rumble to the cities homeless. keeping these raw fnal cuts away from any studio trickery, the microphone would be left on to archive feld recordings and wayward audio drops, capturing the hum and lifeblood of the bunker and the wheezing lungs of the dense concrete that surrounded them. titling this work colony, the album is a open-ended and multi-edged tool for agv to explore, allowing the listener to interpret the work as they see ft, bringing to mind images of corroded space settlements and the darkest recess of human history. you decide.

deep heads are very proud to present escapism refuge s album hold , the deluxe vinyl edition. it contains the full 13 tracks originally released at the end of 2017 with an added 5 tracks previously unreleased. 2 of the tracks are exclusive to the vinyl purchase that will only be available on download card that is foud inside each vinyl. there are 2 remixes in total to the deluxe edition, the first coming from none other than r&s / apollo records very own synkro. he put s a beautiful twist on the track fly away featuring chari brix and takes the record to new dimensions. the other remix of mistakes comes from nottingham s finest, congi. it s a 140bpm roller that packs a serious punch. the subs are blazing and beats are full & beefy. bravo congi, bravo! 1 of the previously unreleased tracsk is dream fly by the man himself. a little more experimental than his usual stuff, but is pretty incredible all the same. then the last 2 are secret for now, you ll have to grab yourself a copy and find out from the download card ,)

for quite a while now we are supporting bas van vuurde a.k.a. colophon to the fullest. the harlem based producer is a regular in our store and after some proper vinyl digging we told him that he could always send over some demos. couple of weeks later we got an email and we enjoyed it so much that we had to release it. we asked vc-118a / mohlao, who also put out music on labels such as radio matrix, lunar disco and tabernacle records, for a remix. colophon has it s own label called lowercase life, beautiful hand printed sleeves with stunning music and remixes by florian kupfer and orson wells, produces nighttime tracks for the floor with a deep but spacious melancholic feel. the heritage ep is a hommage to analog machine soul techno, as he calls it himself. deeptrax is presenting future sounds in fresh modern cuts with a stunning electro-ish remix by vc-118a.

decks tipp!!
ichisan s 2017 aperitiv was so good that we ve decided to return for a second helping from his sumptuous album. four choice cuts have been selected and reworked with a specific instrument focus. the harpsicord version of -hotel- keeps the intoxicating melody of the original but allows beats to relax as notes shine with an incandescent brilliance. drums put their feet up for the rhodes version of -modri tunel.- deep stings and lounging lines mingle in this work of smoke swirling seduction. -kozmetika (trumpet version)- dances to a different tune. rich bass is again central but this time brash and bold brass intertwine with funk filled bars. the last waltz arrives with the piano version of -terminal e.- alluring notes ascend, rising and falling against heartwrenching guitar strings for a finale to end this ballroom inspired beauty.

15th release of the strong barba records! and its fbk who s back featuring a remix by none other than claude young - a detroit heavy-weight who s been particularly selective with his output. kevin s previous record for barba, a 2016 twelve titled -screaming her name-, also featured a remixes by terrence dixon and plural. between then and now kevin managed to put out a track for -the cast project- va and a solo ep for radio slave s rekids imprint.

amsterdam based label anagram readies label co-founder sinfol s first solo release in three years entitled pull back . the release, which features four passionate tracks, sees the light of day in the beginning of april. since the launch of anagram three years ago the label has put out a steady flow of releases from artists such as anetha, octual, stefan vincent, elad magdasi and haze. however, the imprint has also acted as the main platform for sinfol s own productions. blurring the line between various subgenres, the dutch artist is an eclectic one and meanders between acid, house, techno and more. the chords and arpeggios set the mood in life off measure where robotic elements rise to meet them, carving the way for result with its oscillating tones, clap fueled percussion and three-o-three licks. pull back is packed with a thunderous energy that s intertwined with sinfol s soulful vocals and ethereal synths, before swaying into deep house territory with exhale . the track s rolling bass, broken drums and twinkling melodies round off the latest instalment on the rising amsterdam label off in a graceful manner.

