the bobby donny label hits number four with a first ep of 2016. after efforts from label owner frits wentink and eindhoven producer san2, this one comes from tlim shug. the low-profile american producer has only one ep to his name so far, but it was an impressive one that came on echovolt records last year and suggested he has a passion for moody and lo-fi deep house.

no more pop returns after the summer with a surprising new wave release by obscure by degrees. the extremely rare original from 1981 has been remastered and geniously remixed by swedish artist zener color.

this monster 1976 lp from nassau s munnings brothers aka beginning of the end is a stone cold classic. fact. well deserving of a place in any record collection! this, their second lp (with 1971s infamous funky nassau preceding it) features the brothers original, fresh sound a mixture of tough funk rhythms, bahamian soul and flourishes of jazz and rock is an extremely well executed and produced body of work. not surprising considering the band were one of the bahamas foremost musical outfits. the brothers musical backgrounds could not have been any more fitting, they cut their teeth playing regularly alongside the likes of nat king cole and count basie at their fathers well known nightclub the cat and the fiddle, what we get on this lp however is not jazz, but lean, melodic soul music! original copies of this seminal lp can change hands for 100 s on the used/second hand market and is a solid constant at the tops of the wants lists of record aficionados. the lp has been illegally reissued numerous times without any care or attention being taken to retain or respect the quality of the amazing music contained within. not so on this occasion, this is a fully legit, sanctioned reissue done in conjunction and with the assistance of miami s tk disco empire. now is the perfect time to revisit the deep, soulful sounds of the munnings brothers endeavours, a truly sublime collection of songs, drenched in sunshine, masterfully produced and performed with pure vitality. a truly classic album. sounding as fresh as it did almost 40 years ago. jump in the water!

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

what’s on help008? mainly music from the arhus-boy dj sports. it’s sort of a debut, but sports has released a bunch of tracks on regelbau and help over the past years, solo + with his groups maizena, sportscentral and lester. this young sensible producer initiates the release with the breaky hidden spheres that has a cool piano. next another leftwing original from sports. this one, with it’s flute, breakbeat, confident synth chords and beautiful minor nature is a favourite of mr. sports parents. this one is our favorite, his parents. if we haven’t lost you so far, the flipside contains a timeman dance version with more danceability, hook and playing time than the original version of the bridge that was released on the tape sportscentral. last but not least you get an alternative version of that get-in-touch-with-your-inner-passion/synthesizer-melody-rythmical-ambient-track mindless turns, that also originally appeared on the aforementioned tape. we hope you ll like our new record, that, if on repeat, might provide you hours and hours of by-yourself enjoyment.

in the month june of 2011, karton saw its gaily arise and nestled itself in the prism of deep electronic music people nowadays know as deep house, tech house and other minimalistic still unknown sub-genres. determined to do it right instead of wrong, the label has pursued their hunch in the on going quest of being a cool, fresh new imprint. this quest has made a path for karton, which has made them hatch music for certain styles of nightlife.

royal athlete records are back with another set of party bombs, lovingly curated to achieve maximum perspiration. heading up side a is dreamers by uk s chaconne. a certified disco-piano-banger, recalling 80s nyc hedonism and emotion. (the real) kent clark, who so far has only one release on bordello s riviera disco series follows up with an electro-boogie dub workout entitled make it right . our man in holland: aux tha masterfader, takes us back to the old-school with the linndrum breakdance beast, let s dance to the beat ... he commands, we obey. closing up is dilemma, who recalls the memory of the early days of belgium s debauched nightlife with searing leads and low-motion grooves in bocca nights .

with day out of days, scratch massive has made a modern electronic album, perfectly at ease with the influence of pop, as a way to revisit and reexamine its clichés, its stylistic effects, and the hungry nostalgia for the 1980s.

while producing the viscera trilogy, fango has tried to understand something about himself. in order to do this, he had to enter into his own body, just like dante entered hell, studying and analysing himself from the inside, diving through organs, guts and grey matter. did it work? yes and no, depending how you look at it. for sure, it helped him in the creation of 3 devastating and introspective eps, but a lot of questions are still unsolved. viscera part 3 is the last leg of a journey that disrupted your 2016 and marks the beginning of a new absurd phase for fango, but this is another story. for the time being we leave you with amnios, metacarpo and metulla. this is viscera 3/3.

