when two creative minds join and bring an all-out modern disco track, this is the result. natasha kitty katt & twisted soul collective have aligned forces to bring you an array of ideas, thoughts, sounds and feelings. if you like your tracks, upbeat and funky, then this is a golden ticket. definitely for the disco dancers, you can visualise grooving to this number under a mirror ball. on the b side cosmic bitch with beautiful background orchestration and a contemporary groove can integrate perfectly into either a disco or house set. from big clubs, to sunshine surroundings, this track has already received stellar feedback.

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.

red axes have come a long way since the 2014 s ballad of the ice. tel-aviv, now a scene and sound that the duo were instrumental in putting on the map, has burst onto the world stage armed with limitless electronic bravado and the city s strong guitar music heritage. now, the much loved duo return, sophomore album in tow on their own label garzen records.

here it is... a project i unofficially had done since 06Æ. it started when dilla passed february of 06. to cope with the death of my unofficial musical mentor & favorite producer, i started making donuts, uncontrollably. i never planned to release any of the material out of respect for dilla & his craft. iÆve shared some of the music with others, in which they would constantly ask me to hear it, so i decided to put a lil sumthing together and make it official. just for yall. this is a collection of beats i made in 06. some donuts style, some just around that era of 14kt beats. now & laters was always a favorite candy of mine. i used to go to mindells pharmacy in ypsi back in the day and buy all of them. sadly i even stole change from my grandmaÆs (rip) purse for them. ironically, i fell back in love with now and laters around this era. enjoy. 14kt

fresh drum and bass anthems

nice price deal !!! halcyon daze aka colin mcbean once again brings 3 pieces of his irresistible floating groove that is flirting with techno aswell as with house.

groove armada’s 2nd album, originally released in 1999, finally back on double vinyl with download code included.

bristol based arkist has always been a versatile producer and as a result has an impressive rage of releases under his belt, with revered imprints such as hotflush and hypercolour. recently he has been experimenting further in the studio and is ready to present his first 12inch in few years, under a brand new alias - astrocat. in this debut, self-titled ep it is instantly apparent that vocoder-infused funk and disco of the highest order can be expected from this new astrocat guise. the ep is full of vintage talk box vocals, warm spacey chords and infectious basslines that bring classic records from the likes of zapp and the rah band into mind. with 5 tracks this ep has a lot to offer. wether it be the raw, funked up james of the opener small talk and title track astrocat or the more chilled, woozy grooves of nightflare . with features from mr woodnote and a dub remix from appleblim this ep s roots sit firmly in the south west. local legend dj die even lent his vocoder to the studio for some of the recordings.

der titel deutet es schon an - es ist das neunte solo-album von martin rev. martin reverby ist neben dem im letzten jahr verstorbenen alan vega ein gründungsmitglied der new yorker band suicide. deren bahnbrechenden musikalischen verdienste aufzuzählen, würde seiten füllen. daher sagen wir einfach: die klangwelten von new wave bis techno wären ohne sie eine andere. -demolition 9- stellt das erste neue material seit 2009 dar, und auf altersmilde von martin rev sollte der hörer nicht hoffen. mit über 30 soundskizzen (die längste währt gerade 3 minuten), bietet martin rev eine Überfülle an ideen und stimmungen an. percussion-experimente, ambient-sounds, synthie-lärm und noir-soundscapes im ständigen wechsel, fordern den hörer. das album erscheint auf atlas realisations, dem neuen label von craig leon, seines zeichens produzent von den ramones, blondie und den bangles.

computer numerical control and kobold launch their own platform for mind-bending sounds introducing shifting records and its first instalment, “misbehaviours”, is a four-tracks ep which features also a remix from francesco visconti aka @vsk_crs.
following their path through the rawest sides of the dancefloor-driven experiences, the ep is conceived as a heavy take on ebm with noisy textures, harsh vocal incursions and an almost inescapable, permanent tension.

