super limited edition re-press on heavyweight vinyl

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

the >calling planet earth ep< continues his journey of his experimentation with sound. in addition to the title track, >the magic city< and the sun ra homage >conversations in an analog dialect< showcase more of the evolving production from the mathematics label boss. hand stamped white labels. limited to 250 copies (no repress!).

smartly blending hip hop with jazz & reggae & throwing in some classic r’n’b on the way, “the score” is an album that is political without being pretentious, commercially appealing minus the sell out. on “the score” the fugees stay true to themselves and deliver one of the most groundbreaking & influential hip hop albums of the nineties in the process.
pressing on 180 gram audiophile vinyl.

the heliocentric worlds of hieroglyphic being vol. 1 brings 2 jamal moss tracks full of free jazz, experimental electronica, chicago acid house, & art noize elements. alter ur destiny is a long winding cut that flips halfway through for more mayhem. outer nothingness is a sun ra tribute. limited edition stamped white labels. only 300. no repress.

nice price deal !!! dutch label fremdtunes presents >fremdtunes ? the series 1<: the first official label-sampler with tracks by coco bryce (ft gumshoe, incks & mace), dj optimus, kid sundance (ft rescue) & solo moderna.
>fremdtunes ? the series< shows a cross-section of the diverse music-styles that the label focusses on. spheric hiphop as well as dubby funkstep appear on this 4-track 12 inch vinyl piece. although the tracks vary in style, allartists share a similar love for the art of cut-and-paste and are all known for being dj and producer!

the green door studio opened its (confusingly black) doors to glasgows vibrant music community at the end of 2007. set up by three glasgow-based musicians emily maclaren (michael dracula/the lady vanishes), sam smith (mother & the addicts) and jamie greer (park attack), who, sick of using other peoples clinical digital studios and being told by engineers >you cant do that..<, decided to create a musician-friendly space where >actually you can...<.

q-base is a concept from q-dance that has evolved in the years to be one of the biggest harddance festivals that is held in germany.
the track >lost in dreams< by mike nrg has grown into the official q base anthem throughout the years. also this year the track is used as theme song and being released with some fresh new mixes.
a new big ep on the q-dance label.

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

only for an artist like samuel l session and on labels like be as one, you could put together a remixes pack with some of the most genre defining producers in the dance music of the recent time and beyond. such is indeed for sls album the man with the case remixes pack. on the a side you have label boss shlomi aber, soon to release his 2nd long awaited artist album on ovum, who has reworked big bad drum in a jazzier, dubbier vein. damage is assured on the dancefloors. cadenzas main man reboot takes samuels the soloist and turns it into an hipnotic techno journey, something very different from what frank is known for. stacey pullen needs no introduction, being one of the leaders of the second wave of detroit techno hes a legend in the scene. with him, sls sections get reworked to a new high. to close the package, the soloist get remixed by sls himself, and its turned into a new dancefloor groover, bearing once again the swedish master imprint.

kathy diamond is possibly one of dance musics greatest singer, songwriters. on love saves the day she demonstrates why she is considered such a talent. every great original, already release on separate vinyl disc (needw004), should have an equally good remix and with this new package that rule is no exception. mario basanovÆs vocal remake is a perfectly timed disco shaker, that combines funky guitar licks with an eighties inspired synthy bassline all to a summery and uplifting backdrop. kathys vocal is cut up to perfection with eventually mario letting the chorus shine. on the dub he takes things direct to the dancefloor with squelchy bassline and punchy kick drum with a piano break that will have hands pointing upwards. soulclap need little introduction being one of the hottest production / dj at this moment in time. from the wolf & lamb camp, they have impressed with their repertoire of musical abilities.

after a long absence from their main genosha imprint, the outside agency - finally back from being awesome elsewhere - returns with a 12 inch vinyl sampler for their long-awaited scenocide 202 album. hardcore beyond the bone is a promising title that delivers as expected.
dj support by: evil activities, endymion, neophyte, paul elstak, tha playah, nosferatu and mindustries.

they live in the clubs, eat through their noses and sleep standing up. the cheapers do the same, but the title no groupies and ugly dancers is directed at the mean faced ravers and talkers that lurk in the dark corners of club. the cheapers are sending a message to all those types with this release, upon you 36. they begin by lighting a bonfire on a1, dancing around the fire like crazed polka-shamans, until the final minimal priest has thrown his bible into the embers. next they attack the unwashed go-gos, hobby strippers and ugly dancers on b1. eventually reaching out and apologizing to the shy and quiet real music lovers that like to sway dreamily on b2.