for brainstem casino s take off, strictly hardware voyager *sour* generated «quantum process», an ep that comprises four, rather spartan yet not the current i-put-three-sounds-so-it s-minimal, haunting and deepseated downtempo tracks. the first segment of the (limited to 300 copies) 12-, 140gr. polyvinyl chloride chunk, which extends to 9:22 minutes commences with muffled and fathomless pads. then a three steps acidish build up subtely incises through like a reptilian sword coming out of an another dimension. the next track is in a similar vein, however, uplifted presence of cowbells and tight repetitive drums sways towards a house/funk guidance. side b s a staggering 12:19 minutes crepuscular descent into crying structures referencing to 90 s sci-fi universes. additionally coming along with the digital download, is a downreaching, abysmal ambient track called «cleavage». yes, either in your confortable conapt or in a decaying, technological dystopian, space-cargo style gig, this will drive your audience to definitive brain melting!

after establishing their indigo aera label over the last seven years, amsterdam figures jasper wolff & maarten mittendorff now step up onto delsin with a four track debut ep which includes a remix from the legendary sterac. jasper wolff & maarten mittendorff are long time players on the amsterdam scene as residents at de school, esteemed label bosses who have put out music by the likes of kirk degiorgio, stephen brown and louis haiman, and as producers with a richly atmospheric dub techno sound. steve rachmad aka sterac joined the studio for the mix down of all tracks, and also provided a dub version of tesseract. it completes a package of deep and artful techno that is laced with beautiful ambience.

cultures of soul records has teamedup with local boston disco queen saucy lady to put together a 12inch, released in conjunction with their tokyo nights female j-pop boogie funk compilation. this 12inch features a cover of the sublime song town, originally recorded by minako yoshida. the b-side is a cover of honey b, originally written and recorded by toshinobu kubota. both tracks are recreated and produced by saucy lady and yuki u-key kanesaka.

exclusive edition imprint, very different from the general style of the tochnotechno label but still in a techno acid way and includes 4 names of the biggest producers coming from eastern europe. we are calling it -acid era- in present days so why don’t we put out something provocative. we are excited about tripmastaz debut on the label who has absolute support by josh wink, dj sneak, ricardo villalobos and many more... oleg mass real techno star of fachwerk berlin and koett, rhythm composer and genius from south of russia who makes the most underground and cool party xoxo. yulia niko is dropping last track of her album she has done in 2016 at brooklyn before moving to berlin.

favorite recordings proudly presents combattant, first ep by pat kalla produced by bruno patchworks hovart. pat kalla is a musician, singer and storyteller. patrice of his birth name, in tribute to the great lumumba! lover of words, french language, and music of course. born in lyon, from a cameroonian father, musician and political activist, and a french and literary mother, he explores from his childhood the soul, the slam, the funk and the art of telling stories, life being a great one. after years of touring alongside many bands (conte & soul, legend of eboa king, mento cloub, voilaaa sound system), and several acclaimed titles on the two albums by voilaaa, he comes back with this project to put a bit of primordial lightness in a rainy world: a tribute to the african culture in honor of a father with sawa origins, the tribe from the people of makossa. jojo ngallé, moni bilé, pain, manu dibango, franco, rochereau, kabasele, fela, françois nkotti & the black style, all these legends vinyls have turned on the family turntable and the collection has whetted the child s appetite. through this new trip, he revisits styles that are sometimes little known to western audiences, such as high-life, makossa, angolan music, afrobeat, afro-disco and others. we could talk about franc cfa, we could talk about jacques foccart, but we will rather dance, because -the dancer seems naive, but his feet must be connected with earth to understand history backed by the super mojo disco, a hyperactive band from lyon with deep groove and positive energy, pat kalla offers us an anti-crisis project, where swaying and feel-good humor is mandatory! an album soon in the crates, beware cest medicament

the 2nd album from keane, originally released in 2006, now back on 180 gram vinyl

australia’s what so not is pleased to announce his long awaited debut album not all the beautiful things, featuring frequent collaborator skrillex, legendary rock legends toto, as well as san holo, slumberjack to name only a few. over three years in the making, not all the beautiful things is about transformation and metamorphosis, a culmination of everything the australian-born artist has been working towards as he’s built his reputation as one of the most innovative producers in the game, garnering over 455 million combined streams in the process. more than an album, it’s a fully realized artistic statement in which what so not is in full control of every aspect, from the stage design and visuals to the music videos and merchandise. “i didn’t want to put anything out that doesn’t cohesively match the essence of the songs,” explains the man behind it all.

