mynt team up with vocalist kim sozzi once more on this latest offering from ultra gritty primietime progger, with filtered moody synths and big peaktime beats backing kims strong vocal track 4 mixes to go at here, with al b richs into the light dub getting the slight nod for its chunky tribal workout

ntogns second full length album was made for the art installation *where threads lead*, curated by frantic art gallery in tokyo.
the idea is to give a sonic interpretation of strings as both art and as an all encompassing structure of life. ntogn s approach to this has been to work with few evolving elements, flowing and curving like threads in a web. resulting in a varied lot of sonic braids.
early support by cio d or, svreca, takaaki itoh, valentin corujo (exium), mod21, attemporal, eomac, iori, jonas kopp, rasmus hedlund, retina.it, victor martinez, periskop, sam kdc, antonio vazquez, blndr, luigi tozzi

polegroup presents the third opus of his cd mix series unknown landscapes vol 3: a compilation of unreleased tracks, mixed and compiled by a member of the polegroup platform. to make up the third volume, hector sandoval and valentin corujo who form together the duo exium, have selected 24 previously unreleased tracks. besides tracks by reeko, exium, christian wunsch, kwartz, tensal, kessell and oscar mulero, the tracklist includes works by many new faces at the label, such as vril, pulse one, allen, francois x or jeroen search. with this third volume, polegroup invites you to discover a powerful selection of unreleased tracks from high-quality techno producers, all mixed by exium in an 72 minutes long compilation. an extra feature about this mix series is that the selector chooses a maximum of 4 tracks from the mix cd that will be exclusively released on vinyl. for this edition hector and valentin have chosen tracks from antigone, inigo kennedy, mental resonance and exium

valentin offers his interpretation of classic indie rock, influenced by british shoegazer and 90Õs american noise rock, mixed with his fondness of the melodic and refrain orientated rock hit. the culminations heard on the single beyond or below. a heavy bass line serves as the foundation of a dreamy yet explosive rock hit, on which cascades of expressive guitar noise and musical know-how reaches a higher purpose. on the contrary, abstraction best defines the concept of before f after c.