two great previously unreleased vocals from norris reid! the deep well of the channel 1 lost & found series goes further, with some awesome previously unreleased early 80s tracks from norris reid. since unfortunately there was no dub available for the killer frustration, digikiller has included another cut on the same great rhythm by wayne smith, lifted from his showdown lp.

having spent the last seven years delivering impressive singles on a variety of labels - most notably aus music, secretsundaze and hype_ltd - ewan smith has decided the time is right to unleash his debut album under the youandewan alias.

dancing has been an intrinsic element of cultural development in every society on earth, and has existed in multitudinous forms since time immemorial. for many, it is a pure expression of joy, a release of inhibition and a communal act of passion and celebration.

production duo mark richards & james eliot aka solardo are the next to make their mark on hot creations with tribesme, delivering two heavy-duty cuts destined to stir serious heat in the club. already doing the rounds worldwide at the hands of some of the biggest names in the business, tribesmen and psycho girlfriend are built straight for the dancefloor around dense and heavy basslines, punchy percussion and prominent vocal slices. hailing from manchester, solardo are continuing the citys rich heritage in house music whilst carving out their own sound in the house and techno scene with releases on madtech, mta records and more recently of unsound mind. their string of successful releases has gained them an army of fans across the board from jamie jones to jackmaster. the pair also run a weekly radio show on rinse fm and are residents of the well known kaluki party as well as running their own successful event series, solardo sessions.

repress alert: -last night- featured in prosumer s landmark litte white earbuds podcast - the last of 200 curated by the influential blog. featuring a combination of jill scott s smooth vocals, shuffling percussion and saintly keys, it s easy to see why this track has seen enduring support from the likes of the one-time berghain resident, as well as alex nut and other nts djs. -that good thing- marries another rnb vocal to a rough-and-ready beat to maximum party-starting effect

as her 1st official self-release under her own label, creator diy, low leaf has produced a distinguishable record that not only establishes her prowess as a composer, multi-instrumentalist, and producer, but also demonstrates her ability to execute her vision as a completely self-sustained artist in a lane all of her own creation.

gazel is one of those tunes that went viral from the very first minute. djs like baris k, ata or acid arab are still playin this tune since it was made in 2013. mehmet aslan and dario rohrbach finally managed to create with gazel this kind of tune that blows away every dance floor. the impact was not only on the dance floor. several threads on social media appeared with videos, desperately looking for the track id. but there were also the ones, that had to rip it of a set of baris k, so they can play it. the b-side goes definetly deeper when alma negra is able to make a tune you want to open your set. on this gem they combine northafrican folklore sounds with classic deephouse drumpatterns and trippy synths. fleeting wax has managed to put together some of the most promising artists of the hour, having dario rohrbach on board who is part of the alma negra collective and will hit this year with promising releases for example on yoruba. this release is going to find his way in many dj-bags and wont leave it so fast

as the summer draws to a close serge devant returns once more to damian lazaruss crosstown rebels with the highly infectious this moment ep. serge original tracks are accompanied by a great dinky remix, to complete this great package. opening up the ep with this moment, devant has created a track that implores the listener to stop and take in all the vibrations, effects and melodies. this is a piece of music that intricately weaves together a hefty bass, curious sounds and an addictive horn. pay close attention to in time and you will be absorbed once more in an enchanting world where all you can do is follow the rhythm of the drums. on the flip and dinky adds her signature vocals, and hooky synth stabs creating a deep and textural remix of this moment.

the second release of another earth is upon us and this time it s all about proper detroit techno combined with distorted left wing machine house. the label combines 2 acts together in a split ep series which compliment each others sound. for the a-side the highly talented producer, plural (separate skills, metroplex, u.s.), created 2 essential detroit techno tracks. the a1 is a warm uplifting peak time bomb and the a2 has a darker vibe concentrated on the groove. the b-side hosts 2 tracks from the intriguing mind of hakim murphy (machine dreams, chicago, u.s.). the b1 is a heavy distorted peak time house banger while the b2 is quite the opposite, deep and obscure.

jake one’s discography reads like a who’s who list of some of the greatest and most successful artists in the history of hip hop. that’s what makes him truly unique. blurring the lines between the underground and overground. providing sonic backdrops for such incredible emcees as de la soul, scarface, freeway, mf doom, evidence, casual, elzhi, brother ali, and rakim among others, but polishing that same formula and providing records for the likes of drake, rick ross, t.i., 50 cent, snoop dogg, j cole, wale, dom kennedy, and royce 5’9”, jake one is one of the exceptions that has worked equally with both of these sides of the industry. exceptionally. “prayer hands”, a collection of instrumentals created from gospel sources, includes some of those recordings amongst others that all remind you that jake one has pretty much become the go-to producer for any major artist that wants some real hip hop shit on their album. and understandably so.