karl meier, ken meier and jon krohn, aka stave, are launching a label called standards & practices.
the three us artists, who share chicago roots, have a pretty straightforward mission in mind for standards & practices: “to provide a platform for releases by both talker and stave, as well as for material by other like-minded artists and collaborators.” talker is the downwards-affiliated duo of karl meier—a longtime techno dj, now based in berlin, who took part in ra’s playing favourites series last year—and krohn, formerly of the experimental rock group male, who’s also been putting out his own brand of abstract, industrialized electronic music as stave for around four years. ken meier, a new york-based graphic designer, partner at common name and dj—and karl’s brother—takes care of art and design for the label.
standards & practices’ opening move is a talker 12-inch, battle standards, the duo’s third full release and first since their 2014 album for downwards. a three-track ep built with material from their new live set and “aimed squarely at the dance floor,” it includes a new version of “my favorite colour is gold,” from 2015’s the immortal eye compilation cd. it’s due out in late july. next will be black hills, a five-track ep from stave that’s expected in september.
along with the soon-to-launch label, the meier brothers recently rebooted their fear of music podcast with some new mixes, including two from karl.

nice price deal !!! hot rnb party tracks incl lumidee, beoynce, nick cann & fatman scoop !!

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

nice price deal !!! russias freza and dj flashs twist things up on sog records with the musically mind-blowing ritmix. there are simply few dance tracks out there that are as musically intricate as ritmix as melodies and arpeggios sweep over the funking bassline

(boscoexv21 – 5.49€) after the last acclaimed pretty eyes ep, and releases on slow town, fly by night and messalina -don- riccio is back on bosconi extra virgin with a new four tracker ep fully inspired by his new residence in the middle of the mediterranean sea and where all his palette of different styles has been included.the record begins with the romantic vibe of the deep house and jazz-fusion oriented tune -here you are- , followed by the mid tempo jam of -marcela- where its guitar notes will take your mind and your soul really so far to another level, then on the flipside a more balearic approach and a joyful-motwonish mood for the disco track -please-, as you will imagine yourself dancing on a ring around the rosey holding your hands with each other, praying as a hymn for peace and love in the whole world, while the mysterious vibe of the rolling late-night house groover -tessie- closes up the ep with its shifting jazzy rhodes riffs, dramatic strings and cinematic atmosphere. more richness in club music for your incoming summer!

moby is a true electronic music pioneer. he redefned rave on singles like 1990s ôgo,ö then slowed down to explore its aftermath on the multiplatinum play lp. decades later, the man is still fring off pointed, personal salvos and dance music curveballs from his la studioùand, in a most ftting partnership, heÆs enlisted foolÆs gold to remix his iconic catalog on the diverse new black lacquer ep. treasure fingers, madeaux, high klassifed, and fg co-founder nick catchdubs each put their own spin on moby hits like ônatural bluesö and ôporcelain,ö bouncing from industrial experiments and futuristic techno workouts to late-night house and zooted club bass. black lacquer isnÆt the moby youÆve heard before, but a surprising collection that keeps his trailblazing spirit alive. sleeve by wax studios.

very dark green with black marbling effect vinyl.
new from stonedwave (founded by chip tronic), who has lately been active for both the kugkmusique and the oyabun labels comes a collection of powerful dark wonky techno tracks who have been created for freaking out on the dancefloor while still creating pictures in the listeners mind. the tunes have been selected and tested by dj wotta mess. the latter has been doing the warm up for dont radio show which is a regular internet event before jerome hill s london based events.

invisible, inc. again turn to the mystic sounds of the fourth world for their latest release by bringing cosmic voyager peter power into the fold. previously only available digitally “awake into life” by peter power & friends’ finally comes out on vinyl courtesy of the like-minded invisible inc. alongside peter himself, the “friends” are a band of well known and not-so-well known collaborators from around the world: australia’s bronze savage (aficionado recordings) and brazil’s psilosamples (desmonta/octave) to name just two. the resulting mystical brew is meditative, hypnotic and indeed deeply psychedelic.....and most certainly well worthy of seeing the light of day as a physical release. originally hailing from the emerald isle of ireland and settling for a while in berlin, peter power now resides in bahia, brazil close to where the world famous and free-wheeling voodoohop collective sprung its roots on the streets and clubs of sao paolo. peter has been a continuing member of the voodoohop crew for a couple of years and has toured with them extensively as both musician and performer. respected as a dj and a producer his unique world-flavoured brand of electronic music has been released on multi culti, kleine reise, crime city, polychrome sounds and now invisible, inc. limited to 300 copies with download card. copies come individually hand-numbered.

