mellow new release for high elevation from montreal s adam feingold, following up last years nuff zang cassette on 1080p by slipping into the ex-terrestrial guise for a part chillbiant, part shake n break four-track 12inch. paraworld looks back to millennial downbeat realms and towards naturalist, ambient idm baked visions of sunlight passing through water and refracting many shades of blue echo the early 00s kind of instrumental peace recorded in the summer/early fall of 2015 using mainly the yamaha cs 1x and some juno 60.

essential reissue!! the producer and dj from chicago joey kay published in 1994 an ep that soon became a favorite of the 90s house djs around the world: eclectiz ep . the legendary label house jam records was responsible for editing and selling it. nowadays, in 2016 (22 years later) the owners of the label bons records have been in contact with joey kay and they have been quick to reach an agreement to make a remastered edition of the great eclectiz ep including the same tracks that the original version but at an affordable price to everyone, not favoring the speculation around these kind of musical gems, mostly in platforms like discogs. eclectiz ep has been remastered by robert feuchtl (fat of excellence)

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards the nothing special label.

zipper is zemi17s second release on the bunker new york, and sees him expanding his musical palette considerably, in which his gamelan derived sound design pushes further out towards the expanses of techno s realm. zipper is the product of years of work. the tracks on this record began as field recordings taken from indonesia insect sounds, gamelan, found sounds, says kuffner. each of these tracks comes from a different stage of my music-writing process over the years. i eventually developed a kind of sketch and improv technique, re-arranging groupings and arrangements of a series of elements. zipper reflects a culmination of this technique, and in my opinion, its representative of some of my best work

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards’ the nothing special label.

the analog beat-grinder from japan, miclodiet, is back on genesa records with his distinctive, gnarly sound. yasunobu usually releases his material on his own cassette-only label, sludge -tapes, but during the last 2 years, you were able to see him appear on genesa005v alongside joefarr, vsk & the label boss scalameriya or on our digital only division with a complete ep, remixed by martyn hare, alhek & forest people. for his debut vinyl ep, he prepared some stripped down, ultra minimalistic techno stompers infused with recognizable hooks and drones. an absolute must-have for dj’s who are searching for refreshments to add to their crate!

the highlife world series is a collaborative series of releases by uk-based brian d’souza aka auntie flo and esa williams. the first three parts are to be released in quick succession in early 2015, beginning with cuba, followed by kenya and finishing with uganda. each release features original songs produced in collaboration with local musicians. all proceeds from each release will be sent back to the respective countries in order to fund further musical production costs in years to come. we will also be seeking various ways to distribute the music in each country so the music is freely available for the musicians to use at home.

ever evolving dutchman a made up sound is back with a new ep on delsin a whole six years after his last. here he proves once more why he is so vital across four cuts of heavyweight technosoul. thin air pairs fast-paced 4/4 beats with stormy layered pads, all coalescing into affectional yet powerful techno grooves. in typical amus fashion, with its swung drums, sampled chordlines and flanged percussion it s simply hard to categorize but easy to love.

magazino & pedro goya teams up again , 10 years after their releases on music for freaks, briquerouge, classic and exun, they bring once again an hybrid picktime track.
east berliner diego krause (unison wax and beste modus owner), did a nice rmx of * pomba* and give us a subtle groove, perfect for early hours. pressed on transluced red vinyl, this is the second release of the special * oito* editions on bloop recordings.

(180gr) tensal is a solo project of héctor sandoval, a leading spanish techno artist with an accomplished discography spanning 20 years, primarily as half of exium.

deeply rooted in classic hip-hop, funk and boogie, kiev-based beat maker pahatam didn t mind selling everything he had back in the day in order to afford his first roland drum-machine. addicted to vinyl, he believes that the dissonance is what makes music beautiful and puts the groove and atmosphere in there in the first place. experimenting over the years have led him to produce a raw house and academic techno sound and he never seems to stop exploring