“yes lawd!”, the much anticipated debut album from nxworries (pronounced “no worries”) is coming october 21 on stones throw records. on “yes lawd!”, anderson .paak plays a theatrically brash version of himself who raps and sings like a 70s superstar and talks shit like a stone cold player. the performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. meanwhile knxwledge weaves a tapestry of sampled bits and live fragments - bass, brass and violin - that smooths everything over, reminding us that despite whatever struggle it took to get here... well, you already know the name: nxworries.
the double vinyl comes in a gatefold sleeve with download code included.

opilec music is back with this special va signed by the cosmic acclaimed italian disco stars daniele baldelli & marco dionigi. both are regular remixers at the label and close friends to gianluca i-robots pandullo. having never been released before on vinyl these tracks show their unique style, and their ability to be reworked into a modern sound. 1980 s gogogo by the swiss electronic pioneers schaltkreis wassermann is taken from the classic psychotron album produced by pj & stella (r.i.p) wassermann, which has recently been re-released by private records germany.

lars von licht’s -from arrows“ is exactly one of this sort: an almost 15min live jam, both simple and sophisticated. a track for special moments and for special people, perfect for reanimating supérieur. one of the frst persons whom i gave this tune last year s summer was lee burridge, who played it straight away at burning man. admittedly, this release took some time, but we wanted to fnd the right moment and the right remixer. we considered many options but came back to one of our own people in the end. dodi palese who released his connaisseur debut earlier this year, felt like the right person to challenge this track and we were right. he has transformed it into a tribalistic high energy bomb, with an unexpected, big synth theme, blowing you away. yes, we are more than happy about this release and it was well worth the wait.

• the return of the welsh wizard, dez williams !
• earwiggle is the techno label from sunil sharpe
• our next release sees the welcome return of dez williams. since his first ep on the label in 2013, a lot has happened for the welsh wizard. releases for shipwrec, bedouin, new flesh and bass agenda have followed, while his reputation as a killer live act has continued to grow. opening with lumphammer, dez harks back to a time when big, brooding basslines were king. add in whistling keys, tribal percussion and a few well-timed breakdowns, and you have what is surely one of his biggest tracks to date. order to fight takes a more aggressive route - a vocal-fused slab of raw acid, it leads nicely onto the flip, where kabin feeva s wild roaring synths are tuned specifically for the headstrong. work like crazy meanwhile, sees dez return to his roots with a bass heavy cut of crunched electro, doused in a dark filtered vox.

if anything, stojche’s take on detroit inspired techno rarely requires your permission for engagement. the fifth installment of his own label, tangible assets, is no different. this singular producer always manages to conjure up otherworldly atmospheres that resonate from head to feet. with that said, we could spend the next three paragraphs throwing around adjectives and splashing colorful words all over this press release regarding his sound, the aesthetic within each track in this release, and we could even volunteer a side helping of words that somehow make sense of this young producers studio ability. one thing however is for certain. tang005’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent. there’s a clinical yet organic approach that stojche adopts time and time again in formulating his tangible asset releases, and if anything, tang005 should provide further evidence of his depth, maturity and innate ability to create enchantment. this record is wrapped in captivating moments born from flourishing stabs, twilight synths, rolling charges of calculated manic rhythms and subatomic motions living within a range of intricately programmed beats. add to that a host of cinematic sweeps that develop into harmonic clouds of melancholy and you’re one step closer to the true romance etched within the grooves of this record. once again, stojche has created an ep that catalyses imagination. a series of intense voyages with thoughtfully considered moments and movements that have been executed by a man well in tune with his craft.

