the 9th release of lanthan.audio will present you the sound of the los angeles based duo motionen. the audio/visual project created by carlos matamoros (a.k.a altrd being) and matt salamone presents its solid reputations on dancefloors throughout the city of angels with growing response and more shows to follow at the whole us ground and over it boundaries. furthermore they founded their own label ascetic limited last year with a very promising path already. also we are glad to welcome back claudio prc for a interpretation of motionens erudito . claudio is part of since the very first release and so a inherent part for lanthan.audio. the other version for the track balance theory comes by christian gerlach cover – photography and press : christian gerlach

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. now let’s discover the dub version of ennenne. dub is a unique discipline. a strange and sometimes unpredictable music practice. it was just after the release of ennenne that we decided to take back the multi track recordings and start to rework the music through the mixer. in order to give a new shape to the project, we thought it was a good idea to invite some of the best producers and musicians on the dub scene. following a very natural process, our vision began to take the shape of an international all star event, including contributions from historical dub artists such as adrian sherwood, lee scratch perry, dennis bovell, and actual celebrities of today such as gaudi, vibronics, manasseh, khalab & messmorize, and mario conte one the most interesting producers on the italian experimental scene. a bunch of old and new friends with whom we share the same vision.

soundtrack to director & writer daniela amavia’s first feature film shot in los angeles spring of 2013. starring abigail spencer, cheyenne jackson, collette wolfe, elena satine, & sonja kinski.

as noted on another release (see ropin), cornell campbell has enjoyed one of the longest-running careers of any jamaican singer, and he is blessed with a readily identifiable style too. he began his career for clement ‘sir coxsone’ dodd in 1956, when rhythm and blues held sway in jamaica, and later cut some ska songs for king edwards. he then passed through the sensations in the rock steady phase and worked as a solo singer at treasure isle, before returning to studio one with the eternals, scoring huge hits such as ‘stars’ and ‘queen of the minstrel’ as the 60s gave way to the 70s. his greatest phase of popularity was them brokered by hit-making producer bunny lee, who kept him on top right through the 1970s and into the 80s. the 1975 album dance in a greenwich farm was first issued on the grounation label in the uk. along with a re-working of ‘stars’ re-titled ‘the sun,’ a re-working of ‘queen of the minstrel’ as ‘girl of my dreams’ and the sound system opus that is the title track, the album has the boastful ‘conquering gorgon’ and a number of keenly-observed cover tunes, including a cut of the gaylads’ ‘no good girl,’ a version of the heptones’ ‘why did you leave me’ and a killer cut of the uniques’ ‘watch this sound’ (based on ‘for what it’s worth’ by buffalo springfield).

nice price deal !!! nice price deal !!! 100% french electro techno - orginal + remixes! enjoy! playwax 01 comes as a 180 gram sealed record.

nice price deal !!! double pack with 8 brand new tracks in the familar re:connected style produced by martinez. the first two releases got massive feedback from major players on todays dance music scene, such as ricardo villalobos, miss kittin, john digweed, dominik eulberg, richie hawtin and sven vaeth

nice price deal !!! supported by: davide squillace, dan curtin, tim green, patrick bateman, brian ffar, mr. statik, luciano esse, angel molina, jenn, daniel fx !! the 2nd release from barcelona label >vinyl did it< is by american producer digital ape. after appearing on the first vinyl did it release together with techno master dan curtin, and madrids dr. needles, digital ape brings us his >im allright<. the track has a fun house feel, with a bouncy and dancefloor friendly uplifting groove. also on the a side, a remix by berlin based duo fibre (daniel rajkovic and berkant suer), who take the original into more minimal territory (another version of this remix appeared on the mos clubbers guide to berlin 2008). on the b side, legendary dj and producer quenum gives the original more than just a facelift, re-arranging it, twisting it and turning it into an epic piece that smoothly goes from dark hypnotic techno into dancefloor mayhem

-in my house- is a -bucket list- song nickodemus always dreamed of covering into an actual house version. after a weekend of old-school partying in the clubs & hanging with baby bam from the jungle brothers in brooklyn, they called over carol c & lisa sha

at last! the full 12:45 john morales mix of this underground boogie classic gets the proper vinyl release it has always deserved! all those discogs cowboys can now safely crawl back under their stones! replicating the original 1982 12”, except this one doesn’t fade out a minute and a half before the end. the original flipside is present, only this time cut at 45rpm for higher audio resolution. available from 14-07-2017. this release is (i think!) the first time all twelve minutes and forty-five seconds have been pressed on wax (in an ultra limited quantity) so don’t miss it, steven!