weiss blasts off via “brain fever”, where raw, mind-altering arpeggio bass, fuzzy drum machine hits, spacey chords and alien electronics thrust our hero skywards. think of it as techno for funk-fuelled, italo-disco loving astronauts whose journey to the end of the universe is only just underway. this intergalactic funk blueprint is explored further on the deeper and more melodious “you want a cigarette”, where weiss’s vocoder vocals wrap themselves around mutant tb-303 lines, rush-inducing chords and clattering machine percussion. on “space ghetto (booty)”, our hero celebrates the discovery of previously unknown worlds in the only way he knows how. with kaleidoscopic, full-throttle electronic motifs and funk-fuelled synth-bass to the fore, weiss offers his own unique take on electrofunk. pleasingly fuzzy and tightly wrapped in the syncopated drum machine handclaps of ghetto-house, it’s a typically far-sighted and attractive proposition.

d marc cantu is a don when it comes to warm, rich synth-laden house and techno, with a sprinkling of electro sprinkled over his approach for good measure. now he comes to altered moods with an album that finds him in a particularly mellow mood, not least on sultry opener -always on my mind-. there s space for experimentation, as the offbeat snare patter of -blanket statement- demonstrates, but by and large this is all about undulating house delights. -mozaic- is a particular highlight with its captivating synth design and dreamy demeanour, while -steamfunk- revels in skippy broken beats that flirt with twinkling leads and lashings of delayed bass. plenty varied but consistent in tone, this is a damn fine album from a seasoned pro.

vincent inc s manuscript records continues to bolster its identity as a vinyl label after years in the digital domain with this crucial single from label founder vincent inc. -wilder- is a seductive opening track that bubbles along on a bed of honey coated melodic tones that should sit easy on the ears of any day time dancer, while -cold winds- takes a more somber approach with bluesy keys and heartfelt vocals. -dreams of d&l- ups the energy levels with a strict drum set and spiritual melodic swells, and then -sax night- edges towards more experimental territory for the mind to happily trip out on. ... support by jimpster..

italys electrorites, holds a promising status among techno-heads. having released with the likes of decoy records, afu limited & morforecs - and simultaneously running his labels: nightmare factory records, shout records, he now brings forth his latest project, archives vol.1 with his new label structures records. technological/ computer-esk sound semantics make up the infrastructure of archives vol.1. the application of effects, whether itÆs arpeggiated midis or filter distortion, adds a driving personality to each production - with the potential to not only mesmerise, but trigger primitive urges among lovers of the genre. accentuation of coarse factors result in a full bodied synth lead that navigates the bulk of 001. octave separations anticipate drama and leave mood to the imagination. whether the track is experienced as dark or uplifting, itÆs sure to accelerate the energy of any early hour endeavor. dextral maneuvers within the detuned arpeggio emphasise an aphotic hysteria within 002. punctuated by a throbbing kick, dark landscapes of industrial chaos are brought to mind. classic layer exploitation is evident within the last production, 003. the automation of fades has been enforced in a way that teases the listener, intrinsic to the classic techno anthem.

the passport to paradise gang are in fine form as they serve up four more tripped-out disco edits for the globally-minded savant. we take sail with the excellent thru wit waitin, a beefed-up guitar chugger reminiscent of 70s aor in its steady percussive work and misty sax solo. it s the guitar line that really shines here, lifting the tune into funk transcendence in the bridge. anybody out there reaches out to the disco trippers with its northern italian cosmic kitsch feel: starry-eyed synth pads float above reverb-soaked guitar musings and playful french vocal samples. a particular highlight. on the flip, ptp take things south with a soulful west african shuffler guaranteed to elicit some arresting footwork. the ep leaves us with resounding vibrations from the far east: jp wave explores ethereal planes, building up a dense rhythmic fabric punctuated by bass stabs and ornamental chimes. this is a clever bunch of edits for the more discerning selectors and enthusiasts out there- act fast.

the infamous london lyricist ramson badbonez teams up with producer dj fingerfood to bring us “hypnodic”, the follow up to the cult classic “a year in the life of oscar the slouch”. a no holds barred showcase in dope rhymes and beats featuring leaf dog, res one, jokerstarr, gadget, m.a.b, deeflux and jazz t.
album comes on single vinyl with a full colour sleeve, shrink wrapped for extra freshness!

