a little something for your garden party this summer, dj fiskars compiles a mix of favourites in the realm of ambient, new age and contemporary jazz. vibes highly botanical.

quintessentials new output by krl

here comes another nasty piece of heavyweight funky soul out of detroit. this tune certainly appeals to both northern soul as well as funk 45 collectors, especially the open drum break on the flip is a monster.

limited remastered edition of an all time italo classic gem from 1983. today is one of the rarest italo releases in big demand by collectors, now reissued in the right form including both vocal and extended instrumental versions.

featuring jimi tenor on flute.

big dbl header -check

simply put, don’t leave me this way gathers together some of the greatest dance records you’ll hear in one place. from the perennial traditional floor fillers such as gloria gaynor’s ‘i will survive’ and rose royce’s ‘car wash’, to classics that paved the way for disco (manu dibango’s ‘soul makossa’ and ‘love’s theme’ by barry white’s love unlimited orchestra), and groove extravaganzas such as hamilton bohannon’s ‘let’s start the dance’ and ohio players’ ‘fire’ - these are 20 tracks of sheer joy. compiled by daryl easlea, the author of acclaimed book everybody dance: chic and the politics of disco, don’t leave me the way is an instant party on two lps. comes with download code.

introducing the leave the man in peace with his kit summer banger. a healthy dose of 909 and 303, garnished with italian bassline expertise. and post malone. pressed on a shiny 160 gram vinyl record and complemented with a sticker. cheers!

killer, cosmic leaning german funk-rock moves here on the repress tip courtesy of epsilon, a 4 piece from marburg, just north of frankfurt. that kind of grooved out, downtempo dusted glam type of gear that one might hear dj harvey play at wrong o clock in the morning, or something that loda might flip into mid-set that would have everyone scratching their head in disbelief. one of a handful of cool jams the epsilon guys cranked out, remastered and repressed on a lovely, handy 45. sounds heavy. essential listening for those of a more left-field disposition. dig it.

now, these tracks do one thing: they are meant for the club and in the club they should stay. a somewhat sweaty enviroment, like 150 people and a good analog soundsystem... something along those lines. the aim is at a real track-y, immediate vibe – without diving too deep to the autistic side of disco edits. just trying to master the ancient art of elevating a piece of music by cutting and pasting.

the nyc and berlin based group were invited to aurally explore the archive of the seminal french director jean-luc godard and release their interpretations in an innovative new album what we leave behind. drawing on godards personal collection of shot film, reel- to-reels and historical ephemera, the recordings reveal the moments before and after the camera rolls, from stage directions and on-set asides to rehearsals, false stars and outtakes.

this is music that comes from playing records. dj fiskars have done it for 15 years, subconsciously gathering an assortment of ideas, vibes and moments on the job. it’s only now as he’s starting his career as a recording artist those ideas start to materialize in an accessible form on wax. it’s fair to suggest that the record has a day side and a night side. “filippa” is a somewhat balearic piece: on the shelf it lands somewhere between your omar s records and a mario kart disc. on the flip, “key largo’s” mellow yet banging house grooves drop especially well at the after hours party. the release also marks the dawn of fiskars’ new vinyl-first imprint leave the man in peace with his kit – be on the lookout for more releases in 2018.

remastered reissue of u2’s classic album from 2000. pressing on 180 gram vinyl, comes with download code included.

harold melvin & the blue notes were one of the most popular groups on gamble & huff s philadelphia international label, clocking up a number of hits in the mid 70 s. this release featuring two of their recordings, typify the cream of philadelphia international and sigma sound studios dominance of the mid 1970s dance-floor at the absolute height of their creativity and power. -bad luck- spent an unprecedented 11 weeks on the no.1 slot on billboard s u.s. dance chart in 1975 and has since become one of the biggest dance-floor staples ever recorded. on the flip we have the original full version of the classic -don t leave me this way-. both songs are mixed to perfection by tom moulton and both are state-of-the-art lessons in what exhilarating dance music is all about. fully remastered on limited edition 180 gram heavyweight vinyl

a very expected release is finally unveiled, cold colors new ep “leave this world behind”. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. “leave this world behind” represents his fourth ep and again shows us what “minimal melodic synth“ music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

max 1 per customer / max 1 pro kunde
mark flexes the serious house muscles on these tunes. two sides of massive dj-ready club killers! classic chords, tough basslines, hype sax riffs, swangin’ drums, strong vocals, multiple mixes (including a saxapella!)