ltd to 150 copies , for some years a rather obscure tape release is finding it s way to my cassette deck time and time again... it is the only release by dutch duo bebe fang... and a personal favourite here at et hq ... in the process to release new music by one of the two members i proposed to also put this tape release on vinyl... and here we are... bebe fang serves you a trip... a dream that also could be perceived as an occult ritual: primitive rhythms, subtle sounds and melodies and singing which goes from whispering to chanting... a weird mix of lo-fi, folklore and psychedelic music... something which nico could have performed...

nerang recordings first vinyl release showcases the talent of 4 producers who follow no rules on the studio. iok’s, i want to be with you (and a couple of others) is a lush track filled with emotion to set you on any roller-coaster. straight after that, we have dj safeword taking us to the darker side, literally, with his track hell. grey people’s lizard man dance is a hard hitting floor mover, for anyone with feet on their ankles. future dz came to the party with bongo 2cc, sure to start or or finish any night. put your seatbelt on, it’s time to get bumpy

the human connection is the key to personal and career success. 3kz is the perfect example of how two great minds can connect and relate to the world with sounds that have no description. the beauty of it comes once you put down the needle and immerse yourself to listen deeply to the brilliant music that this project represents.

it’s been a long time coming digging through the archives, legendary uk acid don luke vibert drops an exquisite solo record on the belgian de:tuned label. on phlacid and arcadia luke shows off his ability to produce funky yet quirky acid tracks that will put a smile on your face. both balath and worry ledge are intense uptempo electro workouts with enough 303 squelch to melt your brain, proper warehouse vibes! the artwork for this release was designed by the wonderful gents at the designers republic. mastered by matt colton at alchemy and pressed on 180 gram vinyl.

endlich: das neue studio album von maceo parker ist da!

two unreleased recordings dug up by the team at numero group for their purple snow comp (get it), these were begging to be put on 45. recorded at audiotek studios inc in 1975. david z, who engineered lipps inc s -funkytown- and several prince productions, piloted both these recordings. get it on is the perfect end up night stone groove track, i can t recommend this record enough, buy it. another completely selfish venture, i just wanted this on 45.

another brace of bangers from world unknown music, we re all really pleased with how this one turned out. big and fat and disco-ready, mastered by andy blake and lawrie curvepusher via tape. side x theo nasa lstnbrghn world unknown and theo nasa first crossed paths in andres branco s vintage designer clothes emporium, wavey garms. . we re really chuffed to be releasing theo s vinyl debut. its a pounding big room monster inspired by his first experiences of a certain berlin nightclub. theo nasa will be a big deal sometime soon, there s no doubt about that. make sure you get on this now so you can tell all your mates how you have been into him for ages. side y traynor - sunward -can i send you some tracks to listen to? id love to get some feedback from you. not an especially odd request for a dj these days. but it s a very nice surprise when literally every track in an 8 track demo package from someone who has never put any music out before is brilliant. messrs bowley and blake had real trouble deciding which one to choose for traynors debut release and eventually went to sunward. its trippy and shimmering with a ton of pump. trancey but not trance, or maybe it is. the kind of thing that lights up your night in a club and gets played again and again at home or in the car

funken wavetropi busted onto the scene last year with his debut release on his then brand new imprint, perfect straight. the first record was a cute little 7” entitled pizza dealer which ended up garnering quite a bit of success with plays from tastemakers across the globe. since then, the aguascalientes, me&#769,xico-based producer has put out a single on a va for whyte numbers (recently played by move d in his boiler room berlin 6th anniversary session) and a digital download as well via his own label.

shrunken heads” is something we were just kicking around at the time the label was starting to take shape, we felt it to be a good narrative of our influences and visions of how we see acrylic taking shape in the future. kid drama has kindly put together a killer remix for us to celebrate the labels beginning. he has been a massive inspiration for us all musically over the years and we are very humbled to have him on board with the first output. thanks hugely damon for taking time out of your schedule to do that. “motion design” came together fairly quickly, it was made with intent to homage the sound of the old guard we admire to o er our own contribution to that sound. all vinyl are strictly limited edition, and limited to 300 pieces per run. there will never be a repressing of any series. once each release is gone, they are gone forever. mastered and cut by beau at teneightseven. artwork and design by dave knapton at multiplex