• umek makes a welcome return to billy nastys electrix label
• very limited vinyl pressing
• umek reprises his zeta reticula moniker for a welcome return to billy nasty’s electrix label with an innovative ep comprised of 4 new tracks, split between the two spheres of electro and techno. the slovenian-born dj and producer should need no introduction, boasting more than two decades of experience, playing the world over, producing music for labels like toolroom, spinnin’, great stuff, intec or his own imprint, 1605 to name just a few, or presenting his hugely popular weekly radio show, behind the iron curtain. it’s been some time since a zeta reticula release on electrix, with ‘ep 1’ to ‘ep 4’ surfacing on the label between 2000 and 2003, although umek has continued the project more recently with tracks on 1605. the a-side of ‘ep 5’ delivers some electro flavour, opening with the serious electro-funk of ‘electric blood complete’, before the vintage sci-fi electronics and playful rave stabs of ‘euphonious’. over on the b-side the techno takes over with the deep and dub-drenched ‘encroach’ followed by the tough housey grooves of ‘radiate’ to complete this bold package.

we re extremely pleased here at invisble inc hq to be releasing this amazing new album by veteran multi-instrumentalist and ethno-musicologist jon keliehor. originally from seattle and musically active since the 1960s jon started out playing drums and percussion in bands like the daily flash and bodine all the while becoming known as a venerable session and touring musician in his own right. not many people can claim to have played alongside jim morrison and james brown....but jon certainly has.

niro perrone better known as simply niro, or easy to remember, alongside sibling and production partner elia perrone, has come a long way over the past few years stacking up releases on the likes of m50’s revered kimochi sound, sound of vast, memento and the dub, as well as releasing his debut lp on his unclear imprint. here though we see niro introduce a new chapter with his brand new label pads.
‘hands of shadow’ opens the release and sets the tone of the label from the very beginning with an understated melodic feel fused with raw percussion and a subtly evolving yet intricate structure. ‘inner space’ follows and wanders into dub territories with spiralling echoes, low-slung drums and ethereal atmospherics. title cut ‘pieces of you’ opens the flip side and lays focus on an infectious unfaltering groove via vacillating pad swells, sporadic jazz licks and a weighty 4/4 drive before closing cut ‘the spectrometer dance’ rounds it all off with some ambient vibes.

archie hamilton released on much respected underground labels such as fear of flying, tzinah, moral fiber pleasure zone and of course his own imprints, moscow records and moss co. along the way he has gained strong support from the likes of marco carola, tini and robert dietz amongst many others.

following the excellently received dilation lp on film, the duo return to the berlin based imprint for a remix package featuring faltydl, grand optimist, djrum & portable sunsets. erol sarp & lukas vogels ingenious use of the grand piano has won them many plaudits over the years. working solely with the sounds of the grand piano and a set of 20 self-built hammers hitting the piano on different parts - filtered & warped in an extraordinary fashion, the pair craft dense, rousing music - kept fresh & current with nods to idm, ambient & techno. as such, the original recordings are fertile ground for remix opportunities, and the film label call on a whos who of left-field electronica to reimagine the work. nyc native faltydl takes on newtons cradle, flipping the original and turning in a stepping, psychedelic slice of half time proto-footwork while both phillip otterbach, operating under his grand optimist alias, and 2nd drops djrum offer tripping, ambient reinterpretations. 1080p s portable sunsets reimagines key lp cut neon as fuzzy beach house jam, reseting the original & eeking out a wholly different energy with driven drum machine hits & a soothing vox line.

vakant comes back with a very special release from an unknown group of creative entities. three cuts of tribal space techno weaponry aimed at the dancefloor. we have received a message from entities lost in between the stars in the vacuum of interstellar space. the transmission was encrypted in an ancient code we were able to translated into frequencies understandable to earthlings. a psychic telegram has been sent to us, activating the body and the mind, divided into aggregations of codes that form three tracks of straight in your face, high-octane fueled, acidic tribal techno, riding on solid bass lines, trippy synths, shiny percussions and abstract ambiences.

finally vol.3 is ready - we continue with bringing house heros to the label - this time we asked nate tinsley aka the nathaniel x project if he wants to join the label, and we were lucky that he say yes. this is real house music, funky deep beats, spoken words, and heavy melodies. high quality all the way. one the remix we brings desos back to the label, his luvless remix had big success, and this remix already has had very good feedback - we can t wait for this vinyl to drop.

following strong turns from kasra v last year, this love fever spin-off label returns to call upon al kassian to drop some electro-pop enchantment on unsuspecting ears. with just one recently released record to his name, al has positively encouraged the intrigue that emanates from artificial emotion. -roboluv- is a sublime slice of house balladry shot through with a curious line in wobbly electro synths, which then really come to the fore on slower b1 jam -default-. with the heavily vocodered vocals pealing out through the mix, it s quite an arresting end result that culminates with the wonderful curio -broken embraces-.

