over the course of four unforgettable eps released on throne of blood since 2013, hardway brother sean johnston has cultivated a broad international following for his singular brand of dancefloor fodder. best known as one half of legendary dj team a love from outer space alongside the one-and-only andrew weatherall, johnston’s roots in the dance music scene include a clutch of leftfield 90’s era bangers on labels like sabres of paradise and flashcomm. beyond his original output, johnston has also remixed the likes of man power, the asphodells, museum of love, split secs, clandestino and many more. the laser ep is peaktime hardway bros business. friedman feedback loop revision (a nod to tob boss james friedmans highly-valued opinions) is a masterclass in efficient simplicity, elevating a few basic loops into an exhilarating 8 minute monster. the laser rounds out the a side with a classic electro rhythm/bass/vocal sample combo could easily have landed in retro territory. instead, hardway bros easily flips a clutch of oldschool tricks into an utterly modern execution. the b-side finds tobs label manager max pask injecting friedman feedback loop revision with his love for all things analog and italo. with his impressive collection of synths brought to life by chinatown records brennan green, the song is transformed into an epic set closer thats already devasting dancefloors like berlins panorama bar. the ep closes with afro sirene, a midtempo groover with melodic arpeggios built for the discerning djs warm-up set.

radical connector was originally released in 2004 and is now fnally back on vinyl. this re-issue is pressed on mixed splatter color vinyl and presented in a high gloss jacket with free download card. though reference points like daft punk and prince have rightly been thrown around, radical connector is in fact a strange album that doesnt sound like much else. pitchfork

guttural, pained screams from beyond converge with mangled corrosive rhythms on the sophomore ep from dint for horo. ‘hooker’ convenes an impromptu post punk band out of undead skeletal pulses and spits a frustrated barb to anyone in earshot. ’shovel’ slams nails in relentlessly with an excruciating vocal refrain grinding over the band of zombies undulating bass riff, decaying as it loops. ’skewer’ drags the undead to the dance-floor with a primitive rhythm that rises and ducks, wringing out the intensity with macabre vocal commands reaching through a wall of distortion. on remix duties, ontal turn shovel into a peak time industrial techno weapon, while anfs grinds skewer into a jagged amen experiment, and codex empire fuses shovel and skewer into an anthemic sludge. oake wraps up the experience by taking hooker into another realm, convening another band of tortured souls stuck in purgatory, wrecking the rhythms with adrenaline-fuelled pitch black energy.

it is melodies internationals greatest pleasure to bring forth its latest reissue comprising two stripped-back, reflective pieces of us folk soul. largely forgotten for the past forty-odd years, bobby wright (now abu talib)s blood of an american and everyone should have his day resurface as politically-infused works that shine bright and still hold meaning to this day. the 60s and 70s constituted an exceptional era for its unique blend of popular culture and political radicalism

the debut album from khalid as double vinyl in gatefold sleeve.

having made his debut on throne of blood as a contributor to moon rock volume 4, cass. returns to the label with a blissed out 12” that builds upon the low-slung atmospheres of his recent output on emotional response and international feel (in collaboration with jan schulte) to create a heady and modern sound influenced by both balearic and 80’s pop sonics without every losing sight of the dance.

ptwiggs brings the surrealist violence for brand spanking sydney imprint deep seeded. taking an erratic hairpin turn after dsr001s off-piste techno, purge comes off like a tragicomic thriller, swerving between saccharine sensitivity and brutal ultra-violence in the blink of an eye. shit is rough in ptwiggs towers, dishing out relentless tyson jabs to the head on day of wrath with holly herndons inverted poltergeist drifting about between the blows, while lara dies seems to execute your favourite video game character a trillion times per second just for laffs. but it s not all blood and guts rendered in vivid hd. coil-axis twinning of demonic and angelic energies course through yyyy and drift below the surface of the more berserk pieces. not for the faint of heart but life s probs beaten the feeling out of you at this point anyway.