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 1 stunning track made by one of the label artist : camille rodriguez from paris - france. electronic music drives his life for over 10 years now, he has developed his own style incorporating all his influences. he is passionate about the live, and create that way with synthesizers, sequencers, bar and samplers... he likes pushing himself sweating behind his machines, improvising at every moment, keeping control of every sound in order to play more intuitively, getting a better communication with the crowd... “andalusian 2.0” comes in two guises, the original mix which delivers some perfect techno keys and claps over its stomping techno beat, giving it live performance style flavor. the traumer remix takes it into darker warehouse territory but still retains the warmth and groove. kaine’s remix delivering some tough dub techno workouts that still have just the right amount of funk and groove.

seven years and five volumes of treats down the line, retreat flips the script in 2016 and introduces a brand new remix series (cheekily) entitled re-treats! with nebraska, session victim and quarion reworking stables fromthe rtr back catalogue, re-treats vol.1 is a brilliant showcase of the art of the remix as each artist comes up with a truly personal take on the original material

when an artist truly lets their music speak for them, there is no need for words. with his discography packed tight for the last 3 years and almost no information online, this seemed to be the case for ld nero. so when he dropped 4 original tracks at our doorstep, we knew we had to pay attention. let your body speak is ld neros ep debut on get physical, already appearing with his bombastic remix of roland leeskers my warehouse alongside chris liebing, cardopusher, m.a.n.d.y. and dj t. ld neros fresh and unique sound is abundant throughout the ep.

massing almost a dozen eps and an impressive album debut all within three years, the production powerhouse that is jordon saxton finally hits home on figure. while developing various sonic identities at once, his first outing for the label as viers is a strictly no-nonsense techno affair.

for their first record store day vinyl, duskys 17 steps unveil a much requested club cut from the label bosses themselves in buckets. a dark, murky groover full of heaving basslines, swampy beats and cut-up soul vocals, buckets has been popping up in dusky mixes for a couple of years, earning it cult status amongst their hardcore following and making it a perfect choice for a limited collectors vinyl. it comes backed with a twisted two-step remix from swamp 81s paleman.

original release date nov 1988. late 88 acid house swept a cross the uk, as it took its hold in the midlands, 17 year old budding dj, locally know as carl boy was easy influenced by this amazing new sound and decided to purchased as much acid as he could get his hands on and put on his own acid house night

following on from their hard hitting previous release quarantine , east london s phil passera & chieka ononye deliver their 4th release as payfone on new york s golf channel recordings. a side catholic central emerges from a dark street corner to bloom into a moody synth and bass heavy rhythm, before colliding with a disco riff that could have easily been borrowed from the master tapes of late 1970 s atlanta outfit brick. featuring the vocal style of argentinian pia gonzalez antar, who in confession recalls the dark dynamic of a relationship with a previous lover many years her senior. the room shaking b side comes courtesy of d marc cantu s haze mix that delivers a pounding late night electronic soul voyage. cantu has been releasing genre defying records since the late 2000 s, and performs as one third of jakbeat super group x2 alongside traxx & jtc.  golf channel every time !

new years deal - following on from the admas/andras fox 12inch mpr007, major problems raids compassion crews vaults for this killer double comp, featuring 11 tracks from frak, admas, plustwo, big city orchestra, philip jeck and more. compassion cuts, tapes & acetates runs through a rarified selection of raw house and most-wanted italo 808 and vocoder jams, proto-house dope synth workouts private press gospel and some experimental tracks that just wont be defined. dont look, hide! all tracks restored and mastered by thomas p heckmann and cut by andreas at schnittstelle. out on 2x12inch gatefold lp, with simon landreins full-colour artwork presented in a laminate gloss finish.

mike ash returns to super rhythm trax after providing the very first release and gives us 4 authentic and acidic warehouse smashers. mike ash may be familiar from early releases on moving shadow and rising high records under a variety of pseudonyms in the early 90s but in the last 10 years has become synonymous with releasing mind blowing and true electro under his own name. when he turns his hand to acid house, the results mirror the high quality and his no nonsense approach shines through having lived and breathed the music and culture back when it was exploding in the late 80s and early 90s. in his own words i tried to keep with the original 1988/1989 vibe. i didnt use any synths / sounds / samples that weren t available past 1990. its all juno / sh-101 / 303 / jupiter / 808 / 909 / 707 / 606 and samples from the beats breaks & scratches vol 1&2inch the tracks exude a raw and strangled soul and are a bold and comfortingly honest take on the warehouse and pirate radio sound of the uk.