* galaxies compared* is the debut album from belgiums dany rodriguez. having released a series of eps for labels such as kombination research, mbr, bush, mb elektronics, bulletdodge and phobiq he now runs his own rmr label, where his techno and electronic sound has developed and flourished into this, his biggest project to date.

the label say sounding like a comedown-classic which is way too funky to be an ambient record and has the power to cut as deep as any decent delta blues album.. we like it here. tip!

this ep represents a further manifestation of sound-expression over sound-design. each track has it¡¯s own characteristics. it¡¯s a symbiotic ep which combines vintage analogue gear with live digital effects, everything is done in a moment - manipulating things that you can¡¯t calculate but feel. this live combination is really important that the listener will subconsciously get a psychedelic and emotional bound to electronic music - resembling genres like krautrock. do what you want, it¡¯s the only law - it¡¯s a sentence very dear to the whole les points collective and with this boundery it¡¯s no surprise that audino & barbir have collaboration featured. dilettantes on the rise!

hailing from reynosa, mexico and the lower rio grande valley in texas, andres aguirre has been a lifelong devotee for music and audio production. he became a radio host of an electronic music show and production director for the student-run 91.7 fm station in austin, and his longtime passion for playing and collecting music linked andres with the forbidden colours family from long ago. aguirre returns to forbidden colours - this time with a solo ep concept crafted with as much love for the dance floor as it is for the casual living room listener. situated somewhere in the realm of deep house with a touch of techno, the rich harmonies and vivid textures take you through a hypnotic trip composed of spacey electronic tracks, smooth songs, and adventurous interludes. my love wears forbidden colours my life believes my love wears forbidden colours my life believes in you once again

2016 reissue - this rarity from the thule catalog has been considered by many to be one of the finest releases from the label and has been extremely sought after by techno-loving vinyl collectors. these couple of minimal techno masterpieces were released in 1998 and immediately caught the attention of big names within the industry, such as richie hawtin. from the hypnotic and atmospheric t1 to the driven minimal beauty of t2 this release is a solid feast for the ears, mind and soul. thor (thorhallur skulason) is one of the founders of the thule records legacy. with his numerous releases on sushitech berlin, connaisseur recordings and missile records (to name a few), he has established himself as one of the leading techno producers of our generation. thule records is considered by many to be a pioneer in the field of dub-influenced techno music and was a starting point for many of icelands most renowned electronic musicians. repress

wedish born christian smith is sitting firmly at the top of the electronic dance music industry. his outstanding productions over the years have set the bench mark high, releasing on a collection of the industry s most respected labels such as drumcode, cocoon, bedrock, minus and his very own tronic. 2016 has been a busy year so far for christian, his tronic label party series has been holding events worldwide, including the bpm festival and sonar off week, and an ever growing catalogue of releases not forgetting his most recent ep force majeure released in july on drumcode which immediately entered beatports techno top 10, straight in at no.8. this september, christian will release his third solo album titled input-output on his own tronic imprint. consisting of 11 original tracks, each one embodies christians message of creating real techno, with powerful percussions and melodic basslines throughout. input/output is an outstanding production offering some of the best driving techno you can expect from an artist like christian, with his trademark style incorporated in every track. it takes you on a journey, through a variation of sounds and textures, which still manage to cater to everyone s musical palate. synthesizers work their way throughout, alongside dark atmospheric harmonies and haunting vocals or that pounding kick drum in some of the heavier tracks. it never disappoints!

after a few digital releases, lunar convoy delivers a masterfully executed debut ep to inaugurate newcomer belgian imprint norite’s vinyl series. counting northern electronics, hypnus records, semantica and prologue among his main influences, lunar convoy’s first effort is utterly coherent while not failing to evoke a plurality of emotions. imbued with sacred atmospheres, infiltrated with mysticism, ritualistic melodies and aesthetically charged rhythms, outer rim territories is a testimony of his love for deeper realms. on the a side, seswenna’s trancey lead synth and pumping bass opens the ep with an excursion towards distant planets. ryloth ventures into darker fields, scattered with whirring and saturated analog complains and haunted by ancient voices. on the flip side, eriadu sets a more mystical pace with syncopated kicks and floating eerie pad, to embark on a parallel dimension. allen’s take on ryloth is symptomatic of the us-based producer, speeding things up and offering a stripped down version filled with devastating hi-hats and firing toms to end this solid 4-tracker with the hypnotic-yet-effective sound that got him signed on attic music, m_rec ltd, polegroup or more recently granulart recordings. with such a captivating release, lunar convoy has set a high bar for the upcoming releases and left us under his sway.