have you heard? grandmas doing the bird to the latest rock-breaking teen sensation, the wig-flipping chain & the gang. >(i ve got) privilege< is the latest volume in our international pop underground series of 7 inch 45 rpm records. young and old alike love the beat, the cranked riffs, just the overall vibe! you may, too, as soon as this package slides under your door. ian svenonius and chums have really come up with a winner of a dance task master, a real double-a side plate. chain (o.k., ian) croons on the first side, espousing the joys of being part of the privileged class. then he gets real confused about the relationship between cars and music (isnt it obvious?) on >detroit music<. >(i ve got) privilege< was recorded by calvin johnson at dub narcotic studio here in olympia, wash. breaking all the chains, in the best possible way.

the prspct army is scaling an all out offensive attack on the harder styles of drum & bass... there is no stopping its furious attack pon the dancefloors and this latest ltd release is another one thats just to hot to handle.
this 3rd installment comes from the likes of freqax.. world in a box has already being slayed on the dancefloors numerous times.. a sick tight rolling production with a little wink to the happier hardcore styles.. with its epic intro and massive drop this is one to play over and over and over again!
the witch is on a similar tip.. big bad beats combined with even more bigger, badder & aggier sounds... tech & industrial with a dash of jump... a deadly combination!

after the more then excellent label debut fit 001 (pittmann) we have the follow up for you by jamal moss (iamthatiam, aka hieroglyphic being aka the sun god aka jack-fm.) as iamthatiam, moss builds upon the sounds of his citys rich musical legacy and directs it into an area that is his most definitely his own. his sound is expressive, experimental, emotional and powerful. within this ep there are three deep, dark and dirty tracks that blend the boundaries between techno, house, industrial and ambient electronic music. fit sound is a label that strives to push the experimental nature of dance music, and that is exactly what moss has done right here.

chicagos specter (tetrode music) is welcomed into the sistrum family with the bionic being ep, featuring three cuts of raw depth. tip

the future disco series has quickly gained a reputation as being a compilation, where you are sure to find a cutting edge collection of the best in modern day disco. the series is now on its third outing >city heat< to be released on 31st may on cd as well as digital download. the very best of this album are transferred onto vinyl for an exclusive three track vinyl sampler. each track has never been released on vinyl before as well as featuring on the album itself.

support: chris liebing, len faki, the advent, marco bailey, technasia, laurent garnier, steve rachmad, brian sanhaji, tino boa, secret cinema, adam beyer, joel mull, hardcell...

nice price deal !!! the portraits series is a project born out of the meeting between music and art. the pictures on the record covers of the five releases are a sample of the photographic work of claudio gaiaschi, renowned milanese photographer, who shot dozens advertising campaigns for numerous international brands but also author of artistic pictures being showed at exhibitions in paris, london, new york, rome, baku, tblisi. claudio gaiaschi has been praised by masters artists of the photo like mario giacomelli and in tratti (the collection where the portraits series covers are taken from) he tells the stories of new families framing them in a non-pose having a result of >... pictures that last: in embarassment, in tenderness, in hostility. actual faces of ancestors.< (cit. nicola del falco)
supported by: thomas shumacher, brothers vibe, diesel (x-press 2), michel cleis, ughl, mihai popoviciu, alex neri, alex picone, federico grazzini, ...

many people know antoine garcin for the two very successful labels he runs, time has changed and time is now, but you would be wrong in thinking these was the only arrows to his bow. in fact he has many and being a talented producer is one of them, as richie hawtin recognised when he praised him as the best breakthrough producer of 2009!

following the huge rüfdug release was never going to be easy, an all ears bestseller last year and heard just about everywhere over summer and beyond, but the ppf crew have lined up a heavyweight release schedule for this burgeoning offshoot label, and we’re very excited to present the second release over the last few years ooft!’s ali alongside graeme ‘revenge’ clark have taken the underground music scene by storm crafting their own unique, trademark sound in the often overpopulated ‘edits’ market, pretty much single-handedly instigating the pitched down house sound resurgence & running a superb blog, digital promotions company and forging ahead with their own productions as well as being consumate dj’s and party throwers .

original studio masters of releases that came out in 2005 on playhouse/ klang elektronik, >ancient echoes (gherkin tribute sessions 2003)< and >letters from the edge (original galaxy studio sessions 2004)<. 2 spacey house/techno tracks. limited (350), numbered, hand stamped white labels. the first two mathplus eps are both sold out and out of print so don’t sleep on this one.

