fantastic beasts and where to find them is a brand new british fantasy action film directed by david yates and written by j. k. rowling, inspired on rowling s book of the same name. the score is composed by grammy, golden globe, bafta, academy award winner james newton howard (dark knight, hunger games series, i am legend, batman begins).
limited first pressing of 2.000 numbered copies on transparent blue & gold mixed 180 gram vinyl.

brilliant rayko & james rod edits

since its beginnings, fracture has followed the formula of releasing upcoming and interesting newcomers, people they believe in, to get them remixed by more established artists. this time its none other than uk techno legend james ruskin stepping up to the task, for a track carefully crafted by berlin based artist leiras. leiras comes from madrid, and has in the last few years since his move to germany released a handful of eps, mostly on his own ownlife imprint. abyssal is a trippy and atmospheric cut, the kind of deep techno that can transport you into a second state if dropped at the right time. on remix duty, ruskin makes it weirder and grittier, slowly and skillfully building the tension from atmospheric to potential peak time material.

our official first time full lenght vinyl release of the james walsh gypsy band album i ve got the feeling has been a huge success and are now sold out from the label. as an answer to the demand, we have now pressed a small run of 7inch single for the 45 collectors and djs. limited run of 500 only. the 45 is special designed på hans jørgen wærner who also did the original cover art.

night train serves both as a marvellous offering for james brown completists, and, on another level, as a brilliant on-record instrumental jukebox, full of booting saxes, guitar sounds that practically force you to get up and dance, and all propelled by a beat that’s spanned the years without ageing one little bit. so there you have it… a great album that proves what james brown and his friends were doing at the start of the ‘60s still sounds amazingly fresh.
pressing on translucent red 180 gram vinyl.

james dexter has been incredibly prolific over the last few years, with numerous taste-making labels show-casing his ear for refined, dynamic house music. with his first release on the poker flat wax series, the young brit drops three new mission statements from the underground, each unified by a slick production sensibility and irresistible feel for groove. voices is a deep bomb - a shuffling, kinetic rhythm with oceans of space for subtle melodic elements and textures. spread out over eight and a half minutes, this is one to get lost to. point blank’s deep pads and detuned kick drum reference detroits classic house sound, the raw drums and vocal snippets adding a truly basement vibe. area 51 is another atmospheric late night jam, with a bumping rhythm track and subtle pad washes - stripped down and weaponised for the serious dancers.

4lp double gatefold that unfolds to present a model of the exhibition space the concerts took place, include 4 lp, 4 printed art innersleves, exhibition booklet. on august 31, 2013, for the opening of wade guytons exhibition at kunsthalle zuerich, blondes, james campbell, and i.u.d. each performed in front of one guytons expansive canvases.

cory james returns to the dusk notes label with the narrows ep. this is the new york based producer’s first solo showcase on the cofounder’s own imprint. the four track ep reveals his latest body of work inspired by his recent move to a waterfront neighborhood, a fluid and stirring selection.

outstanding techno banger with early 1990s pre-idm uk techno reminiscences - highly recommended!

this 7th dailysession release is packed with party-banging grooves for various occasions. side a starts with monchan

next up for church is berlin via manchester based james booth.

a timely reissue of one of blueprint s greatest releases
full colour label sleeve to celebrate the 20th anniversary of this classic techno label !
continuing blueprint’s 20th anniversary, which has already seen the release of the ‘structures and solutions’ compilation featuring 17 exclusive tracks from an excess of talent including regis, planetary assault systems, truss, tessela, lakker, steve bicknell, randomer and more, brand new eps by surgeon, oliver ho and o/v/r, plus the re-release of oliver ho’s 1999 ep ‘awakening the sentient’, blueprint take another trip back in time to 2002’s ‘conspiracy ep’ by label boss, james ruskin. this new release not only features the 3 original tracks re-mastered, but also includes the remake of ‘take control’ by surgeon taken from bpltd001, the first release on blueprint’s limited sub-label…

the third album from james blake as double 12 inch vinyl in gatefold sleeve

skilfully balanced, necessary techno boom w/ early 1990s uk leftfield techno vibes

reissue of a 1966 james brown classic on 180 gram vinyl with download code included.