nice price deal !!!

husband and wife duo ed aka dj jus-ed and jenifa mayanja bring forth their 5th vinyl release. taken from there cd album edj-005 they took 2 years to get the feed back from there fans and club dance floors around the world. to decide the final 4 cuts for you. there is one sentimental track called rainbow which includes vocals from the whole family.

incl four tet remix

repress 2016 , the new artist ep of map.ache goes by the name leave and keep. luckily he is not going to leave the label, but turns in three new tracks, where he is stressing the fine line between dancefloor and good listening. his indescision remains our pleasure

lost classic

flashmob manage to surf the fine line between main room house heroes and underground tech legends. they are just as happy writing a main room bomb for defected as they are making heavy techno for alan fitzpatricks vinyl only esd label.

with a limited 200 piece edition on vinyl -rüttelplatten- tries to catch the people on the danceflooor and also the regular listeners of modern electronic dance music. with -just before i leave- and -you- steve cole (swiss) & ronald christoph (berlin) provide the young label with two deep tech house smashers for a good start. label owner gunman does the remix for -you- and the spanish artist (living in france) eddy romero gives his interpretation for -just before i leave-. so these guys are just one part of the rüttelplatten family. the next members are already in pole position.

the price includes both a limited edition vinyl with a download code inside the sleeve and includes digital reworked instrumental versions of both cactus & leave it all behind.

yes, its your bad girl emma and once again i am sending you some hot stuff straight outta my bedroom.claus casper & jean philips, my boys from cologne, asked some of their favorite producers to remix their bomb track what we used to be

limited backstock !!! zwei amtliche peaktime-power-housebangers von fjaak auf modeselektors 50 weapons-imprint. 50 weapons präsentiert mit fjaak sein neues signing. fjaak ist ein junges berliner trio mit futuristischem geist, aber schon nostalgischen gefühlen. sie lieben analoge maschinen und equipment und digitales spielzeug. trotz ihres jungen alters sind ihre hardware-only-livesets in ihrer heimatstadt berlin und weiteren ausgesuchten europäischen spots bereits legendär.

having been a fan of reelow for, well, as long as we care to remember, we are really proud to present you his new outstanding ep on cellaa music. now residing on ibiza, reelow has enjoyed yet another successful year. with the talent taking a back seat, its the music hogging the spotlight and rightly

finally, a new 12-inch record of emma music is in stock. loverboy and label owner leave deliver a sexy four track release inclusive his new single i didn t miss you. mother recordings dry & bolinger which get regulary support by pete tong are on remix mission

harry agius has been making waves as midland since 2010, releasing a series of increasingly impressive 12”s as a solo artist but also collaborating with the likes of ramadanman (pearson sound), breach and pariah on labels such as aus music, naked naked, works the long nights and his own graded imprint. he is also a prolific remixer who has lent his talents to artists such as lone, guy gerber, julio bashmore, dusky and more. we can proudly say he came to many people’s attention via his first phonica 12” ‘play the game’ back in 2010 and he has remained a friend and regular at the shop ever since. midland’s well deserved rise has been a delight to watch from the sidelines and we’re glad to welcome harry back to phonica with the fantastic ‘before we leave’. it starts slowly but surely as reverb soaked percussion comes to the fore, cushioned by the truly beautiful string melody, which we’re sure will be stuck in many a head this year! this could well be midland’s most deftly handled arrangement yet. running back’s gerd janson wisely decides to stick to the original track’s feel, letting the strings weave their magic, yet also brings the bassline and drums to the forefront. delicately but expertly done. midland rounds out the 12” with his barebones drums and percussion-only ‘bonus beats’ version, perfect dj tool material. we wish more records had these!

