dutch dj & producer jazper has set a step into a new direction together with jules from romania. jules known for his digital nature alias and jazper known for his trance and progressive productions together with misja helsloot. following their last release on be yourself, they now present pitching pigeon for baroques sister label method... techy rumbling beats & a slick melody, courtesy of the more bells mix... make this a djs must have!
the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.
wonderful 1970s p.c.p inspired 20 track. compilation featuring a highly charged mix of psych funk, prog, afro, glam, cosmic, rock and disco. some very rare pieces on here such as the cosmic reggae inspired 360 degrees, the groovy psych prog of the creative craniums and the raw prototype psych funk of kid rock (not that one). others will be better known to lovers of a more progressive dancefloor such as soundforce and diabolic man which has long been a big spin for dj harvey and lovefingers alike.
raz ohara and his odd orchestra return for their second album for get physical. >ii< is the follow up album to the critically acclaimed self titled raz ohara & the odd orchestra cd that is considered being one of the album highlights in 2008. its a warm, organic collection of avant-garde, open-hearted pop music which positively teems with life, a forest of pleasures and possibilities which youll want to lose yourself in indefinitely.
>ii< is certainly less melancholic than its predecessor – its imbued with good feeling, energised by the rhythms and cadences of summer and the great outdoors - but its not euphoric, there is an underlying note of caution, of trepidation. this emotional mix is what makes the record so powerful, especially when allied to a similarly ambiguous musical mix: which imperceptibly melds folk, classic pop, electro-acoustic experimentation and modernist electronics. 10 beautiful songs plus a special download (code included in the artwork) of the single >miracle< make this album a perfect journey through the winter days.
produced the same year as the truly epic >explorer< lp, >yellow power< takes the highlights from >explorer< and gives them an eastern twist. the hard to find / undiscovered >yellow power< was written and produced in germany by multi-instrumentalist tony carey (rainbow / planet p project) under his yellow power guise. originally released in 1982 this beautifully airbrushed japanese concept album contains 10 tracks of german electronica and cosmic disco / synth pop instrumentals. opening with >hai samurai<, which has been recently re edited by pilooski, this album voyages from spaced-out electro-disco gems such as >megawar<, >peking duck<, >tojo< and >radio tokyo< to cosmic / balearic oddities such as >queen of scots<, >blue fusion< and >dynamite<
restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.
supported by timo maas, dave seaman, dubfire, hot chip, dj hell, piemont, chloe, dan curtin!! new design, new ideas, bukaddor & fishbeck took a break from producing while playing a lot of live gigs and are back now, better than ever.
first 12inch release under jamal moss new religion alter ego iamthatiam, a four track exploration of heavy tribal drums and spiritual dub atmospheres. peter gabriels passion ost and chain reaction were the inspiration, and its heavy on the late 80s techno industrial dance versus noise side.
supported by laurent garnier, trevor jackson, michael meyer, pilooski, tomboy, arnaud rebotini, tim sweeney, todd terje, dj mehdi, the glimmers, x-press 2…
successfully tried and tested on dance floors of all shapes and sizes throughout the world, these never before released cuts have rocked migs sets for a few years now. after countless requests from djs and dance music lovers around the globe, salted is delighted to deliver and share these rare little gems with you all!
clone west coast series continues with more hot releases! after tyrell and mr pauli its the hasbeens (tyrell & overdose) who deliver the heat!. this is as big as you can get it! we could do a lot of talking about the track and the daily struggle of human beings etc... but just listen. top production leaning on classic italo but in a new modern jacket with sharp production... the clone west coast sound :-) simply irresistible
heavyweight vinyl. in this light and on this evening, the new album from editors, represents a significant step forward for the band following the huge successes of debut album the back room and the number 1 follow up an end has a start. there have been many changes to life in editors since an end has a start broke the band worldwide and established the then birmingham based four piece as one of the uks most prominent bands of recent times. bassist russell leech and guitarist chris urbanowicz are now resident in new york while singer tom smith has become a father. these changes added to the sense that in this light and on this evening is the start of a new chapter for editors and the band came together in london for the recording sessions with producer flood at the start of 2009 with a determination to push their sound into wholly new territory.
this project started during the 2007 winter music conference when mr. marquez dropped there a selfmade bootleg of michael jacksons billie jean called mikelata and it was a pure happiness feeling on the dancefloors. 1 year later rocco, danny marques & dj fudge got together for a serious studio session with the perfect voice for this production: ricky galliano, a swiss based party and nightlife personality. the project was ready months before one of the sadest day of musics history happened: michael jackson passed away. now we changed the project in a tribute for the king of pop.