nice price deal !!! ever since the original mix appeared on the miami sampler, it gained full support across the board. both filthy rich and james fitch are no strangers to the label. james fitch of course being one half of the infamous prok & fitch duo and responsible for smoking releases, such as the new wave and salome de bahia. the last one also being remixed by filthy rich, whos releases have gained a lot of attention over the past few years. the rich & fitch team turned out a quirky, funky electro club killer, perfectly blending their two unique sounds. incl. original mix, accapella tool. johnstar remix, gabriel & castellon remix. supported by axwell, alex gaudino, muzzaik, funkerman, rene amez, cube guys, roger sanchez, laidback luke, jesse garcia, dj chus, atfc, mark knight,....

nice price deal !!! the voice of an angel and the face of a star. at the tender age of 21, holly james already has her foot firmly in the door of the music industry. holly began to set the foundations of an enviable career at a very early age. she s already had 2 top 40 hits, as part of girl group tymes 4, performed across the

timmy ps latest outing on dessous recordings continues the long list of illustrious labels that have been home to his house vision. now based in london, timmy has a string of emphatic releases under his belt, not least on influential imprints such as local talk, extended play, dirt crew and madtech. with safety first, timmys playful approach to the deeper side of house shines though. the title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. the fantastically named grim fandango is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. timmys balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. bosh is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while james dexters remix is a robust, deep roller. this is house music made with joy and passion.

hungarian hot wax are proud to welcome uk based producer dan wainwright to the family with the wicked kabila ngoma! on the flip we have the legend and gentleman that is felix dickinson on remix duties. perfect to add a bit of spice to your summer sets. early radio play and support from robert james (hot creations), b. traits, dave harvey (futureboogie), tanzlife, jacques renault and t k disco.

limited pressing lp issue of previously unreleased recordings. 7 tracks have been remastered from james masons personal master tapes (which had to be repaired due to deterioration during storage) and have attempted to preserve as closely as possible the sound of the original recording. liner notes are written by james mason himself. tip!

den “nightcrawler”-soundtrack gibt es in zwei deluxe-lp-editionen. das cover zu 39138151 basiert auf dem original filmposter, das set kommt mit einem bedruckten inlay und einem download-code als extras und das vinyl hat die farbe von cherry cola.
james newton howard gehört inzwischen zu den bekanntesten soundtrack-komponisten hollywoods. seine scores für “the dark knight” und “batman begins” (beide gemeinsam mit hans zimmer) genießen kult-status, er hat aber auch so unterschiedliche filme wie “pretty woman” und “the hunger games” vertont. ursprünglich war er session-musiker und verdiente seinen unterhalt als tour-keyboarder von elton john, bis er mit dem soundtrack zu “the sixth sense” eine eigenständige karriere realisierte.
als tatort-paparazzo-kameramann schlägt sich lou bloom (jake gyllenhaal) durch die nächte von los angeles, immer auf der jagd nach bildern von unfällen, verbrechen und mord. ein lebensstil der ihn prägen wird ... - der kult-film von dan gilroy beleuchtet die schattenseiten des urbanen lebens.

* stunning 17 track / 4 piece clear vinyl lp - scroll down for images
* special hand made 10mm spined jacket with shrinkwrap
* 24 inch x 12 inch full colour folded double sided poster and stickers included
* founded 20 years ago, blueprint records has remained one of the true driving forces behind british techno. to celebrate this special anniversary label founder james ruskin and blueprint friends have created a compilation of brand new music to celebrate this landmark, due for release around june 2016.
these exclusive tracks are released here as the * 20 years of blueprint compilation* limited edition box-set, with a collection of four clear vinyl records as well as poster and sticker inserts

following massive props recently via industry tastemakers from fact to four tet, pedram s music continues to define him as an ever growing and exciting producer to check out and with his latest track cloned this holds truer than ever. pedram doesn t fit into one particular electronic genre easily swimming up stream against the steady flow of tempo, style and sound.