jesterfunk’s debut album, originally released in 1994, now back on double 12 inch vinyl, housed in a gatfeold sleeve.

nicola cruz polishes off a trippy tryptic of cult releases for multi culti with espÌritu. folklorica s chosen lord, nicola cruz has shepherded the masses from the church of high tempos and brought trance-formed revellers down to earth with his fusion of crisp electronics and organic, indigenous vibrations. miraculously, he has brought this style of music to europe s major big room clubs and huge festival stages worldwide, pleasing crowds in the habit of being hypnotized by homogenous house music. espìritu de protección opens as a revelation, two seconds into the groove and you re deep in the tribe. you re dancing, everybody s dancing, things dub out, melt down, and a haunting vocal wisps through the room, tickling the crowd from their tailbones to their pineal glands. just as you recover from that spell, in fly the flutes. every yogi in the vicinity sways into the front and all of a sudden, you know you re getting laid tonight. that s the kind of power we re dealing with: cruz control. it s so potent we had to carefully extract the flute-a-pella and serve it up separately to use as a cult dj tool. on the flip side, not one but two slamming remixes of tzantza from disco halal-defekting russian duo: simple symmetry. vinyl lovers rejoice in the supreme exclusivity on the digitally unavailable folklorica dub, a supreme tranceformational party tool with enough flute to elevate the mind of the many.

forgotten idols lie smashed and scattered across the floor. dissonant undercurrents coerce a riptide of shattered beats as duran duran duran speeds into sight and docks directly into your neurological pathways. tracks swarm into your mind effortlessly dismantling the techno mainframe. refracted acid takes ‘sexus’ to a place where famished ghosts leer at each other across a mist-infused steam room. repeated listenings reveal new fissures, fresh layers emerge as we scrape away at the glacial enormity of this techno scree-face. redemption is in sight as we take a final pasting on ‘marathon man’, a track so banging as to provoke a wry smile on the face of any seasoned raver. at its climax it screeches under the weight of its intensity, flinging its subjects into a feral transcendence.

jad & the sends off the ladyboy (fka jad & the ladyboy) and has a going away party to celebrate. the party starts off with some sad cries (it’s always sad saying goodbye), then the yeah band starts playing to take peoples minds off their sadness, after their afrocentric set the guy who always has the discogs window open and 7 inch adapters in his pockets jumps up and plays a disco dancefloor tool designed to tease but please. now that everyone s warmed up and ready for it, the next dj drops some underground real shit which even gets a nod from the high brow dj squad in the corner. the twelve people there lose their shit. great night had by all.

it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep ônewwave project æ2ö a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music.

recluse joins the version collective family with his dubby melodic rastaman seen. subtle mind, melle and the illuminated join the heavyweight 12” on remix duties. sub required material!

nice price deal !!! belgium’s kontrast is releasing a third ep. this time your mind will be set into trance by the futuristic sounds of les points, the swiss crew that consists of audino, barbir, louh and nicola kazimir. six beautiful tracks containing the typical les points electro-techno rave sound are pressed on black gold for your sonic pleasure.

phat techno madness on three vinyl

act natural limited. vinyl only. 200 copies. no repress. no digital promo.

the first long-awaited release of champ libre records compiles the tracks of the label’s three pioneering artists. since 2015, spun off, 3-pi, and size pier heave been heavily shaping the eclectic character of the most daring parisian dancefloor. their work reflects the crew’s transgressive approaches to techno. it stands for contradictory ideas, open-minded experimentation with sound, art and aesthetics. genese ep highlights each artist’s intriguing distinctiveness growing from the background of creative chaos.

part 3/3! several shades of the same color is patricias first album for spectral sound, produced in conjunction with his own label active cultures.

incl julius steinhoff version (smallville) ...telfort returns with a third 12inch on his own imprint, following the aptly titled debut in a good place and stellar follow-up lickety split. his best yet, the edinburgh-based producer drops the evocative and soul-stirring soon i will embark on a journey, with its immense, alluring melody and downright addictive grooves. on the flip, the hazy and hypnotic æuntil nowÆ takes us further on the journey with its shimmering textures and mesmeric flow, radiating warmth through mind-soothing chords and gritty percussion. further on, we hear a reinterpretation from julius steinhoff, co-founder of smallville records and half of smallpeople. serene and smooth but equally stomping and floor-ready, the melancholic strings and trickling percussion slowly develop and captivate in a sublime and entirely fitting rework.