limited edition reissue of the special disco version of bill withers 1979 classic you got the stuff, a magnificent funky disco cut with a super cool five minute groovin cosmic section that was made famous again in the 90s after being chopped up by dj harvey for his black cock free range ep. still sounding stunning today, this track will rock any discerning floor and remains a huge favourite with disco djs. the original changes hands for top dollar so grab a copy of this stone cold classic while theyre around. dont sleep!

prepare to enter the sombrero galaxy. journey to the centre of the sun, the debut release from lovefingers highly anticipated imprint esp institute, is a collaborative effort from londoner jonny nash (discosession) and dutchman tako reyenga. the two met years ago whilst jonny was working and living in tokyo and tako made his way over to dj. around the same time, lovefingers linked up with these two and a musical family had formed. that being told, its only natural for sombrero galaxy to find its home and represent the face of the esp insitute. journey to the centre of the sun is a dive into a moody, visceral and ethereal headspace brought to life through shimmering synthesizers, swirling guitars and a chugging bassline coupled with live percussion, clearly setting the bar higher than the bulk of contemporary electronic music. on the b side, the stallions (lovefingers and lee douglas) reinterpret the track with optimism, nicely complimenting the original with a light and cloudy yet driving house version. this is the music of dreams, keep an eye on esp institute in this new decade.

in 2010 desolat continues its one year old x series with m.in: >sing and blow at the same time<. m.in is an young artist from frankfurt area developing his individual music taste by being open-minded towards other genres. his interpretation of house / tech-house is spiced up with jazz, soul and afrobeat elements in order to present a varied and sophisticated blend to his audience and led to numerous well received solo releases and remixes for radio slave and italoboyz amongst others. m.ins house and his versatile beat programming caught our attention a long time ago - and the title track here simply seemed to be tailor-made for loco dice and his sets. >sing and blow at the same time< was probably one of the best kept secrets since last summer and now it’s time to reveal it. this new desolat x will be the first in the series to be available as a digital file as well. its coloured vinyl, with artwork by florian pohl and mastering by enrico mercaldi, will remain a collectors item - great sounding and good looking.

warning! this material contains explicit experience of heavy industrial sonic pressure by jason little. some listeners may be shocked or it may provoke inappropriate panic confusions after listening whole album. control the little man - is offensive and it s being handled only to highly skilled djs. datablender records advise you to consult with your sound engineer before putting needle on the record.

3 track ep of live show favorites that have been floating around playhouse, planet e and transmat for close to ten years but never released. until now. >mysteries of life<, >injury to the enlightened< and >shambhala<. on +++. strictly limited (300 only, no repress) stamped white labels.

the classic ghostly release machines for lovers reissued with a brand new remix from adonis. a brand new remix of the strenouse life done by chicago legend steve poindexter. classic techno house redone. debut on the +++ label. strictly limited (300 only, no repress) stamped white label.

a 12inch sampler from the 2010 new 2x12 album by hieroglyphic being encompassing tribal & sufi experimental sounds with a touch of that classic house nuance.

for intactos 24th release we welcome nicole moudaber. christened by john digweed as the >queen of dark house< as well as being named in many top djs techno charts – nicoles music clearly has a broad appeal. when carl cox was asked last month by dj mag who was the most underrated dj in 2009, he answered >nicole moudaber, ive been following her career for the last three years - her productions and djing. she s amazing.<

release number 25 for the olmeto team and another special remix package. layo & bushwackas >now is the time< is the track being reworked. two different but great interpretations: ralph lawsons 2020soundsystem crew are first up followed by emerson todd. another superb set of remixes from olmeto records!

the third single from the young new label founded by d julz, bass culture brings the noise! kasper is one of the most promising house talents coming out of the madrid scene. kasper is at the core, featuring players such as alex under and damian schwartz, his remix of the cheeky classic >r u ok< by ambivalent on minus, put him firmly on the map as a talented house music dj / producer. since then he hasnt stopped releasing quality recordings for items, things, mupa, cyclical, bloop, bass culture & more...with a musical background comprised of a broad variety of music from post punk, rock, jazz, rap, and of course electronic music - being specially influenced by labels such as studio 1, basic channel, profan, chain reaction, mosaic, schatrax, perlon