after releasing on bass drop networks, atmosfear , loop, sub / version in the early 90s, and more recently on mego, staalplaat, crónica and praxis, pure is returning in to the techno scene with a 5 tracks ep. the tracks were recorded in 1995 no joke at all… pure analog, acid, authentic, live recorded underground devil hardcore/techno.

karl meier, ken meier and jon krohn, aka stave, are launching a label called standards & practices.
the three us artists, who share chicago roots, have a pretty straightforward mission in mind for standards & practices: “to provide a platform for releases by both talker and stave, as well as for material by other like-minded artists and collaborators.” talker is the downwards-affiliated duo of karl meier—a longtime techno dj, now based in berlin, who took part in ra’s playing favourites series last year—and krohn, formerly of the experimental rock group male, who’s also been putting out his own brand of abstract, industrialized electronic music as stave for around four years. ken meier, a new york-based graphic designer, partner at common name and dj—and karl’s brother—takes care of art and design for the label.
standards & practices’ opening move is a talker 12-inch, battle standards, the duo’s third full release and first since their 2014 album for downwards. a three-track ep built with material from their new live set and “aimed squarely at the dance floor,” it includes a new version of “my favorite colour is gold,” from 2015’s the immortal eye compilation cd. it’s due out in late july. next will be black hills, a five-track ep from stave that’s expected in september.
along with the soon-to-launch label, the meier brothers recently rebooted their fear of music podcast with some new mixes, including two from karl.

• all female outfit with a heavy dance floor version of nina simone’s “see line woman”, done in afrobeat style • co-written by tom brenneck (of the dapkings, the budos band and the menahan street band) • engineered by sydney mills of steel pulse • unreleased music from the vaults

ltd 7 inch release

the aristocrats were originally from bridgeport, connecticut, but came to philadelphia in 1973 where they recorded five tracks with bobbi eli at sigma sound studios. only one single was released, the philly classic “let’s get together now” on warner brothers records. original pressings can fetch up to £150. the expansion pressing here is extra special as the ‘b’ side “loving you is mellow” has never previously been released on 7” or vinyl. it is in fact the original version of a song later made famous by major harris but in it’s own right an exceptional piece of philly magic.

restless mashaits hailing from geneva are based around the core of jil and stuf. they released a sizeable amount of new roots classics throughout the 90s and 00’s. recently becoming active again, they are best remembered for the sessions they recorded at kingston, jamaica in the mid/late 90s with legendary musicians such as vin gordon, deadly headly and dizzy moore. the original releases have been since long deleted, but some are now unearthed thanks to partial records. * lion’ from 1996, features the legendary jamaican percussionist scully simms (who recently passed away) and was in every box of all serious roots selectors back then. now long deleted, this will fill in the gap for the many collectors who have this on their wants lists. dub lion’ is a different dub version to the one previously released in 1996.

nice price deal !!! excellent pumping house track 2 new mixes for this massive clubhit by diego ray includes per qx version on the b side

nice price deal !!! nice price deal !!! betörende bilder stellen sich beim hören von lorelei lees neuem album teddy toys ein. die sängerin sonja romei, der elektroniker/gitarrist palme und ihre mitmusiker julian preuschl, jakob schell und jakob kovacic haben eine cineastische art musik zu machen für sich gefunden, die einen sanft aber unwiderstehlich mitnimmt – auf die reise in eine faszinierende zwischenwelt aus vaudeville-verlockung, broadway-extravaganz, jazzclub-intimität, dancefloor und elektronik-klanglabor. die leidenschaftliche und noble diseuse sonja romei erzählt mit lasziver stimme geschichten aus einem verspielten, glitzernden mikrokosmos zwischen hinterzimmer und großer bühne.
12 inch vinyl lp im klappcover, inklusive cd-version ders albums.

it is with great pleasure that we announce the first edition of the krill south series. the series will be making history, right from its inaugural release, by being the first ever techno release to be pressed and distributed from argentina. the release will coincide with a partnership with conekta records. the first release will be a reissue of a remastered version of two of krill’s hottest releases - jonas kopp’s ‘anklad’ (which was featured on krill’s maiden voyage back in 2011) and raffael attanasio’s x501’s ‘x505.5’ (which can be found on the a-side of the fourth krill release with bleak’s offerings on the flip). kopp and attanasio’s contributions to the techno scene have sky-rocketed since their last krill output and it’s an honour to be able to reissue something that has been marked as legendary on krill’s accolade. krill music

emotional rescue and jamwax come together to present the first of three essential 12”s from ny/jamaican label capo disco, all officially licensed and remastered for the first time. the brainchild of reggae vocalist, musician, producer and label owner glen adams, the label married disco with his caribbean roots to perfection. tip!