another great intangible record in the rebound. this time its the 1996 release form james sims aka index 968, called * secret fantasy*.
all tracks are re-mastered and on top we can present you an unreleased remix from label boss, mr. terrence parker!

leo james delivers salvation, his third installment in an ongoing series of 12&#8243,,s that sees him exploring a single conceptual theme across both sides of a record. salvation (part 1) burns slowly, a hybrid of industrial and balearic beat. salvation (part 2) builds on a relentless, monotone bass line. metal percussion enveloped in swirling reverb interplays with programmed congas and white noise. support from jamie tiller, soft rocks and suzanne kraft.

limited edition of 300 copies on translucent vinyl, no repress.
a death can only provide more life. jst is half of legendary uk group swayzak. 3 cuts of raw, live, blistering, rhythmic electronic sound. made at home with machines 08/09/2015. these tracks were played live at the isi festival, montpellier, france 05/09/2015 as homage to jean-françois nourisson-moncey.

the fourth instalment in our pop ambient album series after stellar full-lengths from leandro fresco, thore pfeiffer and jens-uwe beyer. a journey through vast aural landscapes with an intricately woven tapestry of swelling string drones, shimmering pedal steel and minimalist piano motives. lp edition pressed on 180gr audiophile vinyl, including a download code for the entire album

ltd edition white vinyl pressing 300 copies only.
james barnsley makes a return to his vessel records imprint with two rhythmic numbers joined by laura jones and nightdrivers on remix duties. entering its fourth release, vessel records has seen a healthy launch with dj honesty, dj w!ld and label founder james barnsley kick-starting the discography. cutting his teeth at basics, where he spun records alongside the likes of chez damier, delano smith and josh wink, barnsley has long since built a reputation as a respectable name within the dj booth but it s his appearances on get physical, murmur and overall music that have placed him on the map as a reputable producer.

lp document of the first collaboration between oren ambarchi, kassel jaeger (of editions mego) and james rushford (who s projects include manhunter and food court on the kye label, and ora clementi on penultimate press). two side-long pieces recorded at grm studios, paris in 2014, comprising of distinct layers that gently rise up and recede, pale calling obeys a dream-logic that feels entirely disconnected from traditional electro-acoustic composition, forming surreal sonic images in which half-remembered fragments of everyday life mix with the quiet intensity of dreams haunted by natural forces.

james k is a stranger to obviousness. over the past few years the new york native has quietly honed her sound and peculiar aesthetic. equally organic and electronic, her sound is a combination of odd dreams, industrial beats and vocals, both incomprehensible and appealing, with a thick layer of glitter on top of it. james k is a concentrated dose of emotion mixed with sorrowful iciness, which in turn ties together ripped, broken, morphed and enchanted samples. james k stands for a fusion of visual and sonic elements, deeply rooted in conscious art practice and downright freak-out. james k creates a mythology of her own. pet, her first lp due out in early 2016, will be a co-release with dial and her own label, she rocks!

james duncan - producer of a flawless string of ep s for labels such as real soon and his own le systeme imprint, horns man for metro area, morgan geist and lem springsteen (mood ii swing) and currently on trumpet duties for sal principato (liquid liquid) - invites us to join him on a whistle stop tour through some of the subway stations in his neighbourhood for the first in a series of “brooklyn beats”.