the motech label has been building a high reputation of late but it’s actually been three years since co-owner, detroit’s dj 3000 (franki juncaj) released a 12 inch of his own. putting that to rights, he delivers take me away, due for release in april and featuring a deadly remix by truncate. the original version of take me away is a deep and hypnotic builder with a relentless groove that stands astride detroit techno and tough house, a style that dj 3000 has championed over the years. truncate is the alias of audio injection (la’s david flores). his remix ups the tempo and adds an infectious vocal cut-up, turning take me away into a raw, hard-hitting cut. the truncate remix has already been picked up by eats everything for his new fabric mix, out soon, as well as receiving early support from dave clarke on his white noise radio show and ben sims on the october edition of run it red.

james k is a stranger to obviousness. over the past few years the new york native has quietly honed her sound and peculiar aesthetic. equally organic and electronic, her sound is a combination of odd dreams, industrial beats and vocals, both incomprehensible and appealing, with a thick layer of glitter on top of it. james k is a concentrated dose of emotion mixed with sorrowful iciness, which in turn ties together ripped, broken, morphed and enchanted samples. james k stands for a fusion of visual and sonic elements, deeply rooted in conscious art practice and downright freak-out. james k creates a mythology of her own. pet, her first lp due out in early 2016, will be a co-release with dial and her own label, she rocks!

after waiting for three years, jenifa mayanja has finally unleashed her new ep on swiss imprint deepartsounds the new ep features three original songs and a trinidadian deep remix of the song human nature. all tracks are well arranged that bound along with a smooth swathe of jazzy chords and pads over a technoid bassline. the songs take you on a space journey as a variety of cool beats and melodies creating a depth that is difficult to resist. once again jenifa delivers top quality, an attribute what makes her to one of the best female deep house producer

sami baha is a young producer from istanbul, with his roots in the turkish hiphop scene, who has been stealthily pricking up ears with guest spots on rinse fm and nts since he moved to london last year. he started this ep ‘mavericks’ while he was in istanbul, saying “the music i produced became more chaotic as istanbul became a harsher place both politically and economically. i didn t really design it that way, but i feel like the sound got more aggressive over the years”. he describes his music as ‘instrumental trap‘, but instead of trap vocals there are complex arrangements, although he has started to work with vocalists while he’s been in the uk.

seems like somethings going on across the pond at the moment with seemingly blossoming, or at least rejuvenated scenes in the united states and canada. our last handful of releases on freerange have included artists from montreal, tujuana, pittsburgh and chicago and were about to add los angeles to the list with this new one from justin jay and ulf bonde. the young producers have been steadily building steam with a number of fine releases the last couple of years and we welcome them to freerange for their debut ep entitled indecision. the title track sets the mood with a low-slung, super-deep house groove complete with an intimate vocal and a charming simplicity which contributes to the powerful end result. elements come into focus then disappear in a fog of reverb whilst playful guitar picks add a live jammed feel to the loping groove giving things a bob moses/francis harris kind of vibe

following last years two worlds ep, nonuser takes ctrls club focused sound to new heights, delivering rolling percussion alongside twisting, distorted leads and thundering bass lines.

fresh from the success of last years critically acclaimed pt 1 ep, leeds-born samir alikhanizadeh aka happa, is gearing up for the hotly anticipated release of pt 2, a 3 track ep and the second in a series of releases on his own label pt 5.

when kellerkind published his first tracks on sirion records in 2008, nobody ever considered the success story of marco biagini s alter ego. eight years later he looks back on numerous releases, among others on stil vor talent, flash, katermukke or hive audio. his record debut on sirion in 2012 another breakthrough, with special mention required for the title song “disco on the dancefloor”. it’s with this song that kellerkind has definitely won the hearts of his audience and thus left a lasting aftertaste which continues until today. his fourth ep on sirion with the promising title “way out” builds up on the 2010 published “altro mondo ep”. three reduced techhouse tracks promising pure dancefloor feeling with finely assorted forward directional sound elements and smooth deepness. the slightly hypnotic vocal smasher in christian nielsen remix carries nicely with the three tracks in every way and completes the catalog number 42 elegantly.