one of mannheim finest join our bodyparts vinyl camp with four outstanding originals.

der soundtrack von jim williams zum umstrittenen, verstörenden, modernen kannibalen-horror-schocker -raw- von regisseurin julia ducournau in einer belgisch-französischen produktion, der bei den filmfestspielen in cannes 2016 seine premiere feierte und 2017 in die kinos kam. die europäische lp-ausgabe erscheint auf grünem 180g vinyl.

french artist marc nguyen tan released two renowned albums in the early 2003 and 2006 under the artist name colder on trevor jackson’s seminal label output recordings. in november 2015, colder returned after a decade in hiatus with his third, highly acclaimed album many colours followed by two other lps titled the rain and goodbye in 2016. kasper bjorke is one of the most acclaimed and versatile producers and djs hailing from denmark. kasper has released five renowned solo albums over the past decade and remixed a wide range of artists, from rebolledo to weval. the two artists first started working together when kasper remixed colders single ”your kind” - and colder in return remixed bjørke s track ”marbled blood”. the idea to take their collaboration even further was formed when the two of them met in person during sonar festival in barcelona in 2015. in 2016 they then teamed up in the redbull studio in paris for a three day improvised recording session. the result is the black magic ep in stores on september 8th via throne of blood. a collection of five raw, driving post punk / new wave and techno influenced compositions, recorded via the studio ssl desk in paris, using hardware synths and drum machines played through some exotic vintage effects. colder recorded his mesmerizing vocals on the spot along with french drummer julien sabourin and saxophone player thibaut javoy. the ep will be followed by a stellar remix package from the golden filter (optimo music), mutado pintado (paranoid london) and french producer and dj pilooski.

proof of the rude health of the australian underground abounds with this new label from phile, who step out with a self-titled debut ep that tells you all you need to know. this is searing, brutalist techno crafted with invention and imagination - the dense crackle of the beats and scorched peals of synth on -found in blood- are a visceral force to behold. -marauder- is mellow by comparison, furnishing a minimal beat with live bass, dramatic string licks and steadily building atmospherics. the analogue dirt of -abhor- is positively evil, and that s before karina utomo s none-scarier vocals come into play. brimming with personality and demanding of your attention, phile made themselves a duo to watch in one fell swoop.

nouveaunoise is the name given to the audio collages created mostly by two people in the rural west of ireland, niall conway and conor gaffney. what you are supposed to think: veteran crate diggers. rare records so untouched and ripe for sampling that they drip essential mix. moments of melodies spliced and sampled meticulously tiered with break-beating grooves. alchemists of eclectic musical source and sampling technique. the reality: reels and reels of recorded experiments on dysfunctional equipment. instruments created, copied and acquired from distant travels. a healthy fascination with boards of canada and my bloody valentine. a cultural background just far away from the hive as to offer the whole project space to breathe it s own breath

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, ‘no other woman,’ being made circa early 1974 at patrick alley’s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee ‘scratch’ perry, with ‘jah jah redder than red’ and ‘girl you’ve got to run,’ both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for ‘don’t cut off your dreadlocks,’ one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional ‘jah jah the conqueror’ and ‘long long dreadlocks,’ the romance thriller ‘black princess lady’ and the anti-rude boy opus, ‘cool down your temper.’

oscars blood is peter van hoesens tenth solo ep for his own time to express label. it features four new tracks, composed and refined in the producers berlin studio and properly tested during several shows in late 2016 and early 2017. both oscars blood and circumference 12 feature van hoesens take on driving and hypnotic techno. he applies a different approach to unit prep and theoretical terminal. both compositions take their cue from subtle yet vibrant percussive patterns, extending into blissful atmospheres.

apollo are proud to present a stunning new project from nyc / berlin based artists soundwalk collective aka the trio of stephan crasneanscki, simone merli and kamran sadeghi. formed in manhattan to produce concept albums, sound installations and live performances, they create immersive audio excursions from field recordings which they gather from all over the globe - previous works have seen them collaborate with berghain, nan goldin, the films of jean-luc godard and patti smith.