the phenomenal handclap band, are a many-membered ensemble which also features musicians from tv on the radio, jon spencer blues explosion and amy winehouses backing band the dap kings, all of whom contribute their individual talents to make for a very exciting whole. their sound is an anthemic, dancefloor-oriented blend of progressive rock, disco, electro, and 60s soul with sprinklings of hip hop-styled orchestral breakbeats and moody, synth-soaked & heavy hooks. using live instrumentation to evoke the intricate arrangements of norman whitfield, quincy jones and phil spector as well as the pared down beats of contemporaries like the neptunes and danger mouse.
a prime example of this melting pot of styles, this single >15 to 20< , combines >vintage sounds of blondie and esg with some css and james murphy thrown in< (zane lowe, bbc 1) to make for an instantly catchy disco pop concoction thats times-tabling chorus will be as popular in the playground as on the hottest dancefloors. >15 to 20< enjoyed spot plays from the likes of radcliffe & maconie, john kennedy and zane lowe, who made it his >hottest record in the world< and went on to describe it as his >breakthrough record of the year so far.< press-wise it has featured in the nmes 10 tracks you have to hear & in the guardians film & music playlist.
live they are a core band of 8 all of whom participated on the album, being daniel collas (organ / vox), sean marquand (keys/effects), quinn luke (guitar / vox), luke o malley (guitar / vox), nick movshon (bass), patrick wood (drums / vox) amanda tomme (lead vox), laura marin (lead vox) with special guests from the album popping in all of the time. dont be surprised to find a 15 piece psychedelic, disco-matic, get down, groovy, hippy cult, rock spectacle-supergroup that really is not to be missed!

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

raz ohara and his odd orchestra return for their second album for get physical. >ii< is the follow up album to the critically acclaimed self titled raz ohara & the odd orchestra cd that is considered being one of the album highlights in 2008. its a warm, organic collection of avant-garde, open-hearted pop music which positively teems with life, a forest of pleasures and possibilities which youll want to lose yourself in indefinitely.
>ii< is certainly less melancholic than its predecessor – its imbued with good feeling, energised by the rhythms and cadences of summer and the great outdoors - but its not euphoric, there is an underlying note of caution, of trepidation. this emotional mix is what makes the record so powerful, especially when allied to a similarly ambiguous musical mix: which imperceptibly melds folk, classic pop, electro-acoustic experimentation and modernist electronics. 10 beautiful songs plus a special download (code included in the artwork) of the single >miracle< make this album a perfect journey through the winter days.

after almost a year hiatus the detroit grand pubahs are back with their detelefunk label. detelefunk being an abbreviation for detroit (det) electronic (ele) funk, they relaunch their imprint with a remixes series of some of their favourite producers remixing tracks from their last 3 albums. hence the title of the series being made up of words from all these album giving us the funtastic “buttfunkula and the remixes from earth”. this is the first of 2 volumes / eps that will offer new remixes, leading into a remix compilation featuring the finest remixes of the pubahs music from over the years. volume 1 sees the minimal originator himself, robert hood, take the reigns and remix the title track from the pubahs debut album >funk all y all<, while detroits underground resistance / interstellar fugitives dj 3000 takes one of paris the black fus first tracks >stalking you< (previously released on throw) and adds his albanian rhythms. finally, last but by no means least swedens samuel l session takes time out from producing for his own klap klap label to deliver this peak time dancefloor remix of the infamous >dr bootygrabber<. promising to take robert hood, dj 3000 and samuel l sessions on a galactic ass trip in their star ship was paris the black fu & the mysterious mr os way of getting them to do remixes. >now all i have to do is get them to deliver< comments paris from his secret lab >i do plan to bring them home after the remixes have been released. working with these artists has been a goal of ours for the past few years, and now that they ve been abducted may the funk be with all of us<

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

time for round 3 in our recent celebration of dessous classics past, present and future… this time we have 3 hot remixes, courtesy of steve bug, langenberg and ripperton, re working tracks from the discowboys, two armadillos and phonique respectively...

more untried sounds from esteemed producer hieroglyphic being aka jamal moss, who offers two of his most gap-bridging electronic compositions to date on this 12 release, exclusively made for dope jams 3rd anniversary - strictly limited to 100 copies!