reissue from this 12-, originally out on ras affinityin 1986!

reissue from this 45, originally out on ridim force in 1986!

reissue from this 45 - originally out on writers of rastafari in 1981!

welcome back chicago s legendary edit don underdog edits. sourcing material both familiar and obscure, this release is an education on how to craft the perfect extended dj version. limited vinyl release!

superstrong is the third single to be taken from max sedgleys supremely funky album >suddenly everything<. having won the accolade of having one of the remixes of 2010 on itunes – max steps up his game with the release of superstrong. fusing funk, disco and house on the original version – max shows why he remains at the top of his game as an in demand producer and remixer.
superstrong remixes come courtesy of disco dons faze action who deliver a killer mid tempo nu-disco bomb with beautifully melancholic piano chords underpinned by a driving bassline. labelmates basement freaks turn in a raw funky breakbeat banger to complete the package. vocals come courtesy of live band member tasita d mour herself a widely recognised soul diva with releases on the worlds best house labels including defected, azuli and purple.

limitierte lp mit ruhigeren fassungen des gefeierten elektronikalbums von 2016. das doppelvinyl erscheint inklusive downloadcode.

maricopa makes the smoothest summer tunes in the world. on his explorer ep, the second in cosmic pint keg series, maricopa makes no exceptions. a journey through mediterranean landscapes and across tops of mountains in the midday heat to the refreshing sea breeze on a midnight beach. it s a thing of beauty some are directed at the dance floor some almost chilled to horizontal.

3 of shadow child’s connected collaboration album tracks get a makeover from rimbaudian, mj cole and bodhi. rising talent rimbaudian reworks the only solo track from the project, steak fingers, and takes the original bumping stripped back groove on a more melodic journey with its stunning arpeggios and new string parts. the backbone of the original remains but be prepared to take a trip to a new stratosphere, with his stripped version which is included too. bodhi step up next to remix gacid, twisting and turning the original acid patterns and grooves to make a special rework that gives a nod to early detroit with new drum programming and pads. the welsh duo bring the heat. mj cole delivers what must be one of his finest remixes. um the collaboration with bodhi, already offers a trip that flirts with jungle, lo-fi and the hypnotic but mj cole brings his signature vibe to the table with new keys, groove and provides something that feels as if it belongs in the realms of his seminal hit sincere.

casino shanghai was a -techno-pop- band started in the mid-80s in mexico city. they released their debut and only album -film- in december of 1985. an album considered today as cult status. casino shanghai were part of a great cultural change in mexico and its music scene. the band made various controversial appearances on tv when a band without a drummer or guitarist was unheard of. all members had been in different notorious bands in the local scene. ulalume was the lead singer of the casuals (punk-new wave) and denseundergrowth (avant-garde). carlos robledo and walter schmidt were part of size (post-punk) and have been playing together for many years in decibel (experimental). humberto alvarez played with mcc (prog rock) and is currently a well-known musician and multi-instrumentist. before the band split-up they recorded two last songs in 1986, -le tombeau d edgar poe- and -l action minimal-, as part of an unreleased solo ep for ulalume. these tracks were edited in 2014 on 12&#8243,,, by mannequin records together with a remix by in aeternam vale. the music of casino shanghai was also used for the soundtrack of some mexican films. -crónicas de familia- directed by diego lópez and nominated for the ariel award for best original soundtrack in 1986, and -juana la cantinera- directed by josé loza. -film- has been restored and remastered for this new edition including all original tracks plus two bonus: -le tombeau d edgar poe (haunted version)- and -cuerpos huecos- (spanish version of -hollow bodies- available only on a promotional 7&#8243,,,). limited to 350 copies on white vinyl with a new artwork and printed inner sleeve with photos and song lyrics.

after one year of hiatus ritual process is back with a brand new opus. côme the other half of the label first appeared in 2011, thriving on the musical radicalism and avantgarde of the electronic and industrial scenes of the 80/90’s. kerri lebon, the owner of discipline is actively involved in the san francisco s musical scene. she has mixed the -issue no five- cd for jealous god and recently produced a remix on los angeles based label stellar remnant. our third ep -years of decline- opens with -between generation-, an epic trippy track followed by the punchy noisy -expel the demon-. the b side will take you to a shadowy world with the original version of -fear- followed by kerri lebon’s astonishing remix. the record will come with an insert and will be limited to 300 copies.