manchester s rainy city music continues to celebrate 20 years of the record label in 2016 and continue the success of the last two vinyl releases by dele sosimi afrobeat orchestra, via their own label and also with berlin s innervisions label. the 20 year celebration is also riding high on the current huge success of the re-issue of their second ever release from 1996 by city people it s all in the groove , now available again by the hugely popular artist motor city drum emsemble. this new release by artists irfan rainy & rex leon is a 4 trk ep from their digi lp titled cross step drag, a reference to the house dance culture from new york city. the four tracks released here highlight the huge variety in styles of house music created by the mancunian duo. the a side s track one vodun is simply voodoo / tribal house music for lovers of the old school jovonn sound. track 2 smash the silence is a brand new version of previous digital only release where afrobeat & house music are combined. it features the rasping vocals of lagos based nigerian actress vera e and the definite influence of fela kuti. flip to the b side and get to the deep dark twisted underworld of black america via snoop story (ode to the wire) and you hear one of the moodiest dance records you will ever hear and a tragic story of snoop, one of the wire s best performers from the cult tv series. the final track on the ep manc union dub is a dub house groove where ghostly brazilian candomble vibes meet the electronic dub beats of rhythm and sound. rounding off a hugely varied four track sampler receiving support from a huge cross sections of djs including danny krivit, at jazz, rahaan, kai alce, mad mats, osunlade, karizma, severino (horse meat disco), dj spinna & marcellus pittman.

gari romalis and lello di franco - dreamin for the uninitiated, our man gary romalis is the unsung master of detroit’s house and techno scene. having djed across the motor city’s top venues for the last three decades, gary is somewhat of a seminal figure for many of detroit’s djs currently at the forefront. following a slew of high quality releases on various labels over the past few years, gary now unleashes that special flavour on us for skylax 142! he is not alone though. with him, he brings all round italian partymaker, and top selector in his own right, lello di franco. let me tell you, this duo’s collaboration is something to behold. throughout all 3 tracks on the record, gary and lello maintain the essence of what the detroit underground is all about, stripped back tracks with soul that never feel like they go ‘big’ for the sake of it. while dreamin (wanda mix) may be packing a big kick and power clap combo, it’s the elegantly filtered, jazzy sample that will leave you wishing that the track lasted forever. the vibe takes a dip right into the deep in detroit underground (beat dat mix). spacious pad synths alongside a mesmeric vocal carry us through. taking a step back up, afrobeat rounds off the ep, made with a solid toolkit of afro-centric samples.

mute records presents the 1994 longplayer from erasure as limited edition reissue on 180 gram vinyl.

in the last few years imugem has really impressed us with a constant output of versatile techno, so we are proud to add him to the label roster. he delivers a great ep once again, including a tripped out remix by dutch native deniro, who has been on fire with a string of releases on tape amsterdam, nina kraviz &#1090,,,&#1088,,,&#1080,,,&#1087,,, records and dekmantel.

repress black vinyl - it has been two years - more or less - since the debut release of editors kutz and the label proudly presents its sixth installment right on summertime. pressed on a chillin, doublemint opaque wax.

1 sided + large gravure on other side. love on the rocks is very excited to present sharif laffrey’s key jam (a.c.i.d.). his first release since the sleeper hit turn it up was released on discos capablanca over two years ago. key jam (a.c.i.d.) is the treasure + the mystery. laffrey’s signature raw edit style is in full effect on this 9-minute proto-dance heater. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - he’s worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through a open window. an active member in detroit’s early rave scene, sharif remembers booking all foreign gigs with a fax machine - and would still do it that way, if anybody else had them anymore. he drove a black trans-am from 1990 to 1995. acid, tons of random stuff, tough, sexy, lovely, slow. freak mode. he is dealing with the fame. more to come.

mdrnty has been a recognized swiss music event brand for the last 10 years, developing daytime electronic music events in the most outstanding locations of the swiss alps. 2016 marks the beginning of a new adventure with the launching of its own music label, showcasing a network of artists closely related to the festival.