label honcho bloody mary returns to the helm for the 34th release on dame-music, two original tracks knockout and no feeling is final are backed with a huge remix from none other than berghain resident, label boss & renowned producer marcel fengler. alien electronics, ominous pads and a heavy dose of acid craft unmistakably analog cuts that tread the line between electro and techno. ‘knockout stretches across the a-side, a pulsating, incessant acid line snakes its way about the raw 909 drums, tweaked and breaking in a series of hat and crash rolls reminiscent of classic chicago joints. on the flip, marcel fengler masterfully re-imagines knockout in to a driving percussive, workout, subtly adding and removing elements into a hypnotic, frenetic cut worthy of the dance floor. finally, no feeling is final slows the pace, haunting metallic strings rise and fall between twisted circuitry, an emotive number that could just as easily warm the crowd early as it could jerk tears at close. dj support: marcel dettmann laurent garnier maceo plex / maetrik kiki bpitch control orde meikle erol alkan luke slater jonas kopp chris liebing richie hawtin monika kruse james zabiela

blood money club traxx first offering comes from tempe-based affiliate jock club and comprises of four hennessy-fuelled drum machine workouts fit for the post-recession era. on the a-side jock club delivers two haunting club tools capable of invigorating any life expectancy reducing lock-in. the b-side starts off with an emotional slow jam, before veering into a ruthless collision of hi-fi shape and pain.

ehrlich und direkt! atemberaubendes pop-album der schwedischen ausnahmesängerin. “reverseries” erscheint als doppel-lp mit download-code und bonus-track.

incl atoll remix

after a very successful label launch last year with in aeternam vale - “self destruct” ep, linda records returns with another straight talking, analog fuelled 10”. this time welcoming aboard berlin based russian artist alexey volkov. his three track ep “cold blooded genius” comes finely presented on transparent red ten inch vinyl (limited pressing). whilst staying true to its current white label feel, this time linda s trademark eyes, also a fitting red. on the a side at 45rpm the title track “cold blooded genius” and on the b side two tracks will spin at 33rpm, “unfriendly nation” & “curtains of flesh”. we hate to categorise and attempt to summarise what these pieces of music craft sound like into words, we’ll leave you to indulge for a short time to the machine noise of the highly regarded talent that is alexey volkov.

waxwork records presents the original motion picture score to the howling composed by pino donaggio (carrie, dont look now, tourist trap), waxworks new, deluxe vinyl release of the howling has been expanded, re-mastered for vinyl, pressed to 180 gram colored vinyl, and features full package artwork by francesco francavilla.

blood debts is the compulsive debut album from years of denial, the alter-face of london-based french musician/producer and dj, jerome tcherneyan.

despite his artist name and his trademark sound, steve murphy does not come from chicago, but from mira, a little town on the suburban area of venice. steve has been djing since 2001, and in the past years has been rocking almost every club in his region. he is serious and professional behind the decks: playing only with vinyl, he blends electro and house, techno and new wave, acid madness and pop appeal. steve has produced together with die roh an album (-the chasm-) and one e.p (-windy city-) on chiwax, and a solo 10- (-planet earth-) on rawax, these records have quickly gone out of stock and that have been acclaimed by the lovers of the classic warehouse sounds. in 2012 he has started the riviera project and has founded the muscle records label, together with lucretio, dj octopus, caio, madì grein and chevel. the label is a facility to spread what has been called -the sound of brenta-: a raw, nasty, machines powered clash of house and techno. in 2012 he also released -the dove ultimatum- on vae victis records, under the moniker of durant: an unfriendly 12- of distorted electro and funky acid beats produced with die roh and lucretio.