2017 repress -- amazing release from legowelt , three tracks full of house and techno vibes, you will not want to miss this one. big, big!riverettes first release sees legowelt delivering one of his best releases blending everything we have come to love from him, 90s vibes check!, house, check! techno, check! arpeggios, dreamy leads, chilling chords, no nonsense sequences check!expect big things from this new spanish label as can only be assume by their mind-blasting first release

for his debut album, tochigi canopy has been building the melancholic, spleen-full life s perfect soundtrack. at first listen, we already feel his obsession for details and his love for deep atmospheres, he fills our mind with images, moments, slices of nostalgia where summers last only for seconds. an absolut must-have.

null+void finally step up with their second release after impressing with the opening salvo from shinra, and this time electro fans will be in a tizz to discover that radioactive man, monoak and london modular s simon lynch have teamed up for four utterly essential workouts that tickle the synapses just as much as wiggling your booty. -tiger stripes- is a tightly wound snake charmer with intricate rhythmic patterns offset by chilling pad sweeps, while -fruitcake- gets even more frantic with its growling distortion and unrelenting tempo. -land- cools things down to a minimalist techno mindstate on the b-side, and then -aesop- teases out a more melodic kind of electro for the braindance crew.

after kicking things off with sean thomas’ (cop envy) the weigh, sydney’s outer time inner space return with a collaborative ep from jon watts, the kind-hearted, go-to sound engineer of the sydney club and experimental music scene and otis label owner, hugh burridge (aka hubert clarke jr). as resident djs for otis’ sweet echoes parties and guests for some of sydney’s more open-minded club promoters, jon & hugh have developed their own style of warm up set, largely unrestrained by genre. another view is just an extension of this open approach to club music. there’s an obvious ode to bukem’s good looking records, a lopsided mpc jam that could have been written by a drunk ron trent, a club roller with uk broken beat at it’s heart and a spaced out, dream-scape dub from melbourne mate, rings around saturn (dan white) to round out the ep. the common thread, they’re keeping it deep.

bomb after bomb! a new my rules records original coming straight from label boss justin van der volgen. fresh off the back of his latest ep which featured peak-time versions of shit robot s lose control and felix dickinson s burning flame , this one sees him on a whole other but no less floor-filling trip. coming in regular and dub mixes, no vacancy sounds like a lost brooklyn dub-soca-reggae-house classic. the a side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line. flip to the b side and check justin s impressive dub skills. stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds. expect to hear your favourite leftfield, deep-digging, big room selector dj ripping the dance all year with this.

w is the much-anticipated debut album of waage, a young & exciting reykjavik-based producer. his debut ep offers a spacious, texturally intoxicating and hypnotic minimal techno a journey through rhythmatic musical landscapes.aw1 is a ode to basic channel a propulsive, yet delicate, mantra. the repetitive nature of it will take a hold of the listeners and project them into previously unknown state of mind. w6 is reminiscent of some of the finest works of legendary icelandic techno producer exos, who happens to be the mentor of this young up and coming artist. the whole ep is driven by curiosity and passion, and despite some obvious influences manages to offer something fresh and exotic for the adventurous music consumer.athule records is considered by many to be a pioneers in the field of dub-influenced techno music and was a starting point for many of iceland s most renowned electronic musicians.

the last few years have seen nathan melja really hit his stride, landing on such esteemed labels as mister saturday night, black opal and technicolour with an addictively weird update of the classic boxjam format. now he steps up to inaugurate dream real with three slices of upfront deviant business for all the sleazy dancers out there. there s no arguing with the rubbery bass tones and perfectly processed vocals on the original mix of -jerky teardrop-, but there s also the more wave-minded delights of the -blue mix- version of the track to suit more reflective situations. by way of contrast, -places we belong to- smooths out the mood on the b-side with a low riding slice of boogie that sports just a whiff of indie thrown in for good measure.