every artistic scene is lead by their artists and kept alive by their fans, but mostly by its talents, who can look outside of the box and have a great relationship with their crowd. junior c is a great example of how this theory comes true for a dj and producer. in this ep he has worked with h.o.s.h., gui boratto and gunjah to create new approaches of his latest single “coming over” and the result are 3 different interpretations of this dance floor timeless song, full of groove, lush harmonies and organic undertones. it doesn t take much to imagine this ep owning dance floors in the months and years to come. engineered to perfection by label head gui boratto, it s an exciting step for the imprint and the project alike.

a key label on the berlin scene since the 1990s, muller records—famed for a deep and chunky club sound from artists like dave dk, claude young and the hacker—is back with a new ep from beroshima feat rummy sharma with remixes from namito and pascal hetzel. beroshima, of course, is the production work of label frank muller sometimes accompanied by ethereal electronic music specialist ulrich schnauss. after more than twenty years together they have amassed a fine body of work that includes five albums and more than a hundred eps! always mixing up acid, techno and tribal into something fresh, the beroshima sound has its own unique signature.... for this latest single muller steps up solo to produce another gem. the stellar delhibelly is a slick and muscular cut that bubbles away on a bed of warming bass....

soft talk is the latest alias that natal zaks - our longtime danish friend and a musician we have been constantly releasing under different monikers throughout the last 5 years - picked out for us. he is hands down the most talented producer we have ever met and it is always a privilege to be able release his music under any name he chooses. we have seen his music go through many transformations and they were always for the best. this time we feel the exact same thing, that this is our favorite music ever and we will never want to release anything else again. that is never true of course, but the mercy ep does feel a lot like that.

kenny summit s dirty lowdown and sunshine boogie spent some time atop the digital charts and have been remastered for your vinyl spinning pleasure. nudisco party anthems in their own right, both tracks have become go-to jams for the leaders in the genre. house legend, lenny fontana has been making underground classics for the past 30+ years and his bump track shows why this man has been running things for so long. timmy vegas & the boogie down deejays rework one of the all time paradise garage classics, turning funk to stank and spank to spanky. pressed on limited purple vinyl get em while they re hot!!

burly, uk-styled rave tackle from berlin’s phon.o for tectonic after spending the last few years exploring subsets of garage-techno on 50 weapons. clearly carving towards tectonic’s ruder ‘floor criteria, he plays out the dank, shadow-boxing 2-step drums and swooping subs of mercurial next to the aggier grime slap of u8 phunk for the berlin scallies, and yokes some splintered breaks into a submerged jungle-techno chassis with bell blender.

italian artist fabio monesi has been busy these years working hard in the studio while also running the wilson records label among his other production projects. here we get three tracks of no nonsense party jams sure to burn the floor. from acid storm to palladium, all bases are covered on this ep with big basslines, punching acid and well placed samples chopped just right for you and all your dj needs.

the force known as 33.10.3402 has built a cult following in certain circles through the years with his adventerous production approach and execution. with numerous releases on labels such as esp institute, kunstkopf, and most recently second circle we now see his appearence for the first time on l.i.e.s. 33.10.3402 perfectly balances his sound and presentation with this three track effort where we hear tones and rhythms that can go from baleric to metal beat in the blink of an eye. with looming clouds clearing for the light of day and then back again, these tracks sonically play with the emotions and serve equally as dancefloor cuts or for home listening bugout sessions.

over the past 7 years wolf music have steadily blossomed into a bonafide platform for both auspicious and established producers of classically-minded house and disco catering for listeners and djs alike. having amassed a catalogue of eps and lps including the likes of frits wentink, medlar, krl, mr fries and inkswel they are now ready to release their 4th full length lp this time from long term label friends nicholas church and joseph spencer a.k.a casino times.

terence fixmer his known in the late 90s , early 2000s as the creator of the tbm, described as techno body music. a mixture of the ebm soundscape with the modernity of techno. his muscle machine album (including tracks lile electrostatic, body pressure) released in 2001 became a reference of the genre. in 2003, musician terence fixmer and legendary singer from cultissism band nitzer ebb, douglas j mccarthy embarked on a project that spearheaded the fusion of techno and ebm. they named it fixmer/mccarthy and they were the precursor to a new breed of techno artists that manage to traverse between an array of scene specific genres without being tied to any. since releasing their first album, >between the devil<, in 2003 terence and douglas have ridden the line between pure techno and the recognizable song structure of classic electronic music and ebm. now, with over 13 years working together for this project and playing around the world, they return to their signature raw sound and delivery. >so many lies< is quintessential and brooding techno, while the instinct mix epitomizes their ability to craft a catchy bubbling baseline whilst all the while dispatching cold steel aggression.