diesen sommer veršffentlicht dev hynes freetown sound, das dritte album unter seinem aktuellen alias blood orange. aus einem reichen oeuvre an techniken und referenzen schšpfend, entfaltet sich das album fast wie ein theaterstźck, beschwšrt unerwartete stimmungen, stimmen und zeitalter herauf. freetown, die geburtsstadt von devs vater und hauptstadt sierra leones ist titelgebend. inhaltlich ist es das bislang persšnlichste und auch politischste album von blood orange. verhandelt werden themen wie rasse, religion, gender und sexismus. musikalisch lie§ sich hynes von den alben der dust brothers inspirieren: its very cut and paste. like my version of paul s boutique. it kind of plays like a long mixtape.

diesen sommer veröffentlicht dev hynes freetown sound, das dritte album unter seinem aktuellen alias blood orange. aus einem reichen oeuvre an techniken und referenzen schöpfend, entfaltet sich das album fast wie ein theaterstück, beschwört unerwartete stimmungen, stimmen und zeitalter herauf. freetown, die geburtsstadt von devs vater und hauptstadt sierra leones ist titelgebend. inhaltlich ist es das bislang persönlichste und auch politischste album von blood orange. verhandelt werden themen wie rasse, religion, gender und sexismus. musikalisch ließ sich hynes von den alben der dust brothers inspirieren: its very cut and paste. like my version of paul s boutique. it kind of plays like a long mixtape.

nice price deal !!! youth blood has been creeping up on everyone. originally released on trouble & bass scion a/v vol. 25 compilation cd, this tune was reworked in the fall of 09 and released with a slew of remixes in dec of 09. one of the many hard hitting remixes featured on the remix ep was bok boks remix that has caught everyone off guard. as boomkat best described it: >the funky upstart makes great use of the originals tangfastic synths while adding his own darkside bass hum and clacking riddim syncopations, doing it proper disco 3000 styles.< and by popular demand, we bring you this rare and exclusive white label 12 inch featuring bok boks remix of youth blood! these are two artists to watch in 2010!

nice price deal !!! the dga fau label from toulouse (france) is proud to announce its new release : q.g. reign in blood ep (dgafau004). the long-awaited, much anticipated release, q.g. dÚbut ep, reign in blood include two original tracks plus two remixes from the toxic avenger and bandit. after many years in various rock bands, q.g.s career took off at the end of 2006, his name has been fast becoming associated with killer remixes, productions and dj sets. lately, he has remixed tracks for some famous european artists such as midnight art, clarky cat, beatbouncers and the phonographà q.g. has recently performed in poland, portugal, spain, belgium and france ! q.g.s sound is a mixture of dark, electro tangle and acid beats with syncopated melodies.

a blistering new 4 track ep dave lievense (one half of psycatron) and billy nasty ! ltd copies

die r&b/soul-legende andre “mr rhythm” williams veröffentlicht mit “i wanna go back to detroit city” sein langerwartetes neues studioalbum. der 79-jährige amerikaner kann auf eine beachtliche karriere zurückblicken, williams, mittlerweile 79 jahre alt, ist seit den 50er jahren im musikgeschäft aktiv. er schrieb songs für u.a. parliament, funkadelic, stevie wonder, produzierte ike turner und managte soul-star edwin starr. er veröffentlichte alben und singles bei fortune records, epic, chess records und seit ende der 90er jahre auf bloodshot records. auf seinem fünften album für bloodshot liefert uns andre williams einen gelungenen potpourri aus psychedelic soul, r&b und blues. mit an bord sind u.a. dennis coffey (funk brothers), matthew smith (outrageous cherry, rodriguez), dan kroha (gories, demolition doll rods) und jim white (dirty three, cat power).
das album erscheint auf 180 gramm vinyl inklusive downloadcode.

re-release des fantastischen yeasayer albums “odd blood” aus 2010 auf mute! single lp inklusive mp3-downloadkarte

remastered re-issue on 180 gram vinyl.

after a relatively quiet 2015 which saw brooklyns throne of blood release the third volume in the moon rock ambient series and a handful of singles from man power, jimi after, and vito & druzzi, things are already heating up for 2016.