den “nightcrawler”-soundtrack gibt es in zwei deluxe-lp-editionen. diese version gleicht der ausstattung von 39138151, jedoch ist das vinyl in streetlight yellow gefärbt (downloadcode inklusive). das cover hingegen ist völlig anders gestaltet. der illustrator ben holmes hat in zusammenarbeit mit schauspieler jake gyllenhaal eine neue interpretation des covers gestaltet. james newton howard gehört inzwischen zu den bekanntesten soundtrack-komponisten hollywoods. seine scores für “the dark knight” und “batman begins” (beide gemeinsam mit hans zimmer) genießen kult-status, er hat aber auch so unterschiedliche filme wie “pretty woman” und “the hunger games” vertont. ursprünglich war er session-musiker und verdiente seinen unterhalt als tour-keyboarder von elton john, bis er mit dem soundtrack zu “the sixth sense” eine eigenständige karriere realisierte.
als tatort-paparazzo-kameramann schlägt sich lou bloom (jake gyllenhaal) durch die nächte von los angeles, immer auf der jagd nach bildern von unfällen, verbrechen und mord. ein lebensstil der ihn prägen wird ... - der kult-film von dan gilroy beleuchtet die schattenseiten des urbanen lebens.

border community betritt new-age-klangräume und widmet diese split-lp dem us-minimal-komponisten terry riley zu seinem 80. geburtstag. während james holden und der tabla-drummer camilo tirado zu einem meditativ-hypnotischen trip einladen, lebt luke abbott seine liebe zu metallischen drone-sounds aus. beide tracks haben eine Überlänge von 30-45 minuten und wurden für die beiden 180g vinyle jeweils geteilt. aus diesem grund liegt ein zusätzlicher mp3-code mit den einheitlichen versionen bei.

french veteran dj w!ld delivers the third release on uk imprint vessel records, which features two originals plus remixes from argentinean producer franco cinelli and label founder james barnsley. plus loin is a thudding piece of robust house featuring heady toms, suspenseful drum rolls and spectral keys whilst whats up men is a more rhythmic cut containing a subtle bassline and echoing synths. on the flip, leeds producer james barnsley s version of what s up men alters the original into a peaktime-focused number with crunchy snares, until franco cinelli concludes the package with an animated rendition of plus loin.

swinging leftfield house trips.

this may be james hunters fourth album, but it is his first on daptone. produced by daptones own bosco mann (gabriel roth) at penrose recorders (daptone west) near his home in riverside, ca, hold on! is a perfect por trait of an ar tist at the top of his game. james hunter has been on the scene for enough years to acquire plenty of feathers in his cap. billboard charts, grammy nominations, and van morrison collaborations aside, he has earned an international reputation as a rhythm and blues troubadour for his command of the microphone both on stage and in studio. this album, however, is something far deeper than just another notch in his belt. it is truly an ar tists vision come to fruition. the vinyl lp includes a download code.

sublime and slinky four tracker from james dexter on dessous recordings, steve bugs label for the deeper side of house. the young brit shows his mastery of the form with an ep that combines effortlessly club-ready grooves with exceptional sound design and a strong melodic sensibility. dexter clearly know a thing or two about creating dance floor moments, with each track exhibiting a classiness that belies his age. have it like that kicks things off with a chugging, hypnotic feel and crisp drums providing the basis for a cool vocal hook and thick, warm bass. no time gets a shade deeper and no less funky, while get to this points a little further towards the center of the dance floor. closing track 120 goes even further into the late night vibes with a seriously infectious groove.

nyc producer, one half of point break, and dusk notes co-founder, cory james, will drop his latest ep, the home treatment, via behzad et amarou records on december 2. the home treatment will be the second release on behzad et amarou records (a.k.a. bear), which was launched in early 2015 by french duo, and concrete residents, behzad & amarou. the four tracks on the home treatment present a dark, atmospheric sound, bookended by textural pads, haunting ambience, and galloping rhythms.

next solo ep comes from irish based producer myler who is well known for his releases on labels like fifth wall, penny royal and resin. finally myler brings out his full artist ep on mindcut with four heavy tracks without compromise and straight to the point. dixies james ep is a variety of styles with broken beats, drilling leads and distorted drumlines.