following the success of their storming funkatech debut >wickedest combination ft. ic3/the system<
west london threesome pyramid are back with the first single in a four part series entitled >elements< consisting of earth, air, fire & water but inspired by their four prefered staples: sex, drugs, rock & roll! in true pyramid style expect nothing less than dancefloor destroyers with uncompromising attitude that deliver the breaks fundamentals: big bass & real breakbeats wrapped up with a fresh twist for 2009.
proclaiming the arrival of this new series in full effect is the preacher this summers first festival anthem. take heed all ye doubting thomases this will bring you to your knees. the ominous intro gives way to heavy rock guitars and a foreboding preachers sermon whipping the crowd into a frenzy before suddenly being struck down by waves of bass and earth quaking beats so big they will bring the lame back to their feet. this is a big room track guaranteed to smash up the dance. big warm and heavy it will rock the most sinful of ravers into repentance. watch those hands reach for the sky ... hhhhallelujah!
not letting up the energy for a second and next up on the flip is >broken dreams< featuring the vocal and production talents of yoof (sons of mecha). no massive build ups here just a great vocal hook, raw beats and bass. no sir this is a ram raid. break steppin broken beats, rapid distorted basslines, thrash guitars & crashing cymbals... have it! underground and uncompromising pyramid bring the skank for 2009.

this album reflects what amsterdam is becoming famous for, its peak time dancefloor experiences! dubbed the city of sin that hosts europes biggest dance festival, is now being touted as the new dance capital of europe. its the hedonists number one weekend party destination.

this album reflects what amsterdam is becoming famous for, its peak time dancefloor experiences! dubbed the city of sin that hosts europes biggest dance festival, is now being touted as the new dance capital of europe. its the hedonists number one weekend party destination.

finally after being a part of mark e s dj sets and very much in demand for a long time heres a much requested edit of one of the biggest tunes by the cool androgynous disco icon. it was already featured on marks resident advisor podcast and has received plays from gilles peterson on radio 1

is it balearic return with the seventh release on their acclaimed label ! is it balearic..? recordings present the deadstock 33s - a very >spicy< journey into wide screen space dub from the mind of justin robertson. >drifting on a wave< is a lush sweeping electro dub soundtrack from the master of dapper balearia ! despite perhaps being more well known for his heavy weight club sets, justin was instrumental in establishing the deep roots of manchesters balearic scene, along with aficionados moonboots and jason boardman. his spice night was a legendary event in the north of england and added a distinctly english spin to the balearic blueprint. celebrated underground edit maestros main stem tackle the remix, creating a beautiful epic balearo-dub soundscape which already sounds like an adriatic classic finally >echo sound< wraps it all up in a slow motion cosmic disco fashion, with more than a little italo swagger, twisted in all the right places. is it balearic…?-oh yeah

in these >post-heater< days it is not so crazy to hear of a kazoo being used in a track, but when style of eye first released >the big kazoo< on dirtybird it wasnt just a sample loop, it was an incredibly innovative usage of the sound - mangled in all the right ways. in 2009 style of eye returns with 3 more monster club tracks. these are the kind of jams that simply work at the club. they arent hard to mix and they arent hard to understand. they are big dirtybird tracks that simply never fail the dancefloor

with electric rescue, the french dj d jedi, who is known all over paris, becomes a part of the cocoon family. he is connected with the development of techno in france already since the beginning of the nineties. despite being busy as a producer for commercials and soundtracks, he always finds some time to release exciting electronic music on imprints such as f comm, communique, elp media and paul nazcas label scandium, where he has released his debut album >el.ue< three years ago. with the two tracks on >the darkest star<, electric rescue succeeds in the daring feat of transforming the energy of rave tracks from the early nineties into the present time without producing an anachronistic impression. besides a tectonically shaking bass drum, the title track relies on the power of sound, a superlative of raw club energy with a twist of irony, which can set a surprising climax with a steadily rising noise level, even after almost ten minutes. >the devils dance< is grafting a comparably brute state-of-emergency techno in a somehow restrained way, rhythm-wise, but is no less effective with its distinctive acid sound effects. and who said that modern techno cant use the tradition of belgian rave-signal-floor-burners?

lotd remains steadfast in its endeavours to offer the best in left field electronic dance music with these 2 tracks from tony lionni. golden is an eight and a half minute journey beginning with stripped down detroit ish synths and ending in more lush, piano & percussion driven territory, with vocal samples being laid overtop the entire ride. epic stuff. the warrior is a deep, late night affair with shades of chicago jack & echoes of basic channel dubness. both of these tracks display tonys depth of musical knowledge while having there sights set firmly in the now & beyond.

hed kandi has yet another massive main room bomb to shake your booty too! take a pinch of pumpin vocal house, add a dash of nu-rave and a spoonful of kandi magic and you get the brand new single from the barflyz >cant help myself<. on the remix is hed kandis man of the moment esquire who adds his secret ingredient to twist the dish and delivers it piping hot and full of kandi flavour! all ready being dropped on hed kandis international dancefloors and cooking up a storm