second release on ostcode exile records by fran hartnett from dublin. 4 straight techno tracks to drive your mind to another place. early support from surgeon, bens sims, truss and sunil sharpe !

who is the mysterious ketsueki sakuru? a lone warrior from the far east or an already established artist working under another name? we here at giallo disco cannot be sure, but are confident in their ability to detonate dancefloors and provide the correct ambience for walkman-missions everywhere. sounding as if muslimgauze was a confirmed new-beat devotee or if unit black flight was from dubai by way of tokyo and specialized in videogame soundtracks. the blood meridian ep is music for desert wastelands and murderjunkies.

ltd nice price

with a career stretching back to 1998, via releases on dance mania, juke trax, blank mind, and planet mu, everyone should know dj clent by now. crosstalk actually unleashed his first internationally distributed tracks via dj slugo’s subterranean playhouse label, and we are excited to have acquired the rights to distribute all the beatdown house releases, worldwide. dj roc aka the crack capone is another artist who’s first international releases were disseminated via our digital program, we also distributed various juke city mix cds. his break came via his album on planet mu, and has also had a recent ep via duck n’ cover. dj t-rell & c-bit are relatively unknown, internationally, but have been active on the chicago scene for at least a decade. you’ll find their tracks on local mix cds by slugo, deeon, and clent, among others.

hit n run music is back with a mad third release stretching across a wide spectrum of edgy hard electronic dance music. we proudly present: the blood e.p. produced by the outside agency, mono-amine, jacob inhuman and d-cursed! out on transparent red 12 inch vinyl.

the *belly of the beast ep* consists of four raw cuts coming from machines for the main room, with dramatic chords, obsessive sequences and recordings from *the san fermines*. gal aner (guitar) and chris gray (voice), join them in the track *human show*, fusing electronics with pure emotion.

steeplejack unleash their first 12 inch - a various artists ep channeling driving, deep techno. squelching, alien acid merges with ghostly pads and a stomach churning low end, forming four cuts of bloodthirsty club damage!

jose rico launches the le disque record stores project: ambiwa records, a label dedicated to abstract house music. * declaration of intent ep* is a collection of songs with a history, 4 pieces of his life talking about hypocrisy referred to poverty, the trivialisation of music as money source, the days in the studio with ron trent, and the night music-workers. beyond any related stories, here you can find all the jose ricos music standards: impossible mpc percussion patterns, black keys, vocal textures, distorted kicks and tons of suspence and tension. this just means… music for the most demanding dancefloors and open minds. as it could not be otherwise, masterd by jose rico.

on the heels of last years moon temple ep, throne of blood co-founders vito & druzzi return with the two floor-ready vocal house jams featuring xavier, a veteran vocalist best known for his brilliant version of gimme the night by george benson released on erstwhile nyc disco imprint, a touch of class recordings.

with each successive volume of throne of bloods moon rock compilations, the new york label attains a deeper appreciation of electronic musics most chakra-massaging tendencies, participating in a communal dialogue devoted to a new dynamic beyond the confines of the dance floor.

the anonymous man power makes his debut on throne of blood with the labels first release in 2015. closely affiliated with jennifer cardinis correspondant records, hes been making waves across the underground over the past couple years with remixes and releases on labels including hivern discs, eskimo records, ene, infiné, rothmans, and is it balearic? with a debut lp in the can for correspondant and 12inches due on voyeurhythm, renate schalplatten, and discos capablanca, this unknown producer and dj is definitely one to keep an eye on in 2015.

mindcut presents the first solo ep with no one else than london based producer ansome. 4 heavy techno tracks with industrial influences including massive manni dee remix.

fresh!

3 new stunning tracks of pure old school house music from our man nicolas aftalion. destined for dance floors everywhere on planet earth. this is what we like. this is house music

slamming techno release , incl silent servant remix

there is something singularly unique and peculiar in the degree to which seemingly unsettling themes and extreme taboos have been explored, most notably in the medium of film, in the land of nippon.