red ember records is still legendary in certain circles despite shutting up shop 15 years ago. after some time out of the public eye, though, ewan jansen himself is still very much in business, and here he is with four brand new cuts on his debut for chez damier’s inner balance label. after the appropriately pastoral intro to ‘harvest’ we dive headlong into a flurry of vibrant, detroit-influenced programming of the kind kept alive all these years by rei loci and kirk degiorgio. ‘sines of life’ takes a well-earned breather on the flip, its laid-back setting and all-enveloping bass a massage for the weary body and soul. finally the mood turns playful on ‘square dance’, the chopped, breaksy and off-key groove completely at home alongside uk technicians norken, herbert and ben nevile. it’s rare for people to stay on their game for this long but, as this ep aptly demonstrates, ewan jansen is no ordinary musician.

ontal series is back with it’s second (ontal #2) output which includes a collaboration between dronelock and ontal called “svest” accompanied by a powerful tribal remix from the main man behind mord records - mr. bas mooy. the flipside starts with an industrial ebm track called “mehanizam” and ends with “lesion”, an acid techno/noise mutation that ontal performed in their live sets for the past few years.

forecast label announces new vinyl ep -holysheep- by cheaper shepherd to be released in march 2016. samples, drum machines and old school keyboards: a straight ­to ­the point! cheaper shepherd is a duo of producers born in the 15th borough of paris. drived by their love of synthetizers and other analogic machines, they ve been working in electronic music for years. in addition to their own projects, they have produced several hip­hop, house and techno projects: timä, androma (savoir faire), la direction, dudmode, peterbär... their first ep origin came out on helpme records early 2013, followed by three other eps, released on their own label baldwin records among others. they joined the booking roster of forecast label in 2012, and released on vinyl their first ep for the label. this projects appears as the fulfillment of a collaboration that has allowed them to go on tour in france (paris, bordeaux, lyon and st malo) but also in china. in 2015, they also went to the us to record with cans. the project was originally an ep of five songs, but the chemistry was such that it has turned into a 17 tracks album that will be released in 2016, between old school hip hop, house music and trap... limited to 200 copies !

when we started heist a few years back, our idea was to give a stage to talent in a same way as we have had a helping hand by the labels that have supported us from the beginning. therefore, i’s our pleasure to share this release with you by newcomers ouer, a berlin based duo with only a handful of tracks out so far on their self released debut last year. their approach to producing is very much jam based, and with a compact collection of synths, drum machines and a fair level of distortion, they succeed in creating their own sound with hints of classic electronic music from chicago and detroit. theres a nice mix of energy on the whole ep, the ascent being the most driving track of the package. fans of classics mcde tracks will love show off with its dreamy dx7 style chords and cracking acid lines. move over feels like a jam session that was way too much fun with some lovely solo work on the synths, whereas mess around goes down in similar free-ride style on the synths and again, has some lovely sampling going on. an impressive ep were just all too happy to have on our label. sincerely yours, lars & maarten

michele mininnis hyper martino ep is a strange adventure in sound, the finest example of music noir and engaging story of audio science fiction. michele hails from south italy and counts everything from post-punk, krautrock to new wave, house and disco amongst his influences. hes been a dj for years but only in 2014 has released his debut tupolev love ep on glasgows optimo trax. he immediately found himself in the spotlight of discerning djs and music collectors alike. after a few months he released another highly acclaimed ep entitled endless ceremony on belgian label curle. and now, after a short hiatus he returns with his latest hyper martino ep radiating oblique and unpredictable sounds. remixes come courtesy of tel aviv’s hit-assembly-line red axes who yet again deliver a bloody good remix, and of a reckless new age traveller, industrial-yoga-trance guru and australian multi culturist dreems.le temps perdu is a new label founded by lemmy caution, a man of mistery, a fan of steal mustangs, robot poetry and otherworldly sounds, well know across the outlands and operating from alphaville. the vinyl release includes a download code.