brand new label from ibiza. three pure unpretentious house tracks with a big punch and frenetic groove

we were dreaming about rimini and italo boot mixes, when we met this mad professor of italectro in a sleazy berlin neukölln pizza spot. he saved our day with a pearl of a dancefloor sunset. italectro - that´s a smart thing to say and that´s what we wanted. a funky italian 12inch. then tetsuo came and deliverd a nu wave prada dressed remix and added a heartbreak story. so at last frank martiniq was the boxer we needed to punch this track to a cologne style brutzel disco stomp that takes us back to reality

underworld & 3 phase remixes

eintagsfliegen sehen anders aus. ostgut s zweite runde bringt mit >twirl< und >under< zwei universell einsetzbare strahler, die eine sommerlich-trancige leichtigkeit mit dem nötigen punch verbinden !! >> played by anja schneider (mobilee rec)

wow, das hätte auch eine sehr gute border community werden können !! kommt minimal, melodiös und den nötigen punch von ganz unten !! gimme five baby!

written & produced by harold b.'very first release of abstraxion on biologic records. fans of citizen, kitsuné or beauty case will be satisfied with this.this new label out of french west coast of bretagne, & it packs a punch, produced by abstraxion coming up with a 4 electro techno tracker, with a rocky edge. right in the actual tendancies, this is packed with freshness.' (trax magazine)

endlich ist sie da, die dritte ostwind mit 3 ergreifenden tracks von nils nilson & einem fulminanten remix vom kollektiv turmstrasse..die 12inch startet mit morgens kurz vor sieben, ein freaky leicht angedubter minimal track mit dem nötigen punch um die party so richtig auf kurs zu bringen. mit parkplatztreffkommt uns ein futuristisch superb klingender minimal sound entgegen, der so dermassen locker dahersprudelt ohne uns jedoch seine detroit roots zu verheimlichen. der extrem quirlige kollektiv turmstrasse remix (abzweig turmstrasse) hat nicht nur am abzweig die kurve gekriegt, wahnsinning knorkiger & gleichsam geschmeidiger techhouse der besonderen art, very spooky. als abschluß track fungiert rollsplitt, ein rollender oldskool detroit track mit leichtem tejada einschlag, der so auch 1994 im e-werk berlin hätte laufen können, vielleicht der heimliche hit dieser ep.. wird u.a. schon gespielt von michael mayer (kompakt), raumagent alpha (festplatten),holgi star (microfon) und duplex 100 (morris audio)

already supported by laurent garnier, dj karotte, desyn masiello, peter dildo aka rozzo delivers a techhouse anthem that will cause devastation wherever it is dropped. on the flip: stomping bass minimalism.

south terminus gets you warmed up with a shuffle rhythm but a mean frizzling acidic synth line like a steel whip and a nervously knocking percussive sounds punch the rhythm more and more into a straighter pattern - when the tune finally falls into a 4/4 beat after the break and the acid line completely bubbles over its pure mayhem. 'clubbanger' on the b-side gets underneath your skin more subtely: headbangin tech-boogie with suspensefull, slightly claustrophobic string backings and robotic voice snippets. label head clement opts in his remix for a punk-funk slant with cool dangling bassline and snotty rhyhtm guitar wrapped up in foggy synth sounds

kill memory crash return with an exclusive mix of 'the o'.. riding a dirty, drivintg, dancefloor-ready acid line, this version takes the song in an even darker, more urgent direction! massive kick-punch beats and eerie vocal treatments in the grat the hacker remix !!

fat hardgroovin techno from chicago

fred everything delivers and solid production that really packs a punch behind heathers deep and sexy vocals. deep sensual dub from phil weeks & jossua moog on the flip.

megaphat stompin chicago techno by the freaky man

hip hop album

too slow to disco neo presents a sunny compilation of smooth sunset disco - 16 exclusive tracks on cd.

meditations on death and decay from william basinski.

extrawelt are back! although in fairness, they were never gone. on the contrary, since their first release on james holdens border community label dropped in 2005, arne schaffhausen and wayan raabe have been responsible for a plethora of classics including schšne neue extrawelt and in aufruhr, their two seminal albums on cocoon recordings. the duo are one of the most booked live acts worldwide, commanding a huge fan base. their performances are the stuff of legend, making them the absolute highlight at every club and festival they play

erster offizieller re-release des disco-klassikers von retta young, erschienen im original 1976 auf all platinum. remastered from original tapes. die cd wurde zusŠtzlich erweitert um zwei vorabsingles, darunter den uk top 40 chart-hit (sending you an) s.o.s., sowie den 12-mix der post-album-single my man is on his way von 1978, was diesen re-release zur kompletten anthology von retta young werden lŠsst.

mit fabric live 92 liefert preditah, dj/produzent aus birmingham, sein erstes mixalbum ab, auf dem er mit einer mixtur aus grime, uk house und garage den ultimativen rave startet. neben tracks und remixes von skepta, wiley, joker, swindle, flava d und shorty hšren wir exklusives neues material von ihm, dj q und bassboy. das komplette 32 track-set nahm preditah in einem take auf.

cocoon ibiza turns fifteen! finally, its summer and we cant wait to pack our bikinis and flip-flops again for our annual trip to the island

following up to their much applauded international debut save the youth, denmarks answer to warpaint,giana factory, return with their second album lemon moon this spring 2014. fronted by louise foo (sister of sharin of the raveonettes) and flanked by lisbet fritze (who also plays guitar in the trentemoller band) and sofie johanne, giana factory specialize in a wonderful kind of iced pop, beautiful songwriting with a lot of depth and diy attitude punch.

rare dubs from jackpot records 1974-1976!

terror danjahs second hyperdub album is dark crawler, a well paced and much more upfront and energetic journey through his musical world than his debut undeniable. the album revolves around the dark crawler theme, a blistering grime track that pops up several times vocaled by mcs riko dan, mayhem, deadly and saf one, and then lastly trim and kossie.

reggae roots dub feat.keyboard king roger rivas of the aggrolites! deep dark 1970s style roots reggae!

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

madlib got a bit lost in his detour into jazz - madlib medicine shows 7 (high jazz) and 8 (advanced jazz). he was supposed to circle back with a punch-you-in-the-face return to hip-hop form - a collaborative album with detroit rapper frank nitti - but instead he found himself lost in the lost gates... a place where black soul (madlib medicine show 10) really means disco funk. sorry about that. the good news is: hes back. and that hip-hop album, for which the medicine show faithfully have been holding their tickets, is finally here. its called lowbudget high-fi music and its a interesting look back at the madlib medicine show and a prelude of what is to come in the 12th, 13th and Ð maybe Ð 9th releases in the series. all of the regular madlib collaborators Ð med, guilty simpson, strong arm steady Ð are represented here with exclusive tracks. karriem riggins pops in for a supreme team interlude, as does a.g. madlib digs out a jaylib-era track that was earmarked for the never-realized second album and, of course, interludes, outerludes and Ð probably Ð queludes abound. the madlib medicine show series is a combination of madlibs new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, brazilian, psych, jazz and other undefined forms of music from the beat...

incl. peverelist, mastermind von punch drunk records ist neben pinchs tectonic eine der besten adressen in bristols dubstep-szene! sowie produzenten wie joker, rsd, appleblim, guido oder headhunter die in den letzten fŸnf jahren die bewegten musikalischen geschichte bristols geprŠgt haben sind hier nun auf zwei cds compiliert.

feine mix-cd von oscar.incl. ron flatter, andreas henneberg & hinrichs & hirtenfellner