another stellar release from tim xaviers imprint, this time featuring a collaborative work with german talent miro pajic and an ambivalent (m_nus) remix!
deep, funky and diverse releases for the club on vinyl only – tha s the idea behind barbara preisingers new label slices of life. the first release comes from berlin based producer betke who is a longtime companion in the electronic music scene. here, the 2 tracks reveal a whole world of warm and deep sounding beats that makes you move
alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.
this track has been getting rinsed out by dj ez regularly on his kiss 100 show and out and about in club land. hes had it on an exclusive for about 2 months, and hes sure made use of that honour. its an instant crowd pleaser with its catchy female vocal hook & fat production. kinda like bassline garage meets booty breaks...
anton pieete & butch remix !! early plays by dubfire, paco osuna, richie hawtin, bart skils. vinyl sampler 3/3 of the 2000 and one heritage remix trilogy!
subfossils music can be defined as being both deep and musical trying to give his tracks twists and turns from beginning to end. daniel ramm is a real teutonian perfectionist, each sound has been clearly defined in every nuance.munich native roland appel delivers the cant get no sleep remix - a solid floor filler with emotional outbursts typical of his production style!
supported by: richi hawtin, hot chip, john digweed, nik fanciull, tono rios, okain... their new ep >shipyard< is piemont at their best... we would not have it another way... magnetic beat-bassline monsters, funky and rigid at the same time. you might call it germanic and it reminds us of dadaism in the 20ies ingermany with it s theme: non-sense makes more sense? the a-side track >shipyard< has all of this, a fusion of old school with blowing horns and massive hi-tech technology. well we know the release is about hamburg harbour...but what the f..ck does it matter. the b1-track >cargo< is as heavy and bulky as you can imagine a track to be with this name... but if you know piemont, you know they make even heavy tracks funky. the b2-track >dockyard< isthe deepest track on the 12 inch and shows that piemont will continue their liking for deeper music which they revealed for the fist time on their recent album >strange world beyond< on mbf.
this is a limited 12inch vinyl release on kieran hebdens (four tet) text records label. 500 only for the world. two new remixes of one of the stand out tracks from the debut album by one little plane that came out last summer. the first mix is by avus who is one of the artists on james holdens border community label. a beautiful piece of melodic techno that has been getting lots of play at border community nights since late last year. the other remix is by joe goddard from hot chip. techno with a strong uk garage influence. following on from the amazing remixes he has done for everyone from gang gang dance to kraftwerk.
basically its been the cops are coming anthem of sydneys squar parthy underground for ever - but the bang gang 12s boys have brought it to the light!!!
reincarnations newest release is an ep from italian skillful dj and producer riccardo luchini better know ricky l. ricky is resident of the legendary house club red zone in perugia since 1990. simple & nasty is a massive deep track already tested on the dancefloor of the red zone, simple but very effective. yes week end is more old school house orientated, and lbs 5 a.m. a cosmic, dub, kickless tool. his tracks are released on prestigious and respected labels such as un restricted access, restricted tracks, ibadan, yoruba...
excellent little louie vega classic, comes with 2009 remixes by michel cleis (la mezcla, cadenza), david penn (exclusive vinyl mix) and legendary junior boys own (x-press 2 aka rocky, diesel & a.beedle) ...
hypno monster !! dj madskillz remix big with richie hawtin, luciano, joris voorn, dubfire, gregor tresher, karotte, bart skils.. with former releases on trapez, liebe detail and cadenza (with michel cleis), salvatore freda & volta are about to become big news!
for almost as long as there have been djs, there have been dj tools: bonus beats, acapellas and ambient overlays have long been the stock in trade of selectors interested in more than simple crossfades from outro to intro. but back at the beginning of 2007, luciano put a new twist on a triedand- true idea with no model no tool. the inaugural release on cadenza split composition, a sublabel of the iconic swiss imprint, no model no tool revitalized the recombinant concept, offering djs a selection of readymade miniatures that worked like sonic building blocks—oddly-shaped bits and pieces designed to be stacked and shuffled to the djs delight.
two deep house all stars join forces once again to create 2 more instant classics. a must for any househead ! this is what i remember about house music (mark farina) written and produced by fred everything and jt donaldson. spoken word by aima the dreamer. recorded at moulton studios, san francisco.
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