taciturn manner is reggy van oers’s first full length on his own telemorph imprint.
pertained in a period of strained self reflection, several field recordings have become the core upon which the album has been created. a persistant continuous movement throughout the elements of the tracks causes a certain constrasting tension and gradually transforms into lush cinematic textures.
an intricate and mesmerizing journey, full of rich and surprising details, resulting in a rather emotional expression of his constraint style and coherent distinct sound.

dave the drummer and marcello perri get together once again with 2 tracks of techno goodness.
in safe hands: this is a hard bass-driven industrial kick-drum groove which meets some carefully placed vocal loops and a piercing high synth shot which gives the track a distinct warehouse party vibe. this track is going to detonate those dance floors!
acid future: this is the first time a squelchy acid line has ever featured on a hydraulix release. a tough rumbling reverberated drumbeat, firing on all cylinders with a squelchy 303 sat on top. it’s even got a voice and some reversed bits of 303! what more could you ask for?

ltd edition! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara

being pioneers with a new album created in no more than 6 months, the orb are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. it s especially jarring as the duo of accomplished soundsmiths alex paterson and thomas fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. the funny thing is, though, that whatever the context, you know a track from the orb when you hear it. case in point: cow / chill out, world!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like the orb in either ear (and probably to your third ear, too).

born and raised in newcastle in the uk, man power is now embedded in the depths of mexico in monterrey, a city on the rise after many years of internal strife. this unique new perspective and observations while on the road as a touring dj has given man power the impetus to launch his new label entitled me me me with his own production ‘tachyon’ paired with a remix from dj tennis.

the feel music reboot continues with two new tracks from label boss john daly. continuing to push his tempo faster, while at the same time producing some of his deepest work yet. paradise has been a live staple for a while, and it has definitely earned its spot on the label, rocking floors all over the place for some time now. crystal visions on the other side is the kind of deep trip you only get on feel music. universal divine. co-ordinates and associates. feel music 2016

for over five years, all day i dream has been where deep and emotive meet house music. propelled by a community of forward thinking artists drawn around the scion of master curator and sunset/sunrise set specialist, lee burridge. all day i dream formally welcomes lost desert to the label with the release of lingala, a two-track collaborative effort with burridge himself, that also features junior on vocals. lost desert was picked out of obscurity after burridge discovered his music while trekking in a remote area of a long lost land. a fast forged friendship inevitably lead to the studio, and lingala’s the enrapturing sophomore result. the duo’s first project together debuted on lee’s night time imprint, get weird, earlier this year to widespread support. lingala, is a beautifully composed ten-minute sonic journey. built around a mystical lead vocal sung by newcomer junior in his native linagles the raw emotion slowly builds in intensity over propulsive basslines and deep melodic grooves . gorje hewek & izhevski’s interpretation of lingala is a markedly different affair. focussing on musical layers rather than the vocal the duo’s signature spacey atmospheres and minimal rhythmic percussion add extra strings creating uplifting moments that contrast the original’s mood.

death on the balcony s ‘tides of fortune has been the subject of relentless -track id- requests pleading us to reveal the name of the artist and track since be-at-tv streamed the bpm performance of lee burridge and matthew dekay back in 2015. joined on the ep by three other tracks there s a cohesive feel to the two friends vibe. mysterious melodies drift in and out of the hypnotic grooves on rivers of sound that could have soundtracked a star trek episode from the original series. 1700 miles is delicate and deep with a simple infectious vocal sample. don t be deceived though. when played on a club system the kick drum and bassline draw you in while the atmospheric elements send the listener to otherworldly places. we feel rather privileged as this track is mark’s first solo outing from dotb under his new moniker “caramelli” and dotbs first full length on all day i dream. mark’s back in the band for memories of the future which completes the release with its funky bass and trippy ambience. close your eyes and be transported.

zweites album des aus london stammenden künstlers samuel evans aka rain dog auf dem berliner project mooncircle label. die limitierte vinyl edition erscheint als farbige doppel-lp mit mp3-download coupon.

concorde schwarze spitze für das pro s system... the pro s has a spherical dia-mond stylus which minimizes scratching and a solid cantilever which can survive hectic activity at the turntable. the sound quality is absolutely not to worry about. the pro s is a consistent performer and a fi ne all-rounder!