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two æyouÆre a melodyÆ classics werenÆt originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world. mel6 arrives as a 7-inch, with the original version and the edit on the flip. first released in 1979 as a three-minute up-tempo library recording, ôdisco baby-, one of 10 tracks off a record available to license for film, radio, television and other media, held some hidden magic that would only get uncovered almost four decades later. informed by years of combined dancefloor experience, floating points and red greg have slightly tweaked the original material, realising that played in the right context, it can become a true disco anthem.

subtil009 is coming from andrei catalin bumbu alias hansel he is also part of the new generation of dj s and producers from romania. the 3 track combination sounds good for the dancefloor with one long a side and 2 tracks back on the b side! this record will keep any point of the night! we are happy to get this guy to our subtil family and to our roster.

the fuse label builds on its previous releases from psyk and goldffinch to present another transmission of high-end contemporary techno from henning baer. great toolish techno like a faster version of the lost tracks series by dan bell back in the days.

the 3 release. 3 artists. 3 solid tracks. rex hansson has made a solid original version. you clearly hear his skills as a past percussionist. the beats together with skånska vocals, low key rhodes and some 303 knob twiddling make this track special and great. emil nyman. this mix is something. it’s tossing and turning from a metallic sound to the softest wood. from the deepest parts of the ocean we follow the pads and organ up in the sky. the b side is dedicated clark eng. a minimal offbeat version with low toms and rattling high sticks, claps and snares. the track is moving like a newcomen engine. the minor changes all the time makes it to a hypnotic minimal house track.

coming from the sound system scene in geneva, androo began to produce 80-90s infused digital dub as a teenager. his interest in jazz, new wave, dub and house gently collide in his studio a place he sees as a laboratory of experimentation here everything is mixed, dubbed and recorded live at the console. with this first ep release on second circle androo s music reveals a desire to avoid categorisation whilst displaying a clear love for percussive rhythms and emotive melodies. big tip! second circles first release of the summer features an ep of tracks by young producer androo from switzerland. having released on the sparring partner label which he co-runs with bony fly, androo has another release imminent on his second imprint poly dance .

mfms curious and utterly killer afro/belgian electronic project gets the re-whip by a bunch of current producers. the ep also includes the previously unreleased, veronika v02 (a synth bass heavy version of the compilation track, veronika 02).

incl julius steinhoff version (smallville) ...telfort returns with a third 12inch on his own imprint, following the aptly titled debut in a good place and stellar follow-up lickety split. his best yet, the edinburgh-based producer drops the evocative and soul-stirring soon i will embark on a journey, with its immense, alluring melody and downright addictive grooves. on the flip, the hazy and hypnotic æuntil nowÆ takes us further on the journey with its shimmering textures and mesmeric flow, radiating warmth through mind-soothing chords and gritty percussion. further on, we hear a reinterpretation from julius steinhoff, co-founder of smallville records and half of smallpeople. serene and smooth but equally stomping and floor-ready, the melancholic strings and trickling percussion slowly develop and captivate in a sublime and entirely fitting rework.

athens of the north and symphoncal records are proud to present the long lost raw soul express lp in a special limited vinyl only release. mastered personally from the original tapes with love. if you dont know what this is then you re in the wrong game, the lp also includes the full previously unreleased version of their rare-groove and surprisingly rare club classic the way we live in its full intended format. solid ballads are what makes the lp for me but there is not a bad track on there, boogie, funk and rare-groove, blink and it ll be gone.

wonderwheel dropped a special wonderworld double 7ö, package just in time for summer bbqs that include 4 favorite nickodemus originals and mixes from past yearsà.ölos tarantosö, yukicitoæs remix of ômirageö, tal m. kleinæs remix of ônÆdiniö and the ska version of nickodemus & brian jayæs ôwanted manö.

forever faithfully mining the past to keep your shelves stocked with gems that might have otherwise been consigned to history, emotional rescue turn their attention towards carl & carol jacobs cult slice of early house music, and what a treat it is. -yonge street jam band- comes in the form of two mixes that serve as impeccable examples of late 80s club music in all its culture spanning glory. the playful sample slicing and triggering of the second mix is the winner, although the vocals on the original version are equally on point if you want a little more soul in the mix. jonny 5 then steps up on the flip for a bold but measured re-rub that stretches the vibe out for nine minutes of perfect party fodder.

hannah holland s batty bass imprint returns with the vinyl release of mama s sublime, atmospheric unmask me, sits somewhere between dub and house. the 16 min original twists and intertwines with rippling bass and powerful vocals. a concoction mama s uk upbringing and dark berlin sensibilities have shaped. legendary house pioneer, ashley beedle offers a glistening, summer, deep house beauty. stunning rhodes sit on top of shuffling percussion alongside mama s message.