catherine and gerald o-connell s work as lives of angels quietly and subtly helped to define a whole generation of post-punkers for the greater part of the 1980s. much like other luminaries of the scene at the time, the couple have remained in the shadows of time, highly praised by the collectors but barely ever cited by the mainstream, and if that s not punk then we don t know what is. dark entries are doing the honours of course, and the imprint have managed to license a whole bag of previously released and unreleased material, the former from a bunch of dusty cassettes which are now going for gold on the second-hand market. this was the era of the drum machine, and these 11 tunes are all carried by that unmistakable analogue swing, at times harsh and leaning into something tech-minded, and at other times playful and quirky, a tendency which defined this outfit and the time in which they operated. what a record, this is another dark entries monster

rdv, the new imprint from french dj & producer molly, presents its first release, from prophets of a new generation (aka michael zucker & pete an). rdv , the abbreviation of« récits de voyage » will simply be a meeting with artists that i have crossed paths with during my travels - a platform for my very talented friends, artists i really like, and also music from myself. this project was in my mind for so many years. it was not until now that it felt like the appropriate time to realize it, but i feel ready now to help push new talent & music from people i love.- - molly

few artists can claim to have their own distinctive “musical voice”: a style of composition and production that listeners instantly recognize. for starters, it takes years of experimentation to perfect, and most people simply don’t have the patience, talent or skills to pull it off.
ali kuru is one of those rare producers whose music sounds like nothing else around. the istanbul-based artist has spent the best part of a decade honing his trademark style – a fragrant and intoxicating aural brew that combines a myriad of influences with atmospheric field recordings and snaking, mind-altering middle eastern instrumentation – via releases for the likes of luxa flex, kalisah, sound architecture and, most recently, leng.
it’s to the latter label that the publicity-shy producer returns with his most ambitious release to date, egzotik. 15 tracks and 70 minutes deep, it’s not so much a debut album as a statement of intent. from start to finish, it feels like a humid, sweat-soaked saunter through the winding streets of istanbul in the company of a musician who draws more inspiration than most from his immediate surroundings.

percussive drive and rugged atmosphere defines the fifth rashim 12-inch, where the body takes over the mind. this esoteric style not previously presented by abdulla rashim, confirms his ability and talent to further confirm hes someone to trust. exploration leads to innovation, and this is a prime example of shaping atmospheres into different styles.

sometimes amongst all the music that we hear every day, something comes along so unique and brilliant that its captivates your mind and soul and refuses to let go. that was exactly what happened when we first heard dokta - the ex-studio engineer with the freshest take on electronic music we have heard for a long time. fusing a fully analog working method & live instrumentation with a breathtakingly unique arrangement style, dokta combines all his experience working with some of the best in the business and transcends it into one hypnotic stream of genre defying mastery. for his first ep on 20/20 we are fortunate enough to have remixes from fabric resident jay clarke, and a collaborative contribution from seth troxler and bas ibellini. it is a major milestone for 20/20 to finally have a seth troxler production on the label. he has been a great inspiration for us and hugely supportive of our output over the years. seth went into the studio with good friend bas and came out with a remix worthy of dokta s long abstract arrangements. we hope you enjoy, and with an album in the pipeline for later this year we promise there is a lot more to come

electric rescue, one of the made-in-france masterpieces of the electronic music and also rex club resident with his -skryptom- label is making his debut on rex club music with this -melancholic enchantment- ep. with 3 albums and many ep s on labels like bedrock, cocoon harthouse, virgo etc to name the essential, electric rescue has proved since his debut, 25 years ago, his experience and skills as a confirmed artist in the techno scene.with this new release, -melancholic enchantment- electric rescue is bringing you to a mindtrip excursions. melancholic enchantment & pavdo, enchant you and carry away in a hypnotic furrow, full of moody and atmospheric sounds. -subway-, in a harder style than the previous ones, with his saturated dub chords mixed with chattered hihat, is an unstoppable hit for big rooms that smiled to make its effect.and what an honor to entrust to the excellent french producer, marcelus, to remix pavdo. this prominent producer has already appeared on labels like deeply rooted, tresor or singular records his label. also resident for the tresor in berlin, marcelus is a complete artist, excellent dj, he is also a genie producer with a unique paw , that you can find in this pavdo remix. it takes t he original in deeper and mental regions, with bell textures and jumbled perc sounding like a ghost train in action. it s definitely a peak time weapon designed for plenty of destruction.