limited repress for this mighty double header of highly sought after disco funk rarities from tc james and his fist-o-funk orchestra. originally released on the tiny fist-o-funk label out of nyc, this impossible-to-find 12 inch boasts the incredible tripped-out walter gibbons mix of *get up on your feet (keep on dancin)*. weighing in at an impressive 11 minutes, this mix bears all the gibbons hallmarks - wild psychedelic synth sections, stretched out breaks and an amazing hypnotic dancefloor groove that never lets up the pressure for a second - immense! flip over for the magnificent saverese mix of *bumpsies whipping cream*, a funky-as-hell disco track filled with soaring guitar riffs, b-boy friendly percussion breaks and some very ecstatic female vocals. essential purchase.

following the royal success that was maximum joy, alfresco is back with another release. 2015 marks ten years of alfresco disco parties. the label is still only young, however, but the crew bring their party planning, djing and producing experience into the label.

uk house veteran phil asher arrives on rekids with the latest project in his storied career, a collaboration with emergent london poet & musician james massiah. having chanced upon him a performance during a fiona bevan presents night at dalstons servants jazz quarters, asher immediately approached massiah about a possible collaboration: as soon as i heard james i knew i had to work with him. his poetry is infectious, textured & interesting. time & space took years to imagine but 25 minutes to write. it took james approximately the same amount of time to lay his poem down. asher approached matt edwards with the results, and the time & space ep was confirmed for release on rekids: two original cuts of futuristic house emboldened by massiahs electrifying street poetry, and a reprise version of the title track which steps away from the dancefloor to bring the lyrical content into sharper focus

james kumo is back, this time on his own imprint kmusic. kumo supplies us with two original mixes of his track, yellow, inspired by the infamous & former tokyo based nightclub. the original mix is tech house at it s best, ladened with deep percussive drums, dub influenced chord stabs & warm pads throughout. the dub mix is exactly that, stripped down and pounding, designed for big room dance floors.

farbwechsel is proud to present james booth s vinyl debut, a six-tracker of driving house and techno pieces. tell me lies follows a superb full-length album released on the excellent 100% silk in 2013 and continues on the path to establish james booth s own sound. his voice is characterized by an unbelievable precision and sensuality that defines his finely sculpted songs down to the last filter opening. it is this razor sharp focus that fills the eps minimalist approach with tremendous weight and power. at the same time, this purity also renders the songs to become multifunctional entities capable of lighting up dancefloors while also perfect for the headphone listener.

fresh, boomy, explorative rhythm textures in dj compatible techno mode.

second release in this popular series focusing on the various shades of jazz. be quick, this is a very limited 7inch pressing. 7 inch black vinyl with a manilla sleeve

james ross is a guitarist and composer living in brooklyn, n.y. originally from pittsburgh, pa., he has studied guitar at the university of pittsburgh and the mannes college of music in new york city. he has studied sitar with pandit krishna bhatt, and north indian classical music and composition with la monte young and marian zazeela. a composer in a variety of genres, james has written music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of chinese lute). he has also performed and recorded electronic and improvised music. recent performances as a composer and performer on the electric guitar, laptop and other instruments include sets at the bell house, at the small beast at the delancey with percussionist joseph benzola, a performance with kyle bobby dunn at issue project room, at pianos with richard lainhart, at glasslands gallery with michael vincent waller, at goodbye blue monday with david beardsley, providing live music for katherine liberovskaya and ursula scherrer’s optosonic tea series at diapason gallery in brooklyn, with video artist alex carpenter at the tank in manhattan, and at damrosch park at lincoln center as part of the guitar ensemble for rhys chatham’s “a crimson grail.” a recording of the -crimson grail- performance was released on nonesuch records on sept. 14, 2010. as a classical guitarist, james has performed as a soloist and ensemble player throughout the northeastern united states. he received a solo recitalist fellowship in 1992 from the pennsylvania council on the arts and won the 1993 mannes college of music concerto competition, resulting in a performance of joaquin rodrigo’s “fantasia para gentilhombre,” at symphony space in new york city.