vinyl only release.

the debut solo ep from voodoo down records co-founder 12x12. deadly electro/techno jams, continuing the high standard voodoo down have been synonymous with.

one sided reissue of this 2001 rhythm & sound dub version

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

partial arts sind niemand anderes als ewan pearson & alastair usher, der schon in den ersten tagen des jungen jahres eine perfekte hymne für die späten dancefloors abliefert. umseitig gibt s von alter ego noch einen auf die glocke, fertig !!

cruising (a-side): get into the hypnotic groove of this huge track, constantly building, moving and shaking. you re locked in an upward spiral of hedonistic abandon on a packed dancefloor. think of Âme s recent burner: >rej<. it s that good !! ambition buddy… (b-side): come and meet tim s funky friend catchy josé. he likes to get down on the electro funky grooves of his wunderkid friend, very late in the morning –think tiefschwarz break-dancing in africa… played by anja schneider (mobilee)

2 x cd , 6 page digipack - 2 clear trays + 1 pocket, booklet, marketing sticker

heavenly remixes 3&4 - andrew weatherall volume 1&2, a brace of compilation albums collecting together some of the finest remixes

2xlp + mp3 download code

tape / cassette

limited rsd 2019 release - alternative cover series with bonus 7 inch.

vadim lankov starts his own imprint vadimlankovwaxworks clearly indicating his unbelievable reinforcement and intention to share his new sounds and his interpretation of the modern underground sound made in moscow. aut ep has got his 3 originals that will get any listener into hypnotic state pleasing the original and melancholic melodies all around. this ep has got a very nice remix support coming from the great name of the moscow scene - mister bvoice. enjoy the ep and stay tuned with vadim’s new imprint.

ltd cover edition! vadim lankov starts his own imprint vadimlankovwaxworks clearly indicating his unbelievable reinforcement and intention to share his new sounds and his interpretation of the modern underground sound made in moscow. aut ep has got his 3 originals that will get any listener into hypnotic state pleasing the original and melancholic melodies all around. this ep has got a very nice remix support coming from the great name of the moscow scene - mister bvoice. enjoy the ep and stay tuned with vadim’s new imprint.

music is about discourse: it’s about ideas, about the intellectual project. anyone can build a “beat”, but not everybody can produce an interesting argument for it. this implies the idea of romanticism as a notion of tradition and respect for certain rules. romanticism understood as virtuosity in the manipulation of art production tools. virtuosi of their own methodology. certain pedigree of virtuosity is definitely needed…but in many regards it also remains an extremely conventional formalism, which is at the core of every artist. it doesn’t matter if you have to piss around in the subterranean electronic music trenches for over two decades. a true pioneer simply has to live with that sort of dichotomy. here there are two good examples.

between the high-rises and the depths theres a light glowing. alex. dos second ep for dystopian combines techno with melancholic wave, percussive brilliance and heavy bass drones.

a separate lineage is the brand new ep on ownlife label. this release retrieves leiras usual footprint sweeping through different intensity levels and soundscapes. genetics supplies the right amount of energy to open the record while no partial truth evokes a rougher sound reminiscent of the 90s. a separate lineage is a showcase of contained pressure, guiding the listener into a hypnotic state. the final track, dry ocean, rounds out the ep as it dives deep into an otherworldly sonic plain.

steve summers makes his debut on the shady russian torrent versions imprint with a massive three tracker. melodic, melancholy, and jackin this dusty platter will get you into the zone and is a welcome return of mr. summers to the floor. heavy, rockin and rugged for all the djs out there

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

180g vinyl, heavy duty plastic wallet. original sleeve design and inner bag. real collectors item, limited pressing.

the new record features all new material from the hyperdub founder and his mc collaborator, and will follow up their 2006 album >memories of the future<. in the years since that release, kode9s sound has evolved considerably, mostly shedding the framework of dubstep for ever new mutations of uk bass music, as heard on his dj kicks or the >you dont wash< ep from last year. in addition to the spaceapes post-apocalyptic rhymes, which have also haunted records by martyn and echologist, the album features chinese mc and producer cha cha. on the final track, kode9 is joined in the studio by brainfeeder beatsmith flying lotus.

cache 008 was recorded by dutch producer jeroen schrijvershof, with a pacou re-interpretation on b2

here we have 3 hot remixes from this big suicide tune from a while. originally produced by shapemod (from eskimo band the lotterboys), who teamed with captaine comatoses snax (playhouse) to deliver the firing acid/disco/funk/rock vocal gem, it is now remixed by mugwump, ewan pearson & al usher and frenchman llorca