solid split vinyl ep featuring two outstanding artists. on the a side we meet the veteran turkish producer and vinyl dj, ugur project (ostwind, back and forth).

ok lovers, its time for the next vinyl session on emma. we are proud to release this brand new various artists ep with tracks of get closer, manuel sahagun, leave and last but not least a very special vinyl only track by our new family members claus casper & jean philips

cannibal society is a dutch hardtechno label straight from the city of rotterdam, serving you some serious rotterdamage.

san proper returns to home territory with his first 12 inch for longtime friend tom tragos rush hour voyage direct imprint. featuring two loose, winding tracks packed with cozy warmth and fluid live instrumentation, leave it up to all of us further enhances his reputation as a producer with a deep understanding of the groove.

the new single portends the mood of the ensuing album, a further foray into harris signature blend of house, modern classical, shoe-gaze and noise which is the artists most ambitious and accomplished work to date. as the sole dance floor moment on the lp, *you can always leave* picks up where harris cult hit *lostfound* left off, with vocals once again from danish vocalist gry bagien and the heartbreakingly august trumpet of no regular plays greg paulus. the remarkable terre thaemlitz delivers an epic 12 minute remix on the flip under his dj sprinkles guise which is sure to make this 12inch a sought after piece for house music s analog enthusiasts.

european manufacturing, uplifting, dynamic, strongly club dedicated house bomb

we celebrate the first release of emma music and the debut of emmas face leave. no doubt is a nu-disco influenced bomb that create a summerish atmosphere. get physicals lopazz tells a modern interpretation of this wonderful track

the most people know his snork enterprises releases under his alias laufmasche, the *deep lay e.p.*, the *foreign funk* release or the *talk like a fool* 12 inch. he also hit the streets with his tracks for relax2000 records or hamburg based eminor, and played dj or live sets from frankfurt, kassel, berlin, hamburg all over germany or also up to peking which was really a special experience for him. now he is back on snork enterprises, the first time with his alter ego samuel fach! get freaked!

is it balearic return with an absolutely superb ep from new signings saint petersburg disco spin spdsc are a collective of live musicians and djs from russia this is their debut release for iib, but a handful of tracks on labels like glenview & teardrop have made serious waves - skillfully combining live disco musicianship with the dj sensibilities which shape their sound. from club friendly and hooky dancefloor tracks to blissfully executed downtempo jams. all pulled off with a loose but pin sharp production style that really makes them stand out i never leave you leads on the a side, a steadily assembled sunset workout, with brass elements defining the groove. marwencol manages to deftly pull off a balearic wu-tang move, whil love spin is a beautifully lolloping beach bar jam, which comes complete with a very dubbed-out dub version too.

selected advent deal, six brand new post-technopop tracks from the borft universe!

danse club records is a the uk-based house & techno label conceived by the brothers who form brodanse. danse club is dedicated to both releasing solid grooving, big, bad, upfront dance-floor records and re-releasing, remastering, and remixing big floor-filling house tracks from the 90s as part of their gold series.

killer u s house bomb!

mysterious artist brings 3 big tracks full of energy & infamous samples on vinyl only imprint created to fight for right to sample.

this release has been a long time coming. all the way from russia, kirill tipo aka the saint petersburg disco spin club, has been catching our attention for some time now. so much so we asked him to take the reins for the launch of the new conservation dept. label. he obliged with three absolute belters!

typical supdub minimal / techhouse / techno - madness

nice price deal !!! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures, piers faccini was born in england to anglo-italian parents, and moved with his family to france when he was five years old.
includes cd-version of the full album.

saved do it again 2 serious dancefloor bombs from greek producer mihalis safras & italian simone tavazzi