on the back of chip wickham s fabulous debut album la sombra come two quite different but equally mouthwatering remixes of two of its tunes. on the a-side, detroit house stalwart extraordinaire andrés grabs red planet by the ear and drags it straight to the dance floor. and he means business: no beating around the bush with intros and the like â€,“, it s hands in the air and go from start to finish. relentless. the other a side, a.k.a. aa side, is for l.a. s ambassador of avant-garde and spiritual music carlos niño. rather than remixing the album s title track in the strict sense of the word, his spaceways radio edit adds a subtle and otherworldly flavour to it, extending the mix with some gorgeous ambient washes. la sombra (lovemonk, january 2017) is chip wickham s first album after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, latin and electronica. it s a monumental record for chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz, and pay testament to his heroes roland kirk, yuseef lateef & harold mcnair.

a stunning version of steve reich’s masterpiece of musical minimalism “music for 18 musicians“ (1974-1976) performed live at tokyo opera house in 2008 by the modern ensemble and synergy vocals featuring the composer as guest performer.

tatham, mensah,lord & ranks let you down when if you love boogie, funk and that good groove then the answer is never. yet another twelve inch proving their consistency.an obvious buy on sight release. includes the cover version on grace joness private lives

anna wall & corbis take on queen drummer roger taylors two sharp pencils special remarks : 12&#8243, mff house bag, 150g vinyl
(get bad). the result? one of the most unlikely and essential party records of 2017. queen and house music: not necessarily the most obvious of bedfellows, but music for freaks has never been a label to take the path most travelled. over the course of their de-cades long journey the label founded by luke solomon and justin harris has released uni-quely idiosyncratic dance music, establishing the label as a go-to imprint for those seeking imaginative, unpredictable records that still undeniably work on the dancefloor. their latest release might well be among the most out-there of them all. originally released back in 1984,two sharp pencils (get bad) is a record by queen drum-mer roger taylor, featuring him on vocals as well as drums, bass & guitar. now brought bang up to date via a fully official and endorsed remix courtesy of anna wall & corbi, this overlooked album track looks set to become one of the summers most essential records. born and bred in the uk, anna wall is a dj, producer and label owner who is a key player in london’s underground house music scene. her label the bricks champions up-and-coming producers, while anna herself has djd all over the world, most recently for mixmag at pacha for their ims launch party. corbi is an ibiza-based dj and producer, a&r for the highly respected fina records and co-founder of melon bomb, a party and dj collective that has in the space of just a couple of years become one of the white isles most talked-about exports. having met while working at house giant defected records some years ago, anna felt that corbi would be the perfect studio accomplice to work on the remix of two sharp pencils.

next up on etruria beat, is the dutch duo hush & sleep who have been steadily making name for themselves in the past year. they deliver a stunning two tracks ep with farrago and marco effe on remix duty. the ep starts off on a joyous note with the track mirth. as this is an old english word for gladness, the main melody takes you on a carefree ride supported by a stomping kick and dreamy pads in the back. farrago takes a more stripped down approach with his version. he builds on the dreamy pad, making it serve as a warm blanket over his signature tight percussion. contradicting mirth, the second original slowly starts to drag you into a feeling of hysteria, hence the name. taking their signature kick as the foundation, hush & sleep use a haunting melody that lingers on in the back and sets an eerie mood. marco effe’s remix is a deep stunning techno groover. taking the main melody but twisting it into his own wonderful creation and sending you off on a journey into time and space.

la vida sigue igual’ is immediately a more physical affair than its predecessor, kicking off with the title track, a hard hitting percussive monster. the sparse simplicity of the machine gun synth work & monotone spanish vocals by mystic bill evoke classic 80 s industrial and art house dance tracks. we’ve included the instrumental version for adventurous djs who want play doubles. on the b-side are two versions of the track “animals”. version 1 explores the underbelly of ny with maniacal industrial rhythms and samples from diamanda galas and travis bickle (robert deniro) in taxi driver. version 2 ventures into dark freestyle territory, fueled by the underground energy of chicago’s warehouse and medusas clubs

the last few years have seen nathan melja really hit his stride, landing on such esteemed labels as mister saturday night, black opal and technicolour with an addictively weird update of the classic boxjam format. now he steps up to inaugurate dream real with three slices of upfront deviant business for all the sleazy dancers out there. there s no arguing with the rubbery bass tones and perfectly processed vocals on the original mix of -jerky teardrop-, but there s also the more wave-minded delights of the -blue mix- version of the track to suit more reflective situations. by way of contrast, -places we belong to- smooths out the mood on the b-side with a low riding slice of boogie that sports just a whiff of indie thrown in for good measure.